{"title":"Available Works","description":"","products":[{"product_id":"signed-mezzotint-by-thomas-hamilton-crawford-the-sign-painter-after-meissonier","title":"Thomas Hamilton Crawford After Meissonier - \"The Sign Painter\"","description":"\u003cp data-start=\"125\" data-end=\"236\"\u003e\u003cstrong data-start=\"125\" data-end=\"174\"\u003eThomas Hamilton Crawford – \u003cem data-start=\"154\" data-end=\"172\"\u003eThe Sign Painter, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"177\" data-end=\"236\"\u003eSigned Hand-Coloured Mezzotint after Meissonier, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"238\" data-end=\"649\"\u003eA fine early 20th-century hand-coloured mezzotint engraving by Thomas Hamilton Crawford (1860–1948), after the celebrated French painter Jean-Louis-Ernest Meissonier (1815–1891). Titled \u003cem data-start=\"432\" data-end=\"450\"\u003eThe Sign Painter\u003c\/em\u003e, the composition depicts a tradesman carefully lettering a shop sign while a second figure looks on, capturing a characterful moment of everyday working life with wit, warmth, and close observation.\u003c\/p\u003e\n\u003cp data-start=\"651\" data-end=\"1114\"\u003eThe subject is especially appealing for its sense of concentration and quiet humour. Meissonier’s small-scale genre scenes were admired for their precision and intimacy, and Crawford’s mezzotint translates those qualities into a richly tonal print with a soft, velvety surface. The subtle hand-colouring adds warmth and decorative charm, while the careful treatment of the figures and interior details preserves the narrative interest of the original composition.\u003c\/p\u003e\n\u003cp data-start=\"1116\" data-end=\"1579\"\u003eMezzotints after Meissonier were highly popular in the late 19th and early 20th centuries, valued for both their technical sophistication and their ability to capture the painterly character of the source image. Crawford was particularly well regarded as a reproductive engraver, and this example retains the crispness and atmosphere associated with good early impressions. The artist’s pencil signature in the lower margin adds further appeal for collectors.\u003c\/p\u003e\n\u003cp data-start=\"1581\" data-end=\"1915\"\u003ePresented in its original early 20th-century Boots frame, the piece carries additional period character and displays very well at a generous scale. A strong and decorative example of British mezzotint printmaking, ideal for collectors of genre prints, working-life subjects, and early 20th-century British graphic art.\u003c\/p\u003e\n\u003cp data-start=\"1917\" data-end=\"2552\"\u003e\u003cstrong data-start=\"1917\" data-end=\"1928\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1928\" data-end=\"1931\"\u003eArtist: Thomas Hamilton Crawford (Scottish, 1860–1948), after J. L. E. Meissonier\u003cbr data-start=\"2016\" data-end=\"2019\"\u003eTitle: \u003cem data-start=\"2030\" data-end=\"2048\"\u003eThe Sign Painter\u003c\/em\u003e\u003cbr data-start=\"2048\" data-end=\"2051\"\u003eMedium: Hand-coloured mezzotint engraving on paper\u003cbr data-start=\"2105\" data-end=\"2108\"\u003eSignature: Pencil signed lower right\u003cbr data-start=\"2148\" data-end=\"2151\"\u003eUnframed size: 42 × 32 cm\u003cbr data-start=\"2180\" data-end=\"2183\"\u003eFramed size: 69 × 56 cm\u003cbr data-start=\"2210\" data-end=\"2213\"\u003eDate: Early 20th century, c.1905–1920\u003cbr data-start=\"2254\" data-end=\"2257\"\u003eCondition: Vintage condition consistent with age. The mezzotint itself is clean and well preserved with strong presentation overall. There is gentle age toning to the mount and light wear to the original frame, as expected.\u003cbr data-start=\"2484\" data-end=\"2487\"\u003eFrame: Original vintage Boots frame, glazed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2554\" data-end=\"2662\"\u003eThis is an authentic early 20th-century hand-pulled mezzotint, not a modern reproduction or later print.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943682389,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/CrawfordMain.jpg?v=1774909368"},{"product_id":"large-coloured-mezzotint-throwing-a-kiss-sydney-e-wilson-after-greuze-1923","title":"Sydney E. Wilson after Greuze - \"Throwing a Kiss\" (1923)","description":"\u003cp data-start=\"125\" data-end=\"278\"\u003e\u003cstrong data-start=\"125\" data-end=\"217\"\u003eSydney Ernest Wilson after Jean-Baptiste Greuze – \u003cem data-start=\"177\" data-end=\"194\"\u003eThrowing a Kiss\u003c\/em\u003e (\u003cem data-start=\"196\" data-end=\"214\"\u003eLe Baiser Envoyé\u003c\/em\u003e), \u003c\/strong\u003e\u003cstrong data-start=\"220\" data-end=\"278\"\u003eColoured Mezzotint Engraving, Published c.1923, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"280\" data-end=\"664\"\u003eA coloured mezzotint engraving by Sydney Ernest Wilson (1869–1940), after the celebrated French painter Jean-Baptiste Greuze (1725–1805), depicting \u003cem data-start=\"436\" data-end=\"453\"\u003eThrowing a Kiss\u003c\/em\u003e (\u003cem data-start=\"455\" data-end=\"473\"\u003eLe Baiser Envoyé\u003c\/em\u003e). The composition shows a young woman in 18th-century dress, caught in an intimate and theatrical moment as she sends a kiss while holding a letter, framed by rich drapery and floral detail.\u003c\/p\u003e\n\u003cp data-start=\"666\" data-end=\"1153\"\u003eThe image is one of Greuze’s most recognisable and appealing subjects, combining sentiment, elegance, and carefully staged charm. It reflects the taste for refined and emotionally charged genre scenes that made his work so admired, while the costume, pose, and setting give the composition a strong decorative quality. Wilson’s interpretation preserves that appeal beautifully, translating the softness and painterly richness of the original into the velvety tonal language of mezzotint.\u003c\/p\u003e\n\u003cp data-start=\"1155\" data-end=\"1663\"\u003eSydney Ernest Wilson was a highly regarded British engraver, particularly known for his accomplished reproductive prints after Old Masters and 18th-century French pictures. His mezzotints are valued for their tonal depth and sensitivity to the original paintings, and this coloured example is especially attractive for the warmth and delicacy of its finish. Pencil signed in the margin and generous in scale, it has strong wall presence while retaining the intimacy and softness characteristic of the medium.\u003c\/p\u003e\n\u003cp data-start=\"1665\" data-end=\"1897\"\u003ePresented in a glazed frame with a period-style mount, this is a handsome and collectible early 20th-century print, well suited to collectors of decorative mezzotints, French Rococo subjects, and romantic figural prints.\u003c\/p\u003e\n\u003cp data-start=\"1899\" data-end=\"2504\"\u003e\u003cstrong data-start=\"1899\" data-end=\"1910\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1910\" data-end=\"1913\"\u003eArtist: Sydney Ernest Wilson (British, 1869–1940), after Jean-Baptiste Greuze (French, 1725–1805)\u003cbr data-start=\"2014\" data-end=\"2017\"\u003eTitle: \u003cem data-start=\"2028\" data-end=\"2045\"\u003eThrowing a Kiss\u003c\/em\u003e (\u003cem data-start=\"2047\" data-end=\"2065\"\u003eLe Baiser Envoyé\u003c\/em\u003e)\u003cbr data-start=\"2066\" data-end=\"2069\"\u003eMedium: Coloured mezzotint engraving on paper\u003cbr data-start=\"2118\" data-end=\"2121\"\u003eSignature: Pencil signed in the margin\u003cbr data-start=\"2163\" data-end=\"2166\"\u003eUnframed size: 42 × 34 cm\u003cbr data-start=\"2195\" data-end=\"2198\"\u003eFramed size: 63 × 55 cm\u003cbr data-start=\"2225\" data-end=\"2228\"\u003eDate: Published c.1923\u003cbr data-start=\"2254\" data-end=\"2257\"\u003eCondition: The mezzotint is in good overall vintage condition. The sheet shows light, even age toning with scattered foxing consistent with age. It remains well presented overall and displays attractively.\u003cbr data-start=\"2466\" data-end=\"2469\"\u003eFrame: Glazed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2506\" data-end=\"2586\"\u003eThis is an original early 20th-century mezzotint, not a modern reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943715157,"sku":null,"price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Wilson.jpg?v=1774912395"},{"product_id":"m-argyris-oil-painting-aegina-harbour-near-athens-signed-2002-greek-seascape","title":"M. Argyris - Aegina Harbour Near Athens (2002)","description":"\u003cp data-start=\"125\" data-end=\"208\"\u003e\u003cstrong data-start=\"125\" data-end=\"161\"\u003eM. Argyris – \u003cem data-start=\"140\" data-end=\"159\"\u003eAegina, Nr Athens, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"164\" data-end=\"208\"\u003eSigned Oil on Canvas, Dated 2002, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"210\" data-end=\"525\"\u003eAn original oil on canvas by M. Argyris (born 1939), signed and dated 2002, depicting Aegina Harbour near Athens. The composition captures the distinctive light, colour, and atmosphere of the Greek coastline, with boats, waterfront buildings, and reflective water rendered in a lively, painterly manner.\u003c\/p\u003e\n\u003cp data-start=\"527\" data-end=\"971\"\u003eThe painting has a strong Mediterranean character, combining a sunlit palette with confident, expressive brushwork. Argyris handles the scene with an impressionistic freedom that gives the work both movement and warmth, while the balanced composition preserves a clear sense of place. The result is an attractive and highly decorative coastal painting, well suited to interiors that benefit from colour, light, and a relaxed seaside atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"973\" data-end=\"1320\"\u003eAegina has long been admired for its harbour views and clear Aegean light, and this painting conveys that appeal especially well. The contrast between the built waterfront, moored boats, and shimmering water gives the composition both structure and freshness, making it an excellent example of a modern Greek seascape with broad decorative appeal.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1698\"\u003eThe work is signed lower right and dated 2002, and is presented in a gilt frame likely original to the time of issue. It is accompanied by its original Certificate of Authenticity issued by The Athens Gallery, Athens, and the reverse also bears official Greek export stamps from recognised cultural authorities, adding useful provenance and reassurance for collectors.\u003c\/p\u003e\n\u003cp data-start=\"1700\" data-end=\"1868\"\u003eA well-documented and visually engaging modern Greek painting, ideal for collectors of Mediterranean art, seascapes, and contemporary figurative landscapes.\u003c\/p\u003e\n\u003cp data-start=\"1870\" data-end=\"2604\"\u003e\u003cstrong data-start=\"1870\" data-end=\"1881\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1881\" data-end=\"1884\"\u003eArtist: M. Argyris (b. 1939)\u003cbr data-start=\"1916\" data-end=\"1919\"\u003eTitle: \u003cem data-start=\"1930\" data-end=\"1949\"\u003eAegina, Nr Athens\u003c\/em\u003e\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1977\" data-end=\"1980\"\u003eSignature: Signed lower right\u003cbr data-start=\"2013\" data-end=\"2016\"\u003eDate: 2002\u003cbr data-start=\"2030\" data-end=\"2033\"\u003eUnframed size: 38.5 × 48 cm\u003cbr data-start=\"2064\" data-end=\"2067\"\u003eFramed size: 59 × 68 cm\u003cbr data-start=\"2094\" data-end=\"2097\" data-is-only-node=\"\"\u003eCondition: Excellent overall condition. The paint surface is clean and stable, with no visible losses, lifting, or restoration. Colours remain fresh and vibrant, and the work displays extremely well. The frame is in very good condition with only minor signs of handling.\u003cbr data-start=\"2371\" data-end=\"2374\"\u003eFrame: Gilt frame, likely original, fitted with hanging wire. Ready to hang.\u003cbr data-start=\"2454\" data-end=\"2457\"\u003eProvenance: Certificate of Authenticity from The Athens Gallery, Athens, dated 2002, together with official Greek export stamps to the reverse.\u003c\/p\u003e\n\u003cp data-start=\"2606\" data-end=\"2688\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943780693,"sku":null,"price":115.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MArgyrisPlate.jpg?v=1774907470"},{"product_id":"birnie-rhind-r-s-a-watercolour-coastal-landscape-scottish-seaside-painting","title":"Birnie Rhind R.S.A. - Scottish Coastal Landscape","description":"\u003cp data-start=\"125\" data-end=\"229\"\u003e\u003cstrong data-start=\"125\" data-end=\"185\"\u003eWilliam Birnie Rhind R.S.A. – Scottish Coastal Landscape, \u003c\/strong\u003e\u003cstrong data-start=\"188\" data-end=\"229\"\u003eOriginal Watercolour on Paper, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"231\" data-end=\"622\"\u003eAn original early 20th-century watercolour by William Birnie Rhind R.S.A. (1857–1933), depicting a rugged Scottish coastal scene with rocky shoreline, rolling headlands, and softly shifting sea and sky. The composition captures the natural character of the coastline with a restrained palette and an appealing sense of atmosphere, balancing topographical observation with painterly ease.\u003c\/p\u003e\n\u003cp data-start=\"624\" data-end=\"1109\"\u003eRhind handles the subject with fluid, confident brushwork and subtle tonal gradation, creating a landscape that feels both spacious and quietly expressive. The contrast between the rocky foreground, distant landforms, and open sky gives the work a strong sense of depth, while the muted colour harmonies lend it a calm and contemplative quality. It is an attractive example of early 20th-century Scottish watercolour painting, combining decorative appeal with a genuine sense of place.\u003c\/p\u003e\n\u003cp data-start=\"1111\" data-end=\"1530\"\u003eSigned lower left “Birnie Rhind R.S.A.”, the watercolour carries added interest through its authorship. William Birnie Rhind is best known as a respected Scottish sculptor and Royal Scottish Academician, making his drawn and painted works especially appealing to collectors. This example shows a sensitive handling of landscape and atmosphere, offering a different but closely related side of his artistic practice.\u003c\/p\u003e\n\u003cp data-start=\"1532\" data-end=\"1848\"\u003ePresented in a clean cream mount with rigid backing board and housed in a later oak frame, the work displays very well and is ready to hang. A pleasing and characterful Scottish coastal watercolour, well suited to collectors of Scottish art, British landscapes, and early 20th-century works on paper.\u003c\/p\u003e\n\u003cp data-start=\"1850\" data-end=\"2523\"\u003e\u003cstrong data-start=\"1850\" data-end=\"1861\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eArtist: William Birnie Rhind R.S.A. (1857–1933)\u003cbr data-start=\"1915\" data-end=\"1918\"\u003eTitle: \u003cem data-start=\"1929\" data-end=\"1957\"\u003eScottish Coastal Landscape\u003c\/em\u003e\u003cbr data-start=\"1957\" data-end=\"1960\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1992\" data-end=\"1995\"\u003eSignature: Signed lower left, \u003cem data-start=\"2029\" data-end=\"2052\"\u003e“Birnie Rhind R.S.A.”\u003c\/em\u003e\u003cbr data-start=\"2052\" data-end=\"2055\"\u003ePlate size: 27 × 36 cm\u003cbr data-start=\"2081\" data-end=\"2084\"\u003eFramed size: 42 × 52 cm\u003cbr data-start=\"2111\" data-end=\"2114\"\u003eDate: Early 20th century, undated\u003cbr data-start=\"2151\" data-end=\"2154\"\u003eCondition: Good overall condition. The surface is clean and stable, with no tears, losses, or restoration. There is light foxing and mild age-related discolouration consistent with age. Colours remain well preserved, and the work displays very well overall.\u003cbr data-start=\"2415\" data-end=\"2418\"\u003eMounting: Cream mount with rigid backing board\u003cbr data-start=\"2468\" data-end=\"2471\"\u003eFrame: Later oak frame, glazed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2525\" data-end=\"2607\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943813461,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BirnieRhindPlate.jpg?v=1774906657"},{"product_id":"emil-clahr-oil-painting-swedish-rural-landscape-fabodar-signed-nordic-art","title":"Emil Clahr - Swedish Rural Landscape “Fäbodar”","description":"\u003cp data-start=\"125\" data-end=\"224\"\u003e\u003cstrong data-start=\"125\" data-end=\"165\"\u003eEmil Clahr – \u003cem data-start=\"140\" data-end=\"149\"\u003eFäbodar\u003c\/em\u003e (Bro, Västbo), \u003c\/strong\u003e\u003cstrong data-start=\"168\" data-end=\"224\"\u003eSigned Swedish Rural Landscape, Oil on Board, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"226\" data-end=\"578\"\u003eAn original mid-20th-century oil on board by Emil Clahr, depicting a traditional Swedish rural fäbod scene with pasture, timber buildings, and rolling countryside. The composition captures the quiet character of the Scandinavian landscape with confidence and restraint, balancing pastoral simplicity with a strong sense of atmosphere and place.\u003c\/p\u003e\n\u003cp data-start=\"580\" data-end=\"1101\"\u003eClahr handles the scene in a modernist, expressionist-inflected style, using simplified forms, expressive brushwork, and a harmonious palette to create a composition that feels both structured and gently evocative. The buildings sit naturally within the landscape, while the broader arrangement of fields and rising ground gives the painting a calm and balanced decorative presence. The result is a characterful example of Nordic rural painting from the post-war period, with both visual warmth and regional identity.\u003c\/p\u003e\n\u003cp data-start=\"1103\" data-end=\"1498\"\u003eThe reverse bears the artist’s handwritten inscription “Fäbodmotiv (Bro, Västbo)”, identifying the subject and location and adding useful documentary interest. This connection to traditional pastoral life in Sweden gives the work an added cultural depth, making it especially appealing to collectors of Scandinavian art, modernist landscape painting, and regional rural subjects.\u003c\/p\u003e\n\u003cp data-start=\"1500\" data-end=\"1733\"\u003eSigned lower right and presented in a decorative late 20th-century frame, the painting displays very well and is ready to hang. A pleasing and authentic Swedish landscape with strong decorative value and a distinctive sense of place.\u003c\/p\u003e\n\u003cp data-start=\"1735\" data-end=\"2381\"\u003e\u003cstrong data-start=\"1735\" data-end=\"1746\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1746\" data-end=\"1749\"\u003eArtist: Emil Clahr\u003cbr data-start=\"1771\" data-end=\"1774\"\u003eTitle: \u003cem data-start=\"1785\" data-end=\"1794\"\u003eFäbodar\u003c\/em\u003e \/ \u003cem data-start=\"1797\" data-end=\"1823\"\u003eFäbodmotiv (Bro, Västbo)\u003c\/em\u003e\u003cbr data-start=\"1823\" data-end=\"1826\"\u003eMedium: Oil on board\u003cbr data-start=\"1850\" data-end=\"1853\"\u003eSignature: Signed lower right\u003cbr data-start=\"1886\" data-end=\"1889\"\u003eImage size: 38 × 48 cm\u003cbr data-start=\"1915\" data-end=\"1918\"\u003eFramed size: 47 × 57 cm\u003cbr data-start=\"1945\" data-end=\"1948\" data-is-only-node=\"\"\u003eDate: Mid to late 20th century, undated\u003cbr data-start=\"1991\" data-end=\"1994\"\u003eCondition: Good overall condition. The paint surface is clean and stable, with no visible losses, lifting, or restoration. Colours remain fresh and well preserved, and the painting displays very well overall.\u003cbr data-start=\"2206\" data-end=\"2209\"\u003eFrame: Presented in a decorative late 20th-century frame with hanging wire. Ready to hang.\u003cbr data-start=\"2303\" data-end=\"2306\"\u003eProvenance: Handwritten inscription verso: \u003cem data-start=\"2353\" data-end=\"2381\"\u003e“Fäbodmotiv (Bro, Västbo)”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"2383\" data-end=\"2465\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943846229,"sku":null,"price":145.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/SwedishLandscapePlate.jpg?v=1774906386"},{"product_id":"elisabeth-fairthorne-oil-painting-backwater-1937-signed-british-landscape","title":"Elisabeth Fairthorne - “Backwater” (1937)","description":"\u003cp data-start=\"125\" data-end=\"209\"\u003e\u003cstrong data-start=\"125\" data-end=\"163\"\u003eElisabeth Fairthorne – \u003cem data-start=\"150\" data-end=\"161\"\u003eBackwater, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"166\" data-end=\"209\"\u003eSigned Oil on Board, Dated 1937, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"211\" data-end=\"563\"\u003eAn original oil on board by Elisabeth Fairthorne, signed and dated 1937, depicting a tranquil riverside scene titled \u003cem data-start=\"336\" data-end=\"347\"\u003eBackwater\u003c\/em\u003e. The composition shows a quiet stretch of water with reflections, a footbridge, and a building partly screened by trees, capturing the calm and secluded atmosphere of a Thames-side backwater with considerable charm.\u003c\/p\u003e\n\u003cp data-start=\"565\" data-end=\"1047\"\u003ePainted during the interwar period, the work sits comfortably within the tradition of British landscape painting of the 1930s, combining careful observation with confident, painterly handling. Fairthorne’s brushwork gives the surface pleasing movement and texture, while the treatment of light across the water and foliage creates depth and a strong sense of place. The natural palette is harmonious and restrained, giving the picture both atmosphere and decorative versatility.\u003c\/p\u003e\n\u003cp data-start=\"1049\" data-end=\"1258\"\u003eA particularly appealing feature of the painting is its full inscription to the reverse, which reads:\u003cbr data-start=\"1150\" data-end=\"1153\"\u003e\u003cem data-start=\"1153\" data-end=\"1256\"\u003e“Backwater (Shiplake, Henley, Marsh Lock) Elisabeth Fairthorne, 23 Vicarage Road, Henley, Oxon, 1937”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-start=\"1260\" data-end=\"1592\"\u003eThis detailed inscription provides excellent documentary interest, firmly anchoring the work to its Thames Valley setting near Henley-on-Thames and adding a strong sense of authenticity and local character. It transforms the picture from a generic landscape into a clearly identified view, rooted in a specific place and moment.\u003c\/p\u003e\n\u003cp data-start=\"1594\" data-end=\"1922\"\u003eWith its generous scale and quietly atmospheric subject, this is a highly displayable painting, well suited to both traditional and contemporary interiors. It would particularly appeal to collectors of British interwar landscapes, Thames Valley scenes, and original decorative paintings with strong period character.\u003c\/p\u003e\n\u003cp data-start=\"1924\" data-end=\"2010\"\u003ePresented in a cream-painted wooden frame and fitted with hanging wire, ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2012\" data-end=\"2872\"\u003e\u003cstrong data-start=\"2012\" data-end=\"2023\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2023\" data-end=\"2026\"\u003eArtist: Elisabeth Fairthorne\u003cbr data-start=\"2058\" data-end=\"2061\"\u003eTitle: \u003cem data-start=\"2072\" data-end=\"2083\"\u003eBackwater\u003c\/em\u003e\u003cbr data-start=\"2083\" data-end=\"2086\"\u003eMedium: Oil on board\u003cbr data-start=\"2110\" data-end=\"2113\"\u003eSignature: Signed lower right, \u003cem data-start=\"2148\" data-end=\"2157\"\u003e“EF 37”\u003c\/em\u003e\u003cbr data-start=\"2157\" data-end=\"2160\"\u003eInscription verso: Fully inscribed with title, location, address, and date\u003cbr data-start=\"2238\" data-end=\"2241\"\u003eUnframed size: 64 × 82 cm\u003cbr data-start=\"2270\" data-end=\"2273\"\u003eFramed size: 78 × 96 cm\u003cbr data-start=\"2300\" data-end=\"2303\"\u003eDate: 1937\u003cbr data-start=\"2317\" data-end=\"2320\"\u003eCondition: Good vintage condition overall. The paint surface is stable and presents well, with no active flaking or losses. There are two small historic holes to the top centre of the board, possibly from an earlier fixing, as shown in the photographs. A small area of historic retouching is present in the upper left, which is well executed and not easily noticeable under normal viewing conditions. The frame shows light age-related wear with some cracking to the corners.\u003cbr data-start=\"2798\" data-end=\"2801\"\u003eFrame: Cream-painted wooden frame with hanging wire. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2874\" data-end=\"2956\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943878997,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/FairthorneIG.jpg?v=1774905945"},{"product_id":"castle-bolton-yorkshire-watercolour-painting-signed-ayjay-english-landscape","title":"AYJAY - Castle Bolton, Yorkshire","description":"\u003cp data-start=\"125\" data-end=\"198\"\u003e\u003cstrong data-start=\"125\" data-end=\"155\"\u003eCastle Bolton, Wensleydale, \u003c\/strong\u003e\u003cstrong data-start=\"158\" data-end=\"198\"\u003eSigned Watercolour Landscape, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"200\" data-end=\"554\"\u003eAn original watercolour on paper depicting Castle Bolton, Wensleydale, signed “AyJay” lower left. This attractive English landscape captures the historic Yorkshire castle set within rolling countryside, rendered in a soft natural palette with a calm, traditional handling that gives the work both decorative appeal and topographical interest.\u003c\/p\u003e\n\u003cp data-start=\"556\" data-end=\"1019\"\u003eThe composition balances the strong architectural form of the castle with the gentler rhythms of the surrounding landscape. The result is a pleasing and atmospheric view, with the medieval fortress rising prominently above the fields while the broader setting retains the charm of a picturesque rural scene. The restrained colour and careful structure place the work comfortably within the tradition of mid-20th-century British topographical watercolour painting.\u003c\/p\u003e\n\u003cp data-start=\"1021\" data-end=\"1495\"\u003eCastle Bolton is one of North Yorkshire’s best-known historic landmarks. Built in the late 14th century, it is closely associated with English history and is particularly remembered as the place where Mary, Queen of Scots was held for a period during her captivity. Its commanding position within Wensleydale has long made it a popular subject for artists and travellers, valued for both its historical importance and its striking setting in the Yorkshire landscape.\u003c\/p\u003e\n\u003cp data-start=\"1497\" data-end=\"1794\"\u003eSigned and presented in a complementary glazed frame, this is a highly displayable original work that would suit collectors of English landscapes, architectural views, and Yorkshire subjects, while also working well as a decorative piece in both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1796\" data-end=\"2447\"\u003e\u003cstrong data-start=\"1796\" data-end=\"1807\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1807\" data-end=\"1810\"\u003eArtist: AyJay (English School)\u003cbr data-start=\"1844\" data-end=\"1847\"\u003eTitle: \u003cem data-start=\"1858\" data-end=\"1886\"\u003eCastle Bolton, Wensleydale\u003c\/em\u003e\u003cbr data-start=\"1886\" data-end=\"1889\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1921\" data-end=\"1924\"\u003eSignature: Signed lower left, \u003cem data-start=\"1958\" data-end=\"1967\"\u003e“AyJay”\u003c\/em\u003e\u003cbr data-start=\"1967\" data-end=\"1970\"\u003eImage size: 29.5 × 39.5 cm\u003cbr data-start=\"2000\" data-end=\"2003\"\u003eFramed size: 45.5 × 55 cm\u003cbr data-start=\"2032\" data-end=\"2035\"\u003eDate: Mid-20th century, undated\u003cbr data-start=\"2070\" data-end=\"2073\"\u003eCondition: Good overall condition. The watercolour surface is clean and stable, with colours remaining vibrant. Some light age-related staining is visible to the corners of the mount. Presented behind glass in a decorative frame in good structural condition.\u003cbr data-start=\"2335\" data-end=\"2338\"\u003eFrame: Glazed and framed, ready to hang\u003cbr data-start=\"2381\" data-end=\"2384\"\u003eProvenance: Framer’s label for G. Bennett, Wimbledon, verso\u003c\/p\u003e\n\u003cp data-start=\"2449\" data-end=\"2531\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943911765,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/CatleBoltonPlate.jpg?v=1774905535"},{"product_id":"hilary-birch-edinburgh-watercolour-websters-land-west-port-snow-cityscape","title":"Hilary Birch - Webster's Land in the Snow","description":"\u003cp data-start=\"125\" data-end=\"247\"\u003e\u003cstrong data-start=\"125\" data-end=\"195\"\u003eHilary Birch – \u003cem data-start=\"142\" data-end=\"193\"\u003eWebster’s Land, West Port, Edinburgh, in the Snow, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"198\" data-end=\"247\"\u003eOriginal Watercolour and Pen on Paper, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"249\" data-end=\"585\"\u003eAn original watercolour and pen on paper by Hilary Birch, depicting Webster’s Land on West Port, Edinburgh, under snow. The composition captures one of the city’s most characterful historic streets in winter, with its stepped gables, warm-toned façades, and layered rooflines set against white rooftops and rising ground beyond.\u003c\/p\u003e\n\u003cp data-start=\"587\" data-end=\"1058\"\u003eThe work has a particularly appealing balance of architectural clarity and seasonal atmosphere. Birch uses fine pen line to give the buildings structure and rhythm, while transparent watercolour washes soften the scene and convey the quiet stillness of snow across the city. The contrast between the terracotta and ochre tones of the frontage and the pale winter setting gives the composition a strong decorative presence, while preserving a clear sense of place.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1451\"\u003eAs a subject, Webster’s Land and the West Port area carry much of the visual character associated with Edinburgh’s Old Town edge, where historic tenements, changing ground levels, and tightly grouped buildings create some of the city’s most distinctive urban views. This painting captures that character especially well, combining topographical interest with the charm of a winter cityscape.\u003c\/p\u003e\n\u003cp data-start=\"1453\" data-end=\"1765\"\u003eThe reverse bears a handwritten label identifying the artist as Hilary Birch, providing useful supporting information for the attribution. Presented in a simple glazed light wood frame, this is a large and visually engaging original Edinburgh view, well suited to both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1767\" data-end=\"1909\"\u003eA striking and characterful work for collectors of Edinburgh scenes, Scottish cityscapes, and original architectural watercolours.\u003c\/p\u003e\n\u003cp data-start=\"1911\" data-end=\"2639\"\u003e\u003cstrong data-start=\"1911\" data-end=\"1922\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1922\" data-end=\"1925\"\u003eArtist: Hilary Birch\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eTitle: \u003cem data-start=\"1963\" data-end=\"2014\"\u003eWebster’s Land, West Port, Edinburgh, in the Snow\u003c\/em\u003e\u003cbr data-start=\"2014\" data-end=\"2017\"\u003eMedium: Watercolour and pen on paper\u003cbr data-start=\"2057\" data-end=\"2060\"\u003eSignature: Unsigned; identified by handwritten label verso\u003cbr data-start=\"2122\" data-end=\"2125\"\u003eImage size: 54 × 74 cm\u003cbr data-start=\"2151\" data-end=\"2154\"\u003eFramed size: 77 × 94.5 cm\u003cbr data-start=\"2183\" data-end=\"2186\"\u003eDate: Contemporary\u003cbr data-start=\"2208\" data-end=\"2211\" data-is-only-node=\"\"\u003eCondition: Good overall condition. The artwork appears clean and well preserved, with no visible damage noted. Colours remain fresh and the composition displays very well overall.\u003cbr data-start=\"2394\" data-end=\"2397\"\u003eFrame: Presented in a simple light wood glazed frame. The frame is in good structural condition and presents well. Fitted with hanging wire and ready to hang.\u003cbr data-start=\"2559\" data-end=\"2562\"\u003eProvenance: The reverse bears a handwritten label identifying the artist.\u003c\/p\u003e\n\u003cp data-start=\"2641\" data-end=\"2723\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943977301,"sku":null,"price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Birch_Plate.jpg?v=1774904809"},{"product_id":"victorian-1878-watercolour-edinburgh-st-margarets-loch-arthurs-seat-signed","title":"Cairns - St Margarets Loch, Arthurs Seat, Edinburgh (1878)","description":"\u003cp data-start=\"125\" data-end=\"242\"\u003e\u003cstrong data-start=\"125\" data-end=\"187\"\u003eJ. Cairns — \u003cem data-start=\"139\" data-end=\"185\"\u003eSt Margaret’s Loch, Holyrood Park, Edinburgh, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"190\" data-end=\"242\"\u003eSigned Victorian Watercolour, Dated 1878, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"244\" data-end=\"707\"\u003eAn original Victorian watercolour on paper by J. Cairns, signed and dated 1878, depicting St Margaret’s Loch in Holyrood Park, Edinburgh, with the ruins of St Anthony’s Chapel on the hillside above and Arthur’s Seat rising behind. In the foreground, figures promenade around the loch, a horse and carriage passes by, and small groups sit along the banks, giving the scene a lively sense of the park as a popular place of Victorian leisure.\u003c\/p\u003e\n\u003cp data-start=\"709\" data-end=\"1159\"\u003eThe composition is especially appealing for the way it brings together several of Edinburgh’s most recognisable and historically resonant landmarks within a single view. Cairns handles the scene with a light, confident touch, using a warm earthy palette that gives the work an attractive atmospheric quality. The combination of water, ruins, and volcanic landscape creates a composition that is both topographically interesting and highly decorative.\u003c\/p\u003e\n\u003cp data-start=\"1161\" data-end=\"1807\"\u003eSt Margaret’s Loch itself was formed in 1856 as part of Prince Albert’s programme of improvements to the landscape around the Palace of Holyroodhouse. When this watercolour was painted in 1878, the loch was still a relatively recent addition to one of Edinburgh’s most ancient settings. Above it stand the remains of St Anthony’s Chapel, a medieval structure already ruinous by the 18th century, while beyond rises Arthur’s Seat, the extinct volcano that remains one of the defining features of the city’s skyline. Together, these elements give the picture a strong sense of place and a particularly rich historical character.\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"2136\"\u003eSigned and dated lower left “J. Cairns 1878”, the painting is presented in a later glazed decorative frame with a clean mount and displays very well. A charming and evocative 19th-century Edinburgh view, ideal for collectors of Scottish watercolours, Holyrood Park subjects, and Victorian topographical art.\u003c\/p\u003e\n\u003cp data-start=\"2138\" data-end=\"2910\"\u003e\u003cstrong data-start=\"2138\" data-end=\"2149\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2149\" data-end=\"2152\"\u003eArtist: J. Cairns\u003cbr data-start=\"2173\" data-end=\"2176\"\u003eTitle: \u003cem data-start=\"2187\" data-end=\"2233\"\u003eSt Margaret’s Loch, Holyrood Park, Edinburgh\u003c\/em\u003e\u003cbr data-start=\"2233\" data-end=\"2236\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"2268\" data-end=\"2271\"\u003eSignature: Signed and dated lower left, \u003cem data-start=\"2315\" data-end=\"2333\"\u003e“J. Cairns 1878”\u003c\/em\u003e\u003cbr data-start=\"2333\" data-end=\"2336\"\u003eImage size: 17 × 25 cm\u003cbr data-start=\"2362\" data-end=\"2365\"\u003eFramed size: 35 × 39 cm\u003cbr data-start=\"2392\" data-end=\"2395\"\u003eDate: 1878\u003cbr data-start=\"2409\" data-end=\"2412\"\u003eCondition: Good overall condition. Some slight age-related discolouration and foxing to the paper, visible in the sky and lighter passages, as shown in the photographs. This is consistent with the age of the work and does not detract from its overall appearance. The composition remains clear and attractive and displays well.\u003cbr data-start=\"2742\" data-end=\"2745\"\u003eFrame: Presented in a later glazed decorative frame with a clean mount. The frame is in very good condition and presents the work well. Fitted and ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2912\" data-end=\"2994\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944010069,"sku":null,"price":145.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/St_Margarets_Loch_Plate.jpg?v=1774903618"},{"product_id":"antique-18th-century-diderot-encyclopedie-engraving-art-decrire-writing-framed","title":"Diderot Encyclopédie - Art d'Ecrire","description":"\u003cp data-start=\"125\" data-end=\"267\"\u003e\u003cstrong data-start=\"125\" data-end=\"213\"\u003eDiderot \u0026amp; d’Alembert’s \u003cem data-start=\"150\" data-end=\"164\"\u003eEncyclopédie\u003c\/em\u003e — \u003cem data-start=\"167\" data-end=\"181\"\u003eArt d’Ecrire\u003c\/em\u003e (The Art of Writing), Plate 2, \u003c\/strong\u003e\u003cstrong data-start=\"216\" data-end=\"267\"\u003eOriginal 18th-Century Engraving, c.1763, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"269\" data-end=\"776\"\u003eAn original 18th-century copperplate engraving on laid paper from Charles Paillasson’s celebrated handwriting manual \u003cem data-start=\"394\" data-end=\"410\"\u003eL’Art d’Ecrire\u003c\/em\u003e, issued around 1763 as part of Diderot and d’Alembert’s \u003cem data-start=\"473\" data-end=\"551\"\u003eEncyclopédie, ou Dictionnaire raisonné des sciences, des arts et des métiers\u003c\/em\u003e. The plate depicts a gentleman seated at his writing desk within an elegant interior, while the lower register illustrates quill pens, an inkwell and stand, a pounce box, and the correct hand positions for holding a quill.\u003c\/p\u003e\n\u003cp data-start=\"778\" data-end=\"1232\"\u003eThe composition follows the characteristic format used throughout the \u003cem data-start=\"848\" data-end=\"862\"\u003eEncyclopédie\u003c\/em\u003e plate volumes, combining a larger vignette of practice or setting above with carefully observed studies of tools and technique below. This union of clarity, elegance, and practical instruction is one of the defining qualities of the \u003cem data-start=\"1096\" data-end=\"1110\"\u003eEncyclopédie\u003c\/em\u003e’s engraved plates, which remain among the most visually compelling records of 18th-century intellectual and working life.\u003c\/p\u003e\n\u003cp data-start=\"1234\" data-end=\"1657\"\u003eThe engraving was produced under the direction of Jacques Renaud Benard (1731–1794), whose inscription “Benard direx.” appears in the plate. This indicates the supervision of his atelier rather than necessarily his own hand alone. Benard was one of the most prolific engravers associated with the \u003cem data-start=\"1539\" data-end=\"1553\"\u003eEncyclopédie\u003c\/em\u003e, contributing extensively to one of the most important publishing projects of the French Enlightenment.\u003c\/p\u003e\n\u003cp data-start=\"1659\" data-end=\"2145\"\u003eAs both a work of graphic art and a document of cultural history, the plate has particular appeal. Paillasson devoted his career to the art of writing and calligraphy, and this engraving reflects the period’s concern with refinement, education, and the dignified presentation of skilled practice. The subject makes it especially suitable for a study, library, or desk setting, while the quality of the engraving and its strong historical context give it enduring collector interest.\u003c\/p\u003e\n\u003cp data-start=\"2147\" data-end=\"2357\"\u003ePresented in a substantial glazed gilt frame with a deep green mount, this is a handsome and well-preserved example of an original \u003cem data-start=\"2278\" data-end=\"2292\"\u003eEncyclopédie\u003c\/em\u003e plate — decorative, historically significant, and ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2359\" data-end=\"3020\"\u003e\u003cstrong data-start=\"2359\" data-end=\"2370\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2370\" data-end=\"2373\"\u003eTitle: \u003cem data-start=\"2384\" data-end=\"2398\"\u003eArt d’Ecrire\u003c\/em\u003e (The Art of Writing), Plate 2\u003cbr data-start=\"2428\" data-end=\"2431\"\u003eMedium: Copperplate engraving on laid paper\u003cbr data-start=\"2478\" data-end=\"2481\"\u003eEngraver: Atelier of Jacques Renaud Benard (French, 1731–1794), signed in plate \u003cem data-start=\"2565\" data-end=\"2580\"\u003eBenard direx.\u003c\/em\u003e\u003cbr data-start=\"2580\" data-end=\"2583\"\u003eAfter: Charles Paillasson (French, 1718–1789)\u003cbr data-start=\"2632\" data-end=\"2635\"\u003eDate: c.1763\u003cbr data-start=\"2651\" data-end=\"2654\"\u003ePlate size: 23 × 16 cm\u003cbr data-start=\"2680\" data-end=\"2683\"\u003eFramed size: 56.5 × 46 cm\u003cbr data-start=\"2712\" data-end=\"2715\"\u003eCondition: Good overall condition. Light age toning to the paper, consistent with an 18th-century work. No visible foxing, tears, or losses to the image area. The engraving remains crisp, with fine detail well preserved.\u003cbr data-start=\"2939\" data-end=\"2942\"\u003eFrame: Substantial glazed gilt frame with deep green mount. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"3022\" data-end=\"3112\"\u003eThis is a genuine original 18th-century engraving, not a modern print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944042837,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/The_Art_of_Writing_Inner_Plate_IG.jpg?v=1774901085"},{"product_id":"mid-century-male-portrait-oil-painting-on-board-in-deep-ebonised-frame","title":"Mid-Century Male Portrait","description":"\u003cp data-start=\"125\" data-end=\"196\"\u003e\u003cstrong data-start=\"125\" data-end=\"154\"\u003eMid-Century Male Portrait, \u003c\/strong\u003e\u003cstrong data-start=\"157\" data-end=\"196\"\u003eOil on Board in Deep Ebonised Frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"198\" data-end=\"568\"\u003eAn original mid-century oil on board depicting a young man in bust-length view, painted with a confident economy of handling and a restrained, atmospheric palette. The portrait has a strong decorative presence, with the sitter’s direct gaze, softly modelled features, and muted background combining to create an image that feels both characterful and quietly modern.\u003c\/p\u003e\n\u003cp data-start=\"570\" data-end=\"961\"\u003eThe work has a distinctly mid-century sensibility. Simplified forms, a reduced tonal range, and an understated painterly surface give the portrait a calm visual authority, while also making it highly versatile as an interior piece. Though unattributed, it is an assured and visually effective composition, appealing both as a piece of figurative art and as a one-of-a-kind decorative object.\u003c\/p\u003e\n\u003cp data-start=\"963\" data-end=\"1400\"\u003eA particularly striking part of the piece is the frame. The painting is presented in a deep ebonised frame with gilt slip, which gives it unusual wall presence and adds a sculptural, architectural quality to the whole. The frame appears to pre-date the painting and bears a partial Edinburgh trade label to the reverse, referencing 69 Shandwick Place and 19 Salisbury Place, adding a further layer of historical interest.\u003c\/p\u003e\n\u003cp data-start=\"1402\" data-end=\"1689\"\u003eThe result is a distinctive and decorative portrait with strong mid-century character, attractive proportions, and excellent display impact. It would sit particularly well in interiors that favour mid-century design, figurative art, or darker, more atmospheric decorative pieces.\u003c\/p\u003e\n\u003cp data-start=\"1691\" data-end=\"2254\"\u003e\u003cstrong data-start=\"1691\" data-end=\"1702\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1702\" data-end=\"1705\"\u003eTitle: \u003cem data-start=\"1716\" data-end=\"1743\"\u003eMid-Century Male Portrait\u003c\/em\u003e\u003cbr data-start=\"1743\" data-end=\"1746\"\u003eMedium: Oil on board\u003cbr data-start=\"1770\" data-end=\"1773\"\u003eArtist: Unattributed\u003cbr data-start=\"1797\" data-end=\"1800\"\u003eSignature: Unsigned\u003cbr data-start=\"1823\" data-end=\"1826\"\u003eUnframed size: 29.5 × 24 cm\u003cbr data-start=\"1857\" data-end=\"1860\"\u003eFramed size: 48.5 × 43 × 8 cm\u003cbr data-start=\"1893\" data-end=\"1896\"\u003eDate: Mid-century\u003cbr data-start=\"1917\" data-end=\"1920\"\u003eCondition: Good overall condition with no visible paint losses. Minor age-related scuffs and wear to the frame, as shown in the photographs.\u003cbr data-start=\"2064\" data-end=\"2067\"\u003eFrame: Presented in a striking deep ebonised frame with gilt slip. A partial Edinburgh trade label remains verso, reading “69 Shandwick Place” and “19 Salisbury Place”. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2256\" data-end=\"2338\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944141141,"sku":null,"price":185.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MalePortraitPlate.jpg?v=1774899464"},{"product_id":"ken-lochhead-quality-street-north-berwick-hand-coloured-print-framed","title":"Ken Lochhead - Quality Street North Berwick","description":"\u003cp data-start=\"121\" data-end=\"227\"\u003e\u003cstrong data-start=\"121\" data-end=\"193\"\u003eKen Lochhead (Scottish, 1936–2006) – \u003cem data-start=\"160\" data-end=\"191\"\u003eQuality Street, North Berwick, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"196\" data-end=\"227\"\u003eHand-Coloured Print, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"229\" data-end=\"668\"\u003eA charming hand-coloured print after an original drawing by Ken Lochhead, depicting Quality Street, North Berwick. Known for his distinctive architectural views and affectionate depictions of Scottish towns, Lochhead had a gift for capturing local character through clear linework, balanced composition, and gently applied colour. This example is a particularly appealing view of one of East Lothian’s most picturesque streets.\u003c\/p\u003e\n\u003cp data-start=\"670\" data-end=\"1106\"\u003eThe print has a warm and inviting decorative quality. The neat arrangement of buildings, simple perspective, and carefully tinted surface give the composition both clarity and charm, while the hand-colouring lends a subtle individuality to the piece. Lochhead’s work is especially attractive for the way it combines topographical interest with a light, accessible style, making it easy to place in both traditional and modern interiors.\u003c\/p\u003e\n\u003cp data-start=\"1108\" data-end=\"1396\"\u003eQuality Street is one of North Berwick’s best-loved historic streets, and the subject gives the print a strong sense of place. For collectors of Scottish townscapes, North Berwick views, and architectural prints, this is a pleasing and characterful example of Lochhead’s work.\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1493\"\u003ePresented behind glass with a simple brown mount, the print displays well and is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1495\" data-end=\"1992\"\u003e\u003cstrong data-start=\"1495\" data-end=\"1506\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1506\" data-end=\"1509\"\u003eArtist: Ken Lochhead (Scottish, 1936–2006)\u003cbr data-start=\"1555\" data-end=\"1558\"\u003eTitle: \u003cem data-start=\"1569\" data-end=\"1600\"\u003eQuality Street, North Berwick\u003c\/em\u003e\u003cbr data-start=\"1600\" data-end=\"1603\"\u003eMedium: Hand-coloured print on paper, from an original drawing\u003cbr data-start=\"1669\" data-end=\"1672\"\u003eSignature: Printed signature in the image\u003cbr data-start=\"1717\" data-end=\"1720\"\u003eFramed picture size: 27 × 22 cm\u003cbr data-start=\"1755\" data-end=\"1758\"\u003eCondition: Good overall condition with clean colour and no obvious damage noted. Light, expected age-related handling wear, as shown in the photographs.\u003cbr data-start=\"1914\" data-end=\"1917\"\u003eFrame: Presented behind glass with a simple brown mount. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1994\" data-end=\"2075\"\u003eThis is an original hand-coloured print, not an original drawing or painting.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944272213,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Ken_Lochead_Plate.jpg?v=1776034783"},{"product_id":"topsham-devon-old-ferry-cottage-bulgin-signed-pen-ink-drawing-framed","title":"Bulgin - Topsham, Devon Old Ferry Cottage","description":"\u003cp data-start=\"125\" data-end=\"218\"\u003e\u003cstrong data-start=\"125\" data-end=\"175\"\u003eBulgin – Topsham, The Old Ferry Cottage, Devon, \u003c\/strong\u003e\u003cstrong data-start=\"178\" data-end=\"218\"\u003eOriginal Pen and Ink Drawing, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"220\" data-end=\"594\"\u003eAn original pen and ink drawing by Bulgin, depicting a characterful waterside view at Topsham, Devon, with moored boats, riverside buildings, and the old ferry-side setting rendered in a crisp and confident hand. The composition has a strong topographical charm, combining architectural detail with the quiet atmosphere of one of Devon’s most historic estuary towns.\u003c\/p\u003e\n\u003cp data-start=\"596\" data-end=\"1008\"\u003eExecuted in monochrome, the drawing has a pleasing balance of structure and informality. The line work is clear and decorative, giving the scene both visual precision and an easy sense of place. Boats rest along the water’s edge while the clustered buildings of the riverbank create depth and local character, making the work appealing both as a topographical subject and as a distinctive original work on paper.\u003c\/p\u003e\n\u003cp data-start=\"1010\" data-end=\"1430\"\u003eThe reverse is inscribed “Topsham – the Old Ferry Cottage – Devon” and “Original pen and ink by Bulgin”, giving the piece a clear identification and adding to its period appeal. Topsham’s long maritime history makes it an especially fitting subject for this kind of drawing, and the combination of river setting, historic buildings, and ferry-side interest gives the composition a particularly evocative quality.\u003c\/p\u003e\n\u003cp data-start=\"1432\" data-end=\"1726\"\u003ePresented behind glass in a simple frame, this is a very displayable example of mid-20th-century British topographical drawing. It would suit collectors of Devon views, Topsham interest, nautical and maritime subjects, and small original drawings with a clean monochrome finish.\u003c\/p\u003e\n\u003cp data-start=\"1728\" data-end=\"2441\"\u003e\u003cstrong data-start=\"1728\" data-end=\"1739\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1739\" data-end=\"1742\"\u003eArtist: Bulgin\u003cbr data-start=\"1760\" data-end=\"1763\"\u003eTitle: \u003cem data-start=\"1774\" data-end=\"1813\"\u003eTopsham, The Old Ferry Cottage, Devon\u003c\/em\u003e\u003cbr data-start=\"1813\" data-end=\"1816\"\u003eMedium: Pen and ink on paper\u003cbr data-start=\"1848\" data-end=\"1851\"\u003eSignature: Signed lower right\u003cbr data-start=\"1884\" data-end=\"1887\"\u003eVisible picture size: 33 × 20.5 cm\u003cbr data-start=\"1925\" data-end=\"1928\"\u003eFramed size: 35.5 × 23 cm\u003cbr data-start=\"1957\" data-end=\"1960\"\u003eDate: Mid-20th century\u003cbr data-start=\"1986\" data-end=\"1989\" data-is-only-node=\"\"\u003eCondition: The paper has aged with some scattered spotting\/foxing visible, as shown in the photographs. The drawing remains clear and presentable overall. The frame is generally in good condition, though it is rather lightweight and the glass sits a little loose within it.\u003cbr data-start=\"2266\" data-end=\"2269\"\u003eFrame: Presented behind glass in a simple frame. The reverse is inscribed “Topsham – the Old Ferry Cottage – Devon” and “Original pen and ink by Bulgin.” Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2443\" data-end=\"2525\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944239445,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BulginMain.jpg?v=1774898906"},{"product_id":"hanslip-fletcher-exeter-queen-street-old-market-sunday-times-print-1948-framed","title":"Hanslip Fletcher - Exeter, Queen Street Old Market (1948)","description":"\u003cp data-start=\"126\" data-end=\"265\"\u003e\u003cstrong data-start=\"126\" data-end=\"213\"\u003eHanslip Fletcher (1874–1955) – The Old Market \/ Higher Market, Queen Street, Exeter, \u003c\/strong\u003e\u003cstrong data-start=\"216\" data-end=\"265\"\u003eSunday Times Reproduction Print, 1948, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"267\" data-end=\"726\"\u003eA vintage Sunday Times reproduction print after a pen-and-ink architectural drawing by Hanslip Fletcher (1874–1955), depicting the imposing classical façade of Exeter’s Higher Market on Queen Street, also often referred to as the Old Market. Rendered in crisp monochrome line, the composition has a strong architectural clarity and decorative elegance, making it an appealing piece for collectors of British topography and historic print material.\u003c\/p\u003e\n\u003cp data-start=\"728\" data-end=\"1163\"\u003eThe subject is one of Exeter’s best-known civic buildings. With its grand Greek Doric portico and commanding street presence, the Higher Market has long been admired as a notable example of early 19th-century architecture. Fletcher’s image focuses on this stately frontage, capturing the rhythm of the columns and the dignified balance of the façade with the precision and confidence for which his architectural drawings are known.\u003c\/p\u003e\n\u003cp data-start=\"1165\" data-end=\"1605\"\u003eThis print was issued in 1948 and reproduces Fletcher’s earlier 1938 drawing of the building, giving the piece both topographical and documentary interest. It is a characterful mid-century reproduction that reflects the period’s appreciation for historic British architecture and printed illustration. The clean black-and-white presentation also makes it especially easy to place in both traditional and more contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1607\" data-end=\"1870\"\u003ePresented behind glass with a simple outlined border and no mount, the print has an understated, classic look that suits the subject well. A pleasing example for collectors of Exeter interest, architectural prints, and vintage newspaper reproductions.\u003c\/p\u003e\n\u003cp data-start=\"1872\" data-end=\"2584\"\u003e\u003cstrong data-start=\"1872\" data-end=\"1883\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1883\" data-end=\"1886\"\u003eArtist: Hanslip Fletcher (1874–1955) (after)\u003cbr data-start=\"1934\" data-end=\"1937\"\u003eTitle: \u003cem data-start=\"1948\" data-end=\"2002\"\u003eThe Old Market \/ Higher Market, Queen Street, Exeter\u003c\/em\u003e\u003cbr data-start=\"2002\" data-end=\"2005\"\u003eMedium: Reproduction print on paper after a pen-and-ink drawing\u003cbr data-start=\"2072\" data-end=\"2075\"\u003eSignature: Signed in plate lower right, “Hanslip Fletcher 1948”; printed with “Reproduced from The Sunday Times”\u003cbr data-start=\"2191\" data-end=\"2194\"\u003eDate: Printed 1948; after the original 1938 drawing\u003cbr data-start=\"2249\" data-end=\"2252\"\u003eFramed picture size: 38 × 29 cm\u003cbr data-start=\"2287\" data-end=\"2290\"\u003eCondition: Good overall condition with no foxing and only minimal toning to the paper.\u003cbr data-start=\"2380\" data-end=\"2383\" data-is-only-node=\"\"\u003eFrame: Presented behind glass with a simple outlined border and no mount. The reverse is inscribed in red: “Hanslip Fletcher reproduction \/ ‘The Old Market’ \/ Queen Street \/ EXETER.” Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2586\" data-end=\"2652\"\u003eThis is a vintage reproduction print, not an original drawing.\u003c\/p\u003e\n\u003cp data-start=\"2654\" data-end=\"2773\"\u003eCarefully packed and dispatched from the UK.\u003cbr data-start=\"2698\" data-end=\"2701\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944173909,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/FletcherPlate.jpg?v=1774898436"},{"product_id":"sir-alfred-east-a-r-a-signed-watercolour-lake-study-with-swans-c1900-british","title":"Sir Alfred East A.R.A. - Lake Study with Swans","description":"\u003cp data-start=\"0\" data-end=\"101\"\u003e\u003cstrong\u003eSir Alfred East A.R.A. (British 1844–1913) – Signed Watercolour \u003cem data-start=\"64\" data-end=\"87\"\u003eLake Study with Swans\u003c\/em\u003e (c.1890–1910)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"103\" data-end=\"451\"\u003eOriginal watercolour on paper by Sir Alfred East A.R.A. (1844–1913), depicting swans gliding across calm water beneath a broad, atmospheric sky, with a distant crossing and buildings on the far bank. The scene is handled with East’s characteristic sensitivity to light and reflection, combining delicate detail with an assured, painterly touch.\u003c\/p\u003e\n\u003cp data-start=\"453\" data-end=\"816\"\u003eEast was one of the most respected British landscape painters of the late 19th and early 20th centuries, exhibiting widely during his lifetime and celebrated for poetic interpretations of the countryside and waterways. This work is a particularly appealing example, fully resolved rather than sketchy, with strong decorative presence and a refined, tranquil mood.\u003c\/p\u003e\n\u003cp data-start=\"818\" data-end=\"1120\"\u003eThe watercolour is signed and presented in a handsome gilt frame with a beaded detail, ready to hang. A well-balanced horizontal composition that suits both traditional and contemporary interiors, with the swans providing an elegant focal point and the distant structures adding depth and interest.\u003c\/p\u003e\n\u003cp data-start=\"1122\" data-end=\"1295\"\u003eAlthough an exact location is unconfirmed, the picture reads as a classic East “study” of water, light, and atmosphere, likely dating to his mature period, c. 1890–1910.\u003c\/p\u003e\n\u003cp data-start=\"1297\" data-end=\"1810\"\u003e\u003cstrong data-start=\"1297\" data-end=\"1309\"\u003eDetails:\u003c\/strong\u003e\u003cbr data-start=\"1309\" data-end=\"1312\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1340\" data-end=\"1343\"\u003eArtist: Sir Alfred East A.R.A. (British, 1844–1913)\u003cbr data-start=\"1394\" data-end=\"1397\"\u003eTitle: \u003cem data-start=\"1404\" data-end=\"1427\"\u003eLake Study with Swans\u003c\/em\u003e\u003cbr data-start=\"1427\" data-end=\"1430\"\u003eSignature: Signed lower left\u003cbr data-start=\"1458\" data-end=\"1461\" data-is-only-node=\"\"\u003eImage Size: 34 × 52 cm\u003cbr data-start=\"1483\" data-end=\"1486\"\u003eFramed Size: 46 × 64 cm\u003cbr data-start=\"1509\" data-end=\"1512\"\u003eDate: c. 1890–1910\u003cbr data-start=\"1530\" data-end=\"1533\"\u003eCondition: Very good overall condition. The watercolour presents cleanly, with only minimal, gentle age-related toning and no visible foxing. The work remains fresh and highly decorative throughout.\u003cbr data-start=\"1731\" data-end=\"1734\"\u003eFrame: Presented in a glazed gilt frame with a beaded detail. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1812\" data-end=\"1896\"\u003eThis is a genuine, one-of-a-kind original artwork — not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944206677,"sku":null,"price":595.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/AlfredEastPlate.jpg?v=1774896321"},{"product_id":"t-mackenzie-signed-etching-punting-magdalen-college-oxford-framed","title":"T. Mackenzie - Magdalen College Oxford","description":"\u003cp data-start=\"104\" data-end=\"196\"\u003e\u003cstrong data-start=\"104\" data-end=\"158\"\u003eT. Mackenzie – “Punting”, Magdalen College, Oxford, \u003c\/strong\u003e\u003cstrong data-start=\"161\" data-end=\"196\"\u003eSigned Original Etching, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"198\" data-end=\"521\"\u003eA signed original etching by T. Mackenzie, depicting an elegant punting scene before Magdalen College, Oxford. This finely executed print captures one of Oxford’s most recognisable riverside views, with the college buildings rising beyond the water and figures in punts bringing movement and life to the foreground.\u003c\/p\u003e\n\u003cp data-start=\"523\" data-end=\"1014\"\u003eThe composition has a particularly appealing balance of architectural detail and atmospheric charm. Delicate etched lines and subtle tonal variation give the scene a refined, traditional character, while the subject itself evokes the long visual history of Oxford as a centre of learning, leisure, and historic beauty. The combination of water, architecture, and figures makes this an especially decorative topographical print, well suited to both classic and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1016\" data-end=\"1394\"\u003eMagdalen College, founded in 1458, is one of Oxford’s most celebrated institutions, and its picturesque setting beside the River Cherwell has made it a favourite subject for artists and printmakers. In this example, Mackenzie presents the scene with clarity and restraint, allowing the beauty of the architecture and the gentle activity of the river to speak for themselves.\u003c\/p\u003e\n\u003cp data-start=\"1396\" data-end=\"1610\"\u003eSigned in pencil and presented in a glazed black wood frame, this is an attractive and ready-to-display work for collectors of Oxford views, British topographical prints, and early 20th-century etching.\u003c\/p\u003e\n\u003cp data-start=\"1612\" data-end=\"2157\"\u003e\u003cstrong data-start=\"1612\" data-end=\"1623\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1623\" data-end=\"1626\"\u003e\u003cstrong data-start=\"1626\" data-end=\"1637\"\u003eArtist:\u003c\/strong\u003e T. Mackenzie\u003cbr data-start=\"1650\" data-end=\"1653\"\u003e\u003cstrong data-start=\"1653\" data-end=\"1663\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1664\" data-end=\"1673\"\u003ePunting\u003c\/em\u003e\u003cbr data-start=\"1673\" data-end=\"1676\"\u003e\u003cstrong data-start=\"1676\" data-end=\"1687\"\u003eMedium:\u003c\/strong\u003e Etching on paper\u003cbr data-start=\"1704\" data-end=\"1707\"\u003e\u003cstrong data-start=\"1707\" data-end=\"1721\" data-is-only-node=\"\"\u003eSignature:\u003c\/strong\u003e Signed in pencil lower right\u003cbr data-start=\"1750\" data-end=\"1753\"\u003e\u003cstrong data-start=\"1753\" data-end=\"1777\"\u003eUnframed sheet size:\u003c\/strong\u003e 28 × 22.5 cm\u003cbr data-start=\"1790\" data-end=\"1793\"\u003e\u003cstrong data-start=\"1793\" data-end=\"1809\"\u003eFramed size:\u003c\/strong\u003e 42.5 × 38 cm\u003cbr data-start=\"1822\" data-end=\"1825\"\u003e\u003cstrong data-start=\"1825\" data-end=\"1834\"\u003eDate:\u003c\/strong\u003e Early 20th century\u003cbr data-start=\"1853\" data-end=\"1856\"\u003e\u003cstrong data-start=\"1856\" data-end=\"1870\"\u003eCondition:\u003c\/strong\u003e Very good overall condition. The etching presents cleanly, with no notable condition issues apparent. The sheet appears well preserved, and the image retains a crisp, attractive impression with good clarity throughout.\u003cbr data-start=\"2089\" data-end=\"2092\"\u003e\u003cstrong data-start=\"2092\" data-end=\"2102\"\u003eFrame:\u003c\/strong\u003e Presented in a glazed black wood frame. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2159\" data-end=\"2211\"\u003eThis is an original etching, not a reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944370517,"sku":null,"price":75.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/OxfordPlate.jpg?v=1774895133"},{"product_id":"dunvegan-skye-acrylic-painting-signed-w-g-r-dated-1976-framed","title":"W.G.R - Dunvegan, Skye (1976)","description":"\u003cp data-start=\"0\" data-end=\"86\"\u003e\u003cstrong data-start=\"0\" data-end=\"86\"\u003eW.G.R. (20th century) – \u003cem data-start=\"26\" data-end=\"42\"\u003eDunvegan, Skye\u003c\/em\u003e, Acrylic on Canvas, Signed and Dated 1976\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"88\" data-end=\"396\"\u003eOriginal acrylic on canvas depicting Dunvegan on the Isle of Skye, signed and dated 1976 by W.G.R. This characterful Scottish landscape combines a recognisable Highland landmark with a distinctly personal handling of colour and form, giving the scene both topographical interest and strong decorative appeal.\u003c\/p\u003e\n\u003cp data-start=\"398\" data-end=\"929\"\u003eThe composition appears to show Dunvegan Castle rising from the shoreline, with smaller cottages to the right and hills receding into the distance beyond. While the artist remains faithful to the essential structure of the view, the colour is heightened in a way that brings added atmosphere and movement to the scene. Particularly striking is the treatment of the water, where lively touches of blue, turquoise, white, and warm yellow create a shimmering, reflective surface that gives the painting a sense of animation and light.\u003c\/p\u003e\n\u003cp data-start=\"931\" data-end=\"1252\"\u003ePainted in 1976, the work has an appealing period character and sits comfortably within a naïve or folk-influenced landscape tradition. Its simplified forms and expressive palette give it an immediacy that feels both decorative and sincere, making it well suited to interiors that favour warmth, place, and individuality.\u003c\/p\u003e\n\u003cp data-start=\"1254\" data-end=\"1467\"\u003eThe painting is presented in a simple lightweight wood frame and is ready to hang. It would make an attractive addition to a collection of Scottish art, Skye views, or original mid-20th-century landscape painting.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1936\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1480\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1480\" data-end=\"1483\"\u003e\u003cstrong data-start=\"1483\" data-end=\"1494\"\u003eMedium:\u003c\/strong\u003e Acrylic on canvas\u003cbr data-start=\"1512\" data-end=\"1515\"\u003e\u003cstrong data-start=\"1515\" data-end=\"1526\"\u003eArtist:\u003c\/strong\u003e W.G.R.\u003cbr data-start=\"1533\" data-end=\"1536\"\u003e\u003cstrong data-start=\"1536\" data-end=\"1546\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1547\" data-end=\"1563\"\u003eDunvegan, Skye\u003c\/em\u003e\u003cbr data-start=\"1563\" data-end=\"1566\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1566\" data-end=\"1575\"\u003eDate:\u003c\/strong\u003e 1976\u003cbr data-start=\"1580\" data-end=\"1583\"\u003e\u003cstrong data-start=\"1583\" data-end=\"1597\"\u003eSignature:\u003c\/strong\u003e Signed and dated 1976\u003cbr data-start=\"1619\" data-end=\"1622\"\u003e\u003cstrong data-start=\"1622\" data-end=\"1638\"\u003eFramed Size:\u003c\/strong\u003e 52 × 78 cm\u003cbr data-start=\"1649\" data-end=\"1652\"\u003e\u003cstrong data-start=\"1652\" data-end=\"1666\"\u003eCondition:\u003c\/strong\u003e Good overall condition. There are some paint losses around the outer border of the canvas near where it meets the frame, and the canvas is ever so slightly loose on the strainer, but it otherwise presents well.\u003cbr data-start=\"1877\" data-end=\"1880\"\u003e\u003cstrong data-start=\"1880\" data-end=\"1890\"\u003eFrame:\u003c\/strong\u003e Simple lightweight wood frame. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1938\" data-end=\"2011\"\u003eThis is an original, one-of-a-kind painting, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944436053,"sku":null,"price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Dunvegan_Castle_Plate.jpg?v=1774894672"},{"product_id":"antique-dog-oil-painting-herman-frederik-funch-kvik-signed-dated-1889-hunting","title":"Herman Frederik Funch - \"Kvik\"","description":"\u003cp data-start=\"65\" data-end=\"152\"\u003e\u003cstrong data-start=\"65\" data-end=\"152\"\u003eHerman Frederik Funch (Danish 1841–1919) – \u003cem data-start=\"110\" data-end=\"116\"\u003eKvik\u003c\/em\u003e, Hunting Dog, Oil on Canvas, 1889\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"154\" data-end=\"494\"\u003eOriginal oil on canvas by the Danish painter Herman Frederik Funch (1841–1919), depicting a black-and-tan hunting dog named Kvik resting beside a folding shooting chair and game bag. Signed “HFunch” and dated ’89, the painting combines the charm of a dog portrait with the quiet atmosphere of a late 19th-century sporting scene.\u003c\/p\u003e\n\u003cp data-start=\"496\" data-end=\"966\"\u003eWhat gives the work particular appeal is its intimacy. Rather than focusing on the action of the hunt, Funch presents a quieter and more personal moment, with the dog shown patiently at rest, calm and attentive. The inscription “Kvik” at the lower left identifies the sitter by name, lending the picture a strong sense of individuality. In Danish, \u003cem data-start=\"848\" data-end=\"854\"\u003ekvik\u003c\/em\u003e suggests something quick, lively, or alert, a fitting name for a sporting dog, even in this more composed pose.\u003c\/p\u003e\n\u003cp data-start=\"968\" data-end=\"1347\"\u003eFunch was known as an animal painter, and that sensitivity is evident here. The dog is treated not simply as part of a sporting setting, but as the true subject of the picture, observed with warmth and character. The black-and-tan coat is handled with subtle tonal variation, while the surrounding chair and bag place the scene within a recognisably rural and sporting tradition.\u003c\/p\u003e\n\u003cp data-start=\"1349\" data-end=\"1657\"\u003ePresented in an ornate gilt frame with a small lower nameplate, this is an attractive and characterful late 19th-century cabinet picture, well suited to collectors of animal painting, dog portraits, and sporting art. The palette is somewhat dark and the painting benefits from good lighting for best display.\u003c\/p\u003e\n\u003cp data-start=\"1659\" data-end=\"2205\"\u003e\u003cstrong data-start=\"1659\" data-end=\"1670\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1670\" data-end=\"1673\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eArtist: Herman Frederik Funch (Danish, 1841–1919)\u003cbr data-start=\"1746\" data-end=\"1749\"\u003eTitle: \u003cem data-start=\"1756\" data-end=\"1762\"\u003eKvik\u003c\/em\u003e\u003cbr data-start=\"1762\" data-end=\"1765\"\u003eDate: 1889\u003cbr data-start=\"1775\" data-end=\"1778\" data-is-only-node=\"\"\u003eSignature: Signed “HFunch” lower right; “Kvik” inscribed lower left\u003cbr data-start=\"1845\" data-end=\"1848\"\u003eUnframed Size: 22 × 30 cm\u003cbr data-start=\"1873\" data-end=\"1876\"\u003eFramed Size: 33 × 41 cm\u003cbr data-start=\"1899\" data-end=\"1902\"\u003eCondition: Good overall condition, with light age-related wear consistent with age. The picture is tonally quite dark and benefits from good lighting for best display. The frame has some small areas of stucco loss \/ damage.\u003cbr data-start=\"2125\" data-end=\"2128\"\u003eFrame: Presented in an ornate gilt frame with lower nameplate. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944337749,"sku":null,"price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Funch_Plate.jpg?v=1774893958"},{"product_id":"claude-lasson-floral-still-life-oil-painting-fruit-wine-glass-ornate-gilt-frame","title":"Claude Lasson - Still Life with Flowers, Oranges and Wine Glass","description":"\u003cp data-start=\"90\" data-end=\"157\"\u003e\u003cstrong data-start=\"90\" data-end=\"157\"\u003eClaude Lasson – Still Life with Flowers, Oranges and Wine Glass\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"159\" data-end=\"495\"\u003eAn original oil on canvas by Claude Lasson, depicting a richly composed still life of white and red flowers beside oranges and a wine glass. Set against a dark ground and painted with confident, expressive brushwork, the composition has a strong decorative presence, balancing softness, colour and atmosphere with real painterly energy.\u003c\/p\u003e\n\u003cp data-start=\"497\" data-end=\"871\"\u003eThe contrast between the luminous white blooms and the deeper surrounding tones gives the picture immediate impact, while the oranges and glass introduce warmth and clarity across the arrangement. Lasson’s handling is loose and textured, allowing the surface to retain movement and vitality without losing the elegance associated with traditional floral still life painting.\u003c\/p\u003e\n\u003cp data-start=\"873\" data-end=\"1268\"\u003eThis is a work that sits comfortably between classic still life and decorative interior painting. Its palette and composition make it especially effective in a domestic setting, while the substantial ornate gilt frame enhances its sense of richness and display. The result is a painting with both visual charm and practical versatility, equally suited to traditional and more eclectic interiors.\u003c\/p\u003e\n\u003cp data-start=\"1270\" data-end=\"1431\"\u003ePresented in an ornate gilt frame and ready to hang, the painting also retains a paper label verso. A handsome 20th century original with strong interior appeal.\u003c\/p\u003e\n\u003cp data-start=\"1433\" data-end=\"1991\"\u003e\u003cstrong data-start=\"1433\" data-end=\"1444\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1444\" data-end=\"1447\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1468\" data-end=\"1471\"\u003eArtist: Claude Lasson\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eTitle: Still Life with Flowers, Oranges and Wine Glass\u003cbr data-start=\"1549\" data-end=\"1552\"\u003eFramed Size: 55 × 67 cm\u003cbr data-start=\"1575\" data-end=\"1578\"\u003eImage Size: 40 × 51 cm\u003cbr data-start=\"1600\" data-end=\"1603\"\u003eDate: 20th century\u003cbr data-start=\"1621\" data-end=\"1624\"\u003eCondition: Presented in good overall vintage condition. The paint surface appears stable, with light age-related surface wear and texture consistent with the artist’s painterly handling. There may be minor surface variation and expected signs of age, as visible in the photographs.\u003cbr data-start=\"1905\" data-end=\"1908\"\u003eFrame: Presented in an ornate gilt frame. Ready to hang.\u003cbr data-start=\"1964\" data-end=\"1967\"\u003eLabel: Paper label verso\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944501589,"sku":null,"price":165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/LassonPlate.jpg?v=1774894772"},{"product_id":"antique-portrait-of-r-j-brooks-gentleman-oil-painting-english-school-framed","title":"Portrait of R J Brooks","description":"\u003cp data-start=\"96\" data-end=\"173\"\u003e\u003cstrong data-start=\"96\" data-end=\"173\"\u003ePortrait of R. J. Brooks – Antique Oil Painting on Canvas, English School\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"175\" data-end=\"550\"\u003eA characterful mid-19th century portrait depicting R. J. Brooks in formal black coat and white cravat, painted in a restrained palette that gives the work a strong period presence. The sitter is shown bust-length against a simple ground, with the directness of the composition and the dark tonal handling lending the painting a quiet dignity typical of Victorian portraiture.\u003c\/p\u003e\n\u003cp data-start=\"552\" data-end=\"884\"\u003eThe reverse bears the name of the sitter together with a birth date of 1822, while “T. Yule, Haddington” also appears in a different hand, suggesting a later ownership inscription. These markings add an appealing layer of historical interest and help anchor the picture as an individual rather than an anonymous decorative portrait.\u003c\/p\u003e\n\u003cp data-start=\"886\" data-end=\"1297\"\u003eRecently professionally cleaned, the painting remains visually striking and displays well. As one would expect with a work of this age, there is craquelure and age-related surface wear, most notably to the darker passages of the coat, where pronounced alligator-like cracking is visible. There are also small retouched areas, but the portrait retains strong decorative appeal and an authentic antique character.\u003c\/p\u003e\n\u003cp data-start=\"1299\" data-end=\"1473\"\u003ePresented in a dark stained wooden frame with a dark gilt inner slip, this is a genuine 19th century oil portrait with both decorative charm and personal historical interest.\u003c\/p\u003e\n\u003cp data-start=\"1475\" data-end=\"2321\"\u003e\u003cstrong data-start=\"1475\" data-end=\"1486\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1510\" data-end=\"1513\"\u003eArtist: English School\u003cbr data-start=\"1535\" data-end=\"1538\"\u003eTitle: \u003cem data-start=\"1545\" data-end=\"1571\"\u003ePortrait of R. J. Brooks\u003c\/em\u003e\u003cbr data-start=\"1571\" data-end=\"1574\"\u003eDate: Mid 19th century\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eInscription: Inscribed verso with the sitter’s name and date of birth; also marked “T. Yule, Haddington” in a different hand\u003cbr data-start=\"1723\" data-end=\"1726\"\u003eImage Size: 36 × 29 cm\u003cbr data-start=\"1748\" data-end=\"1751\"\u003eFramed Size: 49 × 41 cm\u003cbr data-start=\"1774\" data-end=\"1777\"\u003eCondition: Professionally cleaned and in stable vintage condition. Craquelure around the face, with pronounced alligator-like cracking to the black areas of the coat, likely associated with a bitumen-rich passage. The lower section is dry and crackled with some associated surface disturbance. Small areas of paint loss to the background, chin, forehead and cravat have been retouched. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"2227\" data-end=\"2230\"\u003eFrame: Presented in a dark stained wooden frame with a dark gilt inner slip. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944534357,"sku":null,"price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Yule_Plate_New.jpg?v=1781033289"},{"product_id":"ivan-bergdahl-swedish-oil-painting-spring-river-gadean-harnosand-dated-1983","title":"Ivan Bergdahl, Spring River, Gådeån, Härnösand","description":"\u003cp data-start=\"84\" data-end=\"160\"\u003e\u003cstrong data-start=\"84\" data-end=\"160\"\u003eIvan Bergdahl (Swedish, b. 1929) – Spring River, Gådeån, Härnösand, 1983\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"162\" data-end=\"565\"\u003eOriginal oil on canvas by Swedish painter Ivan Bergdahl, depicting a spring river scene at Gådeån in Härnösand. Signed and dated 1983, the painting captures the force of snowmelt water with striking immediacy, the river surging through the landscape with a real sense of speed, weight, and movement. Bergdahl’s handling is expressive yet controlled, giving the composition both atmosphere and structure.\u003c\/p\u003e\n\u003cp data-start=\"567\" data-end=\"944\"\u003eThe subject is especially compelling for its combination of energy and stillness. The rushing water dominates the foreground, while the bridge beyond provides a calm and steady counterpoint, anchoring the scene within the landscape. Remaining snow at the banks reinforces the sense of seasonal thaw, and the restrained Nordic palette gives the work a cool, distinctive clarity.\u003c\/p\u003e\n\u003cp data-start=\"946\" data-end=\"1373\"\u003eBergdahl is associated with landscapes of lakes, rivers, and rapids, and this painting feels particularly characteristic in that respect. Rooted in a specific place yet painted with broad appeal, it is both a topographical view and an atmospheric Scandinavian landscape. The result is a work with strong regional identity, well suited to collectors of Nordic painting, river scenes, and expressive late 20th-century landscapes.\u003c\/p\u003e\n\u003cp data-start=\"1375\" data-end=\"1492\"\u003ePresented in its frame and ready to hang, this is a distinctive original painting with excellent decorative presence.\u003c\/p\u003e\n\u003cp data-start=\"1494\" data-end=\"2140\"\u003e\u003cstrong data-start=\"1494\" data-end=\"1505\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1505\" data-end=\"1508\"\u003e\u003cstrong data-start=\"1508\" data-end=\"1519\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1533\" data-end=\"1536\"\u003e\u003cstrong data-start=\"1536\" data-end=\"1547\"\u003eArtist:\u003c\/strong\u003e Ivan Bergdahl\u003cbr data-start=\"1561\" data-end=\"1564\"\u003e\u003cstrong data-start=\"1564\" data-end=\"1574\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1575\" data-end=\"1608\"\u003eSpring River, Gådeån, Härnösand\u003c\/em\u003e\u003cbr data-start=\"1608\" data-end=\"1611\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1611\" data-end=\"1620\"\u003eDate:\u003c\/strong\u003e 1983\u003cbr data-start=\"1625\" data-end=\"1628\"\u003e\u003cstrong data-start=\"1628\" data-end=\"1642\"\u003eSignature:\u003c\/strong\u003e Signed and dated\u003cbr data-start=\"1659\" data-end=\"1662\"\u003e\u003cstrong data-start=\"1662\" data-end=\"1680\"\u003eUnframed Size:\u003c\/strong\u003e 49.5 × 60 cm\u003cbr data-start=\"1693\" data-end=\"1696\"\u003e\u003cstrong data-start=\"1696\" data-end=\"1712\"\u003eFramed Size:\u003c\/strong\u003e 63 × 52 cm\u003cbr data-start=\"1723\" data-end=\"1726\"\u003e\u003cstrong data-start=\"1726\" data-end=\"1740\"\u003eCondition:\u003c\/strong\u003e Presented in good overall condition. The paint surface appears stable. There are some areas that may initially suggest minor paint loss, but these appear to be intentional passages where the artist has allowed the ground layer to show through as part of the painting’s surface character and handling. Please refer closely to the photographs for exact condition.\u003cbr data-start=\"2102\" data-end=\"2105\"\u003e\u003cstrong data-start=\"2105\" data-end=\"2115\"\u003eFrame:\u003c\/strong\u003e Framed and ready to hang\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944567125,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BergdahlPlate.jpg?v=1774912325"},{"product_id":"john-slezer-edinburgh-castle-print-1993-facsimile-southside-of-the-castle-framed","title":"John Slezer, Southside of the Castle","description":"\u003cp data-start=\"0\" data-end=\"100\"\u003e\u003cstrong data-start=\"0\" data-end=\"100\"\u003eJohn Slezer \u003cem data-start=\"14\" data-end=\"32\"\u003eTheatrum Scotiae\u003c\/em\u003e 1993 Facsimile Print – \u003cem data-start=\"56\" data-end=\"98\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"102\" data-end=\"490\"\u003eA decorative 1993 facsimile print after Plate I from John Slezer’s \u003cem data-start=\"171\" data-end=\"189\"\u003eTheatrum Scotiae\u003c\/em\u003e, depicting the south side of Edinburgh Castle. This celebrated view presents the castle from the south with its original Latin and English titles, \u003cem data-start=\"345\" data-end=\"373\"\u003eFacies Arcis Edenburgeanae\u003c\/em\u003e \/ \u003cem data-start=\"376\" data-end=\"418\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e, and draws on one of the best-known early printed images of the city.\u003c\/p\u003e\n\u003cp data-start=\"492\" data-end=\"1012\"\u003eSlezer occupies an important place in the history of Scottish topography, and \u003cem data-start=\"570\" data-end=\"588\"\u003eTheatrum Scotiae\u003c\/em\u003e remains one of the landmark illustrated surveys of late 17th-century Scotland. This example is not an original 1693 engraving, but a 1993 licensed facsimile, produced to mark the tercentenary of the publication. The print was issued in connection with the National Library of Scotland exhibition \u003cem data-start=\"899\" data-end=\"925\"\u003eScotland First Portrayed\u003c\/em\u003e, held that year to celebrate 300 years since the appearance of Slezer’s famous work.\u003c\/p\u003e\n\u003cp data-start=\"1014\" data-end=\"1504\"\u003eThat background gives the piece a dual appeal. On one level, it is a striking and historically resonant image of Edinburgh Castle, one of Scotland’s most recognisable landmarks. On another, it is a commemorative late 20th-century reproduction tied to an important exhibition and to the continuing legacy of Slezer’s publication. The result is a print that works equally well as a decorative Edinburgh view and as an object of interest within the broader history of Scottish printed imagery.\u003c\/p\u003e\n\u003cp data-start=\"1506\" data-end=\"1788\"\u003ePresented in a simple black frame with a cream mount, it displays cleanly and attractively. A handsome framed print for collectors of Edinburgh views, Scottish topography and architectural prints, and a characterful piece for both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1790\" data-end=\"2214\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1801\" data-end=\"1804\"\u003eMedium: Facsimile print on paper\u003cbr data-start=\"1836\" data-end=\"1839\"\u003eArtist: John Slezer\u003cbr data-start=\"1858\" data-end=\"1861\"\u003eTitle: \u003cem data-start=\"1868\" data-end=\"1910\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e\u003cbr data-start=\"1910\" data-end=\"1913\"\u003eFramed Size: 44 × 32 cm\u003cbr data-start=\"1936\" data-end=\"1939\"\u003eDate: 1993\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eCondition: Good overall condition with light, expected wear consistent with age and framing. The print presents cleanly and attractively overall, with no major issues noted\u003cbr data-start=\"2124\" data-end=\"2127\"\u003eFrame: Presented behind glass in a simple black frame with a cream mount. Ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2216\" data-end=\"2300\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis is a 1993 licensed facsimile print, not an original 17th-century engraving.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944599893,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/SouthsideoftheCastleMain.jpg?v=1774826780"},{"product_id":"freida-marion-ewart-scott-still-life-with-daffodils-watercolour-signed","title":"Freida Marion Ewart Scott, Still Life with Daffodils","description":"\u003cp data-start=\"78\" data-end=\"161\"\u003e\u003cstrong data-start=\"78\" data-end=\"129\"\u003eFreida Marion Ewart Scott (Scottish, 1926–2012), \u003c\/strong\u003e\u003cstrong data-start=\"132\" data-end=\"161\"\u003eStill Life with Daffodils\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"163\" data-end=\"584\"\u003eA vibrant original watercolour by Scottish artist Freida Marion Ewart Scott, this expressive still life combines daffodils, fruit, pottery and richly patterned textiles in a composition full of warmth, colour and decorative charm. Set against a vivid yellow ground, the arrangement has an unusually lively, unforced character, giving the picture the feeling of a real domestic moment rather than a formal studio exercise.\u003c\/p\u003e\n\u003cp data-start=\"586\" data-end=\"1034\"\u003eStill life was a recurring subject in Scott’s work, and this painting sits comfortably within that known body of material. Its strong palette, simplified forms and layered fabrics give it a distinctive visual rhythm, while the mixture of flowers, fruit and vessels creates an image that feels both playful and composed. The result is a work with real presence, equally suited to traditional interiors and more contemporary spaces in need of colour.\u003c\/p\u003e\n\u003cp data-start=\"1036\" data-end=\"1352\"\u003eFreida Marion Ewart Scott was active within the Scottish art world as both a painter and lecturer, and her work is represented in Glasgow Museums. This example is especially appealing for its generous scale and decorative confidence, making it an excellent statement piece for a dining room, sitting room or hallway.\u003c\/p\u003e\n\u003cp data-start=\"1354\" data-end=\"1422\"\u003ePresented mounted and framed under glass, the work is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1424\" data-end=\"2116\"\u003e\u003cstrong data-start=\"1424\" data-end=\"1435\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1435\" data-end=\"1438\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1466\" data-end=\"1469\"\u003eArtist: Freida Marion Ewart Scott (Scottish, 1926–2012)\u003cbr data-start=\"1524\" data-end=\"1527\"\u003eTitle: \u003cem data-start=\"1534\" data-end=\"1561\"\u003eStill Life with Daffodils\u003c\/em\u003e\u003cbr data-start=\"1561\" data-end=\"1564\"\u003eDate: Late 20th century\u003cbr data-start=\"1587\" data-end=\"1590\" data-is-only-node=\"\"\u003eImage Size: 52.5 × 67 cm\u003cbr data-start=\"1614\" data-end=\"1617\"\u003eFramed Size: 76 × 89 cm\u003cbr data-start=\"1640\" data-end=\"1643\"\u003eCondition: Presented in good overall condition. The sheet appears well preserved, with light age-related wear commensurate with medium and age. There are one or two small splashes of paint on the paper, understood to be original to the making of the work rather than later damage. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"1988\" data-end=\"1991\"\u003eFrame: Presented in a glazed frame with mount and backing. Some light age-related wear to the frame and mount. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944796501,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ScottPlate.jpg?v=1774912275"},{"product_id":"janes-lichfield-cathedral-from-minster-pool","title":"Janes - Lichfield Cathedral from Minster Pool","description":"\u003cp data-start=\"67\" data-end=\"167\"\u003e\u003cstrong data-start=\"67\" data-end=\"167\"\u003e20th Century European School – Lichfield Cathedral from Minster Pool, Oil on Board, Signed Janes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"169\" data-end=\"612\"\u003eOriginal oil on board depicting Lichfield Cathedral seen from Minster Pool, signed \u003cem data-start=\"252\" data-end=\"259\"\u003eJanes\u003c\/em\u003e to the lower left. This is a particularly attractive small-scale view, with the cathedral’s three spires rising above the trees and red-roofed buildings, while boats and figures animate the still water in the foreground. The composition has a calm, atmospheric quality, with soft light and muted colouring giving the scene a gently nostalgic character.\u003c\/p\u003e\n\u003cp data-start=\"614\" data-end=\"1033\"\u003eThe picture sits within the long tradition of topographical views of Lichfield Cathedral from Minster Pool, one of the city’s most recognisable prospects. The artist has handled the subject in a pleasingly painterly way, balancing architectural detail with the looser treatment of the landscape and reflections. The result is a decorative and evocative work that displays well, especially at this intimate cabinet size.\u003c\/p\u003e\n\u003cp data-start=\"1035\" data-end=\"1331\"\u003ePresented in its frame, with a label to the reverse for Jays Fine Art Dealers, Cambridge Gallery, Southport. There is a small amount of retouching to the front of the cathedral, visible under close inspection, and light age-related wear to the frame consistent with the piece’s vintage character.\u003c\/p\u003e\n\u003cp data-start=\"1333\" data-end=\"1690\"\u003e\u003cstrong data-start=\"1333\" data-end=\"1344\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1344\" data-end=\"1347\"\u003eMedium: Oil on board\u003cbr data-start=\"1367\" data-end=\"1370\"\u003eArtist: Signed \u003cem data-start=\"1385\" data-end=\"1392\"\u003eJanes\u003c\/em\u003e\u003cbr data-start=\"1392\" data-end=\"1395\"\u003eSubject: Lichfield Cathedral from Minster Pool\u003cbr data-start=\"1441\" data-end=\"1444\"\u003eUnframed size: 20 x 25 cm\u003cbr data-start=\"1469\" data-end=\"1472\"\u003eFramed size: 27 x 32 cm\u003cbr data-start=\"1495\" data-end=\"1498\"\u003eFrame: Framed as shown\u003cbr data-start=\"1520\" data-end=\"1523\"\u003eCondition: Presented in good vintage condition overall, with a small area of retouching to the front of the cathedral and light wear to the frame commensurate with age\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53591034986837,"sku":null,"price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Janes_Plate.jpg?v=1775082336"},{"product_id":"robins-millar-mountain-landscape","title":"Robins Millar - Mountain Landscape","description":"\u003cp data-start=\"54\" data-end=\"105\"\u003e\u003cstrong data-start=\"54\" data-end=\"105\"\u003eRobins Millar – Mountain Landscape, watercolour\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"107\" data-end=\"543\"\u003eA fresh and atmospheric watercolour by the Scottish artist Robins Millar, depicting a mountain landscape with snow-capped peaks, a winding path, and sunlit green slopes beneath a soft, cloud-filled sky. The composition has a lovely sense of depth and movement, drawing the eye from the foreground track into the distant mountains, while the contrast between the bright meadow and the dramatic rock face gives the work real presence.\u003c\/p\u003e\n\u003cp data-start=\"545\" data-end=\"942\"\u003eMillar handles the scene with a confident lightness, using fluid washes and touches of stronger colour to suggest shifting weather, alpine light, and the rugged character of the landscape. The result is both calm and invigorating: a highly decorative and appealing landscape that works beautifully as an interior piece while retaining the freshness and immediacy that make watercolour so engaging.\u003c\/p\u003e\n\u003cp data-start=\"944\" data-end=\"1193\"\u003eThe work is signed lower left and retains a label verso for the Royal Scottish Society of Painters in Water-Colours, adding further interest to the picture’s history and presentation. It is housed in its frame under glass and displays very well.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1639\"\u003e\u003cstrong data-start=\"1195\" data-end=\"1206\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1206\" data-end=\"1209\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1237\" data-end=\"1240\"\u003eArtist: Robins Millar\u003cbr data-start=\"1261\" data-end=\"1264\"\u003eSubject: Mountain landscape\u003cbr data-start=\"1291\" data-end=\"1294\"\u003eSignature: Signed lower left\u003cbr data-start=\"1322\" data-end=\"1325\"\u003eUnframed size: 49 x 34 cm\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eFramed size: 72.5 x 66 cm\u003cbr data-start=\"1378\" data-end=\"1381\"\u003eCondition: Overall in good condition. The watercolour itself presents well and is in good condition. There is slight separation to the frame mitres.\u003cbr data-start=\"1529\" data-end=\"1532\"\u003ePresentation: Framed under glass\u003cbr data-start=\"1564\" data-end=\"1567\"\u003eVerso: Label for the Royal Scottish Society of Painters in Water-Colours\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53654246588757,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MillarPlate.jpg?v=1775772414"},{"product_id":"duncan-mackellar-rsw-after-the-hunt","title":"Duncan Mackellar RSW - After the Hunt","description":"\u003cp data-start=\"28\" data-end=\"646\"\u003e\u003cstrong\u003eDuncan Mackellar RSW - After the Hunt, Oil on Canvas\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDuncan Mackellar RSW (1849–1908) was especially known for finely observed genre scenes and elegant interiors, and this atmospheric composition is a strong example of that side of his work. Set within a richly appointed room, the painting shows three figures in eighteenth-century dress gathered around a fireplace, their poses suggesting a moment of conversation or quiet social drama. The subject has been catalogued as\u003cstrong\u003e \u003c\/strong\u003e\u003cem data-start=\"455\" data-end=\"471\"\u003eAfter the Hunt\u003c\/em\u003e, though the scene’s real appeal lies in its ambiguity: it feels like a paused narrative, inviting the viewer to imagine what has just happened, or what is about to be said.\u003c\/p\u003e\n\u003cp data-start=\"648\" data-end=\"1270\"\u003eMackellar handles the picture with notable delicacy. The warm red coats, pale patterned dress, tiled chimney-piece, and glowing floor all contribute to a harmonious interior of soft light and restrained colour. The composition is especially effective in the way it balances the standing male figure at right with the seated figure and the turned female figure in the foreground, creating both movement and tension within the room. As with some of Mackellar’s other interior subjects, the setting itself plays an important part in the picture’s charm, lending the work a sense of intimacy, refinement, and staged narrative.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eGiven the partial supplier’s mark for G. Davidson, 123 Sauchiehall Street, Glasgow, the picture was likely painted no earlier than 1879, when Davidson was at that address, and certainly no later than 1908, the year of Duncan Mackellar’s death.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1272\" data-end=\"1553\"\u003eSigned lower right, this is an appealing late nineteenth-century Scottish genre painting by an artist admired for his sensitive treatment of figures and interiors. It presents very well, with the warm palette and period subject making it both decorative and historically evocative.\u003c\/p\u003e\n\u003cp data-start=\"1555\" data-end=\"1827\"\u003e\u003cstrong data-start=\"1555\" data-end=\"1566\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1566\" data-end=\"1569\"\u003e\u003cstrong data-start=\"1569\" data-end=\"1580\"\u003eArtist:\u003c\/strong\u003e Duncan Mackellar RSW (Scottish, 1849–1908)\u003cbr data-start=\"1623\" data-end=\"1626\"\u003e\u003cstrong data-start=\"1626\" data-end=\"1636\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1637\" data-end=\"1653\"\u003eAfter the Hunt\u003c\/em\u003e\u003cbr data-start=\"1672\" data-end=\"1675\"\u003e\u003cstrong data-start=\"1675\" data-end=\"1686\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1700\" data-end=\"1703\"\u003e\u003cstrong data-start=\"1703\" data-end=\"1717\"\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr data-start=\"1736\" data-end=\"1739\"\u003e\u003cstrong data-start=\"1739\" data-end=\"1754\"\u003eImage Size:\u003c\/strong\u003e 60 x 45 cm\u003cbr data-start=\"1765\" data-end=\"1768\"\u003e\u003cstrong data-start=\"1768\" data-end=\"1784\"\u003eFramed Size:\u003c\/strong\u003e 65 x 50 cm\u003cbr data-start=\"1795\" data-end=\"1798\"\u003e\u003cstrong data-start=\"1798\" data-end=\"1808\"\u003eFrame:\u003c\/strong\u003e Framed under glass\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53659730215253,"sku":null,"price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MackellarPlate.jpg?v=1775849259"},{"product_id":"victor-dolphyn-rural-european-house-in-the-countryside","title":"Victor Dolphyn - Rural European House in the Countryside","description":"\u003cp data-start=\"87\" data-end=\"163\"\u003e\u003cstrong data-start=\"87\" data-end=\"117\"\u003eVictor Dolphyn (1909–1992) \u003c\/strong\u003e\u003cstrong data-start=\"120\" data-end=\"163\"\u003eRural European House in the Countryside\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"165\" data-end=\"485\"\u003eA charming mid-century oil on canvas by the Belgian painter Victor Dolphyn, depicting a rural house set within a softly rolling European landscape. The composition has a calm, decorative quality, with gently simplified forms, expressive brushwork, and a restrained palette that gives the work both warmth and atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"487\" data-end=\"995\"\u003eThe painting is especially appealing for the way the house sits naturally within the landscape, surrounded by trees and open ground, creating a scene that feels both tranquil and quietly romantic. Dolphyn’s handling is confident but not overstated, allowing the picture to retain a sense of freshness while still feeling balanced and composed. It is a work with an unmistakably continental character, well suited to traditional interiors as well as more modern spaces seeking a piece with softness and charm.\u003c\/p\u003e\n\u003cp data-start=\"997\" data-end=\"1262\"\u003eVictor Dolphyn was a Belgian painter known for landscapes, town views, still lifes, and figures, and this painting is a good example of the decorative appeal of his landscape work. The subject is timeless and versatile, making it an easy piece to place in the home.\u003c\/p\u003e\n\u003cp data-start=\"1264\" data-end=\"1382\"\u003ePresented in its frame and ready to hang, this is an attractive original oil painting with strong decorative presence.\u003c\/p\u003e\n\u003cp data-start=\"1384\" data-end=\"2029\"\u003e\u003cstrong data-start=\"1384\" data-end=\"1395\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1395\" data-end=\"1398\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1419\" data-end=\"1422\"\u003eArtist: Victor Dolphyn (Belgian, 1909–1992)\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eSignature: Signed lower left\u003cbr data-start=\"1496\" data-end=\"1499\"\u003eSubject: Rural European house in the countryside\u003cbr data-start=\"1547\" data-end=\"1550\"\u003eUnframed size: 49.5 x 64 cm\u003cbr data-start=\"1577\" data-end=\"1580\" data-is-only-node=\"\"\u003eFramed size: 64.5 x 80 cm\u003cbr data-start=\"1605\" data-end=\"1608\"\u003eCondition: Original oil on canvas in good vintage condition overall, with light age-related surface wear. There are some small areas of loss, though these do not detract from the overall appearance of the piece. The canvas stretcher sits ever so slightly loose within the frame, but the picture remains well presented. The frame shows light general wear consistent with age and handling.\u003cbr data-start=\"1995\" data-end=\"1998\"\u003eFrame: Framed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2031\" data-end=\"2102\"\u003eThis is an original one-of-a-kind artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53659985314133,"sku":null,"price":295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/DolphynPlate.jpg?v=1775852591"},{"product_id":"after-charles-hunt-grand-stand-goodwood-coming-in-for-the-gold-cup-1838","title":"After Charles Hunt – Grand Stand, Goodwood (Coming in for the Gold Cup 1838)","description":"\u003cp data-start=\"38\" data-end=\"120\"\u003e\u003cstrong data-start=\"38\" data-end=\"120\"\u003eAfter Charles Hunt – \u003cem data-start=\"61\" data-end=\"118\"\u003eGrand Stand, Goodwood (Coming in for the Gold Cup 1838)\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"122\" data-end=\"543\"\u003eA striking large-scale colour print after Charles Hunt’s celebrated racing subject, depicting the excitement of the finish at Goodwood as the horses come in for the Gold Cup of 1838. The composition captures the energy and spectacle of one of Britain’s most iconic race meetings, with the charging horses in the foreground, dense crowds gathered around the course, and the grandstand rising prominently in the background.\u003c\/p\u003e\n\u003cp data-start=\"545\" data-end=\"864\"\u003eRich in period atmosphere, the print has strong decorative appeal, particularly for interiors with an interest in sporting art, equestrian subjects, or nineteenth-century British racing imagery. Its generous scale and handsome mahogany frame give it real wall presence, making it a particularly effective display piece.\u003c\/p\u003e\n\u003cp data-start=\"866\" data-end=\"1002\"\u003eThis is a later reproduction after the original nineteenth-century image, and is offered as an attractive and characterful framed print.\u003c\/p\u003e\n\u003cp data-start=\"1004\" data-end=\"1272\"\u003e\u003cstrong data-start=\"1004\" data-end=\"1015\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1015\" data-end=\"1018\"\u003eMedium: Colour print\u003cbr data-start=\"1038\" data-end=\"1041\"\u003eArtist: After Charles Hunt\u003cbr data-start=\"1067\" data-end=\"1070\"\u003eTitle: \u003cem data-start=\"1077\" data-end=\"1134\"\u003eGrand Stand, Goodwood (Coming in for the Gold Cup 1838)\u003c\/em\u003e\u003cbr data-start=\"1134\" data-end=\"1137\"\u003eDate: Later reproduction (circa 1970) after the 1839 published original\u003cbr data-start=\"1195\" data-end=\"1198\" data-is-only-node=\"\"\u003eImage Size: 46 x 68 cm\u003cbr data-start=\"1220\" data-end=\"1223\"\u003eFramed Size: 90.5 x 74 cm\u003cbr data-start=\"1248\" data-end=\"1251\"\u003eFrame: Mahogany frame\u003c\/p\u003e\n\u003cp data-start=\"1274\" data-end=\"1597\"\u003e\u003cstrong data-start=\"1274\" data-end=\"1287\"\u003eCondition\u003c\/strong\u003e\u003cbr data-start=\"1287\" data-end=\"1290\"\u003eOverall in good condition. There is some slight buckling\/rippling to the lower edge of the print paper where it meets the mount. The mount also has two small areas of wear, one to the bottom edge and one to the left-hand side. These are not especially noticeable in display and are shown in the photographs.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53687747739989,"sku":null,"price":145.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HuntPlate.jpg?v=1776209454"},{"product_id":"william-shirriffs-partridge-in-a-pear-tree-1966","title":"William Shirriffs - Partridge in a Pear Tree (1966)","description":"\u003cp data-start=\"0\" data-end=\"73\"\u003e\u003cstrong data-start=\"0\" data-end=\"73\"\u003eWilliam Shirriffs – Partridge in a Pear Tree, 1966 – Gouache Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"75\" data-end=\"363\"\u003eA charming and highly decorative mid-century gouache by William Shirriffs, signed and dated 1966. The work depicts a white partridge perched within a stylised pear tree, set against a deep black ground filled with patterned leaves, white blossom-like forms, and delicate starry detailing.\u003c\/p\u003e\n\u003cp data-start=\"365\" data-end=\"840\"\u003eThe subject immediately recalls the familiar Christmas carol line, “a partridge in a pear tree,” but the treatment is far from conventional. Rather than a naturalistic bird study, Shirriffs gives the image a strong folk-art and illustrative quality, with flat areas of colour, rhythmic patterning, and a wonderfully graphic sense of design. The contrast between the white bird, green foliage, warm brown branches, and dark background gives the piece real decorative presence.\u003c\/p\u003e\n\u003cp data-start=\"842\" data-end=\"1216\"\u003ePainted in 1966, it sits well within the broader taste for bold mid-century design and would make an attractive seasonal display piece, while remaining visually strong enough to hang year-round. It is presented under glass in an ornate frame which appears to be gilt beneath a later layer of white paint, giving it a bright decorative finish that suits the composition well.\u003c\/p\u003e\n\u003cp data-start=\"1218\" data-end=\"1229\"\u003e\u003cstrong data-start=\"1218\" data-end=\"1229\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1231\" data-end=\"1902\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1231\" data-end=\"1242\"\u003eArtist:\u003c\/strong\u003e William Shirriffs\u003cbr data-start=\"1260\" data-end=\"1263\"\u003e\u003cstrong data-start=\"1263\" data-end=\"1273\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1274\" data-end=\"1300\"\u003ePartridge in a Pear Tree\u003c\/em\u003e\u003cbr data-start=\"1300\" data-end=\"1303\"\u003e\u003cstrong data-start=\"1303\" data-end=\"1312\"\u003eDate:\u003c\/strong\u003e 1966\u003cbr data-start=\"1317\" data-end=\"1320\"\u003e\u003cstrong data-start=\"1320\" data-end=\"1331\"\u003eMedium:\u003c\/strong\u003e Gouache\u003cbr data-start=\"1339\" data-end=\"1342\"\u003e\u003cstrong data-start=\"1342\" data-end=\"1356\"\u003eSignature:\u003c\/strong\u003e Signed and dated lower centre\u003cbr data-start=\"1386\" data-end=\"1389\"\u003e\u003cstrong data-start=\"1389\" data-end=\"1407\"\u003eUnframed Size:\u003c\/strong\u003e 60 x 45 cm\u003cbr data-start=\"1418\" data-end=\"1421\"\u003e\u003cstrong data-start=\"1421\" data-end=\"1437\"\u003eFramed Size:\u003c\/strong\u003e 68 x 53 cm\u003cbr data-start=\"1448\" data-end=\"1451\"\u003e\u003cstrong data-start=\"1451\" data-end=\"1461\"\u003eFrame:\u003c\/strong\u003e Ornate gilt frame with white paint applied over the surface, glazed\u003cbr data-start=\"1529\" data-end=\"1532\"\u003e\u003cstrong data-start=\"1532\" data-end=\"1546\"\u003eCondition:\u003c\/strong\u003e Presented under glass and not examined out of the frame. There are a few very small flecks visible between the glass and the painted surface, but these are minor and barely noticeable in normal display. The frame has some age-related wear, but remains in good overall condition and is very presentable. Please see photographs for condition and appearance.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53784130027861,"sku":null,"price":125.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/SherrifsPlate.jpg?v=1777395663"},{"product_id":"vladimir-isaakovich-erlikh-sunflowers","title":"Vladimir Isaakovich Erlikh — Sunflowers","description":"\u003ch3 data-section-id=\"1mddlv2\" data-start=\"0\" data-end=\"67\"\u003eVladimir Isaakovich Erlikh — Sunflowers, Oil on Canvas\u003c\/h3\u003e\n\u003cp data-start=\"69\" data-end=\"452\"\u003eA vibrant mid-20th-century oil painting by Vladimir Isaakovich Erlikh (1924–2001), depicting a richly worked still life of sunflowers and wild flowers against a deep green ground. The composition is full of movement, with thick, expressive brushwork and strong contrasts between the bright yellow flower heads, blue and white accents, and the darker surrounding foliage.\u003c\/p\u003e\n\u003cp data-start=\"454\" data-end=\"804\"\u003eThe work is signed lower right in Cyrillic, reading В. Эрлих \/ V. Erlikh, and is also inscribed to the reverse. The verso inscription appears to include “Натюрморт”, meaning Still Life, together with the canvas size 60 x 70 cm. There is also a further upper inscription which may relate to a studio, catalogue or inventory number.\u003c\/p\u003e\n\u003cp data-start=\"806\" data-end=\"1080\"\u003eErlikh was a Ukrainian\/Soviet artist associated with Dnipropetrovsk, now Dnipro, and is recorded as a painter of portraits, landscapes and still lifes. This work is a strong example of his floral subject matter, combining decorative richness with a bold, painterly handling.\u003c\/p\u003e\n\u003cp data-start=\"1082\" data-end=\"1297\"\u003ePresented in a gilt-effect frame with decorative border detailing. The painting is in good overall vintage condition, with some light age-related wear to the frame. Please see photographs for full condition details.\u003c\/p\u003e\n\u003cp data-start=\"1299\" data-end=\"1310\"\u003e\u003cstrong data-start=\"1299\" data-end=\"1310\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1312\" data-end=\"1691\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1312\" data-end=\"1323\"\u003eArtist:\u003c\/strong\u003e Vladimir Isaakovich Erlikh \/ Erlich\u003cbr data-start=\"1359\" data-end=\"1362\"\u003e\u003cstrong data-start=\"1362\" data-end=\"1372\"\u003eTitle:\u003c\/strong\u003e Sunflowers \/ Натюрморт\u003cbr data-start=\"1395\" data-end=\"1398\"\u003e\u003cstrong data-start=\"1398\" data-end=\"1409\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1423\" data-end=\"1426\"\u003e\u003cstrong data-start=\"1426\" data-end=\"1440\" data-is-only-node=\"\"\u003eSignature:\u003c\/strong\u003e Signed lower right in Cyrillic\u003cbr data-start=\"1471\" data-end=\"1474\"\u003e\u003cstrong data-start=\"1474\" data-end=\"1483\"\u003eDate:\u003c\/strong\u003e Mid-20th century\u003cbr data-start=\"1500\" data-end=\"1503\"\u003e\u003cstrong data-start=\"1503\" data-end=\"1519\"\u003eFramed Size:\u003c\/strong\u003e 83.5 x 74 cm\u003cbr data-start=\"1532\" data-end=\"1535\"\u003e\u003cstrong data-start=\"1535\" data-end=\"1553\"\u003eUnframed Size:\u003c\/strong\u003e 70 x 60 cm\u003cbr data-start=\"1564\" data-end=\"1567\"\u003e\u003cstrong data-start=\"1567\" data-end=\"1577\"\u003eFrame:\u003c\/strong\u003e Gilt-effect frame\u003cbr data-start=\"1595\" data-end=\"1598\"\u003e\u003cstrong data-start=\"1598\" data-end=\"1612\"\u003eCondition:\u003c\/strong\u003e Good overall vintage condition; light age-related frame wear; inscribed verso.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53784343413077,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ErlichPlate.jpg?v=1777398296"},{"product_id":"mary-armour-rsa-rsw-auchenhean-lochwinnoch","title":"Mary Armour RSA RSW - Auchenhean, Lochwinnoch","description":"\u003cp data-end=\"82\" data-start=\"33\"\u003e\u003cstrong data-end=\"82\" data-start=\"33\"\u003eMary Armour RSA RSW – Auchenhean, Lochwinnoch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"321\" data-start=\"84\"\u003eOriginal pastel on paper by Mary Armour RSA RSW (Scottish, 1902–2000), depicting Auchenhean near Lochwinnoch in Renfrewshire. Signed and dated ’62 lower right, with a handwritten label verso giving the artist, title, address, and medium.\u003c\/p\u003e\n\u003cp data-end=\"783\" data-start=\"323\"\u003eThe work is a lively and atmospheric Scottish landscape, handled with Armour’s characteristic confidence in colour and mark-making. Trees, cottages, paths, and patches of autumnal light are built up in broad, energetic pastel strokes, giving the scene a strong sense of immediacy. Rather than a tightly descriptive view, the composition feels observed quickly and directly, with the dark trunks and blue-grey roofs set against warm yellows, greens, and ochres.\u003c\/p\u003e\n\u003cp data-end=\"1084\" data-start=\"785\"\u003eMary Armour was an important Scottish painter and teacher, associated with Glasgow School of Art and elected to the RSA and RSW. Although especially admired for her still lifes and flower paintings, this landscape shows the same boldness of colour and expressive handling that characterise her wider work.\u003c\/p\u003e\n\u003cp data-end=\"1401\" data-start=\"1086\"\u003ePresented in a glazed frame. The work appears to have been reframed in 2024 by Framework Picture Framers, Newhaven, as indicated by the framer’s label verso. The older handwritten label has been retained and pasted onto the new backing board, apparently having been cut from the backing board of the previous frame.\u003c\/p\u003e\n\u003cp data-end=\"1414\" data-start=\"1403\"\u003e\u003cstrong data-end=\"1414\" data-start=\"1403\"\u003eDetails\u003cbr\u003e\u003c\/strong\u003e\u003cstrong data-end=\"1427\" data-start=\"1416\"\u003eArtist:\u003c\/strong\u003e Mary Armour RSA RSW\u003cbr data-end=\"1450\" data-start=\"1447\"\u003e\u003cstrong data-end=\"1460\" data-start=\"1450\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"1486\" data-start=\"1461\"\u003eAuchenhean, Lochwinnoch\u003c\/em\u003e\u003cbr data-end=\"1489\" data-start=\"1486\"\u003e\u003cstrong data-end=\"1498\" data-start=\"1489\"\u003eDate:\u003c\/strong\u003e 1962\u003cbr data-end=\"1506\" data-start=\"1503\"\u003e\u003cstrong data-end=\"1517\" data-start=\"1506\"\u003eMedium:\u003c\/strong\u003e Pastel on paper\u003cbr data-end=\"1536\" data-start=\"1533\"\u003e\u003cstrong data-end=\"1547\" data-start=\"1536\"\u003eSigned:\u003c\/strong\u003e Signed and dated lower right\u003cbr data-end=\"1579\" data-start=\"1576\"\u003e\u003cstrong data-end=\"1595\" data-start=\"1579\"\u003eFramed Size:\u003c\/strong\u003e 49 x 34 cm\u003cbr data-end=\"1609\" data-start=\"1606\"\u003e\u003cstrong data-end=\"1624\" data-start=\"1609\"\u003eImage Size:\u003c\/strong\u003e 44 x 29 cm\u003cbr data-end=\"1638\" data-start=\"1635\"\u003e\u003cstrong data-end=\"1648\" data-start=\"1638\"\u003eFrame:\u003c\/strong\u003e Glazed frame, reframed in 2024\u003cbr data-end=\"1682\" data-start=\"1679\"\u003e\u003cstrong data-end=\"1696\" data-start=\"1682\"\u003eCondition:\u003c\/strong\u003e Good condition. Presented cleanly in its current frame, with the original\/earlier handwritten label retained on the reverse.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53837535248725,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Mary_Armour_Plate.jpg?v=1778088416"},{"product_id":"woodland-river-scene","title":"Woodland River Scene","description":"\u003cp data-start=\"0\" data-end=\"81\"\u003e\u003cstrong data-start=\"0\" data-end=\"81\"\u003eLarge 19th Century Woodland River Landscape Oil Painting, Signed Indistinctly\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"83\" data-end=\"417\"\u003eA large and atmospheric 19th-century woodland landscape, oil on canvas, depicting a shaded forest interior with a narrow river or stream running through the centre of the composition. Tall trees frame the scene on either side, while the reflective water draws the eye into the distance, creating a strong sense of depth and stillness.\u003c\/p\u003e\n\u003cp data-start=\"419\" data-end=\"816\"\u003eThe work is richly painted, with expressive brushwork and a deep palette of greens, blue-greens, yellows and shadowed earth tones. The handling of the foliage is particularly effective, capturing the impression of light filtering through dense leaves and branches. The scale gives the painting an impressive decorative presence, while the composition retains a quiet, intimate woodland atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"1061\" data-end=\"1099\"\u003ePresented in a gold painted wooden frame.\u003c\/p\u003e\n\u003cp data-start=\"1101\" data-end=\"1112\"\u003e\u003cstrong data-start=\"1101\" data-end=\"1112\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1114\" data-end=\"1370\"\u003e\u003cstrong data-start=\"1114\" data-end=\"1125\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1139\" data-end=\"1142\"\u003e\u003cstrong data-start=\"1142\" data-end=\"1153\"\u003eArtist:\u003c\/strong\u003e 19th Century School, signed indistinctly\u003cbr data-start=\"1194\" data-end=\"1197\"\u003e\u003cstrong data-start=\"1197\" data-end=\"1209\"\u003eSubject:\u003c\/strong\u003e Woodland river landscape\u003cbr data-start=\"1234\" data-end=\"1237\"\u003e\u003cstrong data-start=\"1237\" data-end=\"1246\"\u003eDate:\u003c\/strong\u003e 19th century\u003cbr data-start=\"1259\" data-end=\"1262\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1262\" data-end=\"1280\"\u003eUnframed Size:\u003c\/strong\u003e 103 × 88 cm\u003cbr data-start=\"1292\" data-end=\"1295\"\u003e\u003cstrong data-start=\"1295\" data-end=\"1311\"\u003eFramed Size:\u003c\/strong\u003e Approx. 120 × 105 cm\u003cbr data-start=\"1332\" data-end=\"1335\"\u003e\u003cstrong data-start=\"1335\" data-end=\"1345\"\u003eFrame:\u003c\/strong\u003e Gold painted wooden frame\u003cbr\u003e\u003cstrong data-start=\"1372\" data-end=\"1386\"\u003eCondition: \u003c\/strong\u003eThe painting previously had a hole\/puncture to the canvas, which has been repaired and retouched. There is some remaining surface dirt, craquelure and general age-related wear. There is also a small area of uneven varnish\/gloss which is visible under certain lighting. The work presents very well overall, with strong decorative impact and rich colouring.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53860800430421,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ForestPlate.jpg?v=1778334188"},{"product_id":"andrew-gilchrist-the-meadows","title":"Andrew Gilchrist - The Meadows","description":"\u003cp data-start=\"45\" data-end=\"211\"\u003e\u003cstrong data-start=\"45\" data-end=\"92\"\u003eAndrew Gilchrist — \u003cem data-start=\"66\" data-end=\"90\"\u003eThe Meadows, Edinburgh, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"95\" data-end=\"143\"\u003eAcrylic on board, signed and inscribed verso\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"213\" data-end=\"341\"\u003eOriginal acrylic on board by the Scottish artist Andrew Gilchrist, depicting the cherry blossom trees in The Meadows, Edinburgh.\u003c\/p\u003e\n\u003cp data-start=\"343\" data-end=\"696\"\u003eThe scene shows one of the park’s tree-lined walks in spring, with pink blossom forming a canopy above the path and the Meadows Pavilion visible through the trees to the right. Gilchrist’s distinctive handling gives the composition a lively, patterned quality, with dark trunks and branches cutting across the softer pinks, greens and pale spring light.\u003c\/p\u003e\n\u003cp data-start=\"698\" data-end=\"1062\"\u003eThe work is signed and inscribed verso with the title \u003cem data-start=\"752\" data-end=\"765\"\u003eThe Meadows\u003c\/em\u003e and medium, and retains a Society of Scottish Artists Ordinary Member label giving the artist’s name, Marchmont address, title and original price. A particularly appealing Edinburgh subject, combining a recognisable local view with Gilchrist’s bold, individual approach to colour and mark-making.\u003c\/p\u003e\n\u003cp data-start=\"1064\" data-end=\"1099\"\u003ePresented framed and ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1101\" data-end=\"1112\"\u003e\u003cstrong data-start=\"1101\" data-end=\"1112\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1114\" data-end=\"1391\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eArtist: Andrew Gilchrist\u003cbr data-start=\"1138\" data-end=\"1141\"\u003eTitle: \u003cem data-start=\"1148\" data-end=\"1161\"\u003eThe Meadows\u003c\/em\u003e\u003cbr data-start=\"1161\" data-end=\"1164\"\u003eMedium: Acrylic on board\u003cbr data-start=\"1222\" data-end=\"1225\"\u003eFramed size: 83 x 57.5 cm\u003cbr data-start=\"1248\" data-end=\"1251\" data-is-only-node=\"\"\u003eSignature: Signed\/inscribed verso\u003cbr data-start=\"1284\" data-end=\"1287\"\u003eFrame: Framed\u003cbr data-start=\"1300\" data-end=\"1303\"\u003eCondition: Good overall condition, with light age-related wear to the frame and backing.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53985166393685,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/GilchristPlate.jpg?v=1779447231"},{"product_id":"dean-wolstenholme-the-younger-19th-century-english-hunting-scene-oil-painting","title":"Dean Wolstenholme the Younger – 19th Century English Hunting Scene Oil Painting","description":"\u003cp data-start=\"0\" data-end=\"89\"\u003e\u003cstrong data-start=\"0\" data-end=\"89\"\u003eDean Wolstenholme the Younger (British 1798–1882) - Hunting Scene Oil Painting Signed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"91\" data-end=\"323\"\u003eOriginal 19th-century oil on board by Dean Wolstenholme the Younger, depicting a mounted huntsman in a red coat following hounds across open country. The work is signed lower right and presented in a decorative black and gilt frame.\u003c\/p\u003e\n\u003cp data-start=\"325\" data-end=\"766\"\u003eWolstenholme came from a noted family of English sporting painters and is best known for hunting, equestrian, coaching and country sporting subjects. This atmospheric example captures the movement and drama of the chase, with the white horse and rider standing out against the darker wooded landscape, while the hounds run ahead across the foreground. The dramatic sky and rich, earthy palette give the painting a strong decorative presence.\u003c\/p\u003e\n\u003cp data-start=\"768\" data-end=\"1227\"\u003eThe painting has been given a light clean, which has lifted some surface dirt, though it retains a dark overall tone. This appears likely to be due to the work having been left unvarnished or exposed for some time, allowing dirt to become embedded in the paint surface. There is age-related craquelure, surface wear, ingrained dirt and some old marks, all consistent with a 19th-century oil painting of this type. The frame has general wear but presents well.\u003c\/p\u003e\n\u003cp data-start=\"1229\" data-end=\"1363\"\u003eA charming and characterful 19th-century English sporting picture, well suited to a traditional, country house or equestrian interior.\u003c\/p\u003e\n\u003cp data-start=\"1365\" data-end=\"1752\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1365\" data-end=\"1376\"\u003eArtist:\u003c\/strong\u003e Dean Wolstenholme the Younger\u003cbr data-start=\"1406\" data-end=\"1409\"\u003e\u003cstrong data-start=\"1409\" data-end=\"1419\"\u003eTitle:\u003c\/strong\u003e Hunting Scene\u003cbr data-start=\"1433\" data-end=\"1436\"\u003e\u003cstrong data-start=\"1436\" data-end=\"1445\"\u003eDate:\u003c\/strong\u003e 19th century\u003cbr data-start=\"1458\" data-end=\"1461\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1461\" data-end=\"1472\"\u003eMedium:\u003c\/strong\u003e Oil on board\u003cbr data-start=\"1485\" data-end=\"1488\"\u003e\u003cstrong data-start=\"1488\" data-end=\"1504\"\u003eFramed Size:\u003c\/strong\u003e 35 x 46 cm\u003cbr data-start=\"1515\" data-end=\"1518\"\u003e\u003cstrong data-start=\"1518\" data-end=\"1533\"\u003eImage Size:\u003c\/strong\u003e 29 x 39 cm\u003cbr data-start=\"1544\" data-end=\"1547\"\u003e\u003cstrong data-start=\"1547\" data-end=\"1557\"\u003eFrame:\u003c\/strong\u003e Black and gilt frame\u003cbr data-start=\"1578\" data-end=\"1581\"\u003e\u003cstrong data-start=\"1581\" data-end=\"1595\"\u003eSignature:\u003c\/strong\u003e Signed faintly lower middle-right\u003cbr data-start=\"1614\" data-end=\"1617\"\u003e\u003cstrong data-start=\"1617\" data-end=\"1631\"\u003eCondition:\u003c\/strong\u003e Lightly cleaned, with remaining ingrained dirt, craquelure, surface wear and age-related marks. Frame with general wear.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54038748856661,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/WolstenholmeCleanPlate.jpg?v=1780151450"},{"product_id":"irene-halliday-rsw-plockton-evening","title":"Irene Halliday RSW – Plockton Evening","description":"\u003cp\u003e\u003cstrong\u003eIrene Halliday RSW – \u003cem\u003ePlockton Evening\u003c\/em\u003e, Gouache\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal gouache by the Scottish artist Irene Halliday RSW, titled \u003cem\u003ePlockton Evening\u003c\/em\u003e, depicting the harbour village of Plockton set beside calm water and dark Highland hills. The composition has a strong evening atmosphere, with deep blues and greens used throughout the sky, loch and landscape, while small touches of light in the cottages and harbour give the scene warmth and depth.\u003c\/p\u003e\n\u003cp\u003eThe named subject gives the work added Scottish interest. Plockton, on the west coast of Scotland, is known for its sheltered waters, whitewashed cottages and dramatic surrounding hills, all of which are captured here in Halliday’s compact and atmospheric style. The work has a jewel-like quality typical of gouache, with the rich colour and simplified forms giving the scene a quiet, decorative strength.\u003c\/p\u003e\n\u003cp\u003eHalliday was known for her Scottish landscapes, coastal subjects and expressive use of colour. This work is signed lower right and retains its original Torrance Gallery label verso, giving the title, medium, original price of £250, and exhibition date of August 1992. A charming and atmospheric Scottish gouache, well suited to collectors of modern Scottish art and Highland coastal views.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Irene Halliday RSW\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003ePlockton Evening\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Gouache\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Undated; exhibited August 1992\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 41.5 x 39 cm\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 19 x 21 cm\u003cbr\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Glazed frame\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e The Torrance Gallery, Edinburgh, label verso\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The work is in good overall vintage condition, with light age-related wear. It is presented behind glass and has not been examined out of the frame. The frame has general light wear and surface marks in keeping with age. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54072416600405,"sku":null,"price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HallidayPlate.jpg?v=1780650529"},{"product_id":"early-19th-century-portrait-miniature-of-a-gentleman-in-blue-coat","title":"Early 19th Century Portrait Miniature of a Gentleman in Blue Coat","description":"\u003cp class=\"isSelectedEnd\"\u003e\u003cstrong\u003eEarly 19th Century Portrait Miniature of a Gentleman in Blue Coat, c.1810\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eEarly 19th-century portrait miniature of a gentleman wearing a blue coat and white cravat, presented within an oval aperture in a gilt frame. The sitter is shown half-length, with softly curled hair, a high white collar and a dark blue coat, giving the work a refined Regency-period character.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe clothing suggests a date around the early 1800s to 1810s, when men’s dress had moved away from the powdered wigs and embroidered coats of the later 18th century towards plainer dark tailoring, high collars and carefully tied white cravats. The direct gaze, delicate modelling of the face and restrained pale background are all typical of portrait miniatures of this period.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe miniature is presented in a later gilt frame with a decorative border and oval mount. A charming early 19th-century portrait, well suited to collectors of Georgian and Regency portrait miniatures, costume history, and small-scale antique portraiture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e English School\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Portrait Miniature of a Gentleman in Blue Coat\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Watercolour, believed on ivory\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Early 19th century, circa 1805–1815\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eMiniature size:\u003c\/strong\u003e 7 x 6 cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cstrong\u003eFramed size:\u003c\/strong\u003e 17.5 x 19 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Later gilt frame\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cstrong\u003eIvory declaration:\u003c\/strong\u003e Registered under the UK portrait miniature exemption\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e \u003c\/span\u003e\u003cspan\u003eThe miniature is in good overall antique condition. It is presented behind glass and has not been examined out of the frame. The gilt frame is later and is in good general condition with minimal marks or scratches. Please see photographs for details.\u003c\/span\u003e\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54105144394069,"sku":null,"price":225.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BlueCoatPlate.jpg?v=1781037009"},{"product_id":"alan-alexander-ginger-cat-on-patterned-rug","title":"Alan Alexander - Ginger Cat on Patterned Rug","description":"\u003cp\u003e\u003cstrong\u003eAlan Alexander – \u003cem\u003eGinger Cat on Patterned Rug\u003c\/em\u003e, Oil on Canvas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal oil on canvas by the Edinburgh artist Alan Alexander, depicting a ginger cat stretched out across a richly patterned rug. The composition is full of colour and character, with the cat’s elongated form set against bold red, blue, green and turquoise textile designs. The square format gives the work a strong decorative presence, while the subject adds warmth, charm and immediate appeal.\u003c\/p\u003e\n\u003cp\u003eThe patterned rug is a particularly striking feature of the painting, giving the work a vivid modern feel and a strong sense of design. Rather than a purely naturalistic animal portrait, Alexander presents the cat as part of a larger arrangement of colour, pattern and shape. The result is a lively and highly decorative work, well suited to both collectors of Scottish art and cat lovers.\u003c\/p\u003e\n\u003cp\u003eThe painting is signed “Alexander” lower right and is inscribed verso with the artist’s name and address, “Alan Alexander, 18 Henderson Row, Edinburgh”. This gives the work a direct Edinburgh connection and adds useful provenance interest. A characterful and eye-catching Scottish oil painting, with strong colour, decorative pattern and an appealing subject.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Alan Alexander\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eGinger Cat on Patterned Rug\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Undated\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 63.5 x 63.5 cm\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 50 x 50 cm\u003cbr\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Painted frame\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Inscribed verso with the artist’s Henderson Row, Edinburgh address\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The painting is in good overall vintage condition, with light age-related surface wear. The frame has some visible wear, rubbing and small losses, particularly around the edges, but remains attractive and suits the work well. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54114829697365,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/AlexanderPlate.jpg?v=1781125467"},{"product_id":"william-drummond-bone-r-s-w-a-r-s-a-corrag-buidhe","title":"William Drummond Bone R.S.W. A.R.S.A. - Corrag Buidhe","description":"\u003cp data-start=\"0\" data-end=\"80\"\u003e\u003cstrong\u003eWilliam Drummond Bone R.S.W. 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Rather than presenting the scene in crisp topographical detail, Bone captures the feeling of the place: dark slopes, shifting light, rough Highland weather and the pale sweep of water held between the hills.\u003c\/p\u003e\n\u003cp data-start=\"822\" data-end=\"1192\"\u003eBone studied at Glasgow School of Art and later joined its staff, eventually becoming a senior lecturer. He was the nephew of Sir Muirhead Bone and painted landscapes, seascapes and figure subjects in both oil and watercolour. This work is a strong example of his expressive Scottish landscape painting, with a particularly atmospheric treatment of the Highland setting.\u003c\/p\u003e\n\u003cp data-start=\"1194\" data-end=\"1436\"\u003eThe painting is signed lower right and is framed, with artist and title labels verso. A powerful mid-20th-century Scottish landscape, well suited to collectors of Highland views, Glasgow School artists and expressive modern Scottish painting.\u003c\/p\u003e\n\u003cp data-start=\"1438\" data-end=\"1700\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e William Drummond Bone R.S.W. A.R.S.A.\u003cbr data-start=\"1476\" data-end=\"1479\"\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1486\" data-end=\"1501\"\u003eCorrag Buidhe\u003c\/em\u003e\u003cbr data-start=\"1501\" data-end=\"1504\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on board\u003cbr data-start=\"1524\" data-end=\"1527\"\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Undated, mid-20th century\u003cbr data-start=\"1558\" data-end=\"1561\"\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 61 x 77 cm\u003cbr data-start=\"1584\" data-end=\"1587\"\u003e\u003cstrong\u003eBoard size:\u003c\/strong\u003e 44 x 60 cm\u003cbr data-start=\"1617\" data-end=\"1620\"\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr data-start=\"1649\" data-end=\"1652\"\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Gilt frame\u003cbr data-start=\"1669\" data-end=\"1672\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Labelled verso\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eThe painting is in good overall vintage condition, with some age-related surface dirt and general wear. The frame has visible rubbing, marks and small losses in places, including some wear to the edges, but remains presentable and suits the work well. The Blu-Tac in the photos has been removed. The labels verso show age, wear and old tape. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54121156903253,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BonePlate.jpg?v=1781195177"},{"product_id":"joel-m-roman-living-room-coffee-table","title":"Joel M. Roman — Living Room Coffee Table","description":"\u003cp data-start=\"0\" data-end=\"59\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"0\" data-end=\"59\"\u003eJoel M. Roman – Living Room Coffee Table, 1978, Gouache\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"61\" data-end=\"503\"\u003eOriginal gouache by American artist Joel M. Roman, depicting a brightly coloured living-room interior centred around a glass coffee table. The table is filled with decorative objects, flowers, fruit, blue-and-white ceramics and reflective glassware, set against a vivid blue sofa and a bold geometric rug. The composition has a strong sense of colour and pattern, with the domestic still life arranged almost like an interior-design vignette.\u003c\/p\u003e\n\u003cp data-start=\"505\" data-end=\"906\"\u003eRoman’s background in both painting and interior design gives this work particular appeal. Rather than a simple still life, the scene brings together many of the subjects associated with his work: colour, architecture, interiors, horticulture and personal objects. The result is a richly decorative 1970s interior study, full of saturated blues, oranges, reds and greens, with a lively modernist feel.\u003c\/p\u003e\n\u003cp data-start=\"908\" data-end=\"1190\"\u003eThe work is signed and dated 1978 lower left and is presented in a glazed frame with a wide textile mount. A stylish and highly decorative American gouache, well suited to an interior scheme and especially appealing for collectors of 1970s design, still life and domestic interiors.\u003c\/p\u003e\n\u003cp data-start=\"1192\" data-end=\"1747\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1192\" data-end=\"1203\"\u003eArtist:\u003c\/strong\u003e Joel M. Roman\u003cbr data-start=\"1217\" data-end=\"1220\"\u003e\u003cstrong data-start=\"1220\" data-end=\"1230\"\u003eTitle:\u003c\/strong\u003e Living Room Coffee Table\u003cbr data-start=\"1255\" data-end=\"1258\"\u003e\u003cstrong data-start=\"1258\" data-end=\"1267\" data-is-only-node=\"\"\u003eDate:\u003c\/strong\u003e 1978\u003cbr data-start=\"1272\" data-end=\"1275\"\u003e\u003cstrong data-start=\"1275\" data-end=\"1286\"\u003eMedium:\u003c\/strong\u003e Gouache\u003cbr data-start=\"1294\" data-end=\"1297\"\u003e\u003cstrong data-start=\"1297\" data-end=\"1313\"\u003eFramed size:\u003c\/strong\u003e 43 x 52 cm\u003cbr data-start=\"1324\" data-end=\"1327\"\u003e\u003cstrong data-start=\"1327\" data-end=\"1342\"\u003eImage size:\u003c\/strong\u003e 20 x 28.5 cm\u003cbr data-start=\"1355\" data-end=\"1358\"\u003e\u003cstrong data-start=\"1358\" data-end=\"1372\"\u003eSignature:\u003c\/strong\u003e Signed and dated lower left\u003cbr data-start=\"1400\" data-end=\"1403\"\u003e\u003cstrong data-start=\"1403\" data-end=\"1413\"\u003eFrame:\u003c\/strong\u003e Glazed frame with textile mount\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"34\" data-end=\"48\"\u003eCondition:\u003c\/strong\u003e The painting appears in good overall vintage condition. There are some age-related marks and light discolouration to the mount, along with general surface wear, rubbing and small knocks to the frame. The backing paper has torn in places. The work has not been examined out of its frame. Please see photographs for details.\u003cbr\u003e\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54275005841749,"sku":null,"price":295.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/RomanPlate.jpg?v=1783028157"},{"product_id":"stephen-howard-harrison-lonely-trees","title":"Stephen Howard Harrison – Lonely Trees","description":"\u003cp data-start=\"0\" data-end=\"62\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"0\" data-end=\"62\"\u003eStephen Howard Harrison – Lonely Trees, 2014, Oil Painting\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"64\" data-end=\"516\"\u003eOriginal oil on canvas by Edinburgh and Fife-based artist Stephen Howard Harrison, titled Lonely Trees and dated 2014. The painting depicts a stark winter landscape, with a dark cluster of bare trees standing alone against snow-covered fields and a wide blue-grey sky. The ploughed lines of the field lead the eye towards the trees, while the dark foreground branches frame the scene and give the composition a strong sense of depth and atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"518\" data-end=\"1016\"\u003eHarrison’s work often draws on the landscapes of Edinburgh and Fife, combining expressive brushwork with a strong feeling for place, colour and seasonal mood. This painting is a particularly striking example of his recurring interest in isolated groups of trees, a motif he has returned to in later works connected with solitude, winter and the Fife landscape. The contrast between the pale snow, the blue horizon and the dense black forms of the trees gives the work a quiet but powerful presence.\u003c\/p\u003e\n\u003cp data-start=\"1018\" data-end=\"1369\"\u003eThe work is initialled and dated SHH 2014 lower left, and is further signed, titled and dated verso. It is presented in a substantial gilt frame, which suits the cool winter palette and gives the painting a strong decorative impact. A highly atmospheric contemporary Scottish winter landscape, well suited to both traditional and modern interiors.\u003c\/p\u003e\n\u003cp data-start=\"1371\" data-end=\"1929\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1371\" data-end=\"1382\"\u003eArtist:\u003c\/strong\u003e Stephen Howard Harrison\u003cbr data-start=\"1406\" data-end=\"1409\"\u003e\u003cstrong data-start=\"1409\" data-end=\"1419\"\u003eTitle:\u003c\/strong\u003e Lonely Trees\u003cbr data-start=\"1432\" data-end=\"1435\"\u003e\u003cstrong data-start=\"1435\" data-end=\"1444\" data-is-only-node=\"\"\u003eDate:\u003c\/strong\u003e 2014\u003cbr data-start=\"1449\" data-end=\"1452\"\u003e\u003cstrong data-start=\"1452\" data-end=\"1463\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1477\" data-end=\"1480\"\u003e\u003cstrong data-start=\"1480\" data-end=\"1496\"\u003eCanvas size:\u003c\/strong\u003e 61 x 74.5 cm\u003cbr data-start=\"1509\" data-end=\"1512\"\u003e\u003cstrong data-start=\"1512\" data-end=\"1528\"\u003eFramed size:\u003c\/strong\u003e 80.5 x 95.5 cm\u003cbr data-start=\"1543\" data-end=\"1546\"\u003e\u003cstrong data-start=\"1546\" data-end=\"1560\"\u003eSignature:\u003c\/strong\u003e Initialled and dated lower left; signed, titled and dated verso\u003cbr data-start=\"1624\" data-end=\"1627\"\u003e\u003cstrong data-start=\"1627\" data-end=\"1637\"\u003eFrame:\u003c\/strong\u003e Substantial gilt frame\u003cbr data-start=\"1660\" data-end=\"1663\"\u003e\u003cstrong data-start=\"1663\" data-end=\"1677\"\u003eCondition:\u003c\/strong\u003e The painting appears in good overall condition. There is general surface wear, rubbing and age-related marking to the frame, including small knocks and imperfections. The work has not been examined out of its frame. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54275191210325,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HarrisonPlate_a9bde12f-3ef5-4c84-a1b2-095d8a9db535.jpg?v=1783029923"},{"product_id":"19th-century-figure-with-telescope","title":"19th Century Figure with Telescope","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\" data-end=\"76\" data-start=\"0\"\u003e\u003cstrong data-end=\"76\" data-start=\"0\"\u003e19th Century Nautical Oil Painting – Figure with Telescope, Oil on Panel\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"654\" data-start=\"78\"\u003eOriginal 19th-century oil on panel depicting a lookout figure standing on a ship’s deck and gazing through a telescope towards a distant sailing vessel. The composition has a strong sense of maritime romance, with the lone figure set against a wide sea and atmospheric sky, while the ship on the horizon adds a pleasing narrative quality. The figure’s historic costume, red cap and telescope give the scene a theatrical, old-world charm, evoking the Dutch and Continental marine tradition while most likely belonging to the 19th-century taste for romantic historical subjects.\u003c\/p\u003e\n\u003cp data-end=\"1054\" data-start=\"656\"\u003eThe painting is executed on a long plank-like wooden panel, giving the work a particularly characterful and tactile quality. The deck, barrels, ropes and nautical details are picked out in warm earthy tones, with touches of red and green adding richness to the otherwise muted palette. The surface has age, texture and visible wear, all of which contribute to the piece’s antique decorative appeal.\u003c\/p\u003e\n\u003cp data-end=\"1177\" data-start=\"1056\"\u003ePresented in a gilt frame, this is a charming and atmospheric small-scale maritime painting with strong period character.\u003c\/p\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"1758\" data-start=\"1179\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e 19th Century School\u003cbr data-end=\"1209\" data-start=\"1206\"\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Figure with Telescope\u003cbr data-end=\"1240\" data-start=\"1237\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on panel\u003cbr data-end=\"1263\" data-start=\"1260\"\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 45 x 24 cm\u003cbr data-end=\"1289\" data-start=\"1286\"\u003e\u003cstrong\u003eUnframed size:\u003c\/strong\u003e 39 x 18 cm\u003cbr data-end=\"1317\" data-start=\"1314\"\u003e\u003cstrong\u003eSignature: \u003c\/strong\u003eUnsigned\u003cbr data-end=\"1339\" data-start=\"1336\"\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Gilt frame\u003cbr data-end=\"1359\" data-start=\"1356\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The painting is in worn antique condition, with surface dirt, age-related abrasion and scattered paint losses, particularly visible across the sky. There is some damage at the upper edge between the frame and the painted panel, as shown in the photographs. The frame has general age-related wear, surface marks and small knocks in keeping with its age. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54298182222165,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/TelescopePlate.jpg?v=1783285305"},{"product_id":"janella-b-c-izatt-edinburgh-from-calton-hill","title":"Janella B. C. Izatt - View of Edinburgh from Calton Hill","description":"\u003cp data-start=\"0\" data-end=\"74\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"0\" data-end=\"74\"\u003eJanella B. C. Izatt – View of Edinburgh from Calton Hill, Watercolour Painting\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"76\" data-end=\"531\"\u003eOriginal watercolour by Janella B. C. Izatt, depicting a charming view of Edinburgh from Calton Hill. The composition captures the city’s distinctive skyline, with Edinburgh Castle rising in the distance, the Balmoral clock tower to the right, and the layered rooftops and spires of the city below. The familiar landmarks give the work strong local appeal, while the elevated viewpoint creates a pleasing panoramic sense of Edinburgh’s historic character.\u003c\/p\u003e\n\u003cp data-start=\"533\" data-end=\"963\"\u003eThe painting is handled in a loose and expressive watercolour style, with soft washes of blue, green and grey creating an atmospheric impression of the city. The foreground rooftops are picked out with lively touches of colour, while the greenery of Princes Street Gardens and the castle rock provide a fresh contrast against the urban architecture. It is a decorative and appealing Edinburgh view, full of movement and character.\u003c\/p\u003e\n\u003cp data-start=\"965\" data-end=\"1131\"\u003ePresented in a gilt-toned frame with mount, and with a handwritten label verso identifying the subject as “View of Edinburgh from Calton Hill” by Janella B. C. Izatt.\u003c\/p\u003e\n\u003cp data-start=\"1133\" data-end=\"1652\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Janella B. C. Izatt\u003cbr data-start=\"1160\" data-end=\"1163\"\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e View of Edinburgh from Calton Hill\u003cbr data-start=\"1196\" data-end=\"1199\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Watercolour on paper\u003cbr data-start=\"1227\" data-end=\"1230\"\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 41 x 52 cm\u003cbr data-start=\"1253\" data-end=\"1256\"\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 26 x 36 cm\u003cbr data-start=\"1278\" data-end=\"1281\"\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Handwritten artist\/title label verso\u003cbr data-start=\"1328\" data-end=\"1331\"\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Gilt-toned frame with mount\u003cbr data-start=\"1365\" data-end=\"1368\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The painting is in good overall vintage condition, with some light discolouration and staining visible in the sky area. There are some small marks to the mount and general age-related wear to the frame, including minor scuffs and knocks. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54309964382549,"sku":null,"price":135.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/IzattPlate.jpg?v=1783375960"},{"product_id":"b-hampton-cottage-landscape-with-figure-and-dog","title":"B Hampton - Cottage Landscape with Figure and Dog","description":"\u003cp data-start=\"0\" data-end=\"53\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"0\" data-end=\"53\"\u003eB Hampton - Cottage Landscape with Figure and Dog\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"55\" data-end=\"421\"\u003eA charming late Victorian oil on canvas by B. Hampton, signed and dated March 1889 lower right. The work depicts a picturesque upland cottage landscape, with a whitewashed rural dwelling nestled beneath trees and a sunlit hill rising beyond. A small figure and dog on the track add a lovely narrative detail, giving the scene a quiet sense of life and scale.\u003c\/p\u003e\n\u003cp data-start=\"423\" data-end=\"765\"\u003ePainted with warm autumnal tones and expressive handling, the composition has a particularly attractive period character: rustic cottages, wooded slopes, rocky ground and distant hills, all arranged with a pleasing depth and softness. The golden light across the hillside contrasts nicely with the darker foreground trees and cottage shadows.\u003c\/p\u003e\n\u003cp data-start=\"767\" data-end=\"975\"\u003eThe canvas bears a Winsor \u0026amp; Newton, London stamp verso, consistent with the period, and the reverse also carries a later Langley Galleries, Rochester, Kent label. Presented in a decorative gilt frame.\u003c\/p\u003e\n\u003cp data-start=\"977\" data-end=\"1087\"\u003eA very appealing small Victorian landscape, decorative, atmospheric and in notably good condition for its age.\u003c\/p\u003e\n\u003cp data-start=\"1089\" data-end=\"1442\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1089\" data-end=\"1100\"\u003eArtist:\u003c\/strong\u003e B. Hampton\u003cbr data-start=\"1111\" data-end=\"1114\"\u003e\u003cstrong data-start=\"1114\" data-end=\"1124\"\u003eTitle:\u003c\/strong\u003e Cottage Landscape with Figure and Dog\u003cbr data-start=\"1162\" data-end=\"1165\"\u003e\u003cstrong data-start=\"1165\" data-end=\"1174\"\u003eDate:\u003c\/strong\u003e March 1889\u003cbr data-start=\"1185\" data-end=\"1188\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1188\" data-end=\"1199\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1213\" data-end=\"1216\"\u003e\u003cstrong data-start=\"1216\" data-end=\"1227\"\u003eSigned:\u003c\/strong\u003e Lower right\u003cbr data-start=\"1239\" data-end=\"1242\"\u003e\u003cstrong data-start=\"1242\" data-end=\"1258\"\u003eCanvas size:\u003c\/strong\u003e 24cm x 34cm\u003cbr data-start=\"1270\" data-end=\"1273\"\u003e\u003cstrong data-start=\"1273\" data-end=\"1289\"\u003eFramed size:\u003c\/strong\u003e 34cm x 44cm\u003cbr data-start=\"1301\" data-end=\"1304\"\u003e\u003cstrong data-start=\"1304\" data-end=\"1318\"\u003eCondition:\u003c\/strong\u003e Very good antique condition, with only very minimal surface dirt or yellowing. Light wear to the frame in keeping with age.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54319612985685,"sku":null,"price":175.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HamptonPlate.jpg?v=1783459448"},{"product_id":"j-d-henderson-great-western-road-glasgow","title":"J. D. Henderson – Great Western Road, Glasgow","description":"\u003cp\u003e\u003cstrong\u003eJoseph Donald Henderson (1925–2008) - Great Western Road, Glasgow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn evocative oil on canvas by the Scottish artist Joseph Donald Henderson, signed J. D. Henderson lower left. The work depicts Great Western Road at Kelvinbridge, Glasgow, looking east towards the city centre during the early years of the electric tram network.\u003c\/p\u003e\n\u003cp\u003eThe composition appears to have been based closely on an Edwardian postcard view dating from around 1904–05. Henderson retains many of its distinctive details, including the tram travelling along the tracks, the ornate street lamps, the groups of pedestrians and the imposing curved tenement building on the right.\u003c\/p\u003e\n\u003cp\u003eThe slender spire dominating the skyline belongs to Lansdowne Church, now incorporated into Websters Theatre, while the more distant spire of St Mary’s Episcopal Cathedral can be seen beyond. Together, these landmarks form one of the most recognisable historic views of Glasgow’s West End.\u003c\/p\u003e\n\u003cp\u003ePainted in a soft and atmospheric palette, Henderson transforms the monochrome photographic source into a warm, nostalgic cityscape. Sunlight falls across the sandstone architecture and roadway, while the numerous loosely handled figures give the scene a lively sense of movement, activity and scale.\u003c\/p\u003e\n\u003cp\u003eJoseph Donald Henderson was born in 1925 and lived in Rutherglen, Glasgow. Later biographical information recorded on the backing board states that he trained at the Sir John Cass School of Art in London and Glasgow School of Art. Alongside his painting, Henderson and his wife Eva operated Simply Stoneware Limited, a business retailing ceramics, wallpaper and related furnishings. He died in 2008.\u003c\/p\u003e\n\u003cp\u003ePresented in an ornate swept gilt frame. The reverse carries extensive later handwritten information identifying the artist, his address, training and the title of the painting.\u003c\/p\u003e\n\u003cp\u003eA particularly appealing historic Glasgow subject, combining architectural, social and transport history with considerable decorative charm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Joseph Donald Henderson\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Great Western Road, Glasgow\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Later 20th century\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e J. D. Henderson, lower left\u003cbr\u003e\u003cstrong\u003eCanvas size:\u003c\/strong\u003e 44cm x 59cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 58cm x 73.5cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage condition overall, with light surface dirt and minor age-related wear. Some rubbing and small marks to the decorative gilt frame. Later handwritten biographical and title inscriptions to the backing board.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54399128600917,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HendersonPlate.jpg?v=1784327517"},{"product_id":"michael-mcveigh-royal-highland-show-ingliston","title":"Michael McVeigh - Royal Highland Show, Ingliston","description":"\u003cp\u003e\u003cstrong\u003eMichael McVeigh - Royal Highland Show, Ingliston, 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA wonderfully detailed colour lithograph by the Scottish artist Michael McVeigh (b.1957), depicting the heavy-horse section of the Royal Highland Show at Ingliston. Signed and titled within the image, dated 1987 and numbered 3\/26 from a small limited edition.\u003c\/p\u003e\n\u003cp\u003eThe bustling composition is filled with magnificent working horses, handlers, spectators, children and agricultural vehicles. McVeigh compresses the activity into a densely layered scene, with the monumental horses dominating the foreground while numerous smaller narrative details reward closer inspection. Particularly charming is the small black dog standing among the handlers near the centre of the composition.\u003c\/p\u003e\n\u003cp\u003eBorn in Dundee, McVeigh studied Drawing and Painting at Duncan of Jordanstone College of Art before settling in Edinburgh. He is particularly known for his highly individual depictions of Scottish life, including crowded streets, harbours, public gatherings, musicians and animals. His work combines close observation with deliberately distorted perspective, giving familiar subjects an imaginative and gently humorous character.\u003c\/p\u003e\n\u003cp\u003eThe Royal Highland Show has been held at Ingliston, near Edinburgh, since 1960 and remains one of Scotland’s most important agricultural events. McVeigh’s lithograph captures the distinctive mixture of livestock, machinery and human activity associated with the show, while retaining the warmth and eccentricity characteristic of his work.\u003c\/p\u003e\n\u003cp\u003ePrinted in a restrained palette of earthy browns, ochres, muted greens and soft reds, the composition has an atmospheric, almost remembered quality. The fine crayon-like lines and layered tonal textures are particularly well suited to the lithographic medium.\u003c\/p\u003e\n\u003cp\u003eAn impression of this composition is held in the collection of the City of Edinburgh Museums and Galleries.\u003c\/p\u003e\n\u003cp\u003ePresented under glass in a dark wooden frame with a wide cream mount.\u003c\/p\u003e\n\u003cp\u003eA substantial and highly engaging Scottish print, combining agricultural and social history with McVeigh’s distinctive narrative style.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Michael McVeigh\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Royal Highland Show, Ingliston\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e 1987\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Colour lithograph\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e 3\/26\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e Signed and titled within the image\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 44.5cm x 64cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 71.5cm x 79cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage condition overall. Some scattered age-related spotting and light discolouration are visible to the sheet and mount. Minor marks and wear to the wooden frame. Glazed and not examined out of the frame.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54399501336917,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/McVeigh2Plate.jpg?v=1784337684"},{"product_id":"michael-mcveigh-i-am-getting-younger-everyday","title":"Michael McVeigh - I Am Getting Younger Everyday","description":"\u003cp\u003e\u003cstrong\u003eMichael McVeigh - I Am Getting Younger Everyday\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA richly detailed sepia etching by the Scottish artist Michael McVeigh (b.1957), depicting a group of traditional musicians gathered around a table in a Scottish pub. Signed and titled below in pencil and inscribed “PROOF” at the lower right.\u003c\/p\u003e\n\u003cp\u003eThree monumental figures dominate the composition: an accordion player, a mandolin player and a musician playing a tin whistle. A violin rests on the table beside a bottle of McEwan’s 80\/-, drinking glasses and a packet of cigarettes, while two further figures converse beneath a large McEwan’s sign in the background.\u003c\/p\u003e\n\u003cp\u003eThe gently humorous title, \u003cem\u003eI Am Getting Younger Everyday\u003c\/em\u003e, contrasts with the musicians’ solemn and introspective expressions. McVeigh presents the pub session not simply as entertainment, but as a place of companionship, memory and temporary rejuvenation. The unused violin is a particularly charming detail, suggesting a musical gathering already in progress, with players changing instruments or pausing between tunes.\u003c\/p\u003e\n\u003cp\u003eBorn in Dundee, McVeigh studied Drawing and Painting at Duncan of Jordanstone College of Art before settling in Edinburgh. He is particularly known for his highly individual depictions of Scottish life, including crowded streets, harbour communities, public gatherings, musicians and animals. His work combines close observation with deliberately distorted scale and perspective, giving familiar subjects an imaginative and gently dreamlike character.\u003c\/p\u003e\n\u003cp\u003eTraditional musicians and Scottish pub life were important subjects in McVeigh’s early work. The exaggerated scale of the figures, densely worked surfaces and mixture of humour and melancholy are especially characteristic of his distinctive narrative style.\u003c\/p\u003e\n\u003cp\u003ePrinted in warm brown ink, the etching has a softly aged and atmospheric appearance. Fine cross-hatching, areas of plate tone and loosely modelled textures create a scene that feels both closely observed and filtered through memory.\u003c\/p\u003e\n\u003cp\u003ePresented under glass in a dark wooden frame with a wide cream mount.\u003c\/p\u003e\n\u003cp\u003eA wonderfully characterful Scottish print, combining traditional music, pub culture and understated humour with McVeigh’s highly recognisable figurative style.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Michael McVeigh\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e I Am Getting Younger Everyday\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Circa mid-1980s\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Sepia etching\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Proof impression, inscribed “PROOF”\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e Signed and titled below in pencil\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 20.5cm x 41cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 37.5cm x 58.5cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage condition overall. Some light age-related toning and minor marks are visible to the sheet and cream mount. Minor surface wear and small marks to the dark wooden frame. Glazed and not examined out of the frame.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54399565365589,"sku":null,"price":165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/McVeigh1Plate.jpg?v=1784338380"},{"product_id":"pierre-le-boeuff-domfront-normandy","title":"Pierre Le Boeuff – Domfront, Normandy","description":"\u003cp\u003e\u003cstrong\u003ePierre Le Boeuff - Domfront, Normandy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn atmospheric early 20th-century oil painting of Domfront in Normandy by the British artist Thomas Edward Francis (1873–1961), working under the pseudonym Pierre Le Boeuff. Signed lower right and inscribed \u003cem\u003eDomfront, Normandy\u003c\/em\u003e on the reverse.\u003c\/p\u003e\n\u003cp\u003eThe painting depicts a narrow street winding through the old Norman town, lined with warm red-roofed buildings and animated by small figures, washing hung between the houses and a covered horse-drawn cart. Rising dramatically above the town is a slender church spire, giving the compact vertical composition an unexpectedly monumental sense of scale.\u003c\/p\u003e\n\u003cp\u003eParticularly appealing is the way the street bends out of sight around the buildings, suggesting the irregular layout and hidden corners characteristic of historic European towns. Francis combines close architectural detail with a warm, romanticised atmosphere, using soft earthy colours and touches of red, cream and blue.\u003c\/p\u003e\n\u003cp\u003ePierre Le Boeuff was one of several names associated with the London-born painter Thomas Edward Francis. According to the artist reference book \u003cem\u003eHidden Talents\u003c\/em\u003e, Francis commonly signed his French and Belgian views with the Le Boeuff pseudonym because a foreign artist’s name made Continental subjects easier to sell. He is also associated with the name Andrea Vasari.\u003c\/p\u003e\n\u003cp\u003eFrancis painted several related views of Domfront in different formats and from slightly varied perspectives. A larger horizontal composition repeats several elements found here, including the covered cart, washing and prominent spire, although the viewpoint and arrangement differ.\u003c\/p\u003e\n\u003cp\u003ePresented in an ornate gilt wooden frame with moulded composition decoration. The richly aged frame complements the warm tones and historic character of the painting.\u003c\/p\u003e\n\u003cp\u003eA charming and highly decorative view of Normandy, made particularly interesting by the artist’s unusual pseudonymous identity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Thomas Edward Francis, working as Pierre Le Boeuff\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Domfront, Normandy\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Circa 1900–1920\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e Signed lower right and titled verso\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 35cm x 25cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 52cm x 40cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The painting is presented in very good antique condition overall, with light age-related craquelure but no obvious significant paint loss. The gilt frame has extensive cracking, lifting and flaking to the moulded composition decoration, particularly at the corners. Relatively little ornament has been lost, but the decorative surface remains fragile and should be handled carefully.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54432556613973,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/LeBoueffPlate.jpg?v=1784664990"},{"product_id":"vintage-village-chapel-watercolour-painting","title":"Village Chapel","description":"\u003cp\u003e\u003cstrong\u003eVillage Chapel Watercolour Painting – Signed \u0026amp; Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn atmospheric watercolour depicting a quiet village chapel surrounded by cottages, hedgerows and open countryside. Signed indistinctly to the lower left, the painting is likely British and dates from the mid to late 20th century.\u003c\/p\u003e\n\u003cp\u003eThe chapel tower rises prominently above the surrounding buildings, partially obscured by the dark, twisting branches of a mature tree. A simple post-and-wire fence stretches across the foreground, separating the buildings from the rough grass and fields beyond. The closely grouped cottages, chimney stacks and church architecture give the composition the character of a secluded rural settlement.\u003c\/p\u003e\n\u003cp\u003eExecuted in a restrained palette of muted blue-greens, soft greys, ochres and pale stone tones, the painting has a distinctly cool and contemplative atmosphere. Delicate watercolour washes are combined with darker linear details, particularly in the branches, fencing and architectural outlines. These stronger drawn elements provide structure and contrast against the softly blended sky and buildings.\u003c\/p\u003e\n\u003cp\u003eThe artist has simplified the forms without losing the individual character of the scene. Subtle variations in colour suggest weathered stonework, rendered walls and different roof surfaces, while loosely applied marks describe the hedges and vegetation surrounding the chapel. The resulting composition has a decorative, almost illustrative quality associated with British post-war watercolour painting.\u003c\/p\u003e\n\u003cp\u003ePresented under glass in a narrow gilt-toned wooden frame with a wide cream mount and fine gold inner border. An appealing and highly decorative rural watercolour, particularly well suited to a traditional, country-house or cottage-inspired interior.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Signed indistinctly\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Village Chapel\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Mid to late 20th century\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Watercolour, with ink or pen detailing\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e Signed indistinctly lower left\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 27cm x 36.5cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 53cm x 44.5cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003ePresented in good overall vintage condition. Some light age-related toning and minor marks are visible to the painting and mount. There are also a few small flecks of material within the mount, as detailed in the photographs, though these are minor and do not detract significantly from the overall presentation. Minor surface wear and marks to the frame consistent with age. Glazed and not examined out of the frame.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54489836618069,"sku":null,"price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ChurchPlatE.jpg?v=1785280329"},{"product_id":"david-macbeth-sutherland-rsa-in-the-botanical-gardens","title":"David Macbeth Sutherland RSA - In the Botanical Gardens","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eAn expressive original oil on panel by the Scottish artist David Macbeth Sutherland RSA (1883–1973), depicting a mature tree in the Royal Botanic Garden Edinburgh. Rather than presenting a conventional panoramic view of the gardens, Sutherland moves directly beneath the canopy and makes the tree itself the monumental focus of the composition.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eA sturdy reddish-brown trunk rises through the centre of the panel, while an intricate network of heavy, twisting branches spreads across almost the entire upper half of the image. The garden beyond is compressed into broad passages of fresh green, ochre, russet, grey and muted yellow. Sutherland’s vigorous handling gives the branches an almost animate quality, creating a rhythmic structure that approaches abstraction while remaining firmly rooted in observation.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eThe tree is most likely a\u003cstrong\u003e \u003c\/strong\u003edeodar or Himalayan cedar (\u003cem\u003eCedrus deodara\u003c\/em\u003e), identifiable by its wide, tiered limbs and characteristically drooping secondary branches. The species was widely introduced into larger Victorian parks and gardens and became an important feature of the Royal Botanic Garden Edinburgh’s historic tree collection. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eIt is possible that the painting depicts the Garden’s celebrated deodar planted in 1859 by the Prince of Wales, later King Edward VII. That specimen stood prominently beside a garden path, eventually becoming the tallest tree at the Edinburgh site. The path-side position, spreading lower limbs and surrounding open lawn seen in Sutherland’s painting make the connection particularly tempting, although the precise individual tree cannot be confirmed. The historic cedar was sadly lost following severe damage during Storm Éowyn in January 2025. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eBorn in Wick, Caithness, Sutherland studied under Charles Hodge Mackie at the Royal Scottish Academy and continued his training at Edinburgh College of Art. After receiving a Carnegie Travelling Scholarship, he travelled through Spain, France and the Low Countries, experiences that helped introduce a freer and more modern approach to his painting. He later taught at Edinburgh College of Art and, alongside Mary Newbery and Dorothy Johnstone, helped revive the progressive Edinburgh Group. Sutherland married Johnstone in 1924 and became Principal of Gray’s School of Art in Aberdeen in 1933. He is particularly known for his Scottish and Breton landscapes, portraits and figure paintings. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eThe loosely worked surface is particularly appealing. Areas of the pale ground remain visible between the brushstrokes, while individual forms are stated with speed and confidence rather than laborious detail. This gives the painting the immediacy of a study made directly before the subject and places it among Sutherland’s more modern and adventurous landscape works.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eThe original Bourne Fine Art label verso identifies the work as \u003cem\u003eIn the Botanical Gardens, Edinburgh\u003c\/em\u003e, records the medium and dimensions, and confirms that it was exhibited as number 19 in the gallery’s Edinburgh Festival Exhibition of 1987. The work additionally carries provenance by descent through the artist’s family, giving it particularly strong documentary history.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003ePresented in a warm wooden frame with a broad cream-painted inner slip. A distinctive and atmospheric Edinburgh painting, combining an important Scottish artist, a historic garden setting and the possible depiction of one of the Royal Botanic Garden’s most celebrated trees.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e David Macbeth Sutherland RSA\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e In the Botanical Gardens, Edinburgh\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on panel\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e No signature visible\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Probably 1910s–early 1930s\u003cbr\u003e\u003cstrong\u003eUnframed size:\u003c\/strong\u003e 44.5 × 37.5 cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 50 × 43 cm\u003cbr\u003e\u003cstrong\u003eExhibited:\u003c\/strong\u003e Bourne Fine Art, Edinburgh Festival Exhibition, 1987, no. 19\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e By descent through the artist’s family; Bourne Fine Art, Edinburgh, 1987\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54492224389461,"sku":null,"price":695.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MacbethSutherlandPlate.jpg?v=1785326108"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/collections\/Janes_Plate_d0d1aead-9cbf-4148-8dcd-305cbf960d06.jpg?v=1780947560","url":"https:\/\/63arts.co.uk\/collections\/available-works.oembed?page=3","provider":"63Arts Edinburgh","version":"1.0","type":"link"}