{"title":"Available Works","description":"","products":[{"product_id":"signed-mezzotint-by-thomas-hamilton-crawford-the-sign-painter-after-meissonier","title":"Thomas Hamilton Crawford After Meissonier - \"The Sign Painter\"","description":"\u003cp data-start=\"125\" data-end=\"236\"\u003e\u003cstrong data-start=\"125\" data-end=\"174\"\u003eThomas Hamilton Crawford – \u003cem data-start=\"154\" data-end=\"172\"\u003eThe Sign Painter, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"177\" data-end=\"236\"\u003eSigned Hand-Coloured Mezzotint after Meissonier, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"238\" data-end=\"649\"\u003eA fine early 20th-century hand-coloured mezzotint engraving by Thomas Hamilton Crawford (1860–1948), after the celebrated French painter Jean-Louis-Ernest Meissonier (1815–1891). Titled \u003cem data-start=\"432\" data-end=\"450\"\u003eThe Sign Painter\u003c\/em\u003e, the composition depicts a tradesman carefully lettering a shop sign while a second figure looks on, capturing a characterful moment of everyday working life with wit, warmth, and close observation.\u003c\/p\u003e\n\u003cp data-start=\"651\" data-end=\"1114\"\u003eThe subject is especially appealing for its sense of concentration and quiet humour. Meissonier’s small-scale genre scenes were admired for their precision and intimacy, and Crawford’s mezzotint translates those qualities into a richly tonal print with a soft, velvety surface. The subtle hand-colouring adds warmth and decorative charm, while the careful treatment of the figures and interior details preserves the narrative interest of the original composition.\u003c\/p\u003e\n\u003cp data-start=\"1116\" data-end=\"1579\"\u003eMezzotints after Meissonier were highly popular in the late 19th and early 20th centuries, valued for both their technical sophistication and their ability to capture the painterly character of the source image. Crawford was particularly well regarded as a reproductive engraver, and this example retains the crispness and atmosphere associated with good early impressions. The artist’s pencil signature in the lower margin adds further appeal for collectors.\u003c\/p\u003e\n\u003cp data-start=\"1581\" data-end=\"1915\"\u003ePresented in its original early 20th-century Boots frame, the piece carries additional period character and displays very well at a generous scale. A strong and decorative example of British mezzotint printmaking, ideal for collectors of genre prints, working-life subjects, and early 20th-century British graphic art.\u003c\/p\u003e\n\u003cp data-start=\"1917\" data-end=\"2552\"\u003e\u003cstrong data-start=\"1917\" data-end=\"1928\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1928\" data-end=\"1931\"\u003eArtist: Thomas Hamilton Crawford (Scottish, 1860–1948), after J. L. E. Meissonier\u003cbr data-start=\"2016\" data-end=\"2019\"\u003eTitle: \u003cem data-start=\"2030\" data-end=\"2048\"\u003eThe Sign Painter\u003c\/em\u003e\u003cbr data-start=\"2048\" data-end=\"2051\"\u003eMedium: Hand-coloured mezzotint engraving on paper\u003cbr data-start=\"2105\" data-end=\"2108\"\u003eSignature: Pencil signed lower right\u003cbr data-start=\"2148\" data-end=\"2151\"\u003eUnframed size: 42 × 32 cm\u003cbr data-start=\"2180\" data-end=\"2183\"\u003eFramed size: 69 × 56 cm\u003cbr data-start=\"2210\" data-end=\"2213\"\u003eDate: Early 20th century, c.1905–1920\u003cbr data-start=\"2254\" data-end=\"2257\"\u003eCondition: Vintage condition consistent with age. The mezzotint itself is clean and well preserved with strong presentation overall. There is gentle age toning to the mount and light wear to the original frame, as expected.\u003cbr data-start=\"2484\" data-end=\"2487\"\u003eFrame: Original vintage Boots frame, glazed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2554\" data-end=\"2662\"\u003eThis is an authentic early 20th-century hand-pulled mezzotint, not a modern reproduction or later print.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943682389,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/CrawfordMain.jpg?v=1774909368"},{"product_id":"danish-post-war-street-scene-original-oil-painting-signed-krausmann-47","title":"Krausmann - Danish Post-War Street (1947)","description":"\u003cp data-start=\"125\" data-end=\"213\"\u003e\u003cstrong data-start=\"125\" data-end=\"166\"\u003eKrausmann – Scandinavian Street Scene, \u003c\/strong\u003e\u003cstrong data-start=\"169\" data-end=\"213\"\u003eSigned Oil on Canvas, Dated 1947, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"215\" data-end=\"536\"\u003eAn original oil on canvas signed Krausmann and dated 1947, depicting a quiet Scandinavian street scene, likely Danish in character. The composition shows colourful houses lining a village street beneath mature trees, with soft natural light and a calm sense of everyday life giving the painting both warmth and charm.\u003c\/p\u003e\n\u003cp data-start=\"538\" data-end=\"991\"\u003eThe work has a particularly appealing mid-century decorative quality. The simplified forms, gently varied colour, and straightforward composition give it an accessible, characterful presence, while the painted surface retains enough texture and movement to keep the scene visually lively. It sits comfortably between topographical observation and a more naive or folk-inflected mode of painting, making it especially attractive as an interior piece.\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1435\"\u003ePainted in the immediate post-war period, the picture carries the quiet atmosphere often associated with Northern European village scenes of the era. The combination of modest architecture, leafy street setting, and restrained light gives the work a strong sense of place, while its palette and composition make it easy to place in both traditional and more modern interiors, particularly those with a Scandinavian or mid-century sensibility.\u003c\/p\u003e\n\u003cp data-start=\"1437\" data-end=\"1709\"\u003ePresented in its original vintage frame, the painting has strong decorative appeal as well as period character. A pleasing and authentic one-of-a-kind work, ideal for collectors of mid-century European painting, Scandinavian scenes, and vintage decorative art.\u003c\/p\u003e\n\u003cp data-start=\"1711\" data-end=\"2282\"\u003e\u003cstrong data-start=\"1711\" data-end=\"1722\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eArtist: Krausmann\u003cbr data-start=\"1746\" data-end=\"1749\"\u003eTitle: \u003cem data-start=\"1760\" data-end=\"1787\"\u003eScandinavian Street Scene\u003c\/em\u003e\u003cbr data-start=\"1787\" data-end=\"1790\"\u003eMedium: Oil on stretched canvas\u003cbr data-start=\"1825\" data-end=\"1828\"\u003eSignature: Signed and dated lower area, \u003cem data-start=\"1872\" data-end=\"1890\"\u003e“Krausmann 1947”\u003c\/em\u003e\u003cbr data-start=\"1890\" data-end=\"1893\"\u003eCanvas size: Approx. 27 × 38 cm\u003cbr data-start=\"1928\" data-end=\"1931\"\u003eFramed size: Approx. 36 × 47 cm\u003cbr data-start=\"1966\" data-end=\"1969\"\u003eDate: 1947\u003cbr data-start=\"1983\" data-end=\"1986\"\u003eCondition: The painting shows age-related craquelure to the oil paint, most noticeable in the top right area, as expected for a work of this age. The surface remains stable and the composition presents attractively overall.\u003cbr data-start=\"2213\" data-end=\"2216\"\u003eFrame: Presented in its original vintage frame. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2284\" data-end=\"2365\"\u003eThis is a genuine one-of-a-kind vintage artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943747925,"sku":null,"price":120.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Krausmann_Main_7a4badc3-99ea-4f85-81df-eae4b350e706.jpg?v=1774908752"},{"product_id":"large-coloured-mezzotint-throwing-a-kiss-sydney-e-wilson-after-greuze-1923","title":"Sydney E. Wilson after Greuze - \"Throwing a Kiss\" (1923)","description":"\u003cp data-start=\"125\" data-end=\"278\"\u003e\u003cstrong data-start=\"125\" data-end=\"217\"\u003eSydney Ernest Wilson after Jean-Baptiste Greuze – \u003cem data-start=\"177\" data-end=\"194\"\u003eThrowing a Kiss\u003c\/em\u003e (\u003cem data-start=\"196\" data-end=\"214\"\u003eLe Baiser Envoyé\u003c\/em\u003e), \u003c\/strong\u003e\u003cstrong data-start=\"220\" data-end=\"278\"\u003eColoured Mezzotint Engraving, Published c.1923, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"280\" data-end=\"664\"\u003eA coloured mezzotint engraving by Sydney Ernest Wilson (1869–1940), after the celebrated French painter Jean-Baptiste Greuze (1725–1805), depicting \u003cem data-start=\"436\" data-end=\"453\"\u003eThrowing a Kiss\u003c\/em\u003e (\u003cem data-start=\"455\" data-end=\"473\"\u003eLe Baiser Envoyé\u003c\/em\u003e). The composition shows a young woman in 18th-century dress, caught in an intimate and theatrical moment as she sends a kiss while holding a letter, framed by rich drapery and floral detail.\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1153\"\u003eThe image is one of Greuze’s most recognisable and appealing subjects, combining sentiment, elegance, and carefully staged charm. It reflects the taste for refined and emotionally charged genre scenes that made his work so admired, while the costume, pose, and setting give the composition a strong decorative quality. Wilson’s interpretation preserves that appeal beautifully, translating the softness and painterly richness of the original into the velvety tonal language of mezzotint.\u003c\/p\u003e\n\u003cp data-start=\"1155\" data-end=\"1663\"\u003eSydney Ernest Wilson was a highly regarded British engraver, particularly known for his accomplished reproductive prints after Old Masters and 18th-century French pictures. His mezzotints are valued for their tonal depth and sensitivity to the original paintings, and this coloured example is especially attractive for the warmth and delicacy of its finish. Pencil signed in the margin and generous in scale, it has strong wall presence while retaining the intimacy and softness characteristic of the medium.\u003c\/p\u003e\n\u003cp data-start=\"1665\" data-end=\"1897\"\u003ePresented in a glazed frame with a period-style mount, this is a handsome and collectible early 20th-century print, well suited to collectors of decorative mezzotints, French Rococo subjects, and romantic figural prints.\u003c\/p\u003e\n\u003cp data-start=\"1899\" data-end=\"2504\"\u003e\u003cstrong data-start=\"1899\" data-end=\"1910\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1910\" data-end=\"1913\"\u003eArtist: Sydney Ernest Wilson (British, 1869–1940), after Jean-Baptiste Greuze (French, 1725–1805)\u003cbr data-start=\"2014\" data-end=\"2017\"\u003eTitle: \u003cem data-start=\"2028\" data-end=\"2045\"\u003eThrowing a Kiss\u003c\/em\u003e (\u003cem data-start=\"2047\" data-end=\"2065\"\u003eLe Baiser Envoyé\u003c\/em\u003e)\u003cbr data-start=\"2066\" data-end=\"2069\"\u003eMedium: Coloured mezzotint engraving on paper\u003cbr data-start=\"2118\" data-end=\"2121\"\u003eSignature: Pencil signed in the margin\u003cbr data-start=\"2163\" data-end=\"2166\"\u003eUnframed size: 42 × 34 cm\u003cbr data-start=\"2195\" data-end=\"2198\"\u003eFramed size: 63 × 55 cm\u003cbr data-start=\"2225\" data-end=\"2228\"\u003eDate: Published c.1923\u003cbr data-start=\"2254\" data-end=\"2257\"\u003eCondition: The mezzotint is in good overall vintage condition. The sheet shows light, even age toning with scattered foxing consistent with age. It remains well presented overall and displays attractively.\u003cbr data-start=\"2466\" data-end=\"2469\"\u003eFrame: Glazed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2506\" data-end=\"2586\"\u003eThis is an original early 20th-century mezzotint, not a modern reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943715157,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Wilson.jpg?v=1774912395"},{"product_id":"m-argyris-oil-painting-aegina-harbour-near-athens-signed-2002-greek-seascape","title":"M. Argyris - Aegina Harbour Near Athens (2002)","description":"\u003cp data-start=\"125\" data-end=\"208\"\u003e\u003cstrong data-start=\"125\" data-end=\"161\"\u003eM. Argyris – \u003cem data-start=\"140\" data-end=\"159\"\u003eAegina, Nr Athens, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"164\" data-end=\"208\"\u003eSigned Oil on Canvas, Dated 2002, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"210\" data-end=\"525\"\u003eAn original oil on canvas by M. Argyris (born 1939), signed and dated 2002, depicting Aegina Harbour near Athens. The composition captures the distinctive light, colour, and atmosphere of the Greek coastline, with boats, waterfront buildings, and reflective water rendered in a lively, painterly manner.\u003c\/p\u003e\n\u003cp data-start=\"527\" data-end=\"971\"\u003eThe painting has a strong Mediterranean character, combining a sunlit palette with confident, expressive brushwork. Argyris handles the scene with an impressionistic freedom that gives the work both movement and warmth, while the balanced composition preserves a clear sense of place. The result is an attractive and highly decorative coastal painting, well suited to interiors that benefit from colour, light, and a relaxed seaside atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"973\" data-end=\"1320\"\u003eAegina has long been admired for its harbour views and clear Aegean light, and this painting conveys that appeal especially well. The contrast between the built waterfront, moored boats, and shimmering water gives the composition both structure and freshness, making it an excellent example of a modern Greek seascape with broad decorative appeal.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1698\"\u003eThe work is signed lower right and dated 2002, and is presented in a gilt frame likely original to the time of issue. It is accompanied by its original Certificate of Authenticity issued by The Athens Gallery, Athens, and the reverse also bears official Greek export stamps from recognised cultural authorities, adding useful provenance and reassurance for collectors.\u003c\/p\u003e\n\u003cp data-start=\"1700\" data-end=\"1868\"\u003eA well-documented and visually engaging modern Greek painting, ideal for collectors of Mediterranean art, seascapes, and contemporary figurative landscapes.\u003c\/p\u003e\n\u003cp data-start=\"1870\" data-end=\"2604\"\u003e\u003cstrong data-start=\"1870\" data-end=\"1881\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1881\" data-end=\"1884\"\u003eArtist: M. Argyris (b. 1939)\u003cbr data-start=\"1916\" data-end=\"1919\"\u003eTitle: \u003cem data-start=\"1930\" data-end=\"1949\"\u003eAegina, Nr Athens\u003c\/em\u003e\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1977\" data-end=\"1980\"\u003eSignature: Signed lower right\u003cbr data-start=\"2013\" data-end=\"2016\"\u003eDate: 2002\u003cbr data-start=\"2030\" data-end=\"2033\"\u003eUnframed size: 38.5 × 48 cm\u003cbr data-start=\"2064\" data-end=\"2067\"\u003eFramed size: 59 × 68 cm\u003cbr data-start=\"2094\" data-end=\"2097\" data-is-only-node=\"\"\u003eCondition: Excellent overall condition. The paint surface is clean and stable, with no visible losses, lifting, or restoration. Colours remain fresh and vibrant, and the work displays extremely well. The frame is in very good condition with only minor signs of handling.\u003cbr data-start=\"2371\" data-end=\"2374\"\u003eFrame: Gilt frame, likely original, fitted with hanging wire. Ready to hang.\u003cbr data-start=\"2454\" data-end=\"2457\"\u003eProvenance: Certificate of Authenticity from The Athens Gallery, Athens, dated 2002, together with official Greek export stamps to the reverse.\u003c\/p\u003e\n\u003cp data-start=\"2606\" data-end=\"2688\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943780693,"sku":null,"price":115.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MArgyrisPlate.jpg?v=1774907470"},{"product_id":"birnie-rhind-r-s-a-watercolour-coastal-landscape-scottish-seaside-painting","title":"Birnie Rhind R.S.A. - Scottish Coastal Landscape","description":"\u003cp data-start=\"125\" data-end=\"229\"\u003e\u003cstrong data-start=\"125\" data-end=\"185\"\u003eWilliam Birnie Rhind R.S.A. – Scottish Coastal Landscape, \u003c\/strong\u003e\u003cstrong data-start=\"188\" data-end=\"229\"\u003eOriginal Watercolour on Paper, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"231\" data-end=\"622\"\u003eAn original early 20th-century watercolour by William Birnie Rhind R.S.A. (1857–1933), depicting a rugged Scottish coastal scene with rocky shoreline, rolling headlands, and softly shifting sea and sky. The composition captures the natural character of the coastline with a restrained palette and an appealing sense of atmosphere, balancing topographical observation with painterly ease.\u003c\/p\u003e\n\u003cp data-start=\"624\" data-end=\"1109\"\u003eRhind handles the subject with fluid, confident brushwork and subtle tonal gradation, creating a landscape that feels both spacious and quietly expressive. The contrast between the rocky foreground, distant landforms, and open sky gives the work a strong sense of depth, while the muted colour harmonies lend it a calm and contemplative quality. It is an attractive example of early 20th-century Scottish watercolour painting, combining decorative appeal with a genuine sense of place.\u003c\/p\u003e\n\u003cp data-start=\"1111\" data-end=\"1530\"\u003eSigned lower left “Birnie Rhind R.S.A.”, the watercolour carries added interest through its authorship. William Birnie Rhind is best known as a respected Scottish sculptor and Royal Scottish Academician, making his drawn and painted works especially appealing to collectors. This example shows a sensitive handling of landscape and atmosphere, offering a different but closely related side of his artistic practice.\u003c\/p\u003e\n\u003cp data-start=\"1532\" data-end=\"1848\"\u003ePresented in a clean cream mount with rigid backing board and housed in a later oak frame, the work displays very well and is ready to hang. A pleasing and characterful Scottish coastal watercolour, well suited to collectors of Scottish art, British landscapes, and early 20th-century works on paper.\u003c\/p\u003e\n\u003cp data-start=\"1850\" data-end=\"2523\"\u003e\u003cstrong data-start=\"1850\" data-end=\"1861\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eArtist: William Birnie Rhind R.S.A. (1857–1933)\u003cbr data-start=\"1915\" data-end=\"1918\"\u003eTitle: \u003cem data-start=\"1929\" data-end=\"1957\"\u003eScottish Coastal Landscape\u003c\/em\u003e\u003cbr data-start=\"1957\" data-end=\"1960\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1992\" data-end=\"1995\"\u003eSignature: Signed lower left, \u003cem data-start=\"2029\" data-end=\"2052\"\u003e“Birnie Rhind R.S.A.”\u003c\/em\u003e\u003cbr data-start=\"2052\" data-end=\"2055\"\u003ePlate size: 27 × 36 cm\u003cbr data-start=\"2081\" data-end=\"2084\"\u003eFramed size: 42 × 52 cm\u003cbr data-start=\"2111\" data-end=\"2114\"\u003eDate: Early 20th century, undated\u003cbr data-start=\"2151\" data-end=\"2154\"\u003eCondition: Good overall condition. The surface is clean and stable, with no tears, losses, or restoration. There is light foxing and mild age-related discolouration consistent with age. Colours remain well preserved, and the work displays very well overall.\u003cbr data-start=\"2415\" data-end=\"2418\"\u003eMounting: Cream mount with rigid backing board\u003cbr data-start=\"2468\" data-end=\"2471\"\u003eFrame: Later oak frame, glazed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2525\" data-end=\"2607\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943813461,"sku":null,"price":145.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BirnieRhindPlate.jpg?v=1774906657"},{"product_id":"emil-clahr-oil-painting-swedish-rural-landscape-fabodar-signed-nordic-art","title":"Emil Clahr - Swedish Rural Landscape “Fäbodar”","description":"\u003cp data-start=\"125\" data-end=\"224\"\u003e\u003cstrong data-start=\"125\" data-end=\"165\"\u003eEmil Clahr – \u003cem data-start=\"140\" data-end=\"149\"\u003eFäbodar\u003c\/em\u003e (Bro, Västbo), \u003c\/strong\u003e\u003cstrong data-start=\"168\" data-end=\"224\"\u003eSigned Swedish Rural Landscape, Oil on Board, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"226\" data-end=\"578\"\u003eAn original mid-20th-century oil on board by Emil Clahr, depicting a traditional Swedish rural fäbod scene with pasture, timber buildings, and rolling countryside. The composition captures the quiet character of the Scandinavian landscape with confidence and restraint, balancing pastoral simplicity with a strong sense of atmosphere and place.\u003c\/p\u003e\n\u003cp data-start=\"580\" data-end=\"1101\"\u003eClahr handles the scene in a modernist, expressionist-inflected style, using simplified forms, expressive brushwork, and a harmonious palette to create a composition that feels both structured and gently evocative. The buildings sit naturally within the landscape, while the broader arrangement of fields and rising ground gives the painting a calm and balanced decorative presence. The result is a characterful example of Nordic rural painting from the post-war period, with both visual warmth and regional identity.\u003c\/p\u003e\n\u003cp data-start=\"1103\" data-end=\"1498\"\u003eThe reverse bears the artist’s handwritten inscription “Fäbodmotiv (Bro, Västbo)”, identifying the subject and location and adding useful documentary interest. This connection to traditional pastoral life in Sweden gives the work an added cultural depth, making it especially appealing to collectors of Scandinavian art, modernist landscape painting, and regional rural subjects.\u003c\/p\u003e\n\u003cp data-start=\"1500\" data-end=\"1733\"\u003eSigned lower right and presented in a decorative late 20th-century frame, the painting displays very well and is ready to hang. A pleasing and authentic Swedish landscape with strong decorative value and a distinctive sense of place.\u003c\/p\u003e\n\u003cp data-start=\"1735\" data-end=\"2381\"\u003e\u003cstrong data-start=\"1735\" data-end=\"1746\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1746\" data-end=\"1749\"\u003eArtist: Emil Clahr\u003cbr data-start=\"1771\" data-end=\"1774\"\u003eTitle: \u003cem data-start=\"1785\" data-end=\"1794\"\u003eFäbodar\u003c\/em\u003e \/ \u003cem data-start=\"1797\" data-end=\"1823\"\u003eFäbodmotiv (Bro, Västbo)\u003c\/em\u003e\u003cbr data-start=\"1823\" data-end=\"1826\"\u003eMedium: Oil on board\u003cbr data-start=\"1850\" data-end=\"1853\"\u003eSignature: Signed lower right\u003cbr data-start=\"1886\" data-end=\"1889\"\u003eImage size: 38 × 48 cm\u003cbr data-start=\"1915\" data-end=\"1918\"\u003eFramed size: 47 × 57 cm\u003cbr data-start=\"1945\" data-end=\"1948\" data-is-only-node=\"\"\u003eDate: Mid to late 20th century, undated\u003cbr data-start=\"1991\" data-end=\"1994\"\u003eCondition: Good overall condition. The paint surface is clean and stable, with no visible losses, lifting, or restoration. Colours remain fresh and well preserved, and the painting displays very well overall.\u003cbr data-start=\"2206\" data-end=\"2209\"\u003eFrame: Presented in a decorative late 20th-century frame with hanging wire. Ready to hang.\u003cbr data-start=\"2303\" data-end=\"2306\"\u003eProvenance: Handwritten inscription verso: \u003cem data-start=\"2353\" data-end=\"2381\"\u003e“Fäbodmotiv (Bro, Västbo)”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"2383\" data-end=\"2465\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943846229,"sku":null,"price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/SwedishLandscapePlate.jpg?v=1774906386"},{"product_id":"elisabeth-fairthorne-oil-painting-backwater-1937-signed-british-landscape","title":"Elisabeth Fairthorne - “Backwater” (1937)","description":"\u003cp data-start=\"125\" data-end=\"209\"\u003e\u003cstrong data-start=\"125\" data-end=\"163\"\u003eElisabeth Fairthorne – \u003cem data-start=\"150\" data-end=\"161\"\u003eBackwater, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"166\" data-end=\"209\"\u003eSigned Oil on Board, Dated 1937, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"211\" data-end=\"563\"\u003eAn original oil on board by Elisabeth Fairthorne, signed and dated 1937, depicting a tranquil riverside scene titled \u003cem data-start=\"336\" data-end=\"347\"\u003eBackwater\u003c\/em\u003e. The composition shows a quiet stretch of water with reflections, a footbridge, and a building partly screened by trees, capturing the calm and secluded atmosphere of a Thames-side backwater with considerable charm.\u003c\/p\u003e\n\u003cp data-start=\"565\" data-end=\"1047\"\u003ePainted during the interwar period, the work sits comfortably within the tradition of British landscape painting of the 1930s, combining careful observation with confident, painterly handling. Fairthorne’s brushwork gives the surface pleasing movement and texture, while the treatment of light across the water and foliage creates depth and a strong sense of place. The natural palette is harmonious and restrained, giving the picture both atmosphere and decorative versatility.\u003c\/p\u003e\n\u003cp data-start=\"1049\" data-end=\"1258\"\u003eA particularly appealing feature of the painting is its full inscription to the reverse, which reads:\u003cbr data-start=\"1150\" data-end=\"1153\"\u003e\u003cem data-start=\"1153\" data-end=\"1256\"\u003e“Backwater (Shiplake, Henley, Marsh Lock) Elisabeth Fairthorne, 23 Vicarage Road, Henley, Oxon, 1937”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"1260\" data-end=\"1592\"\u003eThis detailed inscription provides excellent documentary interest, firmly anchoring the work to its Thames Valley setting near Henley-on-Thames and adding a strong sense of authenticity and local character. It transforms the picture from a generic landscape into a clearly identified view, rooted in a specific place and moment.\u003c\/p\u003e\n\u003cp data-start=\"1594\" data-end=\"1922\"\u003eWith its generous scale and quietly atmospheric subject, this is a highly displayable painting, well suited to both traditional and contemporary interiors. It would particularly appeal to collectors of British interwar landscapes, Thames Valley scenes, and original decorative paintings with strong period character.\u003c\/p\u003e\n\u003cp data-start=\"1924\" data-end=\"2010\"\u003ePresented in a cream-painted wooden frame and fitted with hanging wire, ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2012\" data-end=\"2872\"\u003e\u003cstrong data-start=\"2012\" data-end=\"2023\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2023\" data-end=\"2026\"\u003eArtist: Elisabeth Fairthorne\u003cbr data-start=\"2058\" data-end=\"2061\"\u003eTitle: \u003cem data-start=\"2072\" data-end=\"2083\"\u003eBackwater\u003c\/em\u003e\u003cbr data-start=\"2083\" data-end=\"2086\"\u003eMedium: Oil on board\u003cbr data-start=\"2110\" data-end=\"2113\"\u003eSignature: Signed lower right, \u003cem data-start=\"2148\" data-end=\"2157\"\u003e“EF 37”\u003c\/em\u003e\u003cbr data-start=\"2157\" data-end=\"2160\"\u003eInscription verso: Fully inscribed with title, location, address, and date\u003cbr data-start=\"2238\" data-end=\"2241\"\u003eUnframed size: 64 × 82 cm\u003cbr data-start=\"2270\" data-end=\"2273\"\u003eFramed size: 78 × 96 cm\u003cbr data-start=\"2300\" data-end=\"2303\"\u003eDate: 1937\u003cbr data-start=\"2317\" data-end=\"2320\"\u003eCondition: Good vintage condition overall. The paint surface is stable and presents well, with no active flaking or losses. There are two small historic holes to the top centre of the board, possibly from an earlier fixing, as shown in the photographs. A small area of historic retouching is present in the upper left, which is well executed and not easily noticeable under normal viewing conditions. The frame shows light age-related wear with some cracking to the corners.\u003cbr data-start=\"2798\" data-end=\"2801\"\u003eFrame: Cream-painted wooden frame with hanging wire. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2874\" data-end=\"2956\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943878997,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/FairthorneIG.jpg?v=1774905945"},{"product_id":"castle-bolton-yorkshire-watercolour-painting-signed-ayjay-english-landscape","title":"AYJAY - Castle Bolton, Yorkshire","description":"\u003cp data-start=\"125\" data-end=\"198\"\u003e\u003cstrong data-start=\"125\" data-end=\"155\"\u003eCastle Bolton, Wensleydale, \u003c\/strong\u003e\u003cstrong data-start=\"158\" data-end=\"198\"\u003eSigned Watercolour Landscape, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"200\" data-end=\"554\"\u003eAn original watercolour on paper depicting Castle Bolton, Wensleydale, signed “AyJay” lower left. This attractive English landscape captures the historic Yorkshire castle set within rolling countryside, rendered in a soft natural palette with a calm, traditional handling that gives the work both decorative appeal and topographical interest.\u003c\/p\u003e\n\u003cp data-start=\"556\" data-end=\"1019\"\u003eThe composition balances the strong architectural form of the castle with the gentler rhythms of the surrounding landscape. The result is a pleasing and atmospheric view, with the medieval fortress rising prominently above the fields while the broader setting retains the charm of a picturesque rural scene. The restrained colour and careful structure place the work comfortably within the tradition of mid-20th-century British topographical watercolour painting.\u003c\/p\u003e\n\u003cp data-start=\"1021\" data-end=\"1495\"\u003eCastle Bolton is one of North Yorkshire’s best-known historic landmarks. Built in the late 14th century, it is closely associated with English history and is particularly remembered as the place where Mary, Queen of Scots was held for a period during her captivity. Its commanding position within Wensleydale has long made it a popular subject for artists and travellers, valued for both its historical importance and its striking setting in the Yorkshire landscape.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1794\"\u003eSigned and presented in a complementary glazed frame, this is a highly displayable original work that would suit collectors of English landscapes, architectural views, and Yorkshire subjects, while also working well as a decorative piece in both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1796\" data-end=\"2447\"\u003e\u003cstrong data-start=\"1796\" data-end=\"1807\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1807\" data-end=\"1810\"\u003eArtist: AyJay (English School)\u003cbr data-start=\"1844\" data-end=\"1847\"\u003eTitle: \u003cem data-start=\"1858\" data-end=\"1886\"\u003eCastle Bolton, Wensleydale\u003c\/em\u003e\u003cbr data-start=\"1886\" data-end=\"1889\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1921\" data-end=\"1924\"\u003eSignature: Signed lower left, \u003cem data-start=\"1958\" data-end=\"1967\"\u003e“AyJay”\u003c\/em\u003e\u003cbr data-start=\"1967\" data-end=\"1970\"\u003eImage size: 29.5 × 39.5 cm\u003cbr data-start=\"2000\" data-end=\"2003\"\u003eFramed size: 45.5 × 55 cm\u003cbr data-start=\"2032\" data-end=\"2035\"\u003eDate: Mid-20th century, undated\u003cbr data-start=\"2070\" data-end=\"2073\"\u003eCondition: Good overall condition. The watercolour surface is clean and stable, with colours remaining vibrant. Some light age-related staining is visible to the corners of the mount. Presented behind glass in a decorative frame in good structural condition.\u003cbr data-start=\"2335\" data-end=\"2338\"\u003eFrame: Glazed and framed, ready to hang\u003cbr data-start=\"2381\" data-end=\"2384\"\u003eProvenance: Framer’s label for G. Bennett, Wimbledon, verso\u003c\/p\u003e\n\u003cp data-start=\"2449\" data-end=\"2531\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943911765,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/CatleBoltonPlate.jpg?v=1774905535"},{"product_id":"hilary-birch-edinburgh-watercolour-websters-land-west-port-snow-cityscape","title":"Hilary Birch - Webster's Land in the Snow","description":"\u003cp data-start=\"125\" data-end=\"247\"\u003e\u003cstrong data-start=\"125\" data-end=\"195\"\u003eHilary Birch – \u003cem data-start=\"142\" data-end=\"193\"\u003eWebster’s Land, West Port, Edinburgh, in the Snow, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"198\" data-end=\"247\"\u003eOriginal Watercolour and Pen on Paper, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"249\" data-end=\"585\"\u003eAn original watercolour and pen on paper by Hilary Birch, depicting Webster’s Land on West Port, Edinburgh, under snow. The composition captures one of the city’s most characterful historic streets in winter, with its stepped gables, warm-toned façades, and layered rooflines set against white rooftops and rising ground beyond.\u003c\/p\u003e\n\u003cp data-start=\"587\" data-end=\"1058\"\u003eThe work has a particularly appealing balance of architectural clarity and seasonal atmosphere. Birch uses fine pen line to give the buildings structure and rhythm, while transparent watercolour washes soften the scene and convey the quiet stillness of snow across the city. The contrast between the terracotta and ochre tones of the frontage and the pale winter setting gives the composition a strong decorative presence, while preserving a clear sense of place.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1451\"\u003eAs a subject, Webster’s Land and the West Port area carry much of the visual character associated with Edinburgh’s Old Town edge, where historic tenements, changing ground levels, and tightly grouped buildings create some of the city’s most distinctive urban views. This painting captures that character especially well, combining topographical interest with the charm of a winter cityscape.\u003c\/p\u003e\n\u003cp data-start=\"1453\" data-end=\"1765\"\u003eThe reverse bears a handwritten label identifying the artist as Hilary Birch, providing useful supporting information for the attribution. Presented in a simple glazed light wood frame, this is a large and visually engaging original Edinburgh view, well suited to both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1767\" data-end=\"1909\"\u003eA striking and characterful work for collectors of Edinburgh scenes, Scottish cityscapes, and original architectural watercolours.\u003c\/p\u003e\n\u003cp data-start=\"1911\" data-end=\"2639\"\u003e\u003cstrong data-start=\"1911\" data-end=\"1922\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1922\" data-end=\"1925\"\u003eArtist: Hilary Birch\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eTitle: \u003cem data-start=\"1963\" data-end=\"2014\"\u003eWebster’s Land, West Port, Edinburgh, in the Snow\u003c\/em\u003e\u003cbr data-start=\"2014\" data-end=\"2017\"\u003eMedium: Watercolour and pen on paper\u003cbr data-start=\"2057\" data-end=\"2060\"\u003eSignature: Unsigned; identified by handwritten label verso\u003cbr data-start=\"2122\" data-end=\"2125\"\u003eImage size: 54 × 74 cm\u003cbr data-start=\"2151\" data-end=\"2154\"\u003eFramed size: 77 × 94.5 cm\u003cbr data-start=\"2183\" data-end=\"2186\"\u003eDate: Contemporary\u003cbr data-start=\"2208\" data-end=\"2211\" data-is-only-node=\"\"\u003eCondition: Good overall condition. The artwork appears clean and well preserved, with no visible damage noted. Colours remain fresh and the composition displays very well overall.\u003cbr data-start=\"2394\" data-end=\"2397\"\u003eFrame: Presented in a simple light wood glazed frame. The frame is in good structural condition and presents well. Fitted with hanging wire and ready to hang.\u003cbr data-start=\"2559\" data-end=\"2562\"\u003eProvenance: The reverse bears a handwritten label identifying the artist.\u003c\/p\u003e\n\u003cp data-start=\"2641\" data-end=\"2723\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943977301,"sku":null,"price":295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Birch_Plate.jpg?v=1774904809"},{"product_id":"victorian-1878-watercolour-edinburgh-st-margarets-loch-arthurs-seat-signed","title":"Cairns - St Margarets Loch, Arthurs Seat, Edinburgh (1878)","description":"\u003cp data-start=\"125\" data-end=\"242\"\u003e\u003cstrong data-start=\"125\" data-end=\"187\"\u003eJ. Cairns — \u003cem data-start=\"139\" data-end=\"185\"\u003eSt Margaret’s Loch, Holyrood Park, Edinburgh, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"190\" data-end=\"242\"\u003eSigned Victorian Watercolour, Dated 1878, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"244\" data-end=\"707\"\u003eAn original Victorian watercolour on paper by J. Cairns, signed and dated 1878, depicting St Margaret’s Loch in Holyrood Park, Edinburgh, with the ruins of St Anthony’s Chapel on the hillside above and Arthur’s Seat rising behind. In the foreground, figures promenade around the loch, a horse and carriage passes by, and small groups sit along the banks, giving the scene a lively sense of the park as a popular place of Victorian leisure.\u003c\/p\u003e\n\u003cp data-start=\"709\" data-end=\"1159\"\u003eThe composition is especially appealing for the way it brings together several of Edinburgh’s most recognisable and historically resonant landmarks within a single view. Cairns handles the scene with a light, confident touch, using a warm earthy palette that gives the work an attractive atmospheric quality. The combination of water, ruins, and volcanic landscape creates a composition that is both topographically interesting and highly decorative.\u003c\/p\u003e\n\u003cp data-start=\"1161\" data-end=\"1807\"\u003eSt Margaret’s Loch itself was formed in 1856 as part of Prince Albert’s programme of improvements to the landscape around the Palace of Holyroodhouse. When this watercolour was painted in 1878, the loch was still a relatively recent addition to one of Edinburgh’s most ancient settings. Above it stand the remains of St Anthony’s Chapel, a medieval structure already ruinous by the 18th century, while beyond rises Arthur’s Seat, the extinct volcano that remains one of the defining features of the city’s skyline. Together, these elements give the picture a strong sense of place and a particularly rich historical character.\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"2136\"\u003eSigned and dated lower left “J. Cairns 1878”, the painting is presented in a later glazed decorative frame with a clean mount and displays very well. A charming and evocative 19th-century Edinburgh view, ideal for collectors of Scottish watercolours, Holyrood Park subjects, and Victorian topographical art.\u003c\/p\u003e\n\u003cp data-start=\"2138\" data-end=\"2910\"\u003e\u003cstrong data-start=\"2138\" data-end=\"2149\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2149\" data-end=\"2152\"\u003eArtist: J. Cairns\u003cbr data-start=\"2173\" data-end=\"2176\"\u003eTitle: \u003cem data-start=\"2187\" data-end=\"2233\"\u003eSt Margaret’s Loch, Holyrood Park, Edinburgh\u003c\/em\u003e\u003cbr data-start=\"2233\" data-end=\"2236\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"2268\" data-end=\"2271\"\u003eSignature: Signed and dated lower left, \u003cem data-start=\"2315\" data-end=\"2333\"\u003e“J. Cairns 1878”\u003c\/em\u003e\u003cbr data-start=\"2333\" data-end=\"2336\"\u003eImage size: 17 × 25 cm\u003cbr data-start=\"2362\" data-end=\"2365\"\u003eFramed size: 35 × 39 cm\u003cbr data-start=\"2392\" data-end=\"2395\"\u003eDate: 1878\u003cbr data-start=\"2409\" data-end=\"2412\"\u003eCondition: Good overall condition. Some slight age-related discolouration and foxing to the paper, visible in the sky and lighter passages, as shown in the photographs. This is consistent with the age of the work and does not detract from its overall appearance. The composition remains clear and attractive and displays well.\u003cbr data-start=\"2742\" data-end=\"2745\"\u003eFrame: Presented in a later glazed decorative frame with a clean mount. The frame is in very good condition and presents the work well. Fitted and ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2912\" data-end=\"2994\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944010069,"sku":null,"price":165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/St_Margarets_Loch_Plate.jpg?v=1774903618"},{"product_id":"antique-18th-century-diderot-encyclopedie-engraving-art-decrire-writing-framed","title":"Diderot Encyclopédie - Art d'Ecrire","description":"\u003cp data-start=\"125\" data-end=\"267\"\u003e\u003cstrong data-start=\"125\" data-end=\"213\"\u003eDiderot \u0026amp; d’Alembert’s \u003cem data-start=\"150\" data-end=\"164\"\u003eEncyclopédie\u003c\/em\u003e — \u003cem data-start=\"167\" data-end=\"181\"\u003eArt d’Ecrire\u003c\/em\u003e (The Art of Writing), Plate 2, \u003c\/strong\u003e\u003cstrong data-start=\"216\" data-end=\"267\"\u003eOriginal 18th-Century Engraving, c.1763, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"269\" data-end=\"776\"\u003eAn original 18th-century copperplate engraving on laid paper from Charles Paillasson’s celebrated handwriting manual \u003cem data-start=\"394\" data-end=\"410\"\u003eL’Art d’Ecrire\u003c\/em\u003e, issued around 1763 as part of Diderot and d’Alembert’s \u003cem data-start=\"473\" data-end=\"551\"\u003eEncyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers\u003c\/em\u003e. The plate depicts a gentleman seated at his writing desk within an elegant interior, while the lower register illustrates quill pens, an inkwell and stand, a pounce box, and the correct hand positions for holding a quill.\u003c\/p\u003e\n\u003cp data-start=\"778\" data-end=\"1232\"\u003eThe composition follows the characteristic format used throughout the \u003cem data-start=\"848\" data-end=\"862\"\u003eEncyclopédie\u003c\/em\u003e plate volumes, combining a larger vignette of practice or setting above with carefully observed studies of tools and technique below. This union of clarity, elegance, and practical instruction is one of the defining qualities of the \u003cem data-start=\"1096\" data-end=\"1110\"\u003eEncyclopédie\u003c\/em\u003e’s engraved plates, which remain among the most visually compelling records of 18th-century intellectual and working life.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1657\"\u003eThe engraving was produced under the direction of Jacques Renaud Benard (1731–1794), whose inscription “Benard direx.” appears in the plate. This indicates the supervision of his atelier rather than necessarily his own hand alone. Benard was one of the most prolific engravers associated with the \u003cem data-start=\"1539\" data-end=\"1553\"\u003eEncyclopédie\u003c\/em\u003e, contributing extensively to one of the most important publishing projects of the French Enlightenment.\u003c\/p\u003e\n\u003cp data-start=\"1659\" data-end=\"2145\"\u003eAs both a work of graphic art and a document of cultural history, the plate has particular appeal. Paillasson devoted his career to the art of writing and calligraphy, and this engraving reflects the period’s concern with refinement, education, and the dignified presentation of skilled practice. The subject makes it especially suitable for a study, library, or desk setting, while the quality of the engraving and its strong historical context give it enduring collector interest.\u003c\/p\u003e\n\u003cp data-start=\"2147\" data-end=\"2357\"\u003ePresented in a substantial glazed gilt frame with a deep green mount, this is a handsome and well-preserved example of an original \u003cem data-start=\"2278\" data-end=\"2292\"\u003eEncyclopédie\u003c\/em\u003e plate — decorative, historically significant, and ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2359\" data-end=\"3020\"\u003e\u003cstrong data-start=\"2359\" data-end=\"2370\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2370\" data-end=\"2373\"\u003eTitle: \u003cem data-start=\"2384\" data-end=\"2398\"\u003eArt d’Ecrire\u003c\/em\u003e (The Art of Writing), Plate 2\u003cbr data-start=\"2428\" data-end=\"2431\"\u003eMedium: Copperplate engraving on laid paper\u003cbr data-start=\"2478\" data-end=\"2481\"\u003eEngraver: Atelier of Jacques Renaud Benard (French, 1731–1794), signed in plate \u003cem data-start=\"2565\" data-end=\"2580\"\u003eBenard direx.\u003c\/em\u003e\u003cbr data-start=\"2580\" data-end=\"2583\"\u003eAfter: Charles Paillasson (French, 1718–1789)\u003cbr data-start=\"2632\" data-end=\"2635\"\u003eDate: c.1763\u003cbr data-start=\"2651\" data-end=\"2654\"\u003ePlate size: 23 × 16 cm\u003cbr data-start=\"2680\" data-end=\"2683\"\u003eFramed size: 56.5 × 46 cm\u003cbr data-start=\"2712\" data-end=\"2715\"\u003eCondition: Good overall condition. Light age toning to the paper, consistent with an 18th-century work. No visible foxing, tears, or losses to the image area. The engraving remains crisp, with fine detail well preserved.\u003cbr data-start=\"2939\" data-end=\"2942\"\u003eFrame: Substantial glazed gilt frame with deep green mount. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"3022\" data-end=\"3112\"\u003eThis is a genuine original 18th-century engraving, not a modern print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944042837,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/The_Art_of_Writing_Inner_Plate_IG.jpg?v=1774901085"},{"product_id":"1930s-christine-h-jackson-southease-sussex-signed-watercolour","title":"Christine H. Jackson - Southease Sussex","description":"\u003cp data-start=\"125\" data-end=\"234\"\u003e\u003cstrong data-start=\"125\" data-end=\"201\"\u003eChristine H. Jackson (English, active 1930s) – \u003cem data-start=\"174\" data-end=\"199\"\u003eSouthease, Sussex No. 1, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"204\" data-end=\"234\"\u003eSigned Watercolour, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"236\" data-end=\"655\"\u003eAn original signed watercolour by Christine H. Jackson, depicting Southease in Sussex as a charming interwar village scene with cottages, church, trees, and grazing sheep set within a gently rolling landscape. The composition has a distinctive decorative and illustrative quality, with carefully arranged forms, soft colour harmonies, and fine linear detail combining to give the work considerable period charm.\u003c\/p\u003e\n\u003cp data-start=\"657\" data-end=\"1058\"\u003eJackson’s treatment of the subject is especially appealing. The clustered buildings, church tower, and surrounding trees are handled in a stylised yet recognisable manner, giving the piece the character of both a topographical view and an illustrator’s interpretation of place. The result is a work that feels warm, characterful, and quietly atmospheric, with a strong sense of English rural identity.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1634\"\u003eThe artist is described on the accompanying label as an English artist active in the 1930s, known as an illustrator of children’s books and for producing posters and press advertisements for London Transport. The same label notes that she exhibited at the Royal Academy three times between 1930 and 1938, and that examples of her work are represented in the London Transport Museum. These details add helpful context and make the present work particularly interesting as an example of a period artist working across both illustration and exhibition practice.\u003c\/p\u003e\n\u003cp data-start=\"1636\" data-end=\"1955\"\u003eThe reverse also retains the artist’s original handwritten label, giving the title “Southease” Sussex No. 1 together with her address at 42A Beeches Avenue, Carshalton Beeches, Surrey. Surviving labels of this kind give the work a strong sense of authenticity and help place it within the artist’s working life.\u003c\/p\u003e\n\u003cp data-start=\"1957\" data-end=\"2238\"\u003ePresented behind glass in a simple wooden frame with a wide off-white mount, this is a pleasing and decorative original watercolour that would suit collectors of British interwar art, Sussex views, illustrative landscape subjects, and small original works on paper.\u003c\/p\u003e\n\u003cp data-start=\"2240\" data-end=\"2863\"\u003e\u003cstrong data-start=\"2240\" data-end=\"2251\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2251\" data-end=\"2254\"\u003eArtist: Christine H. Jackson (English, active 1930s)\u003cbr data-start=\"2310\" data-end=\"2313\"\u003eTitle: \u003cem data-start=\"2324\" data-end=\"2349\"\u003eSouthease, Sussex No. 1\u003c\/em\u003e\u003cbr data-start=\"2349\" data-end=\"2352\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"2384\" data-end=\"2387\"\u003eSignature: Signed lower right\u003cbr data-start=\"2420\" data-end=\"2423\"\u003eVisible picture size: 22.5 × 29 cm\u003cbr data-start=\"2461\" data-end=\"2464\"\u003eFramed size: 46 × 45 cm\u003cbr data-start=\"2491\" data-end=\"2494\"\u003eDate: 1930s\u003cbr data-start=\"2509\" data-end=\"2512\" data-is-only-node=\"\"\u003eCondition: The paper has noticeably discoloured with age, giving the work an overall warm brown tone, together with scattered brown spotting, as shown in the photographs. Otherwise in good, presentable vintage condition overall.\u003cbr data-start=\"2744\" data-end=\"2747\"\u003eFrame: Presented behind glass in a simple wooden frame with a wide off-white mount. Labels verso. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2865\" data-end=\"2947\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944075605,"sku":null,"price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ChristineJacksonPlate.jpg?v=1774900323"},{"product_id":"mid-century-male-portrait-oil-painting-on-board-in-deep-ebonised-frame","title":"Mid-Century Male Portrait","description":"\u003cp data-start=\"125\" data-end=\"196\"\u003e\u003cstrong data-start=\"125\" data-end=\"154\"\u003eMid-Century Male Portrait, \u003c\/strong\u003e\u003cstrong data-start=\"157\" data-end=\"196\"\u003eOil on Board in Deep Ebonised Frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"198\" data-end=\"568\"\u003eAn original mid-century oil on board depicting a young man in bust-length view, painted with a confident economy of handling and a restrained, atmospheric palette. The portrait has a strong decorative presence, with the sitter’s direct gaze, softly modelled features, and muted background combining to create an image that feels both characterful and quietly modern.\u003c\/p\u003e\n\u003cp data-start=\"570\" data-end=\"961\"\u003eThe work has a distinctly mid-century sensibility. Simplified forms, a reduced tonal range, and an understated painterly surface give the portrait a calm visual authority, while also making it highly versatile as an interior piece. Though unattributed, it is an assured and visually effective composition, appealing both as a piece of figurative art and as a one-of-a-kind decorative object.\u003c\/p\u003e\n\u003cp data-start=\"963\" data-end=\"1400\"\u003eA particularly striking part of the piece is the frame. The painting is presented in a deep ebonised frame with gilt slip, which gives it unusual wall presence and adds a sculptural, architectural quality to the whole. The frame appears to pre-date the painting and bears a partial Edinburgh trade label to the reverse, referencing 69 Shandwick Place and 19 Salisbury Place, adding a further layer of historical interest.\u003c\/p\u003e\n\u003cp data-start=\"1402\" data-end=\"1689\"\u003eThe result is a distinctive and decorative portrait with strong mid-century character, attractive proportions, and excellent display impact. It would sit particularly well in interiors that favour mid-century design, figurative art, or darker, more atmospheric decorative pieces.\u003c\/p\u003e\n\u003cp data-start=\"1691\" data-end=\"2254\"\u003e\u003cstrong data-start=\"1691\" data-end=\"1702\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1702\" data-end=\"1705\"\u003eTitle: \u003cem data-start=\"1716\" data-end=\"1743\"\u003eMid-Century Male Portrait\u003c\/em\u003e\u003cbr data-start=\"1743\" data-end=\"1746\"\u003eMedium: Oil on board\u003cbr data-start=\"1770\" data-end=\"1773\"\u003eArtist: Unattributed\u003cbr data-start=\"1797\" data-end=\"1800\"\u003eSignature: Unsigned\u003cbr data-start=\"1823\" data-end=\"1826\"\u003eUnframed size: 29.5 × 24 cm\u003cbr data-start=\"1857\" data-end=\"1860\"\u003eFramed size: 48.5 × 43 × 8 cm\u003cbr data-start=\"1893\" data-end=\"1896\"\u003eDate: Mid-century\u003cbr data-start=\"1917\" data-end=\"1920\"\u003eCondition: Good overall condition with no visible paint losses. Minor age-related scuffs and wear to the frame, as shown in the photographs.\u003cbr data-start=\"2064\" data-end=\"2067\"\u003eFrame: Presented in a striking deep ebonised frame with gilt slip. A partial Edinburgh trade label remains verso, reading “69 Shandwick Place” and “19 Salisbury Place”. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2256\" data-end=\"2338\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944141141,"sku":null,"price":185.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MalePortraitPlate.jpg?v=1774899464"},{"product_id":"ken-lochhead-quality-street-north-berwick-hand-coloured-print-framed","title":"Ken Lochhead - Quality Street North Berwick","description":"\u003cp data-start=\"121\" data-end=\"227\"\u003e\u003cstrong data-start=\"121\" data-end=\"193\"\u003eKen Lochhead (Scottish, 1936–2006) – \u003cem data-start=\"160\" data-end=\"191\"\u003eQuality Street, North Berwick, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"196\" data-end=\"227\"\u003eHand-Coloured Print, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"229\" data-end=\"668\"\u003eA charming hand-coloured print after an original drawing by Ken Lochhead, depicting Quality Street, North Berwick. Known for his distinctive architectural views and affectionate depictions of Scottish towns, Lochhead had a gift for capturing local character through clear linework, balanced composition, and gently applied colour. This example is a particularly appealing view of one of East Lothian’s most picturesque streets.\u003c\/p\u003e\n\u003cp data-start=\"670\" data-end=\"1106\"\u003eThe print has a warm and inviting decorative quality. The neat arrangement of buildings, simple perspective, and carefully tinted surface give the composition both clarity and charm, while the hand-colouring lends a subtle individuality to the piece. Lochhead’s work is especially attractive for the way it combines topographical interest with a light, accessible style, making it easy to place in both traditional and modern interiors.\u003c\/p\u003e\n\u003cp data-start=\"1108\" data-end=\"1396\"\u003eQuality Street is one of North Berwick’s best-loved historic streets, and the subject gives the print a strong sense of place. For collectors of Scottish townscapes, North Berwick views, and architectural prints, this is a pleasing and characterful example of Lochhead’s work.\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1493\"\u003ePresented behind glass with a simple brown mount, the print displays well and is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1495\" data-end=\"1992\"\u003e\u003cstrong data-start=\"1495\" data-end=\"1506\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1506\" data-end=\"1509\"\u003eArtist: Ken Lochhead (Scottish, 1936–2006)\u003cbr data-start=\"1555\" data-end=\"1558\"\u003eTitle: \u003cem data-start=\"1569\" data-end=\"1600\"\u003eQuality Street, North Berwick\u003c\/em\u003e\u003cbr data-start=\"1600\" data-end=\"1603\"\u003eMedium: Hand-coloured print on paper, from an original drawing\u003cbr data-start=\"1669\" data-end=\"1672\"\u003eSignature: Printed signature in the image\u003cbr data-start=\"1717\" data-end=\"1720\"\u003eFramed picture size: 27 × 22 cm\u003cbr data-start=\"1755\" data-end=\"1758\"\u003eCondition: Good overall condition with clean colour and no obvious damage noted. Light, expected age-related handling wear, as shown in the photographs.\u003cbr data-start=\"1914\" data-end=\"1917\"\u003eFrame: Presented behind glass with a simple brown mount. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1994\" data-end=\"2075\"\u003eThis is an original hand-coloured print, not an original drawing or painting.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944272213,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Ken_Lochead_Plate.jpg?v=1776034783"},{"product_id":"topsham-devon-old-ferry-cottage-bulgin-signed-pen-ink-drawing-framed","title":"Bulgin - Topsham, Devon Old Ferry Cottage","description":"\u003cp data-start=\"125\" data-end=\"218\"\u003e\u003cstrong data-start=\"125\" data-end=\"175\"\u003eBulgin – Topsham, The Old Ferry Cottage, Devon, \u003c\/strong\u003e\u003cstrong data-start=\"178\" data-end=\"218\"\u003eOriginal Pen and Ink Drawing, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"220\" data-end=\"594\"\u003eAn original pen and ink drawing by Bulgin, depicting a characterful waterside view at Topsham, Devon, with moored boats, riverside buildings, and the old ferry-side setting rendered in a crisp and confident hand. The composition has a strong topographical charm, combining architectural detail with the quiet atmosphere of one of Devon’s most historic estuary towns.\u003c\/p\u003e\n\u003cp data-start=\"596\" data-end=\"1008\"\u003eExecuted in monochrome, the drawing has a pleasing balance of structure and informality. The line work is clear and decorative, giving the scene both visual precision and an easy sense of place. Boats rest along the water’s edge while the clustered buildings of the riverbank create depth and local character, making the work appealing both as a topographical subject and as a distinctive original work on paper.\u003c\/p\u003e\n\u003cp data-start=\"1010\" data-end=\"1430\"\u003eThe reverse is inscribed “Topsham – the Old Ferry Cottage – Devon” and “Original pen and ink by Bulgin”, giving the piece a clear identification and adding to its period appeal. Topsham’s long maritime history makes it an especially fitting subject for this kind of drawing, and the combination of river setting, historic buildings, and ferry-side interest gives the composition a particularly evocative quality.\u003c\/p\u003e\n\u003cp data-start=\"1432\" data-end=\"1726\"\u003ePresented behind glass in a simple frame, this is a very displayable example of mid-20th-century British topographical drawing. It would suit collectors of Devon views, Topsham interest, nautical and maritime subjects, and small original drawings with a clean monochrome finish.\u003c\/p\u003e\n\u003cp data-start=\"1728\" data-end=\"2441\"\u003e\u003cstrong data-start=\"1728\" data-end=\"1739\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1739\" data-end=\"1742\"\u003eArtist: Bulgin\u003cbr data-start=\"1760\" data-end=\"1763\"\u003eTitle: \u003cem data-start=\"1774\" data-end=\"1813\"\u003eTopsham, The Old Ferry Cottage, Devon\u003c\/em\u003e\u003cbr data-start=\"1813\" data-end=\"1816\"\u003eMedium: Pen and ink on paper\u003cbr data-start=\"1848\" data-end=\"1851\"\u003eSignature: Signed lower right\u003cbr data-start=\"1884\" data-end=\"1887\"\u003eVisible picture size: 33 × 20.5 cm\u003cbr data-start=\"1925\" data-end=\"1928\"\u003eFramed size: 35.5 × 23 cm\u003cbr data-start=\"1957\" data-end=\"1960\"\u003eDate: Mid-20th century\u003cbr data-start=\"1986\" data-end=\"1989\" data-is-only-node=\"\"\u003eCondition: The paper has aged with some scattered spotting\/foxing visible, as shown in the photographs. The drawing remains clear and presentable overall. The frame is generally in good condition, though it is rather lightweight and the glass sits a little loose within it.\u003cbr data-start=\"2266\" data-end=\"2269\"\u003eFrame: Presented behind glass in a simple frame. The reverse is inscribed “Topsham – the Old Ferry Cottage – Devon” and “Original pen and ink by Bulgin.” Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2443\" data-end=\"2525\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944239445,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BulginMain.jpg?v=1774898906"},{"product_id":"hanslip-fletcher-exeter-queen-street-old-market-sunday-times-print-1948-framed","title":"Hanslip Fletcher - Exeter, Queen Street Old Market (1948)","description":"\u003cp data-start=\"126\" data-end=\"265\"\u003e\u003cstrong data-start=\"126\" data-end=\"213\"\u003eHanslip Fletcher (1874–1955) – The Old Market \/ Higher Market, Queen Street, Exeter, \u003c\/strong\u003e\u003cstrong data-start=\"216\" data-end=\"265\"\u003eSunday Times Reproduction Print, 1948, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"267\" data-end=\"726\"\u003eA vintage Sunday Times reproduction print after a pen-and-ink architectural drawing by Hanslip Fletcher (1874–1955), depicting the imposing classical façade of Exeter’s Higher Market on Queen Street, also often referred to as the Old Market. Rendered in crisp monochrome line, the composition has a strong architectural clarity and decorative elegance, making it an appealing piece for collectors of British topography and historic print material.\u003c\/p\u003e\n\u003cp data-start=\"728\" data-end=\"1163\"\u003eThe subject is one of Exeter’s best-known civic buildings. With its grand Greek Doric portico and commanding street presence, the Higher Market has long been admired as a notable example of early 19th-century architecture. Fletcher’s image focuses on this stately frontage, capturing the rhythm of the columns and the dignified balance of the façade with the precision and confidence for which his architectural drawings are known.\u003c\/p\u003e\n\u003cp data-start=\"1165\" data-end=\"1605\"\u003eThis print was issued in 1948 and reproduces Fletcher’s earlier 1938 drawing of the building, giving the piece both topographical and documentary interest. It is a characterful mid-century reproduction that reflects the period’s appreciation for historic British architecture and printed illustration. The clean black-and-white presentation also makes it especially easy to place in both traditional and more contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1607\" data-end=\"1870\"\u003ePresented behind glass with a simple outlined border and no mount, the print has an understated, classic look that suits the subject well. A pleasing example for collectors of Exeter interest, architectural prints, and vintage newspaper reproductions.\u003c\/p\u003e\n\u003cp data-start=\"1872\" data-end=\"2584\"\u003e\u003cstrong data-start=\"1872\" data-end=\"1883\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1883\" data-end=\"1886\"\u003eArtist: Hanslip Fletcher (1874–1955) (after)\u003cbr data-start=\"1934\" data-end=\"1937\"\u003eTitle: \u003cem data-start=\"1948\" data-end=\"2002\"\u003eThe Old Market \/ Higher Market, Queen Street, Exeter\u003c\/em\u003e\u003cbr data-start=\"2002\" data-end=\"2005\"\u003eMedium: Reproduction print on paper after a pen-and-ink drawing\u003cbr data-start=\"2072\" data-end=\"2075\"\u003eSignature: Signed in plate lower right, “Hanslip Fletcher 1948”; printed with “Reproduced from The Sunday Times”\u003cbr data-start=\"2191\" data-end=\"2194\"\u003eDate: Printed 1948; after the original 1938 drawing\u003cbr data-start=\"2249\" data-end=\"2252\"\u003eFramed picture size: 38 × 29 cm\u003cbr data-start=\"2287\" data-end=\"2290\"\u003eCondition: Good overall condition with no foxing and only minimal toning to the paper.\u003cbr data-start=\"2380\" data-end=\"2383\" data-is-only-node=\"\"\u003eFrame: Presented behind glass with a simple outlined border and no mount. The reverse is inscribed in red: “Hanslip Fletcher reproduction \/ ‘The Old Market’ \/ Queen Street \/ EXETER.” Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2586\" data-end=\"2652\"\u003eThis is a vintage reproduction print, not an original drawing.\u003c\/p\u003e\n\u003cp data-start=\"2654\" data-end=\"2773\"\u003eCarefully packed and dispatched from the UK.\u003cbr data-start=\"2698\" data-end=\"2701\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944173909,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/FletcherPlate.jpg?v=1774898436"},{"product_id":"sir-alfred-east-a-r-a-signed-watercolour-lake-study-with-swans-c1900-british","title":"Sir Alfred East A.R.A. - Lake Study with Swans","description":"\u003cp data-start=\"0\" data-end=\"101\"\u003e\u003cstrong\u003eSir Alfred East A.R.A. (British 1844–1913) – Signed Watercolour \u003cem data-start=\"64\" data-end=\"87\"\u003eLake Study with Swans\u003c\/em\u003e (c.1890–1910)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"103\" data-end=\"451\"\u003eOriginal watercolour on paper by Sir Alfred East A.R.A. (1844–1913), depicting swans gliding across calm water beneath a broad, atmospheric sky, with a distant crossing and buildings on the far bank. The scene is handled with East’s characteristic sensitivity to light and reflection, combining delicate detail with an assured, painterly touch.\u003c\/p\u003e\n\u003cp data-start=\"453\" data-end=\"816\"\u003eEast was one of the most respected British landscape painters of the late 19th and early 20th centuries, exhibiting widely during his lifetime and celebrated for poetic interpretations of the countryside and waterways. This work is a particularly appealing example, fully resolved rather than sketchy, with strong decorative presence and a refined, tranquil mood.\u003c\/p\u003e\n\u003cp data-start=\"818\" data-end=\"1120\"\u003eThe watercolour is signed and presented in a handsome gilt frame with a beaded detail, ready to hang. A well-balanced horizontal composition that suits both traditional and contemporary interiors, with the swans providing an elegant focal point and the distant structures adding depth and interest.\u003c\/p\u003e\n\u003cp data-start=\"1122\" data-end=\"1295\"\u003eAlthough an exact location is unconfirmed, the picture reads as a classic East “study” of water, light, and atmosphere, likely dating to his mature period, c. 1890–1910.\u003c\/p\u003e\n\u003cp data-start=\"1297\" data-end=\"1810\"\u003e\u003cstrong data-start=\"1297\" data-end=\"1309\"\u003eDetails:\u003c\/strong\u003e\u003cbr data-start=\"1309\" data-end=\"1312\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1340\" data-end=\"1343\"\u003eArtist: Sir Alfred East A.R.A. (British, 1844–1913)\u003cbr data-start=\"1394\" data-end=\"1397\"\u003eTitle: \u003cem data-start=\"1404\" data-end=\"1427\"\u003eLake Study with Swans\u003c\/em\u003e\u003cbr data-start=\"1427\" data-end=\"1430\"\u003eSignature: Signed lower left\u003cbr data-start=\"1458\" data-end=\"1461\" data-is-only-node=\"\"\u003eImage Size: 34 × 52 cm\u003cbr data-start=\"1483\" data-end=\"1486\"\u003eFramed Size: 46 × 64 cm\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eDate: c. 1890–1910\u003cbr data-start=\"1530\" data-end=\"1533\"\u003eCondition: Very good overall condition. The watercolour presents cleanly, with only minimal, gentle age-related toning and no visible foxing. The work remains fresh and highly decorative throughout.\u003cbr data-start=\"1731\" data-end=\"1734\"\u003eFrame: Presented in a glazed gilt frame with a beaded detail. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1812\" data-end=\"1896\"\u003eThis is a genuine, one-of-a-kind original artwork — not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944206677,"sku":null,"price":895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/AlfredEastPlate.jpg?v=1774896321"},{"product_id":"t-mackenzie-signed-etching-punting-magdalen-college-oxford-framed","title":"T. Mackenzie - Magdalen College Oxford","description":"\u003cp data-start=\"104\" data-end=\"196\"\u003e\u003cstrong data-start=\"104\" data-end=\"158\"\u003eT. Mackenzie – “Punting”, Magdalen College, Oxford, \u003c\/strong\u003e\u003cstrong data-start=\"161\" data-end=\"196\"\u003eSigned Original Etching, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"198\" data-end=\"521\"\u003eA signed original etching by T. Mackenzie, depicting an elegant punting scene before Magdalen College, Oxford. This finely executed print captures one of Oxford’s most recognisable riverside views, with the college buildings rising beyond the water and figures in punts bringing movement and life to the foreground.\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"1014\"\u003eThe composition has a particularly appealing balance of architectural detail and atmospheric charm. Delicate etched lines and subtle tonal variation give the scene a refined, traditional character, while the subject itself evokes the long visual history of Oxford as a centre of learning, leisure, and historic beauty. The combination of water, architecture, and figures makes this an especially decorative topographical print, well suited to both classic and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1016\" data-end=\"1394\"\u003eMagdalen College, founded in 1458, is one of Oxford’s most celebrated institutions, and its picturesque setting beside the River Cherwell has made it a favourite subject for artists and printmakers. In this example, Mackenzie presents the scene with clarity and restraint, allowing the beauty of the architecture and the gentle activity of the river to speak for themselves.\u003c\/p\u003e\n\u003cp data-start=\"1396\" data-end=\"1610\"\u003eSigned in pencil and presented in a glazed black wood frame, this is an attractive and ready-to-display work for collectors of Oxford views, British topographical prints, and early 20th-century etching.\u003c\/p\u003e\n\u003cp data-start=\"1612\" data-end=\"2157\"\u003e\u003cstrong data-start=\"1612\" data-end=\"1623\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1623\" data-end=\"1626\"\u003e\u003cstrong data-start=\"1626\" data-end=\"1637\"\u003eArtist:\u003c\/strong\u003e T. Mackenzie\u003cbr data-start=\"1650\" data-end=\"1653\"\u003e\u003cstrong data-start=\"1653\" data-end=\"1663\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1664\" data-end=\"1673\"\u003ePunting\u003c\/em\u003e\u003cbr data-start=\"1673\" data-end=\"1676\"\u003e\u003cstrong data-start=\"1676\" data-end=\"1687\"\u003eMedium:\u003c\/strong\u003e Etching on paper\u003cbr data-start=\"1704\" data-end=\"1707\"\u003e\u003cstrong data-start=\"1707\" data-end=\"1721\" data-is-only-node=\"\"\u003eSignature:\u003c\/strong\u003e Signed in pencil lower right\u003cbr data-start=\"1750\" data-end=\"1753\"\u003e\u003cstrong data-start=\"1753\" data-end=\"1777\"\u003eUnframed sheet size:\u003c\/strong\u003e 28 × 22.5 cm\u003cbr data-start=\"1790\" data-end=\"1793\"\u003e\u003cstrong data-start=\"1793\" data-end=\"1809\"\u003eFramed size:\u003c\/strong\u003e 42.5 × 38 cm\u003cbr data-start=\"1822\" data-end=\"1825\"\u003e\u003cstrong data-start=\"1825\" data-end=\"1834\"\u003eDate:\u003c\/strong\u003e Early 20th century\u003cbr data-start=\"1853\" data-end=\"1856\"\u003e\u003cstrong data-start=\"1856\" data-end=\"1870\"\u003eCondition:\u003c\/strong\u003e Very good overall condition. The etching presents cleanly, with no notable condition issues apparent. The sheet appears well preserved, and the image retains a crisp, attractive impression with good clarity throughout.\u003cbr data-start=\"2089\" data-end=\"2092\"\u003e\u003cstrong data-start=\"2092\" data-end=\"2102\"\u003eFrame:\u003c\/strong\u003e Presented in a glazed black wood frame. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2159\" data-end=\"2211\"\u003eThis is an original etching, not a reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944370517,"sku":null,"price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/OxfordPlate.jpg?v=1774895133"},{"product_id":"dunvegan-skye-acrylic-painting-signed-w-g-r-dated-1976-framed","title":"W.G.R - Dunvegan, Skye (1976)","description":"\u003cp data-start=\"0\" data-end=\"86\"\u003e\u003cstrong data-start=\"0\" data-end=\"86\"\u003eW.G.R. (20th century) – \u003cem data-start=\"26\" data-end=\"42\"\u003eDunvegan, Skye\u003c\/em\u003e, Acrylic on Canvas, Signed and Dated 1976\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"88\" data-end=\"396\"\u003eOriginal acrylic on canvas depicting Dunvegan on the Isle of Skye, signed and dated 1976 by W.G.R. This characterful Scottish landscape combines a recognisable Highland landmark with a distinctly personal handling of colour and form, giving the scene both topographical interest and strong decorative appeal.\u003c\/p\u003e\n\u003cp data-start=\"398\" data-end=\"929\"\u003eThe composition appears to show Dunvegan Castle rising from the shoreline, with smaller cottages to the right and hills receding into the distance beyond. While the artist remains faithful to the essential structure of the view, the colour is heightened in a way that brings added atmosphere and movement to the scene. Particularly striking is the treatment of the water, where lively touches of blue, turquoise, white, and warm yellow create a shimmering, reflective surface that gives the painting a sense of animation and light.\u003c\/p\u003e\n\u003cp data-start=\"931\" data-end=\"1252\"\u003ePainted in 1976, the work has an appealing period character and sits comfortably within a naïve or folk-influenced landscape tradition. Its simplified forms and expressive palette give it an immediacy that feels both decorative and sincere, making it well suited to interiors that favour warmth, place, and individuality.\u003c\/p\u003e\n\u003cp data-start=\"1254\" data-end=\"1467\"\u003eThe painting is presented in a simple lightweight wood frame and is ready to hang. It would make an attractive addition to a collection of Scottish art, Skye views, or original mid-20th-century landscape painting.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1936\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1480\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1480\" data-end=\"1483\"\u003e\u003cstrong data-start=\"1483\" data-end=\"1494\"\u003eMedium:\u003c\/strong\u003e Acrylic on canvas\u003cbr data-start=\"1512\" data-end=\"1515\"\u003e\u003cstrong data-start=\"1515\" data-end=\"1526\"\u003eArtist:\u003c\/strong\u003e W.G.R.\u003cbr data-start=\"1533\" data-end=\"1536\"\u003e\u003cstrong data-start=\"1536\" data-end=\"1546\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1547\" data-end=\"1563\"\u003eDunvegan, Skye\u003c\/em\u003e\u003cbr data-start=\"1563\" data-end=\"1566\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1566\" data-end=\"1575\"\u003eDate:\u003c\/strong\u003e 1976\u003cbr data-start=\"1580\" data-end=\"1583\"\u003e\u003cstrong data-start=\"1583\" data-end=\"1597\"\u003eSignature:\u003c\/strong\u003e Signed and dated 1976\u003cbr data-start=\"1619\" data-end=\"1622\"\u003e\u003cstrong data-start=\"1622\" data-end=\"1638\"\u003eFramed Size:\u003c\/strong\u003e 52 × 78 cm\u003cbr data-start=\"1649\" data-end=\"1652\"\u003e\u003cstrong data-start=\"1652\" data-end=\"1666\"\u003eCondition:\u003c\/strong\u003e Good overall condition. There are some paint losses around the outer border of the canvas near where it meets the frame, and the canvas is ever so slightly loose on the strainer, but it otherwise presents well.\u003cbr data-start=\"1877\" data-end=\"1880\"\u003e\u003cstrong data-start=\"1880\" data-end=\"1890\"\u003eFrame:\u003c\/strong\u003e Simple lightweight wood frame. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1938\" data-end=\"2011\"\u003eThis is an original, one-of-a-kind painting, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944436053,"sku":null,"price":285.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Dunvegan_Castle_Plate.jpg?v=1774894672"},{"product_id":"antique-dog-oil-painting-herman-frederik-funch-kvik-signed-dated-1889-hunting","title":"Herman Frederik Funch - \"Kvik\"","description":"\u003cp data-start=\"65\" data-end=\"152\"\u003e\u003cstrong data-start=\"65\" data-end=\"152\"\u003eHerman Frederik Funch (Danish 1841–1919) – \u003cem data-start=\"110\" data-end=\"116\"\u003eKvik\u003c\/em\u003e, Hunting Dog, Oil on Canvas, 1889\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"154\" data-end=\"494\"\u003eOriginal oil on canvas by the Danish painter Herman Frederik Funch (1841–1919), depicting a black-and-tan hunting dog named Kvik resting beside a folding shooting chair and game bag. Signed “HFunch” and dated ’89, the painting combines the charm of a dog portrait with the quiet atmosphere of a late 19th-century sporting scene.\u003c\/p\u003e\n\u003cp data-start=\"496\" data-end=\"966\"\u003eWhat gives the work particular appeal is its intimacy. Rather than focusing on the action of the hunt, Funch presents a quieter and more personal moment, with the dog shown patiently at rest, calm and attentive. The inscription “Kvik” at the lower left identifies the sitter by name, lending the picture a strong sense of individuality. In Danish, \u003cem data-start=\"848\" data-end=\"854\"\u003ekvik\u003c\/em\u003e suggests something quick, lively, or alert, a fitting name for a sporting dog, even in this more composed pose.\u003c\/p\u003e\n\u003cp data-start=\"968\" data-end=\"1347\"\u003eFunch was known as an animal painter, and that sensitivity is evident here. The dog is treated not simply as part of a sporting setting, but as the true subject of the picture, observed with warmth and character. The black-and-tan coat is handled with subtle tonal variation, while the surrounding chair and bag place the scene within a recognisably rural and sporting tradition.\u003c\/p\u003e\n\u003cp data-start=\"1349\" data-end=\"1657\"\u003ePresented in an ornate gilt frame with a small lower nameplate, this is an attractive and characterful late 19th-century cabinet picture, well suited to collectors of animal painting, dog portraits, and sporting art. The palette is somewhat dark and the painting benefits from good lighting for best display.\u003c\/p\u003e\n\u003cp data-start=\"1659\" data-end=\"2205\"\u003e\u003cstrong data-start=\"1659\" data-end=\"1670\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1670\" data-end=\"1673\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eArtist: Herman Frederik Funch (Danish, 1841–1919)\u003cbr data-start=\"1746\" data-end=\"1749\"\u003eTitle: \u003cem data-start=\"1756\" data-end=\"1762\"\u003eKvik\u003c\/em\u003e\u003cbr data-start=\"1762\" data-end=\"1765\"\u003eDate: 1889\u003cbr data-start=\"1775\" data-end=\"1778\" data-is-only-node=\"\"\u003eSignature: Signed “HFunch” lower right; “Kvik” inscribed lower left\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eUnframed Size: 22 × 30 cm\u003cbr data-start=\"1873\" data-end=\"1876\"\u003eFramed Size: 33 × 41 cm\u003cbr data-start=\"1899\" data-end=\"1902\"\u003eCondition: Good overall condition, with light age-related wear consistent with age. The picture is tonally quite dark and benefits from good lighting for best display. The frame has some small areas of stucco loss \/ damage.\u003cbr data-start=\"2125\" data-end=\"2128\"\u003eFrame: Presented in an ornate gilt frame with lower nameplate. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944337749,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Funch_Plate.jpg?v=1774893958"},{"product_id":"old-brig-o-dee-invercauld-oil-painting-by-scottish-artist-george-melvin-rennie","title":"George Melvin Rennie - Old Brig o' Dee, Invercauld","description":"\u003cp data-start=\"82\" data-end=\"150\"\u003e\u003cstrong data-start=\"82\" data-end=\"148\"\u003eGeorge Melvin Rennie (Scottish, 1874–1953) – \u003cem data-start=\"129\" data-end=\"146\"\u003eOld Brig o’ Dee\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"152\" data-end=\"626\"\u003eOriginal oil on board by the Scottish artist George Melvin Rennie, depicting the Old Brig o’ Dee crossing the River Dee near Invercauld. The composition captures the bridge within a tranquil Highland landscape, with the river, trees and distant hills rendered in a restrained, atmospheric palette. Rennie’s confident handling and loose, expressive brushwork give the work both structure and softness, reflecting the late Impressionist influence often seen in his landscapes.\u003c\/p\u003e\n\u003cp data-start=\"628\" data-end=\"1093\"\u003eThe Old Brig o’ Dee is an especially appealing subject, combining scenic beauty with historical resonance. Built in 1752 as part of Major William Caulfeild’s programme of Highland military roads and bridges following the Jacobite rising of 1745, it remains one of the most notable surviving bridges of its kind. Rennie returned to this motif more than once, and other closely related versions are known, suggesting that it held a lasting importance within his work.\u003c\/p\u003e\n\u003cp data-start=\"1095\" data-end=\"1410\"\u003eThis example has a particularly balanced and pleasing composition, with the arch of the bridge drawing the eye across the water and into the surrounding landscape. Modest in scale but rich in atmosphere, it is a characterful Scottish painting that would sit well in both traditional and more contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1412\" data-end=\"1619\"\u003eSigned and presented in a later frame, ready to hang. Although an exact date is unknown, the style, materials and subject suggest a work of the early to mid-20th century, likely dating to the 1920s or 1930s.\u003c\/p\u003e\n\u003cp data-start=\"1621\" data-end=\"2283\"\u003e\u003cstrong data-start=\"1621\" data-end=\"1632\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1632\" data-end=\"1635\"\u003eMedium: Oil on board\u003cbr data-start=\"1655\" data-end=\"1658\"\u003eArtist: George Melvin Rennie (Scottish, 1874–1953)\u003cbr data-start=\"1708\" data-end=\"1711\"\u003eTitle: \u003cem data-start=\"1718\" data-end=\"1735\"\u003eOld Brig o’ Dee\u003c\/em\u003e\u003cbr data-start=\"1735\" data-end=\"1738\"\u003eSignature: Signed\u003cbr data-start=\"1755\" data-end=\"1758\" data-is-only-node=\"\"\u003eUnframed Size: 29 × 21 cm\u003cbr data-start=\"1783\" data-end=\"1786\"\u003eFramed Size: 35 × 27 cm\u003cbr data-start=\"1809\" data-end=\"1812\"\u003eDate: Early to mid-20th century, likely c.1920s–1930s\u003cbr data-start=\"1865\" data-end=\"1868\"\u003eCondition: Original oil on board in good vintage condition, with light age-related surface wear and a few minor scattered marks commensurate with age. There is a small area of paint loss, and minor edge wear to the board consistent with age and handling. The paint surface is otherwise stable, with no flaking or restoration observed. Presented in a later frame showing light wear.\u003cbr data-start=\"2249\" data-end=\"2252\"\u003eFrame: Framed and ready to hang\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944468821,"sku":null,"price":210.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Melvin_Rennie_Main.jpg?v=1774893454"},{"product_id":"claude-lasson-floral-still-life-oil-painting-fruit-wine-glass-ornate-gilt-frame","title":"Claude Lasson - Still Life with Flowers, Oranges and Wine Glass","description":"\u003cp data-start=\"90\" data-end=\"157\"\u003e\u003cstrong data-start=\"90\" data-end=\"157\"\u003eClaude Lasson – Still Life with Flowers, Oranges and Wine Glass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"159\" data-end=\"495\"\u003eAn original oil on canvas by Claude Lasson, depicting a richly composed still life of white and red flowers beside oranges and a wine glass. Set against a dark ground and painted with confident, expressive brushwork, the composition has a strong decorative presence, balancing softness, colour and atmosphere with real painterly energy.\u003c\/p\u003e\n\u003cp data-start=\"497\" data-end=\"871\"\u003eThe contrast between the luminous white blooms and the deeper surrounding tones gives the picture immediate impact, while the oranges and glass introduce warmth and clarity across the arrangement. Lasson’s handling is loose and textured, allowing the surface to retain movement and vitality without losing the elegance associated with traditional floral still life painting.\u003c\/p\u003e\n\u003cp data-start=\"873\" data-end=\"1268\"\u003eThis is a work that sits comfortably between classic still life and decorative interior painting. Its palette and composition make it especially effective in a domestic setting, while the substantial ornate gilt frame enhances its sense of richness and display. The result is a painting with both visual charm and practical versatility, equally suited to traditional and more eclectic interiors.\u003c\/p\u003e\n\u003cp data-start=\"1270\" data-end=\"1431\"\u003ePresented in an ornate gilt frame and ready to hang, the painting also retains a paper label verso. A handsome 20th century original with strong interior appeal.\u003c\/p\u003e\n\u003cp data-start=\"1433\" data-end=\"1991\"\u003e\u003cstrong data-start=\"1433\" data-end=\"1444\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1444\" data-end=\"1447\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1468\" data-end=\"1471\"\u003eArtist: Claude Lasson\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eTitle: Still Life with Flowers, Oranges and Wine Glass\u003cbr data-start=\"1549\" data-end=\"1552\"\u003eFramed Size: 55 × 67 cm\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eImage Size: 40 × 51 cm\u003cbr data-start=\"1600\" data-end=\"1603\"\u003eDate: 20th century\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eCondition: Presented in good overall vintage condition. The paint surface appears stable, with light age-related surface wear and texture consistent with the artist’s painterly handling. There may be minor surface variation and expected signs of age, as visible in the photographs.\u003cbr data-start=\"1905\" data-end=\"1908\"\u003eFrame: Presented in an ornate gilt frame. Ready to hang.\u003cbr data-start=\"1964\" data-end=\"1967\"\u003eLabel: Paper label verso\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944501589,"sku":null,"price":165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/LassonPlate.jpg?v=1774894772"},{"product_id":"antique-portrait-of-r-j-brooks-gentleman-oil-painting-english-school-framed","title":"Portrait of R J Brooks","description":"\u003cp data-start=\"96\" data-end=\"173\"\u003e\u003cstrong data-start=\"96\" data-end=\"173\"\u003ePortrait of R. J. Brooks – Antique Oil Painting on Canvas, English School\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"175\" data-end=\"550\"\u003eA characterful mid-19th century portrait depicting R. J. Brooks in formal black coat and white cravat, painted in a restrained palette that gives the work a strong period presence. The sitter is shown bust-length against a simple ground, with the directness of the composition and the dark tonal handling lending the painting a quiet dignity typical of Victorian portraiture.\u003c\/p\u003e\n\u003cp data-start=\"552\" data-end=\"884\"\u003eThe reverse bears the name of the sitter together with a birth date of 1822, while “T. Yule, Haddington” also appears in a different hand, suggesting a later ownership inscription. These markings add an appealing layer of historical interest and help anchor the picture as an individual rather than an anonymous decorative portrait.\u003c\/p\u003e\n\u003cp data-start=\"886\" data-end=\"1297\"\u003eRecently professionally cleaned, the painting remains visually striking and displays well. As one would expect with a work of this age, there is craquelure and age-related surface wear, most notably to the darker passages of the coat, where pronounced alligator-like cracking is visible. There are also small retouched areas, but the portrait retains strong decorative appeal and an authentic antique character.\u003c\/p\u003e\n\u003cp data-start=\"1299\" data-end=\"1473\"\u003ePresented in a dark stained wooden frame with a dark gilt inner slip, this is a genuine 19th century oil portrait with both decorative charm and personal historical interest.\u003c\/p\u003e\n\u003cp data-start=\"1475\" data-end=\"2321\"\u003e\u003cstrong data-start=\"1475\" data-end=\"1486\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1510\" data-end=\"1513\"\u003eArtist: English School\u003cbr data-start=\"1535\" data-end=\"1538\"\u003eTitle: \u003cem data-start=\"1545\" data-end=\"1571\"\u003ePortrait of R. J. Brooks\u003c\/em\u003e\u003cbr data-start=\"1571\" data-end=\"1574\"\u003eDate: Mid 19th century\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eInscription: Inscribed verso with the sitter’s name and date of birth; also marked “T. Yule, Haddington” in a different hand\u003cbr data-start=\"1723\" data-end=\"1726\"\u003eImage Size: 36 × 29 cm\u003cbr data-start=\"1748\" data-end=\"1751\"\u003eFramed Size: 49 × 41 cm\u003cbr data-start=\"1774\" data-end=\"1777\"\u003eCondition: Professionally cleaned and in stable vintage condition. Craquelure around the face, with pronounced alligator-like cracking to the black areas of the coat, likely associated with a bitumen-rich passage. The lower section is dry and crackled with some associated surface disturbance. Small areas of paint loss to the background, chin, forehead and cravat have been retouched. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"2227\" data-end=\"2230\"\u003eFrame: Presented in a dark stained wooden frame with a dark gilt inner slip. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944534357,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Brooks_Clean_Plate.jpg?v=1774912343"},{"product_id":"ivan-bergdahl-swedish-oil-painting-spring-river-gadean-harnosand-dated-1983","title":"Ivan Bergdahl, Spring River, Gådeån, Härnösand","description":"\u003cp data-start=\"84\" data-end=\"160\"\u003e\u003cstrong data-start=\"84\" data-end=\"160\"\u003eIvan Bergdahl (Swedish, b. 1929) – Spring River, Gådeån, Härnösand, 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"162\" data-end=\"565\"\u003eOriginal oil on canvas by Swedish painter Ivan Bergdahl, depicting a spring river scene at Gådeån in Härnösand. Signed and dated 1983, the painting captures the force of snowmelt water with striking immediacy, the river surging through the landscape with a real sense of speed, weight, and movement. Bergdahl’s handling is expressive yet controlled, giving the composition both atmosphere and structure.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"944\"\u003eThe subject is especially compelling for its combination of energy and stillness. The rushing water dominates the foreground, while the bridge beyond provides a calm and steady counterpoint, anchoring the scene within the landscape. Remaining snow at the banks reinforces the sense of seasonal thaw, and the restrained Nordic palette gives the work a cool, distinctive clarity.\u003c\/p\u003e\n\u003cp data-start=\"946\" data-end=\"1373\"\u003eBergdahl is associated with landscapes of lakes, rivers, and rapids, and this painting feels particularly characteristic in that respect. Rooted in a specific place yet painted with broad appeal, it is both a topographical view and an atmospheric Scandinavian landscape. The result is a work with strong regional identity, well suited to collectors of Nordic painting, river scenes, and expressive late 20th-century landscapes.\u003c\/p\u003e\n\u003cp data-start=\"1375\" data-end=\"1492\"\u003ePresented in its frame and ready to hang, this is a distinctive original painting with excellent decorative presence.\u003c\/p\u003e\n\u003cp data-start=\"1494\" data-end=\"2140\"\u003e\u003cstrong data-start=\"1494\" data-end=\"1505\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1505\" data-end=\"1508\"\u003e\u003cstrong data-start=\"1508\" data-end=\"1519\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1533\" data-end=\"1536\"\u003e\u003cstrong data-start=\"1536\" data-end=\"1547\"\u003eArtist:\u003c\/strong\u003e Ivan Bergdahl\u003cbr data-start=\"1561\" data-end=\"1564\"\u003e\u003cstrong data-start=\"1564\" data-end=\"1574\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1575\" data-end=\"1608\"\u003eSpring River, Gådeån, Härnösand\u003c\/em\u003e\u003cbr data-start=\"1608\" data-end=\"1611\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1611\" data-end=\"1620\"\u003eDate:\u003c\/strong\u003e 1983\u003cbr data-start=\"1625\" data-end=\"1628\"\u003e\u003cstrong data-start=\"1628\" data-end=\"1642\"\u003eSignature:\u003c\/strong\u003e Signed and dated\u003cbr data-start=\"1659\" data-end=\"1662\"\u003e\u003cstrong data-start=\"1662\" data-end=\"1680\"\u003eUnframed Size:\u003c\/strong\u003e 49.5 × 60 cm\u003cbr data-start=\"1693\" data-end=\"1696\"\u003e\u003cstrong data-start=\"1696\" data-end=\"1712\"\u003eFramed Size:\u003c\/strong\u003e 63 × 52 cm\u003cbr data-start=\"1723\" data-end=\"1726\"\u003e\u003cstrong data-start=\"1726\" data-end=\"1740\"\u003eCondition:\u003c\/strong\u003e Presented in good overall condition. The paint surface appears stable. There are some areas that may initially suggest minor paint loss, but these appear to be intentional passages where the artist has allowed the ground layer to show through as part of the painting’s surface character and handling. Please refer closely to the photographs for exact condition.\u003cbr data-start=\"2102\" data-end=\"2105\"\u003e\u003cstrong data-start=\"2105\" data-end=\"2115\"\u003eFrame:\u003c\/strong\u003e Framed and ready to hang\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944567125,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BergdahlPlate.jpg?v=1774912325"},{"product_id":"john-slezer-edinburgh-castle-print-1993-facsimile-southside-of-the-castle-framed","title":"John Slezer, Southside of the Castle","description":"\u003cp data-start=\"0\" data-end=\"100\"\u003e\u003cstrong data-start=\"0\" data-end=\"100\"\u003eJohn Slezer \u003cem data-start=\"14\" data-end=\"32\"\u003eTheatrum Scotiae\u003c\/em\u003e 1993 Facsimile Print – \u003cem data-start=\"56\" data-end=\"98\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"102\" data-end=\"490\"\u003eA decorative 1993 facsimile print after Plate I from John Slezer’s \u003cem data-start=\"171\" data-end=\"189\"\u003eTheatrum Scotiae\u003c\/em\u003e, depicting the south side of Edinburgh Castle. This celebrated view presents the castle from the south with its original Latin and English titles, \u003cem data-start=\"345\" data-end=\"373\"\u003eFacies Arcis Edenburgeanae\u003c\/em\u003e \/ \u003cem data-start=\"376\" data-end=\"418\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e, and draws on one of the best-known early printed images of the city.\u003c\/p\u003e\n\u003cp data-start=\"492\" data-end=\"1012\"\u003eSlezer occupies an important place in the history of Scottish topography, and \u003cem data-start=\"570\" data-end=\"588\"\u003eTheatrum Scotiae\u003c\/em\u003e remains one of the landmark illustrated surveys of late 17th-century Scotland. This example is not an original 1693 engraving, but a 1993 licensed facsimile, produced to mark the tercentenary of the publication. The print was issued in connection with the National Library of Scotland exhibition \u003cem data-start=\"899\" data-end=\"925\"\u003eScotland First Portrayed\u003c\/em\u003e, held that year to celebrate 300 years since the appearance of Slezer’s famous work.\u003c\/p\u003e\n\u003cp data-start=\"1014\" data-end=\"1504\"\u003eThat background gives the piece a dual appeal. On one level, it is a striking and historically resonant image of Edinburgh Castle, one of Scotland’s most recognisable landmarks. On another, it is a commemorative late 20th-century reproduction tied to an important exhibition and to the continuing legacy of Slezer’s publication. The result is a print that works equally well as a decorative Edinburgh view and as an object of interest within the broader history of Scottish printed imagery.\u003c\/p\u003e\n\u003cp data-start=\"1506\" data-end=\"1788\"\u003ePresented in a simple black frame with a cream mount, it displays cleanly and attractively. A handsome framed print for collectors of Edinburgh views, Scottish topography and architectural prints, and a characterful piece for both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1790\" data-end=\"2214\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1801\" data-end=\"1804\"\u003eMedium: Facsimile print on paper\u003cbr data-start=\"1836\" data-end=\"1839\"\u003eArtist: John Slezer\u003cbr data-start=\"1858\" data-end=\"1861\"\u003eTitle: \u003cem data-start=\"1868\" data-end=\"1910\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e\u003cbr data-start=\"1910\" data-end=\"1913\"\u003eFramed Size: 44 × 32 cm\u003cbr data-start=\"1936\" data-end=\"1939\"\u003eDate: 1993\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eCondition: Good overall condition with light, expected wear consistent with age and framing. The print presents cleanly and attractively overall, with no major issues noted\u003cbr data-start=\"2124\" data-end=\"2127\"\u003eFrame: Presented behind glass in a simple black frame with a cream mount. Ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2216\" data-end=\"2300\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis is a 1993 licensed facsimile print, not an original 17th-century engraving.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944599893,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/SouthsideoftheCastleMain.jpg?v=1774826780"},{"product_id":"victorian-edinburgh-watercolour-old-bowhead-lawnmarket-c1890-framed","title":"Old Bowhead, Lawnmarket","description":"\u003cp data-start=\"0\" data-end=\"74\"\u003e\u003cstrong data-start=\"0\" data-end=\"74\"\u003eVictorian Watercolour of Old Bowhead and Lawnmarket, Edinburgh, c.1890\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"76\" data-end=\"465\"\u003eA charming Victorian watercolour depicting Old Bowhead and the Lawnmarket, Edinburgh, one of the most characterful and historically evocative views in the city’s Old Town. The composition looks from the head of the West Bow into the Lawnmarket, with tall tenements, irregular rooflines and small passing figures combining to create a lively and atmospheric impression of old Edinburgh.\u003c\/p\u003e\n\u003cp data-start=\"467\" data-end=\"981\"\u003eThe work appears to be based on the well-known 19th-century illustration of the same subject published in John Parker Lawson’s \u003cem data-start=\"596\" data-end=\"617\"\u003eScotland Delineated\u003c\/em\u003e, a celebrated series of Scottish views issued between 1847 and 1854. Rather than being a print from that publication, this is best understood as a later original watercolour interpretation after that admired topographical design. That connection gives the piece added interest, linking it to one of the best-known published images of this part of Edinburgh.\u003c\/p\u003e\n\u003cp data-start=\"983\" data-end=\"1370\"\u003eThe subject has enduring appeal. The dramatic descent of the West Bow, the dense historic architecture and the sense of everyday street life all contribute to its charm, while the hand-painted treatment gives the scene a warmth and immediacy distinct from the printed source. It sits comfortably within the Victorian taste for picturesque urban views and remains highly decorative today.\u003c\/p\u003e\n\u003cp data-start=\"1372\" data-end=\"1681\"\u003eUnattributed, but full of period character, this is an appealing piece for collectors of Scottish art, Edinburgh views and 19th-century watercolours. Presented in an elegant glazed frame with gilt outer and inner borders, a black middle moulding and a cream mount, it is ready to hang and display.\u003c\/p\u003e\n\u003cp data-start=\"1683\" data-end=\"2089\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1725\" data-end=\"1728\"\u003eArtist: Unattributed\u003cbr data-start=\"1748\" data-end=\"1751\"\u003eTitle: \u003cem data-start=\"1758\" data-end=\"1797\"\u003eOld Bowhead and Lawnmarket, Edinburgh\u003c\/em\u003e\u003cbr data-start=\"1797\" data-end=\"1800\"\u003eImage Size: 12.5 × 22.5 cm\u003cbr data-start=\"1826\" data-end=\"1829\" data-is-only-node=\"\"\u003eFramed Size: 35 × 38 cm\u003cbr data-start=\"1852\" data-end=\"1855\"\u003eDate: c.1890\u003cbr data-start=\"1867\" data-end=\"1870\"\u003eCondition: Overall good condition, with light age-related wear and some toning visible to the mount, as shown\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eFrame: Glazed frame with gilt outer and inner borders, black middle moulding and cream mount. Ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2091\" data-end=\"2173\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944730965,"sku":null,"price":85.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/LawnmarketPlate.jpg?v=1774912180"},{"product_id":"freida-marion-ewart-scott-still-life-with-daffodils-watercolour-signed","title":"Freida Marion Ewart Scott, Still Life with Daffodils","description":"\u003cp data-start=\"78\" data-end=\"161\"\u003e\u003cstrong data-start=\"78\" data-end=\"129\"\u003eFreida Marion Ewart Scott (Scottish, 1926–2012), \u003c\/strong\u003e\u003cstrong data-start=\"132\" data-end=\"161\"\u003eStill Life with Daffodils\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"163\" data-end=\"584\"\u003eA vibrant original watercolour by Scottish artist Freida Marion Ewart Scott, this expressive still life combines daffodils, fruit, pottery and richly patterned textiles in a composition full of warmth, colour and decorative charm. Set against a vivid yellow ground, the arrangement has an unusually lively, unforced character, giving the picture the feeling of a real domestic moment rather than a formal studio exercise.\u003c\/p\u003e\n\u003cp data-start=\"586\" data-end=\"1034\"\u003eStill life was a recurring subject in Scott’s work, and this painting sits comfortably within that known body of material. Its strong palette, simplified forms and layered fabrics give it a distinctive visual rhythm, while the mixture of flowers, fruit and vessels creates an image that feels both playful and composed. The result is a work with real presence, equally suited to traditional interiors and more contemporary spaces in need of colour.\u003c\/p\u003e\n\u003cp data-start=\"1036\" data-end=\"1352\"\u003eFreida Marion Ewart Scott was active within the Scottish art world as both a painter and lecturer, and her work is represented in Glasgow Museums. This example is especially appealing for its generous scale and decorative confidence, making it an excellent statement piece for a dining room, sitting room or hallway.\u003c\/p\u003e\n\u003cp data-start=\"1354\" data-end=\"1422\"\u003ePresented mounted and framed under glass, the work is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1424\" data-end=\"2116\"\u003e\u003cstrong data-start=\"1424\" data-end=\"1435\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1435\" data-end=\"1438\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1466\" data-end=\"1469\"\u003eArtist: Freida Marion Ewart Scott (Scottish, 1926–2012)\u003cbr data-start=\"1524\" data-end=\"1527\"\u003eTitle: \u003cem data-start=\"1534\" data-end=\"1561\"\u003eStill Life with Daffodils\u003c\/em\u003e\u003cbr data-start=\"1561\" data-end=\"1564\"\u003eDate: Late 20th century\u003cbr data-start=\"1587\" data-end=\"1590\" data-is-only-node=\"\"\u003eImage Size: 52.5 × 67 cm\u003cbr data-start=\"1614\" data-end=\"1617\"\u003eFramed Size: 76 × 89 cm\u003cbr data-start=\"1640\" data-end=\"1643\"\u003eCondition: Presented in good overall condition. The sheet appears well preserved, with light age-related wear commensurate with medium and age. There are one or two small splashes of paint on the paper, understood to be original to the making of the work rather than later damage. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"1988\" data-end=\"1991\"\u003eFrame: Presented in a glazed frame with mount and backing. Some light age-related wear to the frame and mount. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944796501,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ScottPlate.jpg?v=1774912275"},{"product_id":"charles-harmony-harrison-watercolour-norfolk-coastal-broadland-scene-signed","title":"Charles Harmony Harrison, Norfolk Coastal Broadland Scene","description":"\u003cp data-start=\"100\" data-end=\"182\"\u003e\u003cstrong data-start=\"100\" data-end=\"182\"\u003eCharles Harmony Harrison (British 1842–1902) – Norfolk Broadland Coastal Scene\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"184\" data-end=\"536\"\u003eA delicate and atmospheric late 19th-century watercolour by Charles Harmony Harrison, depicting a low-lying Norfolk waterside scene beneath a wide, open sky. Executed in an elongated panoramic format, the composition has a quiet spaciousness, with soft tonal handling and a distant tower or mill-like structure lending the view a subtle sense of place.\u003c\/p\u003e\n\u003cp data-start=\"538\" data-end=\"956\"\u003eHarrison was born in Great Yarmouth and is closely associated with East Anglian landscape painting, particularly scenes of the Norfolk Broads, marshes, rivers and coastal districts. This work sits comfortably within that tradition. While the precise location has not been confirmed, the flat terrain, expansive water and restrained palette strongly suggest the Broadland environment for which the artist is best known.\u003c\/p\u003e\n\u003cp data-start=\"958\" data-end=\"1328\"\u003eThough modest in scale, the painting has considerable charm. Its narrow format gives it a distinctive presence, while the muted colour and open composition make it easy to place within both traditional and more contemporary interiors. It is an appealing example of Victorian regional landscape painting by an artist with a clear connection to Norfolk and Great Yarmouth.\u003c\/p\u003e\n\u003cp data-start=\"1330\" data-end=\"1421\"\u003eThe work is signed lower left and presented in a later glazed frame with mount and backing.\u003c\/p\u003e\n\u003cp data-start=\"1423\" data-end=\"2058\"\u003e\u003cstrong data-start=\"1423\" data-end=\"1434\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1434\" data-end=\"1437\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eArtist: Charles Harmony Harrison (British, 1842–1902)\u003cbr data-start=\"1521\" data-end=\"1524\"\u003eTitle: Norfolk Broadland Coastal Scene\u003cbr data-start=\"1562\" data-end=\"1565\"\u003eDate: Late 19th century\u003cbr data-start=\"1588\" data-end=\"1591\"\u003eImage Size: 6 × 25 cm\u003cbr data-start=\"1612\" data-end=\"1615\" data-is-only-node=\"\"\u003eFramed Size: 16 × 35 cm\u003cbr data-start=\"1638\" data-end=\"1641\"\u003eCondition: Presented in aged condition. There is visible staining and discolouration, together with small losses, most notably toward the right-hand side. There is also general light surface wear commensurate with age. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"1924\" data-end=\"1927\"\u003eFrame: Presented in a later glazed frame with mount and backing. Some light age-related wear to the frame and mount. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2060\" data-end=\"2129\"\u003eThis is an original, one-of-a-kind work, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944763733,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HarrisonMain.jpg?v=1774827491"},{"product_id":"edward-bawden-the-lord-of-the-tower-looked-out-and-saw-a-damsel-a-dwarf-and-a-knight-armed-at-all-points","title":"Edward Bawden - The Lord of the tower looked out and saw a damsel, a dwarf and a knight armed at all points","description":"\u003cp data-end=\"216\" data-start=\"84\"\u003e\u003cstrong data-end=\"216\" data-start=\"84\"\u003eEdward Bawden CBE RA (1903–1989) – \u003cem data-end=\"214\" data-start=\"121\"\u003eThe Lord of the Tower Looked Out and Saw a Damsel, a Dwarf and a Knight Armed at All Points\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"648\" data-start=\"218\"\u003eAn original signed linocut by Edward Bawden, one of the most distinctive British printmakers and illustrators of the 20th century. This limited-edition impression, numbered 6\/50, was produced in 1982 as part of Bawden’s illustration series for Thomas Malory’s \u003cem data-end=\"509\" data-start=\"478\"\u003eThe Chronicles of King Arthur\u003c\/em\u003e, published by the Folio Society. The V\u0026amp;A catalogues the work as a linoprint on Japanese Hosho paper. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1166\" data-start=\"650\"\u003eThe composition has all the qualities that make Bawden’s graphic work so enduring: a bold, economical arrangement, crisp linear design, and a wonderful sense of narrative clarity. A dwarf, a damsel and an armed knight approach a castle moat on horseback, while a figure watches from the tower above. The medieval subject lends the print a storybook richness, but the handling feels unmistakably modern, with Bawden’s characteristic balance of wit, order and decorative strength. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1428\" data-start=\"1168\"\u003eBoth visually striking and well documented, this is an especially appealing example from Bawden’s Arthurian series. It works beautifully as a piece for collectors of British printmaking and illustration, but also as an elegant decorative work in its own right.\u003c\/p\u003e\n\u003cp data-end=\"1980\" data-start=\"1430\"\u003e\u003cstrong data-end=\"1441\" data-start=\"1430\"\u003eDetails\u003c\/strong\u003e\u003cbr data-end=\"1444\" data-start=\"1441\"\u003eMedium: Linocut on Japanese Hosho paper\u003cbr data-end=\"1486\" data-start=\"1483\"\u003eArtist: Edward Bawden CBE RA\u003cbr data-end=\"1517\" data-start=\"1514\"\u003eTitle: \u003cem data-end=\"1617\" data-start=\"1524\"\u003eThe Lord of the Tower Looked Out and Saw a Damsel, a Dwarf and a Knight Armed at All Points\u003c\/em\u003e\u003cbr data-end=\"1620\" data-start=\"1617\"\u003eDate: 1982\u003cbr data-is-only-node=\"\" data-end=\"1633\" data-start=\"1630\"\u003eEdition: 6\/50\u003cbr data-end=\"1649\" data-start=\"1646\"\u003eImage Size: 20 × 27 cm\u003cbr data-end=\"1674\" data-start=\"1671\"\u003eFramed Size: 54.5 × 66.5 cm\u003cbr data-end=\"1709\" data-start=\"1706\"\u003eCondition: Presented in good overall condition. The print appears well preserved and displays very well. Please refer closely to the photographs for the exact condition.\u003cbr data-end=\"1881\" data-start=\"1878\"\u003eFrame: Presented in a glazed frame with mount. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53591002153301,"sku":null,"price":425.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Bawden_Plate.jpg?v=1775081429"},{"product_id":"janes-lichfield-cathedral-from-minster-pool","title":"Janes - Lichfield Cathedral from Minster Pool","description":"\u003cp data-start=\"67\" data-end=\"167\"\u003e\u003cstrong data-start=\"67\" data-end=\"167\"\u003e20th Century European School – Lichfield Cathedral from Minster Pool, Oil on Board, Signed Janes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"169\" data-end=\"612\"\u003eOriginal oil on board depicting Lichfield Cathedral seen from Minster Pool, signed \u003cem data-start=\"252\" data-end=\"259\"\u003eJanes\u003c\/em\u003e to the lower left. This is a particularly attractive small-scale view, with the cathedral’s three spires rising above the trees and red-roofed buildings, while boats and figures animate the still water in the foreground. The composition has a calm, atmospheric quality, with soft light and muted colouring giving the scene a gently nostalgic character.\u003c\/p\u003e\n\u003cp data-start=\"614\" data-end=\"1033\"\u003eThe picture sits within the long tradition of topographical views of Lichfield Cathedral from Minster Pool, one of the city’s most recognisable prospects. The artist has handled the subject in a pleasingly painterly way, balancing architectural detail with the looser treatment of the landscape and reflections. The result is a decorative and evocative work that displays well, especially at this intimate cabinet size.\u003c\/p\u003e\n\u003cp data-start=\"1035\" data-end=\"1331\"\u003ePresented in its frame, with a label to the reverse for Jays Fine Art Dealers, Cambridge Gallery, Southport. There is a small amount of retouching to the front of the cathedral, visible under close inspection, and light age-related wear to the frame consistent with the piece’s vintage character.\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1690\"\u003e\u003cstrong data-start=\"1333\" data-end=\"1344\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1344\" data-end=\"1347\"\u003eMedium: Oil on board\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eArtist: Signed \u003cem data-start=\"1385\" data-end=\"1392\"\u003eJanes\u003c\/em\u003e\u003cbr data-start=\"1392\" data-end=\"1395\"\u003eSubject: Lichfield Cathedral from Minster Pool\u003cbr data-start=\"1441\" data-end=\"1444\"\u003eUnframed size: 20 x 25 cm\u003cbr data-start=\"1469\" data-end=\"1472\"\u003eFramed size: 27 x 32 cm\u003cbr data-start=\"1495\" data-end=\"1498\"\u003eFrame: Framed as shown\u003cbr data-start=\"1520\" data-end=\"1523\"\u003eCondition: Presented in good vintage condition overall, with a small area of retouching to the front of the cathedral and light wear to the frame commensurate with age\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53591034986837,"sku":null,"price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Janes_Plate.jpg?v=1775082336"},{"product_id":"robins-millar-mountain-landscape","title":"Robins Millar - Mountain Landscape","description":"\u003cp data-start=\"54\" data-end=\"105\"\u003e\u003cstrong data-start=\"54\" data-end=\"105\"\u003eRobins Millar – Mountain Landscape, watercolour\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"107\" data-end=\"543\"\u003eA fresh and atmospheric watercolour by the Scottish artist Robins Millar, depicting a mountain landscape with snow-capped peaks, a winding path, and sunlit green slopes beneath a soft, cloud-filled sky. The composition has a lovely sense of depth and movement, drawing the eye from the foreground track into the distant mountains, while the contrast between the bright meadow and the dramatic rock face gives the work real presence.\u003c\/p\u003e\n\u003cp data-start=\"545\" data-end=\"942\"\u003eMillar handles the scene with a confident lightness, using fluid washes and touches of stronger colour to suggest shifting weather, alpine light, and the rugged character of the landscape. The result is both calm and invigorating: a highly decorative and appealing landscape that works beautifully as an interior piece while retaining the freshness and immediacy that make watercolour so engaging.\u003c\/p\u003e\n\u003cp data-start=\"944\" data-end=\"1193\"\u003eThe work is signed lower left and retains a label verso for the Royal Scottish Society of Painters in Water-Colours, adding further interest to the picture’s history and presentation. It is housed in its frame under glass and displays very well.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1639\"\u003e\u003cstrong data-start=\"1195\" data-end=\"1206\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1206\" data-end=\"1209\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1237\" data-end=\"1240\"\u003eArtist: Robins Millar\u003cbr data-start=\"1261\" data-end=\"1264\"\u003eSubject: Mountain landscape\u003cbr data-start=\"1291\" data-end=\"1294\"\u003eSignature: Signed lower left\u003cbr data-start=\"1322\" data-end=\"1325\"\u003eUnframed size: 49 x 34 cm\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eFramed size: 72.5 x 66 cm\u003cbr data-start=\"1378\" data-end=\"1381\"\u003eCondition: Overall in good condition. The watercolour itself presents well and is in good condition. There is slight separation to the frame mitres.\u003cbr data-start=\"1529\" data-end=\"1532\"\u003ePresentation: Framed under glass\u003cbr data-start=\"1564\" data-end=\"1567\"\u003eVerso: Label for the Royal Scottish Society of Painters in Water-Colours\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53654246588757,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MillarPlate.jpg?v=1775772414"},{"product_id":"duncan-mackellar-rsw-after-the-hunt","title":"Duncan Mackellar RSW - After the Hunt","description":"\u003cp data-start=\"28\" data-end=\"646\"\u003e\u003cstrong\u003eDuncan Mackellar RSW - After the Hunt, Oil on Canvas\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDuncan Mackellar RSW (1849–1908) was especially known for finely observed genre scenes and elegant interiors, and this atmospheric composition is a strong example of that side of his work. Set within a richly appointed room, the painting shows three figures in eighteenth-century dress gathered around a fireplace, their poses suggesting a moment of conversation or quiet social drama. The subject has been catalogued as\u003cstrong\u003e \u003c\/strong\u003e\u003cem data-start=\"455\" data-end=\"471\"\u003eAfter the Hunt\u003c\/em\u003e, though the scene’s real appeal lies in its ambiguity: it feels like a paused narrative, inviting the viewer to imagine what has just happened, or what is about to be said.\u003c\/p\u003e\n\u003cp data-start=\"648\" data-end=\"1270\"\u003eMackellar handles the picture with notable delicacy. The warm red coats, pale patterned dress, tiled chimney-piece, and glowing floor all contribute to a harmonious interior of soft light and restrained colour. The composition is especially effective in the way it balances the standing male figure at right with the seated figure and the turned female figure in the foreground, creating both movement and tension within the room. As with some of Mackellar’s other interior subjects, the setting itself plays an important part in the picture’s charm, lending the work a sense of intimacy, refinement, and staged narrative.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eGiven the partial supplier’s mark for G. Davidson, 123 Sauchiehall Street, Glasgow, the picture was likely painted no earlier than 1879, when Davidson was at that address, and certainly no later than 1908, the year of Duncan Mackellar’s death.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1272\" data-end=\"1553\"\u003eSigned lower right, this is an appealing late nineteenth-century Scottish genre painting by an artist admired for his sensitive treatment of figures and interiors. It presents very well, with the warm palette and period subject making it both decorative and historically evocative.\u003c\/p\u003e\n\u003cp data-start=\"1555\" data-end=\"1827\"\u003e\u003cstrong data-start=\"1555\" data-end=\"1566\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1566\" data-end=\"1569\"\u003e\u003cstrong data-start=\"1569\" data-end=\"1580\"\u003eArtist:\u003c\/strong\u003e Duncan Mackellar RSW (Scottish, 1849–1908)\u003cbr data-start=\"1623\" data-end=\"1626\"\u003e\u003cstrong data-start=\"1626\" data-end=\"1636\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1637\" data-end=\"1653\"\u003eAfter the Hunt\u003c\/em\u003e\u003cbr data-start=\"1672\" data-end=\"1675\"\u003e\u003cstrong data-start=\"1675\" data-end=\"1686\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1700\" data-end=\"1703\"\u003e\u003cstrong data-start=\"1703\" data-end=\"1717\"\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr data-start=\"1736\" data-end=\"1739\"\u003e\u003cstrong data-start=\"1739\" data-end=\"1754\"\u003eImage Size:\u003c\/strong\u003e 60 x 45 cm\u003cbr data-start=\"1765\" data-end=\"1768\"\u003e\u003cstrong data-start=\"1768\" data-end=\"1784\"\u003eFramed Size:\u003c\/strong\u003e 65 x 50 cm\u003cbr data-start=\"1795\" data-end=\"1798\"\u003e\u003cstrong data-start=\"1798\" data-end=\"1808\"\u003eFrame:\u003c\/strong\u003e Framed under glass\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53659730215253,"sku":null,"price":595.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MackellarPlate.jpg?v=1775849259"},{"product_id":"victor-dolphyn-rural-european-house-in-the-countryside","title":"Victor Dolphyn - Rural European House in the Countryside","description":"\u003cp data-start=\"87\" data-end=\"163\"\u003e\u003cstrong data-start=\"87\" data-end=\"117\"\u003eVictor Dolphyn (1909–1992) \u003c\/strong\u003e\u003cstrong data-start=\"120\" data-end=\"163\"\u003eRural European House in the Countryside\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"165\" data-end=\"485\"\u003eA charming mid-century oil on canvas by the Belgian painter Victor Dolphyn, depicting a rural house set within a softly rolling European landscape. The composition has a calm, decorative quality, with gently simplified forms, expressive brushwork, and a restrained palette that gives the work both warmth and atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"487\" data-end=\"995\"\u003eThe painting is especially appealing for the way the house sits naturally within the landscape, surrounded by trees and open ground, creating a scene that feels both tranquil and quietly romantic. Dolphyn’s handling is confident but not overstated, allowing the picture to retain a sense of freshness while still feeling balanced and composed. It is a work with an unmistakably continental character, well suited to traditional interiors as well as more modern spaces seeking a piece with softness and charm.\u003c\/p\u003e\n\u003cp data-start=\"997\" data-end=\"1262\"\u003eVictor Dolphyn was a Belgian painter known for landscapes, town views, still lifes, and figures, and this painting is a good example of the decorative appeal of his landscape work. The subject is timeless and versatile, making it an easy piece to place in the home.\u003c\/p\u003e\n\u003cp data-start=\"1264\" data-end=\"1382\"\u003ePresented in its frame and ready to hang, this is an attractive original oil painting with strong decorative presence.\u003c\/p\u003e\n\u003cp data-start=\"1384\" data-end=\"2029\"\u003e\u003cstrong data-start=\"1384\" data-end=\"1395\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1395\" data-end=\"1398\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1419\" data-end=\"1422\"\u003eArtist: Victor Dolphyn (Belgian, 1909–1992)\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eSignature: Signed lower left\u003cbr data-start=\"1496\" data-end=\"1499\"\u003eSubject: Rural European house in the countryside\u003cbr data-start=\"1547\" data-end=\"1550\"\u003eUnframed size: 49.5 x 64 cm\u003cbr data-start=\"1577\" data-end=\"1580\" data-is-only-node=\"\"\u003eFramed size: 64.5 x 80 cm\u003cbr data-start=\"1605\" data-end=\"1608\"\u003eCondition: Original oil on canvas in good vintage condition overall, with light age-related surface wear. There are some small areas of loss, though these do not detract from the overall appearance of the piece. The canvas stretcher sits ever so slightly loose within the frame, but the picture remains well presented. The frame shows light general wear consistent with age and handling.\u003cbr data-start=\"1995\" data-end=\"1998\"\u003eFrame: Framed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2031\" data-end=\"2102\"\u003eThis is an original one-of-a-kind artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53659985314133,"sku":null,"price":295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/DolphynPlate.jpg?v=1775852591"},{"product_id":"after-charles-hunt-grand-stand-goodwood-coming-in-for-the-gold-cup-1838","title":"After Charles Hunt – Grand Stand, Goodwood (Coming in for the Gold Cup 1838)","description":"\u003cp data-start=\"38\" data-end=\"120\"\u003e\u003cstrong data-start=\"38\" data-end=\"120\"\u003eAfter Charles Hunt – \u003cem data-start=\"61\" data-end=\"118\"\u003eGrand Stand, Goodwood (Coming in for the Gold Cup 1838)\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"122\" data-end=\"543\"\u003eA striking large-scale colour print after Charles Hunt’s celebrated racing subject, depicting the excitement of the finish at Goodwood as the horses come in for the Gold Cup of 1838. The composition captures the energy and spectacle of one of Britain’s most iconic race meetings, with the charging horses in the foreground, dense crowds gathered around the course, and the grandstand rising prominently in the background.\u003c\/p\u003e\n\u003cp data-start=\"545\" data-end=\"864\"\u003eRich in period atmosphere, the print has strong decorative appeal, particularly for interiors with an interest in sporting art, equestrian subjects, or nineteenth-century British racing imagery. Its generous scale and handsome mahogany frame give it real wall presence, making it a particularly effective display piece.\u003c\/p\u003e\n\u003cp data-start=\"866\" data-end=\"1002\"\u003eThis is a later reproduction after the original nineteenth-century image, and is offered as an attractive and characterful framed print.\u003c\/p\u003e\n\u003cp data-start=\"1004\" data-end=\"1272\"\u003e\u003cstrong data-start=\"1004\" data-end=\"1015\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1015\" data-end=\"1018\"\u003eMedium: Colour print\u003cbr data-start=\"1038\" data-end=\"1041\"\u003eArtist: After Charles Hunt\u003cbr data-start=\"1067\" data-end=\"1070\"\u003eTitle: \u003cem data-start=\"1077\" data-end=\"1134\"\u003eGrand Stand, Goodwood (Coming in for the Gold Cup 1838)\u003c\/em\u003e\u003cbr data-start=\"1134\" data-end=\"1137\"\u003eDate: Later reproduction (circa 1970) after the 1839 published original\u003cbr data-start=\"1195\" data-end=\"1198\" data-is-only-node=\"\"\u003eImage Size: 46 x 68 cm\u003cbr data-start=\"1220\" data-end=\"1223\"\u003eFramed Size: 90.5 x 74 cm\u003cbr data-start=\"1248\" data-end=\"1251\"\u003eFrame: Mahogany frame\u003c\/p\u003e\n\u003cp data-start=\"1274\" data-end=\"1597\"\u003e\u003cstrong data-start=\"1274\" data-end=\"1287\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1287\" data-end=\"1290\"\u003eOverall in good condition. There is some slight buckling\/rippling to the lower edge of the print paper where it meets the mount. The mount also has two small areas of wear, one to the bottom edge and one to the left-hand side. These are not especially noticeable in display and are shown in the photographs.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53687747739989,"sku":null,"price":145.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HuntPlate.jpg?v=1776209454"},{"product_id":"m-paules-horse-and-handler","title":"M. Paules – Horse and Handler","description":"\u003cp data-start=\"33\" data-end=\"345\"\u003e\u003cstrong\u003eM. Paules – Horse and Handler\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA charming small oil painting by M. Paules, depicting a bay horse being held by a handler in a rural landscape. The composition has a pleasing decorative quality, with the horse placed in profile against a softly painted countryside background, while the handler adds a gentle narrative element to the scene.\u003c\/p\u003e\n\u003cp data-start=\"347\" data-end=\"808\"\u003ePaules is a little-documented 20th-century artist whose works have appeared at auction in the UK and Europe, including animal, sporting, rural, harbour and still-life subjects. He has been catalogued at auction as Dutch, 20th century, though detailed biographical information appears to be scarce. This example fits well within that known decorative tradition, particularly in its small scale, animal subject, ornate presentation and convex oval format.\u003c\/p\u003e\n\u003cp data-start=\"810\" data-end=\"1334\"\u003eThe painting is signed M. Paules lower right, and is presented in a highly decorative gilt frame with bold scrolling ornament. The work is in the traditional convex oval style, giving the painted surface a gently domed quality that adds depth and period character. The frame is heavy for its size and is likely made from a wooden base with applied composition, gesso, or similar moulded decorative ornament, finished in gilt. Its weight and elaborate raised detail give the work a strong period-style presence.\u003c\/p\u003e\n\u003cp data-start=\"1336\" data-end=\"1347\"\u003e\u003cstrong data-start=\"1336\" data-end=\"1347\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1349\" data-end=\"1629\"\u003e\u003cstrong data-start=\"1349\" data-end=\"1360\"\u003eArtist:\u003c\/strong\u003e M. Paules\u003cbr data-start=\"1370\" data-end=\"1373\"\u003e\u003cstrong data-start=\"1373\" data-end=\"1383\"\u003eTitle:\u003c\/strong\u003e Horse and Handler\u003cbr data-start=\"1401\" data-end=\"1404\"\u003e\u003cstrong data-start=\"1404\" data-end=\"1415\"\u003eMedium:\u003c\/strong\u003e Oil on convex oval panel\u003cbr data-start=\"1446\" data-end=\"1449\"\u003e\u003cstrong data-start=\"1449\" data-end=\"1458\"\u003eDate:\u003c\/strong\u003e 20th century\u003cbr data-start=\"1471\" data-end=\"1474\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1474\" data-end=\"1490\"\u003eFramed Size:\u003c\/strong\u003e 38 x 33 cm\u003cbr data-start=\"1501\" data-end=\"1504\"\u003e\u003cstrong data-start=\"1504\" data-end=\"1518\"\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr data-start=\"1537\" data-end=\"1540\"\u003e\u003cstrong data-start=\"1540\" data-end=\"1550\"\u003eFrame:\u003c\/strong\u003e Heavy ornate gilt frame, likely wood with applied composition\/gesso ornament\u003cbr\u003e\u003cstrong data-start=\"1631\" data-end=\"1644\"\u003eCondition: \u003c\/strong\u003eThe painting is in good overall condition, with slight yellowing to the varnish. The frame is also in good condition overall, with some surface dirt and minor age-related wear visible on close inspection. The ornate gilt finish remains attractive and highly decorative.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53778518016341,"sku":null,"price":350.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HorsePlateIG.jpg?v=1777313782"},{"product_id":"william-shirriffs-partridge-in-a-pear-tree-1966","title":"William Shirriffs - Partridge in a Pear Tree (1966)","description":"\u003cp data-start=\"0\" data-end=\"73\"\u003e\u003cstrong data-start=\"0\" data-end=\"73\"\u003eWilliam Shirriffs – Partridge in a Pear Tree, 1966 – Gouache Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"75\" data-end=\"363\"\u003eA charming and highly decorative mid-century gouache by William Shirriffs, signed and dated 1966. The work depicts a white partridge perched within a stylised pear tree, set against a deep black ground filled with patterned leaves, white blossom-like forms, and delicate starry detailing.\u003c\/p\u003e\n\u003cp data-start=\"365\" data-end=\"840\"\u003eThe subject immediately recalls the familiar Christmas carol line, “a partridge in a pear tree,” but the treatment is far from conventional. Rather than a naturalistic bird study, Shirriffs gives the image a strong folk-art and illustrative quality, with flat areas of colour, rhythmic patterning, and a wonderfully graphic sense of design. The contrast between the white bird, green foliage, warm brown branches, and dark background gives the piece real decorative presence.\u003c\/p\u003e\n\u003cp data-start=\"842\" data-end=\"1216\"\u003ePainted in 1966, it sits well within the broader taste for bold mid-century design and would make an attractive seasonal display piece, while remaining visually strong enough to hang year-round. It is presented under glass in an ornate frame which appears to be gilt beneath a later layer of white paint, giving it a bright decorative finish that suits the composition well.\u003c\/p\u003e\n\u003cp data-start=\"1218\" data-end=\"1229\"\u003e\u003cstrong data-start=\"1218\" data-end=\"1229\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1231\" data-end=\"1902\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1231\" data-end=\"1242\"\u003eArtist:\u003c\/strong\u003e William Shirriffs\u003cbr data-start=\"1260\" data-end=\"1263\"\u003e\u003cstrong data-start=\"1263\" data-end=\"1273\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1274\" data-end=\"1300\"\u003ePartridge in a Pear Tree\u003c\/em\u003e\u003cbr data-start=\"1300\" data-end=\"1303\"\u003e\u003cstrong data-start=\"1303\" data-end=\"1312\"\u003eDate:\u003c\/strong\u003e 1966\u003cbr data-start=\"1317\" data-end=\"1320\"\u003e\u003cstrong data-start=\"1320\" data-end=\"1331\"\u003eMedium:\u003c\/strong\u003e Gouache\u003cbr data-start=\"1339\" data-end=\"1342\"\u003e\u003cstrong data-start=\"1342\" data-end=\"1356\"\u003eSignature:\u003c\/strong\u003e Signed and dated lower centre\u003cbr data-start=\"1386\" data-end=\"1389\"\u003e\u003cstrong data-start=\"1389\" data-end=\"1407\"\u003eUnframed Size:\u003c\/strong\u003e 60 x 45 cm\u003cbr data-start=\"1418\" data-end=\"1421\"\u003e\u003cstrong data-start=\"1421\" data-end=\"1437\"\u003eFramed Size:\u003c\/strong\u003e 68 x 53 cm\u003cbr data-start=\"1448\" data-end=\"1451\"\u003e\u003cstrong data-start=\"1451\" data-end=\"1461\"\u003eFrame:\u003c\/strong\u003e Ornate gilt frame with white paint applied over the surface, glazed\u003cbr data-start=\"1529\" data-end=\"1532\"\u003e\u003cstrong data-start=\"1532\" data-end=\"1546\"\u003eCondition:\u003c\/strong\u003e Presented under glass and not examined out of the frame. There are a few very small flecks visible between the glass and the painted surface, but these are minor and barely noticeable in normal display. The frame has some age-related wear, but remains in good overall condition and is very presentable. Please see photographs for condition and appearance.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53784130027861,"sku":null,"price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/SherrifsPlate.jpg?v=1777395663"},{"product_id":"vladimir-isaakovich-erlikh-sunflowers","title":"Vladimir Isaakovich Erlikh — Sunflowers","description":"\u003ch3 data-section-id=\"1mddlv2\" data-start=\"0\" data-end=\"67\"\u003eVladimir Isaakovich Erlikh — Sunflowers, Oil on Canvas\u003c\/h3\u003e\n\u003cp data-start=\"69\" data-end=\"452\"\u003eA vibrant mid-20th-century oil painting by Vladimir Isaakovich Erlikh (1924–2001), depicting a richly worked still life of sunflowers and wild flowers against a deep green ground. The composition is full of movement, with thick, expressive brushwork and strong contrasts between the bright yellow flower heads, blue and white accents, and the darker surrounding foliage.\u003c\/p\u003e\n\u003cp data-start=\"454\" data-end=\"804\"\u003eThe work is signed lower right in Cyrillic, reading В. Эрлих \/ V. Erlikh, and is also inscribed to the reverse. The verso inscription appears to include “Натюрморт”, meaning Still Life, together with the canvas size 60 x 70 cm. There is also a further upper inscription which may relate to a studio, catalogue or inventory number.\u003c\/p\u003e\n\u003cp data-start=\"806\" data-end=\"1080\"\u003eErlikh was a Ukrainian\/Soviet artist associated with Dnipropetrovsk, now Dnipro, and is recorded as a painter of portraits, landscapes and still lifes. This work is a strong example of his floral subject matter, combining decorative richness with a bold, painterly handling.\u003c\/p\u003e\n\u003cp data-start=\"1082\" data-end=\"1297\"\u003ePresented in a gilt-effect frame with decorative border detailing. The painting is in good overall vintage condition, with some light age-related wear to the frame. Please see photographs for full condition details.\u003c\/p\u003e\n\u003cp data-start=\"1299\" data-end=\"1310\"\u003e\u003cstrong data-start=\"1299\" data-end=\"1310\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1312\" data-end=\"1691\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1312\" data-end=\"1323\"\u003eArtist:\u003c\/strong\u003e Vladimir Isaakovich Erlikh \/ Erlich\u003cbr data-start=\"1359\" data-end=\"1362\"\u003e\u003cstrong data-start=\"1362\" data-end=\"1372\"\u003eTitle:\u003c\/strong\u003e Sunflowers \/ Натюрморт\u003cbr data-start=\"1395\" data-end=\"1398\"\u003e\u003cstrong data-start=\"1398\" data-end=\"1409\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1423\" data-end=\"1426\"\u003e\u003cstrong data-start=\"1426\" data-end=\"1440\" data-is-only-node=\"\"\u003eSignature:\u003c\/strong\u003e Signed lower right in Cyrillic\u003cbr data-start=\"1471\" data-end=\"1474\"\u003e\u003cstrong data-start=\"1474\" data-end=\"1483\"\u003eDate:\u003c\/strong\u003e Mid-20th century\u003cbr data-start=\"1500\" data-end=\"1503\"\u003e\u003cstrong data-start=\"1503\" data-end=\"1519\"\u003eFramed Size:\u003c\/strong\u003e 83.5 x 74 cm\u003cbr data-start=\"1532\" data-end=\"1535\"\u003e\u003cstrong data-start=\"1535\" data-end=\"1553\"\u003eUnframed Size:\u003c\/strong\u003e 70 x 60 cm\u003cbr data-start=\"1564\" data-end=\"1567\"\u003e\u003cstrong data-start=\"1567\" data-end=\"1577\"\u003eFrame:\u003c\/strong\u003e Gilt-effect frame\u003cbr data-start=\"1595\" data-end=\"1598\"\u003e\u003cstrong data-start=\"1598\" data-end=\"1612\"\u003eCondition:\u003c\/strong\u003e Good overall vintage condition; light age-related frame wear; inscribed verso.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53784343413077,"sku":null,"price":695.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ErlichPlate.jpg?v=1777398296"},{"product_id":"british-school-portrait-of-a-young-gentleman-with-book","title":"British School Portrait of a Young Gentleman with Book","description":"\u003cp data-start=\"28\" data-end=\"86\"\u003e\u003cstrong data-start=\"28\" data-end=\"86\"\u003eBritish School Portrait of a Young Gentleman with Book\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"88\" data-end=\"422\"\u003eA characterful early 19th-century British School portrait of a young gentleman, painted in oil on board and presented in a large ornate gilt frame. The sitter is shown half-length against a dark brown background, wearing a high-collared black coat, white collar, dark cravat and warm brown waistcoat, holding an open book in one hand.\u003c\/p\u003e\n\u003cp data-start=\"424\" data-end=\"808\"\u003eThe clothing and style suggest a date around the late Regency or early William IV period, c.1820–1830. The book gives the portrait a particularly appealing scholarly quality, presenting the sitter as thoughtful, educated and self-possessed. Although apparently unsigned, the work has strong decorative presence, with a sensitively painted face and direct, quietly engaging expression.\u003c\/p\u003e\n\u003cp data-start=\"810\" data-end=\"941\"\u003eThe portrait is housed in a substantial decorative gilt frame with bold moulded ornament, giving the piece excellent wall presence.\u003c\/p\u003e\n\u003cp data-start=\"943\" data-end=\"954\"\u003e\u003cstrong data-start=\"943\" data-end=\"954\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"956\" data-end=\"1233\"\u003e\u003cstrong data-start=\"956\" data-end=\"967\"\u003eArtist:\u003c\/strong\u003e British School\u003cbr data-start=\"982\" data-end=\"985\"\u003e\u003cstrong data-start=\"985\" data-end=\"995\"\u003eTitle:\u003c\/strong\u003e Portrait of a Young Gentleman with Book\u003cbr data-start=\"1035\" data-end=\"1038\"\u003e\u003cstrong data-start=\"1038\" data-end=\"1049\"\u003eMedium:\u003c\/strong\u003e Oil on board\u003cbr data-start=\"1062\" data-end=\"1065\"\u003e\u003cstrong data-start=\"1065\" data-end=\"1074\"\u003eDate:\u003c\/strong\u003e c.1820–1830\u003cbr data-start=\"1086\" data-end=\"1089\"\u003e\u003cstrong data-start=\"1089\" data-end=\"1107\" data-is-only-node=\"\"\u003eUnframed Size:\u003c\/strong\u003e 60 x 75 cm\u003cbr data-start=\"1118\" data-end=\"1121\"\u003e\u003cstrong data-start=\"1121\" data-end=\"1137\"\u003eFramed Size:\u003c\/strong\u003e 94 x 79 cm\u003cbr data-start=\"1148\" data-end=\"1151\"\u003e\u003cstrong data-start=\"1151\" data-end=\"1165\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-start=\"1185\" data-end=\"1188\"\u003e\u003cstrong data-start=\"1188\" data-end=\"1198\"\u003eFrame:\u003c\/strong\u003e Ornate gilt frame, ready to hang\u003cbr\u003e\u003cstrong data-start=\"1235\" data-end=\"1248\"\u003eCondition: \u003c\/strong\u003eGood antique condition overall. The painting has been professionally restored and shows areas of overpaint under UV light, consistent with past conservation. The ornate gilt frame has visible age-related wear, rubbing, losses and old repairs, in keeping with its decorative antique character. Overall, a highly attractive and atmospheric early 19th-century portrait, ready for display.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53784503812437,"sku":null,"price":795.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BoyPlateIG.jpg?v=1777403064"},{"product_id":"mary-armour-rsa-rsw-auchenhean-lochwinnoch","title":"Mary Armour RSA RSW - Auchenhean, Lochwinnoch","description":"\u003cp data-end=\"82\" data-start=\"33\"\u003e\u003cstrong data-end=\"82\" data-start=\"33\"\u003eMary Armour RSA RSW – Auchenhean, Lochwinnoch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"321\" data-start=\"84\"\u003eOriginal pastel on paper by Mary Armour RSA RSW (Scottish, 1902–2000), depicting Auchenhean near Lochwinnoch in Renfrewshire. Signed and dated ’62 lower right, with a handwritten label verso giving the artist, title, address, and medium.\u003c\/p\u003e\n\u003cp data-end=\"783\" data-start=\"323\"\u003eThe work is a lively and atmospheric Scottish landscape, handled with Armour’s characteristic confidence in colour and mark-making. Trees, cottages, paths, and patches of autumnal light are built up in broad, energetic pastel strokes, giving the scene a strong sense of immediacy. Rather than a tightly descriptive view, the composition feels observed quickly and directly, with the dark trunks and blue-grey roofs set against warm yellows, greens, and ochres.\u003c\/p\u003e\n\u003cp data-end=\"1084\" data-start=\"785\"\u003eMary Armour was an important Scottish painter and teacher, associated with Glasgow School of Art and elected to the RSA and RSW. Although especially admired for her still lifes and flower paintings, this landscape shows the same boldness of colour and expressive handling that characterise her wider work.\u003c\/p\u003e\n\u003cp data-end=\"1401\" data-start=\"1086\"\u003ePresented in a glazed frame. The work appears to have been reframed in 2024 by Framework Picture Framers, Newhaven, as indicated by the framer’s label verso. The older handwritten label has been retained and pasted onto the new backing board, apparently having been cut from the backing board of the previous frame.\u003c\/p\u003e\n\u003cp data-end=\"1414\" data-start=\"1403\"\u003e\u003cstrong data-end=\"1414\" data-start=\"1403\"\u003eDetails\u003cbr\u003e\u003c\/strong\u003e\u003cstrong data-end=\"1427\" data-start=\"1416\"\u003eArtist:\u003c\/strong\u003e Mary Armour RSA RSW\u003cbr data-end=\"1450\" data-start=\"1447\"\u003e\u003cstrong data-end=\"1460\" data-start=\"1450\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"1486\" data-start=\"1461\"\u003eAuchenhean, Lochwinnoch\u003c\/em\u003e\u003cbr data-end=\"1489\" data-start=\"1486\"\u003e\u003cstrong data-end=\"1498\" data-start=\"1489\"\u003eDate:\u003c\/strong\u003e 1962\u003cbr data-end=\"1506\" data-start=\"1503\"\u003e\u003cstrong data-end=\"1517\" data-start=\"1506\"\u003eMedium:\u003c\/strong\u003e Pastel on paper\u003cbr data-end=\"1536\" data-start=\"1533\"\u003e\u003cstrong data-end=\"1547\" data-start=\"1536\"\u003eSigned:\u003c\/strong\u003e Signed and dated lower right\u003cbr data-end=\"1579\" data-start=\"1576\"\u003e\u003cstrong data-end=\"1595\" data-start=\"1579\"\u003eFramed Size:\u003c\/strong\u003e 49 x 34 cm\u003cbr data-end=\"1609\" data-start=\"1606\"\u003e\u003cstrong data-end=\"1624\" data-start=\"1609\"\u003eImage Size:\u003c\/strong\u003e 44 x 29 cm\u003cbr data-end=\"1638\" data-start=\"1635\"\u003e\u003cstrong data-end=\"1648\" data-start=\"1638\"\u003eFrame:\u003c\/strong\u003e Glazed frame, reframed in 2024\u003cbr data-end=\"1682\" data-start=\"1679\"\u003e\u003cstrong data-end=\"1696\" data-start=\"1682\"\u003eCondition:\u003c\/strong\u003e Good condition. Presented cleanly in its current frame, with the original\/earlier handwritten label retained on the reverse.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53837535248725,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Mary_Armour_Plate.jpg?v=1778088416"},{"product_id":"woodland-river-scene","title":"Woodland River Scene","description":"\u003cp data-start=\"0\" data-end=\"81\"\u003e\u003cstrong data-start=\"0\" data-end=\"81\"\u003eLarge 19th Century Woodland River Landscape Oil Painting, Signed Indistinctly\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"83\" data-end=\"417\"\u003eA large and atmospheric 19th-century woodland landscape, oil on canvas, depicting a shaded forest interior with a narrow river or stream running through the centre of the composition. Tall trees frame the scene on either side, while the reflective water draws the eye into the distance, creating a strong sense of depth and stillness.\u003c\/p\u003e\n\u003cp data-start=\"419\" data-end=\"816\"\u003eThe work is richly painted, with expressive brushwork and a deep palette of greens, blue-greens, yellows and shadowed earth tones. The handling of the foliage is particularly effective, capturing the impression of light filtering through dense leaves and branches. The scale gives the painting an impressive decorative presence, while the composition retains a quiet, intimate woodland atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"1061\" data-end=\"1099\"\u003ePresented in a gilt composition frame.\u003c\/p\u003e\n\u003cp data-start=\"1101\" data-end=\"1112\"\u003e\u003cstrong data-start=\"1101\" data-end=\"1112\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1114\" data-end=\"1370\"\u003e\u003cstrong data-start=\"1114\" data-end=\"1125\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1139\" data-end=\"1142\"\u003e\u003cstrong data-start=\"1142\" data-end=\"1153\"\u003eArtist:\u003c\/strong\u003e 19th Century School, signed indistinctly\u003cbr data-start=\"1194\" data-end=\"1197\"\u003e\u003cstrong data-start=\"1197\" data-end=\"1209\"\u003eSubject:\u003c\/strong\u003e Woodland river landscape\u003cbr data-start=\"1234\" data-end=\"1237\"\u003e\u003cstrong data-start=\"1237\" data-end=\"1246\"\u003eDate:\u003c\/strong\u003e 19th century\u003cbr data-start=\"1259\" data-end=\"1262\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1262\" data-end=\"1280\"\u003eUnframed Size:\u003c\/strong\u003e 103 × 88 cm\u003cbr data-start=\"1292\" data-end=\"1295\"\u003e\u003cstrong data-start=\"1295\" data-end=\"1311\"\u003eFramed Size:\u003c\/strong\u003e Approx. 120 × 105 cm\u003cbr data-start=\"1332\" data-end=\"1335\"\u003e\u003cstrong data-start=\"1335\" data-end=\"1345\"\u003eFrame:\u003c\/strong\u003e Gilt composition frame\u003cbr\u003e\u003cstrong data-start=\"1372\" data-end=\"1386\"\u003eCondition: \u003c\/strong\u003eThe painting previously had a hole\/puncture to the canvas, which has been repaired and retouched. There is some remaining surface dirt, craquelure and general age-related wear. There is also a small area of uneven varnish\/gloss which is visible under certain lighting. The work presents very well overall, with strong decorative impact and rich colouring.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53860800430421,"sku":null,"price":695.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ForestPlate.jpg?v=1778334188"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/collections\/Janes_Plate_d0d1aead-9cbf-4148-8dcd-305cbf960d06.jpg?v=1775647489","url":"https:\/\/63arts.co.uk\/collections\/available-works.oembed","provider":"63Arts Edinburgh","version":"1.0","type":"link"}