{"title":"Scotland","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eScottish Works features paintings and works on paper depicting Scottish scenes, alongside works by Scottish artists. From Highland landscapes and coastal views to more ambiguous or atmospheric compositions, the collection reflects the richness, character, and visual appeal of Scottish art.\u003c\/p\u003e","products":[{"product_id":"birnie-rhind-r-s-a-watercolour-coastal-landscape-scottish-seaside-painting","title":"Birnie Rhind R.S.A. - Scottish Coastal Landscape","description":"\u003cp data-start=\"125\" data-end=\"229\"\u003e\u003cstrong data-start=\"125\" data-end=\"185\"\u003eWilliam Birnie Rhind R.S.A. – Scottish Coastal Landscape, \u003c\/strong\u003e\u003cstrong data-start=\"188\" data-end=\"229\"\u003eOriginal Watercolour on Paper, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"231\" data-end=\"622\"\u003eAn original early 20th-century watercolour by William Birnie Rhind R.S.A. (1857–1933), depicting a rugged Scottish coastal scene with rocky shoreline, rolling headlands, and softly shifting sea and sky. The composition captures the natural character of the coastline with a restrained palette and an appealing sense of atmosphere, balancing topographical observation with painterly ease.\u003c\/p\u003e\n\u003cp data-start=\"624\" data-end=\"1109\"\u003eRhind handles the subject with fluid, confident brushwork and subtle tonal gradation, creating a landscape that feels both spacious and quietly expressive. The contrast between the rocky foreground, distant landforms, and open sky gives the work a strong sense of depth, while the muted colour harmonies lend it a calm and contemplative quality. It is an attractive example of early 20th-century Scottish watercolour painting, combining decorative appeal with a genuine sense of place.\u003c\/p\u003e\n\u003cp data-start=\"1111\" data-end=\"1530\"\u003eSigned lower left “Birnie Rhind R.S.A.”, the watercolour carries added interest through its authorship. William Birnie Rhind is best known as a respected Scottish sculptor and Royal Scottish Academician, making his drawn and painted works especially appealing to collectors. This example shows a sensitive handling of landscape and atmosphere, offering a different but closely related side of his artistic practice.\u003c\/p\u003e\n\u003cp data-start=\"1532\" data-end=\"1848\"\u003ePresented in a clean cream mount with rigid backing board and housed in a later oak frame, the work displays very well and is ready to hang. A pleasing and characterful Scottish coastal watercolour, well suited to collectors of Scottish art, British landscapes, and early 20th-century works on paper.\u003c\/p\u003e\n\u003cp data-start=\"1850\" data-end=\"2523\"\u003e\u003cstrong data-start=\"1850\" data-end=\"1861\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1861\" data-end=\"1864\"\u003eArtist: William Birnie Rhind R.S.A. (1857–1933)\u003cbr data-start=\"1915\" data-end=\"1918\"\u003eTitle: \u003cem data-start=\"1929\" data-end=\"1957\"\u003eScottish Coastal Landscape\u003c\/em\u003e\u003cbr data-start=\"1957\" data-end=\"1960\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1992\" data-end=\"1995\"\u003eSignature: Signed lower left, \u003cem data-start=\"2029\" data-end=\"2052\"\u003e“Birnie Rhind R.S.A.”\u003c\/em\u003e\u003cbr data-start=\"2052\" data-end=\"2055\"\u003ePlate size: 27 × 36 cm\u003cbr data-start=\"2081\" data-end=\"2084\"\u003eFramed size: 42 × 52 cm\u003cbr data-start=\"2111\" data-end=\"2114\"\u003eDate: Early 20th century, undated\u003cbr data-start=\"2151\" data-end=\"2154\"\u003eCondition: Good overall condition. The surface is clean and stable, with no tears, losses, or restoration. There is light foxing and mild age-related discolouration consistent with age. Colours remain well preserved, and the work displays very well overall.\u003cbr data-start=\"2415\" data-end=\"2418\"\u003eMounting: Cream mount with rigid backing board\u003cbr data-start=\"2468\" data-end=\"2471\"\u003eFrame: Later oak frame, glazed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2525\" data-end=\"2607\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943813461,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BirnieRhindPlate.jpg?v=1774906657"},{"product_id":"hilary-birch-edinburgh-watercolour-websters-land-west-port-snow-cityscape","title":"Hilary Birch - Webster's Land in the Snow","description":"\u003cp data-start=\"125\" data-end=\"247\"\u003e\u003cstrong data-start=\"125\" data-end=\"195\"\u003eHilary Birch – \u003cem data-start=\"142\" data-end=\"193\"\u003eWebster’s Land, West Port, Edinburgh, in the Snow, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"198\" data-end=\"247\"\u003eOriginal Watercolour and Pen on Paper, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"249\" data-end=\"585\"\u003eAn original watercolour and pen on paper by Hilary Birch, depicting Webster’s Land on West Port, Edinburgh, under snow. The composition captures one of the city’s most characterful historic streets in winter, with its stepped gables, warm-toned façades, and layered rooflines set against white rooftops and rising ground beyond.\u003c\/p\u003e\n\u003cp data-start=\"587\" data-end=\"1058\"\u003eThe work has a particularly appealing balance of architectural clarity and seasonal atmosphere. Birch uses fine pen line to give the buildings structure and rhythm, while transparent watercolour washes soften the scene and convey the quiet stillness of snow across the city. The contrast between the terracotta and ochre tones of the frontage and the pale winter setting gives the composition a strong decorative presence, while preserving a clear sense of place.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1451\"\u003eAs a subject, Webster’s Land and the West Port area carry much of the visual character associated with Edinburgh’s Old Town edge, where historic tenements, changing ground levels, and tightly grouped buildings create some of the city’s most distinctive urban views. This painting captures that character especially well, combining topographical interest with the charm of a winter cityscape.\u003c\/p\u003e\n\u003cp data-start=\"1453\" data-end=\"1765\"\u003eThe reverse bears a handwritten label identifying the artist as Hilary Birch, providing useful supporting information for the attribution. Presented in a simple glazed light wood frame, this is a large and visually engaging original Edinburgh view, well suited to both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1767\" data-end=\"1909\"\u003eA striking and characterful work for collectors of Edinburgh scenes, Scottish cityscapes, and original architectural watercolours.\u003c\/p\u003e\n\u003cp data-start=\"1911\" data-end=\"2639\"\u003e\u003cstrong data-start=\"1911\" data-end=\"1922\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1922\" data-end=\"1925\"\u003eArtist: Hilary Birch\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eTitle: \u003cem data-start=\"1963\" data-end=\"2014\"\u003eWebster’s Land, West Port, Edinburgh, in the Snow\u003c\/em\u003e\u003cbr data-start=\"2014\" data-end=\"2017\"\u003eMedium: Watercolour and pen on paper\u003cbr data-start=\"2057\" data-end=\"2060\"\u003eSignature: Unsigned; identified by handwritten label verso\u003cbr data-start=\"2122\" data-end=\"2125\"\u003eImage size: 54 × 74 cm\u003cbr data-start=\"2151\" data-end=\"2154\"\u003eFramed size: 77 × 94.5 cm\u003cbr data-start=\"2183\" data-end=\"2186\"\u003eDate: Contemporary\u003cbr data-start=\"2208\" data-end=\"2211\" data-is-only-node=\"\"\u003eCondition: Good overall condition. The artwork appears clean and well preserved, with no visible damage noted. Colours remain fresh and the composition displays very well overall.\u003cbr data-start=\"2394\" data-end=\"2397\"\u003eFrame: Presented in a simple light wood glazed frame. The frame is in good structural condition and presents well. Fitted with hanging wire and ready to hang.\u003cbr data-start=\"2559\" data-end=\"2562\"\u003eProvenance: The reverse bears a handwritten label identifying the artist.\u003c\/p\u003e\n\u003cp data-start=\"2641\" data-end=\"2723\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943977301,"sku":null,"price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Birch_Plate.jpg?v=1774904809"},{"product_id":"victorian-1878-watercolour-edinburgh-st-margarets-loch-arthurs-seat-signed","title":"Cairns - St Margarets Loch, Arthurs Seat, Edinburgh (1878)","description":"\u003cp data-start=\"125\" data-end=\"242\"\u003e\u003cstrong data-start=\"125\" data-end=\"187\"\u003eJ. Cairns — \u003cem data-start=\"139\" data-end=\"185\"\u003eSt Margaret’s Loch, Holyrood Park, Edinburgh, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"190\" data-end=\"242\"\u003eSigned Victorian Watercolour, Dated 1878, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"244\" data-end=\"707\"\u003eAn original Victorian watercolour on paper by J. Cairns, signed and dated 1878, depicting St Margaret’s Loch in Holyrood Park, Edinburgh, with the ruins of St Anthony’s Chapel on the hillside above and Arthur’s Seat rising behind. In the foreground, figures promenade around the loch, a horse and carriage passes by, and small groups sit along the banks, giving the scene a lively sense of the park as a popular place of Victorian leisure.\u003c\/p\u003e\n\u003cp data-start=\"709\" data-end=\"1159\"\u003eThe composition is especially appealing for the way it brings together several of Edinburgh’s most recognisable and historically resonant landmarks within a single view. Cairns handles the scene with a light, confident touch, using a warm earthy palette that gives the work an attractive atmospheric quality. The combination of water, ruins, and volcanic landscape creates a composition that is both topographically interesting and highly decorative.\u003c\/p\u003e\n\u003cp data-start=\"1161\" data-end=\"1807\"\u003eSt Margaret’s Loch itself was formed in 1856 as part of Prince Albert’s programme of improvements to the landscape around the Palace of Holyroodhouse. When this watercolour was painted in 1878, the loch was still a relatively recent addition to one of Edinburgh’s most ancient settings. Above it stand the remains of St Anthony’s Chapel, a medieval structure already ruinous by the 18th century, while beyond rises Arthur’s Seat, the extinct volcano that remains one of the defining features of the city’s skyline. Together, these elements give the picture a strong sense of place and a particularly rich historical character.\u003c\/p\u003e\n\u003cp data-start=\"1809\" data-end=\"2136\"\u003eSigned and dated lower left “J. Cairns 1878”, the painting is presented in a later glazed decorative frame with a clean mount and displays very well. A charming and evocative 19th-century Edinburgh view, ideal for collectors of Scottish watercolours, Holyrood Park subjects, and Victorian topographical art.\u003c\/p\u003e\n\u003cp data-start=\"2138\" data-end=\"2910\"\u003e\u003cstrong data-start=\"2138\" data-end=\"2149\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2149\" data-end=\"2152\"\u003eArtist: J. Cairns\u003cbr data-start=\"2173\" data-end=\"2176\"\u003eTitle: \u003cem data-start=\"2187\" data-end=\"2233\"\u003eSt Margaret’s Loch, Holyrood Park, Edinburgh\u003c\/em\u003e\u003cbr data-start=\"2233\" data-end=\"2236\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"2268\" data-end=\"2271\"\u003eSignature: Signed and dated lower left, \u003cem data-start=\"2315\" data-end=\"2333\"\u003e“J. Cairns 1878”\u003c\/em\u003e\u003cbr data-start=\"2333\" data-end=\"2336\"\u003eImage size: 17 × 25 cm\u003cbr data-start=\"2362\" data-end=\"2365\"\u003eFramed size: 35 × 39 cm\u003cbr data-start=\"2392\" data-end=\"2395\"\u003eDate: 1878\u003cbr data-start=\"2409\" data-end=\"2412\"\u003eCondition: Good overall condition. Some slight age-related discolouration and foxing to the paper, visible in the sky and lighter passages, as shown in the photographs. This is consistent with the age of the work and does not detract from its overall appearance. The composition remains clear and attractive and displays well.\u003cbr data-start=\"2742\" data-end=\"2745\"\u003eFrame: Presented in a later glazed decorative frame with a clean mount. The frame is in very good condition and presents the work well. Fitted and ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2912\" data-end=\"2994\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944010069,"sku":null,"price":145.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/St_Margarets_Loch_Plate.jpg?v=1774903618"},{"product_id":"west-end-park-glasgow-framed-print-kelvingrove-park-victorian-illustration","title":"West End Park (Kelvingrove Park), Glasgow","description":"\u003cp data-start=\"120\" data-end=\"219\"\u003e\u003cstrong data-start=\"120\" data-end=\"169\"\u003eWest End Park, Glasgow (Now Kelvingrove Park), \u003c\/strong\u003e\u003cstrong data-start=\"172\" data-end=\"219\"\u003eFramed Print After a Victorian Illustration\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"221\" data-end=\"593\"\u003eA handsome colour print depicting West End Park, Glasgow, now known as Kelvingrove Park, after a late 19th-century Victorian illustration. The scene captures the formal landscaping, fountain, and surrounding architecture with the balanced, descriptive character typical of period topographical views, offering both strong decorative appeal and historical interest.\u003c\/p\u003e\n\u003cp data-start=\"595\" data-end=\"967\"\u003eThe composition reflects the civic confidence of Victorian Glasgow, when illustrated views of public parks and urban improvements were produced to celebrate the city’s development and architectural ambition. Here, the orderly planting, open promenade, and carefully observed buildings combine to create a view that is both visually satisfying and rich in period character.\u003c\/p\u003e\n\u003cp data-start=\"969\" data-end=\"1463\"\u003eThis later print preserves the charm of the original design particularly well. The colour is clean and bright, and the original printed title label beneath the image — “The West End Park – Glasgow” — adds an extra layer of authenticity and visual interest. As a subject, Kelvingrove Park remains one of Glasgow’s best-known and most admired public spaces, making this an especially appealing piece for collectors of Scottish prints, Glasgow views, and historic urban landscapes.\u003c\/p\u003e\n\u003cp data-start=\"1465\" data-end=\"1716\"\u003ePresented mounted and glazed in a substantial modern gilt frame, the print has an elegant and well-finished appearance that suits both traditional and contemporary interiors. A highly decorative and well-presented historic Glasgow view, ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1718\" data-end=\"2386\"\u003e\u003cstrong data-start=\"1718\" data-end=\"1729\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1729\" data-end=\"1732\"\u003eTitle: \u003cem data-start=\"1743\" data-end=\"1772\"\u003eThe West End Park – Glasgow\u003c\/em\u003e\u003cbr data-start=\"1772\" data-end=\"1775\"\u003eMedium: Colour print on paper\u003cbr data-start=\"1808\" data-end=\"1811\"\u003eSubject: West End Park, Glasgow (now Kelvingrove Park)\u003cbr data-start=\"1869\" data-end=\"1872\"\u003ePresentation: Mounted and glazed\u003cbr data-start=\"1908\" data-end=\"1911\"\u003eImage size: 26 × 35 cm\u003cbr data-start=\"1937\" data-end=\"1940\"\u003eFramed size: 50 × 58 cm\u003cbr data-start=\"1967\" data-end=\"1970\"\u003eDate: Late 20th century, after an original 1890s illustration\u003cbr data-start=\"2035\" data-end=\"2038\"\u003eCondition: Excellent overall condition. The print remains clean and bright, with no visible fading, foxing, or staining. The mount is fresh, and the glazing is clear. Overall presentation is of a high standard.\u003cbr data-start=\"2252\" data-end=\"2255\"\u003eFrame: Substantial modern gilt frame with hanging wire. Ready to hang.\u003cbr data-start=\"2329\" data-end=\"2332\"\u003eNotes: Original printed title label beneath image.\u003c\/p\u003e\n\u003cp data-start=\"2388\" data-end=\"2466\"\u003eThis is a genuine high-quality decorative print, professionally presented.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944108373,"sku":null,"price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/GlasgowWestParkPlate.jpg?v=1774900096"},{"product_id":"ken-lochhead-quality-street-north-berwick-hand-coloured-print-framed","title":"Ken Lochhead - Quality Street North Berwick","description":"\u003cp data-start=\"121\" data-end=\"227\"\u003e\u003cstrong data-start=\"121\" data-end=\"193\"\u003eKen Lochhead (Scottish, 1936–2006) – \u003cem data-start=\"160\" data-end=\"191\"\u003eQuality Street, North Berwick, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"196\" data-end=\"227\"\u003eHand-Coloured Print, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"229\" data-end=\"668\"\u003eA charming hand-coloured print after an original drawing by Ken Lochhead, depicting Quality Street, North Berwick. Known for his distinctive architectural views and affectionate depictions of Scottish towns, Lochhead had a gift for capturing local character through clear linework, balanced composition, and gently applied colour. This example is a particularly appealing view of one of East Lothian’s most picturesque streets.\u003c\/p\u003e\n\u003cp data-start=\"670\" data-end=\"1106\"\u003eThe print has a warm and inviting decorative quality. The neat arrangement of buildings, simple perspective, and carefully tinted surface give the composition both clarity and charm, while the hand-colouring lends a subtle individuality to the piece. Lochhead’s work is especially attractive for the way it combines topographical interest with a light, accessible style, making it easy to place in both traditional and modern interiors.\u003c\/p\u003e\n\u003cp data-start=\"1108\" data-end=\"1396\"\u003eQuality Street is one of North Berwick’s best-loved historic streets, and the subject gives the print a strong sense of place. For collectors of Scottish townscapes, North Berwick views, and architectural prints, this is a pleasing and characterful example of Lochhead’s work.\u003c\/p\u003e\n\u003cp data-start=\"1398\" data-end=\"1493\"\u003ePresented behind glass with a simple brown mount, the print displays well and is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1495\" data-end=\"1992\"\u003e\u003cstrong data-start=\"1495\" data-end=\"1506\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1506\" data-end=\"1509\"\u003eArtist: Ken Lochhead (Scottish, 1936–2006)\u003cbr data-start=\"1555\" data-end=\"1558\"\u003eTitle: \u003cem data-start=\"1569\" data-end=\"1600\"\u003eQuality Street, North Berwick\u003c\/em\u003e\u003cbr data-start=\"1600\" data-end=\"1603\"\u003eMedium: Hand-coloured print on paper, from an original drawing\u003cbr data-start=\"1669\" data-end=\"1672\"\u003eSignature: Printed signature in the image\u003cbr data-start=\"1717\" data-end=\"1720\"\u003eFramed picture size: 27 × 22 cm\u003cbr data-start=\"1755\" data-end=\"1758\"\u003eCondition: Good overall condition with clean colour and no obvious damage noted. Light, expected age-related handling wear, as shown in the photographs.\u003cbr data-start=\"1914\" data-end=\"1917\"\u003eFrame: Presented behind glass with a simple brown mount. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1994\" data-end=\"2075\"\u003eThis is an original hand-coloured print, not an original drawing or painting.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944272213,"sku":null,"price":35.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Ken_Lochead_Plate.jpg?v=1776034783"},{"product_id":"dunvegan-skye-acrylic-painting-signed-w-g-r-dated-1976-framed","title":"W.G.R - Dunvegan, Skye (1976)","description":"\u003cp data-start=\"0\" data-end=\"86\"\u003e\u003cstrong data-start=\"0\" data-end=\"86\"\u003eW.G.R. (20th century) – \u003cem data-start=\"26\" data-end=\"42\"\u003eDunvegan, Skye\u003c\/em\u003e, Acrylic on Canvas, Signed and Dated 1976\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"88\" data-end=\"396\"\u003eOriginal acrylic on canvas depicting Dunvegan on the Isle of Skye, signed and dated 1976 by W.G.R. This characterful Scottish landscape combines a recognisable Highland landmark with a distinctly personal handling of colour and form, giving the scene both topographical interest and strong decorative appeal.\u003c\/p\u003e\n\u003cp data-start=\"398\" data-end=\"929\"\u003eThe composition appears to show Dunvegan Castle rising from the shoreline, with smaller cottages to the right and hills receding into the distance beyond. While the artist remains faithful to the essential structure of the view, the colour is heightened in a way that brings added atmosphere and movement to the scene. Particularly striking is the treatment of the water, where lively touches of blue, turquoise, white, and warm yellow create a shimmering, reflective surface that gives the painting a sense of animation and light.\u003c\/p\u003e\n\u003cp data-start=\"931\" data-end=\"1252\"\u003ePainted in 1976, the work has an appealing period character and sits comfortably within a naïve or folk-influenced landscape tradition. Its simplified forms and expressive palette give it an immediacy that feels both decorative and sincere, making it well suited to interiors that favour warmth, place, and individuality.\u003c\/p\u003e\n\u003cp data-start=\"1254\" data-end=\"1467\"\u003eThe painting is presented in a simple lightweight wood frame and is ready to hang. It would make an attractive addition to a collection of Scottish art, Skye views, or original mid-20th-century landscape painting.\u003c\/p\u003e\n\u003cp data-start=\"1469\" data-end=\"1936\"\u003e\u003cstrong data-start=\"1469\" data-end=\"1480\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1480\" data-end=\"1483\"\u003e\u003cstrong data-start=\"1483\" data-end=\"1494\"\u003eMedium:\u003c\/strong\u003e Acrylic on canvas\u003cbr data-start=\"1512\" data-end=\"1515\"\u003e\u003cstrong data-start=\"1515\" data-end=\"1526\"\u003eArtist:\u003c\/strong\u003e W.G.R.\u003cbr data-start=\"1533\" data-end=\"1536\"\u003e\u003cstrong data-start=\"1536\" data-end=\"1546\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1547\" data-end=\"1563\"\u003eDunvegan, Skye\u003c\/em\u003e\u003cbr data-start=\"1563\" data-end=\"1566\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1566\" data-end=\"1575\"\u003eDate:\u003c\/strong\u003e 1976\u003cbr data-start=\"1580\" data-end=\"1583\"\u003e\u003cstrong data-start=\"1583\" data-end=\"1597\"\u003eSignature:\u003c\/strong\u003e Signed and dated 1976\u003cbr data-start=\"1619\" data-end=\"1622\"\u003e\u003cstrong data-start=\"1622\" data-end=\"1638\"\u003eFramed Size:\u003c\/strong\u003e 52 × 78 cm\u003cbr data-start=\"1649\" data-end=\"1652\"\u003e\u003cstrong data-start=\"1652\" data-end=\"1666\"\u003eCondition:\u003c\/strong\u003e Good overall condition. There are some paint losses around the outer border of the canvas near where it meets the frame, and the canvas is ever so slightly loose on the strainer, but it otherwise presents well.\u003cbr data-start=\"1877\" data-end=\"1880\"\u003e\u003cstrong data-start=\"1880\" data-end=\"1890\"\u003eFrame:\u003c\/strong\u003e Simple lightweight wood frame. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1938\" data-end=\"2011\"\u003eThis is an original, one-of-a-kind painting, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944436053,"sku":null,"price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Dunvegan_Castle_Plate.jpg?v=1774894672"},{"product_id":"antique-portrait-of-r-j-brooks-gentleman-oil-painting-english-school-framed","title":"Portrait of R J Brooks","description":"\u003cp data-start=\"96\" data-end=\"173\"\u003e\u003cstrong data-start=\"96\" data-end=\"173\"\u003ePortrait of R. J. Brooks – Antique Oil Painting on Canvas, English School\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"175\" data-end=\"550\"\u003eA characterful mid-19th century portrait depicting R. J. Brooks in formal black coat and white cravat, painted in a restrained palette that gives the work a strong period presence. The sitter is shown bust-length against a simple ground, with the directness of the composition and the dark tonal handling lending the painting a quiet dignity typical of Victorian portraiture.\u003c\/p\u003e\n\u003cp data-start=\"552\" data-end=\"884\"\u003eThe reverse bears the name of the sitter together with a birth date of 1822, while “T. Yule, Haddington” also appears in a different hand, suggesting a later ownership inscription. These markings add an appealing layer of historical interest and help anchor the picture as an individual rather than an anonymous decorative portrait.\u003c\/p\u003e\n\u003cp data-start=\"886\" data-end=\"1297\"\u003eRecently professionally cleaned, the painting remains visually striking and displays well. As one would expect with a work of this age, there is craquelure and age-related surface wear, most notably to the darker passages of the coat, where pronounced alligator-like cracking is visible. There are also small retouched areas, but the portrait retains strong decorative appeal and an authentic antique character.\u003c\/p\u003e\n\u003cp data-start=\"1299\" data-end=\"1473\"\u003ePresented in a dark stained wooden frame with a dark gilt inner slip, this is a genuine 19th century oil portrait with both decorative charm and personal historical interest.\u003c\/p\u003e\n\u003cp data-start=\"1475\" data-end=\"2321\"\u003e\u003cstrong data-start=\"1475\" data-end=\"1486\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1486\" data-end=\"1489\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1510\" data-end=\"1513\"\u003eArtist: English School\u003cbr data-start=\"1535\" data-end=\"1538\"\u003eTitle: \u003cem data-start=\"1545\" data-end=\"1571\"\u003ePortrait of R. J. Brooks\u003c\/em\u003e\u003cbr data-start=\"1571\" data-end=\"1574\"\u003eDate: Mid 19th century\u003cbr data-start=\"1596\" data-end=\"1599\"\u003eInscription: Inscribed verso with the sitter’s name and date of birth; also marked “T. Yule, Haddington” in a different hand\u003cbr data-start=\"1723\" data-end=\"1726\"\u003eImage Size: 36 × 29 cm\u003cbr data-start=\"1748\" data-end=\"1751\"\u003eFramed Size: 49 × 41 cm\u003cbr data-start=\"1774\" data-end=\"1777\"\u003eCondition: Professionally cleaned and in stable vintage condition. Craquelure around the face, with pronounced alligator-like cracking to the black areas of the coat, likely associated with a bitumen-rich passage. The lower section is dry and crackled with some associated surface disturbance. Small areas of paint loss to the background, chin, forehead and cravat have been retouched. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"2227\" data-end=\"2230\"\u003eFrame: Presented in a dark stained wooden frame with a dark gilt inner slip. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944534357,"sku":null,"price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Yule_Plate_New.jpg?v=1781033289"},{"product_id":"john-slezer-edinburgh-castle-print-1993-facsimile-southside-of-the-castle-framed","title":"John Slezer, Southside of the Castle","description":"\u003cp data-start=\"0\" data-end=\"100\"\u003e\u003cstrong data-start=\"0\" data-end=\"100\"\u003eJohn Slezer \u003cem data-start=\"14\" data-end=\"32\"\u003eTheatrum Scotiae\u003c\/em\u003e 1993 Facsimile Print – \u003cem data-start=\"56\" data-end=\"98\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"102\" data-end=\"490\"\u003eA decorative 1993 facsimile print after Plate I from John Slezer’s \u003cem data-start=\"171\" data-end=\"189\"\u003eTheatrum Scotiae\u003c\/em\u003e, depicting the south side of Edinburgh Castle. This celebrated view presents the castle from the south with its original Latin and English titles, \u003cem data-start=\"345\" data-end=\"373\"\u003eFacies Arcis Edenburgeanae\u003c\/em\u003e \/ \u003cem data-start=\"376\" data-end=\"418\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e, and draws on one of the best-known early printed images of the city.\u003c\/p\u003e\n\u003cp data-start=\"492\" data-end=\"1012\"\u003eSlezer occupies an important place in the history of Scottish topography, and \u003cem data-start=\"570\" data-end=\"588\"\u003eTheatrum Scotiae\u003c\/em\u003e remains one of the landmark illustrated surveys of late 17th-century Scotland. This example is not an original 1693 engraving, but a 1993 licensed facsimile, produced to mark the tercentenary of the publication. The print was issued in connection with the National Library of Scotland exhibition \u003cem data-start=\"899\" data-end=\"925\"\u003eScotland First Portrayed\u003c\/em\u003e, held that year to celebrate 300 years since the appearance of Slezer’s famous work.\u003c\/p\u003e\n\u003cp data-start=\"1014\" data-end=\"1504\"\u003eThat background gives the piece a dual appeal. On one level, it is a striking and historically resonant image of Edinburgh Castle, one of Scotland’s most recognisable landmarks. On another, it is a commemorative late 20th-century reproduction tied to an important exhibition and to the continuing legacy of Slezer’s publication. The result is a print that works equally well as a decorative Edinburgh view and as an object of interest within the broader history of Scottish printed imagery.\u003c\/p\u003e\n\u003cp data-start=\"1506\" data-end=\"1788\"\u003ePresented in a simple black frame with a cream mount, it displays cleanly and attractively. A handsome framed print for collectors of Edinburgh views, Scottish topography and architectural prints, and a characterful piece for both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1790\" data-end=\"2214\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1801\" data-end=\"1804\"\u003eMedium: Facsimile print on paper\u003cbr data-start=\"1836\" data-end=\"1839\"\u003eArtist: John Slezer\u003cbr data-start=\"1858\" data-end=\"1861\"\u003eTitle: \u003cem data-start=\"1868\" data-end=\"1910\"\u003eThe Southside of the Castle of Edinburgh\u003c\/em\u003e\u003cbr data-start=\"1910\" data-end=\"1913\"\u003eFramed Size: 44 × 32 cm\u003cbr data-start=\"1936\" data-end=\"1939\"\u003eDate: 1993\u003cbr data-start=\"1949\" data-end=\"1952\"\u003eCondition: Good overall condition with light, expected wear consistent with age and framing. The print presents cleanly and attractively overall, with no major issues noted\u003cbr data-start=\"2124\" data-end=\"2127\"\u003eFrame: Presented behind glass in a simple black frame with a cream mount. Ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2216\" data-end=\"2300\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis is a 1993 licensed facsimile print, not an original 17th-century engraving.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944599893,"sku":null,"price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/SouthsideoftheCastleMain.jpg?v=1774826780"},{"product_id":"freida-marion-ewart-scott-still-life-with-daffodils-watercolour-signed","title":"Freida Marion Ewart Scott, Still Life with Daffodils","description":"\u003cp data-start=\"78\" data-end=\"161\"\u003e\u003cstrong data-start=\"78\" data-end=\"129\"\u003eFreida Marion Ewart Scott (Scottish, 1926–2012), \u003c\/strong\u003e\u003cstrong data-start=\"132\" data-end=\"161\"\u003eStill Life with Daffodils\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"163\" data-end=\"584\"\u003eA vibrant original watercolour by Scottish artist Freida Marion Ewart Scott, this expressive still life combines daffodils, fruit, pottery and richly patterned textiles in a composition full of warmth, colour and decorative charm. Set against a vivid yellow ground, the arrangement has an unusually lively, unforced character, giving the picture the feeling of a real domestic moment rather than a formal studio exercise.\u003c\/p\u003e\n\u003cp data-start=\"586\" data-end=\"1034\"\u003eStill life was a recurring subject in Scott’s work, and this painting sits comfortably within that known body of material. Its strong palette, simplified forms and layered fabrics give it a distinctive visual rhythm, while the mixture of flowers, fruit and vessels creates an image that feels both playful and composed. The result is a work with real presence, equally suited to traditional interiors and more contemporary spaces in need of colour.\u003c\/p\u003e\n\u003cp data-start=\"1036\" data-end=\"1352\"\u003eFreida Marion Ewart Scott was active within the Scottish art world as both a painter and lecturer, and her work is represented in Glasgow Museums. This example is especially appealing for its generous scale and decorative confidence, making it an excellent statement piece for a dining room, sitting room or hallway.\u003c\/p\u003e\n\u003cp data-start=\"1354\" data-end=\"1422\"\u003ePresented mounted and framed under glass, the work is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1424\" data-end=\"2116\"\u003e\u003cstrong data-start=\"1424\" data-end=\"1435\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1435\" data-end=\"1438\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1466\" data-end=\"1469\"\u003eArtist: Freida Marion Ewart Scott (Scottish, 1926–2012)\u003cbr data-start=\"1524\" data-end=\"1527\"\u003eTitle: \u003cem data-start=\"1534\" data-end=\"1561\"\u003eStill Life with Daffodils\u003c\/em\u003e\u003cbr data-start=\"1561\" data-end=\"1564\"\u003eDate: Late 20th century\u003cbr data-start=\"1587\" data-end=\"1590\" data-is-only-node=\"\"\u003eImage Size: 52.5 × 67 cm\u003cbr data-start=\"1614\" data-end=\"1617\"\u003eFramed Size: 76 × 89 cm\u003cbr data-start=\"1640\" data-end=\"1643\"\u003eCondition: Presented in good overall condition. The sheet appears well preserved, with light age-related wear commensurate with medium and age. There are one or two small splashes of paint on the paper, understood to be original to the making of the work rather than later damage. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"1988\" data-end=\"1991\"\u003eFrame: Presented in a glazed frame with mount and backing. Some light age-related wear to the frame and mount. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944796501,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ScottPlate.jpg?v=1774912275"},{"product_id":"robins-millar-mountain-landscape","title":"Robins Millar - Mountain Landscape","description":"\u003cp data-start=\"54\" data-end=\"105\"\u003e\u003cstrong data-start=\"54\" data-end=\"105\"\u003eRobins Millar – Mountain Landscape, watercolour\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"107\" data-end=\"543\"\u003eA fresh and atmospheric watercolour by the Scottish artist Robins Millar, depicting a mountain landscape with snow-capped peaks, a winding path, and sunlit green slopes beneath a soft, cloud-filled sky. The composition has a lovely sense of depth and movement, drawing the eye from the foreground track into the distant mountains, while the contrast between the bright meadow and the dramatic rock face gives the work real presence.\u003c\/p\u003e\n\u003cp data-start=\"545\" data-end=\"942\"\u003eMillar handles the scene with a confident lightness, using fluid washes and touches of stronger colour to suggest shifting weather, alpine light, and the rugged character of the landscape. The result is both calm and invigorating: a highly decorative and appealing landscape that works beautifully as an interior piece while retaining the freshness and immediacy that make watercolour so engaging.\u003c\/p\u003e\n\u003cp data-start=\"944\" data-end=\"1193\"\u003eThe work is signed lower left and retains a label verso for the Royal Scottish Society of Painters in Water-Colours, adding further interest to the picture’s history and presentation. It is housed in its frame under glass and displays very well.\u003c\/p\u003e\n\u003cp data-start=\"1195\" data-end=\"1639\"\u003e\u003cstrong data-start=\"1195\" data-end=\"1206\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1206\" data-end=\"1209\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1237\" data-end=\"1240\"\u003eArtist: Robins Millar\u003cbr data-start=\"1261\" data-end=\"1264\"\u003eSubject: Mountain landscape\u003cbr data-start=\"1291\" data-end=\"1294\"\u003eSignature: Signed lower left\u003cbr data-start=\"1322\" data-end=\"1325\"\u003eUnframed size: 49 x 34 cm\u003cbr data-start=\"1350\" data-end=\"1353\"\u003eFramed size: 72.5 x 66 cm\u003cbr data-start=\"1378\" data-end=\"1381\"\u003eCondition: Overall in good condition. The watercolour itself presents well and is in good condition. There is slight separation to the frame mitres.\u003cbr data-start=\"1529\" data-end=\"1532\"\u003ePresentation: Framed under glass\u003cbr data-start=\"1564\" data-end=\"1567\"\u003eVerso: Label for the Royal Scottish Society of Painters in Water-Colours\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53654246588757,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MillarPlate.jpg?v=1775772414"},{"product_id":"duncan-mackellar-rsw-after-the-hunt","title":"Duncan Mackellar RSW - After the Hunt","description":"\u003cp data-start=\"28\" data-end=\"646\"\u003e\u003cstrong\u003eDuncan Mackellar RSW - After the Hunt, Oil on Canvas\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDuncan Mackellar RSW (1849–1908) was especially known for finely observed genre scenes and elegant interiors, and this atmospheric composition is a strong example of that side of his work. Set within a richly appointed room, the painting shows three figures in eighteenth-century dress gathered around a fireplace, their poses suggesting a moment of conversation or quiet social drama. The subject has been catalogued as\u003cstrong\u003e \u003c\/strong\u003e\u003cem data-start=\"455\" data-end=\"471\"\u003eAfter the Hunt\u003c\/em\u003e, though the scene’s real appeal lies in its ambiguity: it feels like a paused narrative, inviting the viewer to imagine what has just happened, or what is about to be said.\u003c\/p\u003e\n\u003cp data-start=\"648\" data-end=\"1270\"\u003eMackellar handles the picture with notable delicacy. The warm red coats, pale patterned dress, tiled chimney-piece, and glowing floor all contribute to a harmonious interior of soft light and restrained colour. The composition is especially effective in the way it balances the standing male figure at right with the seated figure and the turned female figure in the foreground, creating both movement and tension within the room. As with some of Mackellar’s other interior subjects, the setting itself plays an important part in the picture’s charm, lending the work a sense of intimacy, refinement, and staged narrative.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eGiven the partial supplier’s mark for G. Davidson, 123 Sauchiehall Street, Glasgow, the picture was likely painted no earlier than 1879, when Davidson was at that address, and certainly no later than 1908, the year of Duncan Mackellar’s death.\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"1272\" data-end=\"1553\"\u003eSigned lower right, this is an appealing late nineteenth-century Scottish genre painting by an artist admired for his sensitive treatment of figures and interiors. It presents very well, with the warm palette and period subject making it both decorative and historically evocative.\u003c\/p\u003e\n\u003cp data-start=\"1555\" data-end=\"1827\"\u003e\u003cstrong data-start=\"1555\" data-end=\"1566\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1566\" data-end=\"1569\"\u003e\u003cstrong data-start=\"1569\" data-end=\"1580\"\u003eArtist:\u003c\/strong\u003e Duncan Mackellar RSW (Scottish, 1849–1908)\u003cbr data-start=\"1623\" data-end=\"1626\"\u003e\u003cstrong data-start=\"1626\" data-end=\"1636\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1637\" data-end=\"1653\"\u003eAfter the Hunt\u003c\/em\u003e\u003cbr data-start=\"1672\" data-end=\"1675\"\u003e\u003cstrong data-start=\"1675\" data-end=\"1686\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1700\" data-end=\"1703\"\u003e\u003cstrong data-start=\"1703\" data-end=\"1717\"\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr data-start=\"1736\" data-end=\"1739\"\u003e\u003cstrong data-start=\"1739\" data-end=\"1754\"\u003eImage Size:\u003c\/strong\u003e 60 x 45 cm\u003cbr data-start=\"1765\" data-end=\"1768\"\u003e\u003cstrong data-start=\"1768\" data-end=\"1784\"\u003eFramed Size:\u003c\/strong\u003e 65 x 50 cm\u003cbr data-start=\"1795\" data-end=\"1798\"\u003e\u003cstrong data-start=\"1798\" data-end=\"1808\"\u003eFrame:\u003c\/strong\u003e Framed under glass\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53659730215253,"sku":null,"price":375.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MackellarPlate.jpg?v=1775849259"},{"product_id":"mary-armour-rsa-rsw-auchenhean-lochwinnoch","title":"Mary Armour RSA RSW - Auchenhean, Lochwinnoch","description":"\u003cp data-end=\"82\" data-start=\"33\"\u003e\u003cstrong data-end=\"82\" data-start=\"33\"\u003eMary Armour RSA RSW – Auchenhean, Lochwinnoch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"321\" data-start=\"84\"\u003eOriginal pastel on paper by Mary Armour RSA RSW (Scottish, 1902–2000), depicting Auchenhean near Lochwinnoch in Renfrewshire. Signed and dated ’62 lower right, with a handwritten label verso giving the artist, title, address, and medium.\u003c\/p\u003e\n\u003cp data-end=\"783\" data-start=\"323\"\u003eThe work is a lively and atmospheric Scottish landscape, handled with Armour’s characteristic confidence in colour and mark-making. Trees, cottages, paths, and patches of autumnal light are built up in broad, energetic pastel strokes, giving the scene a strong sense of immediacy. Rather than a tightly descriptive view, the composition feels observed quickly and directly, with the dark trunks and blue-grey roofs set against warm yellows, greens, and ochres.\u003c\/p\u003e\n\u003cp data-end=\"1084\" data-start=\"785\"\u003eMary Armour was an important Scottish painter and teacher, associated with Glasgow School of Art and elected to the RSA and RSW. Although especially admired for her still lifes and flower paintings, this landscape shows the same boldness of colour and expressive handling that characterise her wider work.\u003c\/p\u003e\n\u003cp data-end=\"1401\" data-start=\"1086\"\u003ePresented in a glazed frame. The work appears to have been reframed in 2024 by Framework Picture Framers, Newhaven, as indicated by the framer’s label verso. The older handwritten label has been retained and pasted onto the new backing board, apparently having been cut from the backing board of the previous frame.\u003c\/p\u003e\n\u003cp data-end=\"1414\" data-start=\"1403\"\u003e\u003cstrong data-end=\"1414\" data-start=\"1403\"\u003eDetails\u003cbr\u003e\u003c\/strong\u003e\u003cstrong data-end=\"1427\" data-start=\"1416\"\u003eArtist:\u003c\/strong\u003e Mary Armour RSA RSW\u003cbr data-end=\"1450\" data-start=\"1447\"\u003e\u003cstrong data-end=\"1460\" data-start=\"1450\"\u003eTitle:\u003c\/strong\u003e \u003cem data-end=\"1486\" data-start=\"1461\"\u003eAuchenhean, Lochwinnoch\u003c\/em\u003e\u003cbr data-end=\"1489\" data-start=\"1486\"\u003e\u003cstrong data-end=\"1498\" data-start=\"1489\"\u003eDate:\u003c\/strong\u003e 1962\u003cbr data-end=\"1506\" data-start=\"1503\"\u003e\u003cstrong data-end=\"1517\" data-start=\"1506\"\u003eMedium:\u003c\/strong\u003e Pastel on paper\u003cbr data-end=\"1536\" data-start=\"1533\"\u003e\u003cstrong data-end=\"1547\" data-start=\"1536\"\u003eSigned:\u003c\/strong\u003e Signed and dated lower right\u003cbr data-end=\"1579\" data-start=\"1576\"\u003e\u003cstrong data-end=\"1595\" data-start=\"1579\"\u003eFramed Size:\u003c\/strong\u003e 49 x 34 cm\u003cbr data-end=\"1609\" data-start=\"1606\"\u003e\u003cstrong data-end=\"1624\" data-start=\"1609\"\u003eImage Size:\u003c\/strong\u003e 44 x 29 cm\u003cbr data-end=\"1638\" data-start=\"1635\"\u003e\u003cstrong data-end=\"1648\" data-start=\"1638\"\u003eFrame:\u003c\/strong\u003e Glazed frame, reframed in 2024\u003cbr data-end=\"1682\" data-start=\"1679\"\u003e\u003cstrong data-end=\"1696\" data-start=\"1682\"\u003eCondition:\u003c\/strong\u003e Good condition. Presented cleanly in its current frame, with the original\/earlier handwritten label retained on the reverse.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53837535248725,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Mary_Armour_Plate.jpg?v=1778088416"},{"product_id":"andrew-gilchrist-the-meadows","title":"Andrew Gilchrist - The Meadows","description":"\u003cp data-start=\"45\" data-end=\"211\"\u003e\u003cstrong data-start=\"45\" data-end=\"92\"\u003eAndrew Gilchrist — \u003cem data-start=\"66\" data-end=\"90\"\u003eThe Meadows, Edinburgh, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"95\" data-end=\"143\"\u003eAcrylic on board, signed and inscribed verso\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"213\" data-end=\"341\"\u003eOriginal acrylic on board by the Scottish artist Andrew Gilchrist, depicting the cherry blossom trees in The Meadows, Edinburgh.\u003c\/p\u003e\n\u003cp data-start=\"343\" data-end=\"696\"\u003eThe scene shows one of the park’s tree-lined walks in spring, with pink blossom forming a canopy above the path and the Meadows Pavilion visible through the trees to the right. Gilchrist’s distinctive handling gives the composition a lively, patterned quality, with dark trunks and branches cutting across the softer pinks, greens and pale spring light.\u003c\/p\u003e\n\u003cp data-start=\"698\" data-end=\"1062\"\u003eThe work is signed and inscribed verso with the title \u003cem data-start=\"752\" data-end=\"765\"\u003eThe Meadows\u003c\/em\u003e and medium, and retains a Society of Scottish Artists Ordinary Member label giving the artist’s name, Marchmont address, title and original price. A particularly appealing Edinburgh subject, combining a recognisable local view with Gilchrist’s bold, individual approach to colour and mark-making.\u003c\/p\u003e\n\u003cp data-start=\"1064\" data-end=\"1099\"\u003ePresented framed and ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1101\" data-end=\"1112\"\u003e\u003cstrong data-start=\"1101\" data-end=\"1112\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1114\" data-end=\"1391\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eArtist: Andrew Gilchrist\u003cbr data-start=\"1138\" data-end=\"1141\"\u003eTitle: \u003cem data-start=\"1148\" data-end=\"1161\"\u003eThe Meadows\u003c\/em\u003e\u003cbr data-start=\"1161\" data-end=\"1164\"\u003eMedium: Acrylic on board\u003cbr data-start=\"1222\" data-end=\"1225\"\u003eFramed size: 83 x 57.5 cm\u003cbr data-start=\"1248\" data-end=\"1251\" data-is-only-node=\"\"\u003eSignature: Signed\/inscribed verso\u003cbr data-start=\"1284\" data-end=\"1287\"\u003eFrame: Framed\u003cbr data-start=\"1300\" data-end=\"1303\"\u003eCondition: Good overall condition, with light age-related wear to the frame and backing.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53985166393685,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/GilchristPlate.jpg?v=1779447231"},{"product_id":"irene-halliday-rsw-plockton-evening","title":"Irene Halliday RSW – Plockton Evening","description":"\u003cp\u003e\u003cstrong\u003eIrene Halliday RSW – \u003cem\u003ePlockton Evening\u003c\/em\u003e, Gouache\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal gouache by the Scottish artist Irene Halliday RSW, titled \u003cem\u003ePlockton Evening\u003c\/em\u003e, depicting the harbour village of Plockton set beside calm water and dark Highland hills. The composition has a strong evening atmosphere, with deep blues and greens used throughout the sky, loch and landscape, while small touches of light in the cottages and harbour give the scene warmth and depth.\u003c\/p\u003e\n\u003cp\u003eThe named subject gives the work added Scottish interest. Plockton, on the west coast of Scotland, is known for its sheltered waters, whitewashed cottages and dramatic surrounding hills, all of which are captured here in Halliday’s compact and atmospheric style. The work has a jewel-like quality typical of gouache, with the rich colour and simplified forms giving the scene a quiet, decorative strength.\u003c\/p\u003e\n\u003cp\u003eHalliday was known for her Scottish landscapes, coastal subjects and expressive use of colour. This work is signed lower right and retains its original Torrance Gallery label verso, giving the title, medium, original price of £250, and exhibition date of August 1992. A charming and atmospheric Scottish gouache, well suited to collectors of modern Scottish art and Highland coastal views.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Irene Halliday RSW\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003ePlockton Evening\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Gouache\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Undated; exhibited August 1992\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 41.5 x 39 cm\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 19 x 21 cm\u003cbr\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Glazed frame\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e The Torrance Gallery, Edinburgh, label verso\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The work is in good overall vintage condition, with light age-related wear. It is presented behind glass and has not been examined out of the frame. The frame has general light wear and surface marks in keeping with age. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54072416600405,"sku":null,"price":245.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HallidayPlate.jpg?v=1780650529"},{"product_id":"alan-alexander-ginger-cat-on-patterned-rug","title":"Alan Alexander - Ginger Cat on Patterned Rug","description":"\u003cp\u003e\u003cstrong\u003eAlan Alexander – \u003cem\u003eGinger Cat on Patterned Rug\u003c\/em\u003e, Oil on Canvas\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal oil on canvas by the Edinburgh artist Alan Alexander, depicting a ginger cat stretched out across a richly patterned rug. The composition is full of colour and character, with the cat’s elongated form set against bold red, blue, green and turquoise textile designs. The square format gives the work a strong decorative presence, while the subject adds warmth, charm and immediate appeal.\u003c\/p\u003e\n\u003cp\u003eThe patterned rug is a particularly striking feature of the painting, giving the work a vivid modern feel and a strong sense of design. Rather than a purely naturalistic animal portrait, Alexander presents the cat as part of a larger arrangement of colour, pattern and shape. The result is a lively and highly decorative work, well suited to both collectors of Scottish art and cat lovers.\u003c\/p\u003e\n\u003cp\u003eThe painting is signed “Alexander” lower right and is inscribed verso with the artist’s name and address, “Alan Alexander, 18 Henderson Row, Edinburgh”. This gives the work a direct Edinburgh connection and adds useful provenance interest. A characterful and eye-catching Scottish oil painting, with strong colour, decorative pattern and an appealing subject.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Alan Alexander\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eGinger Cat on Patterned Rug\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Undated\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 63.5 x 63.5 cm\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 50 x 50 cm\u003cbr\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Painted frame\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Inscribed verso with the artist’s Henderson Row, Edinburgh address\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The painting is in good overall vintage condition, with light age-related surface wear. The frame has some visible wear, rubbing and small losses, particularly around the edges, but remains attractive and suits the work well. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54114829697365,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/AlexanderPlate.jpg?v=1781125467"},{"product_id":"william-drummond-bone-r-s-w-a-r-s-a-corrag-buidhe","title":"William Drummond Bone R.S.W. A.R.S.A. - Corrag Buidhe","description":"\u003cp data-start=\"0\" data-end=\"80\"\u003e\u003cstrong\u003eWilliam Drummond Bone R.S.W. A.R.S.A. – \u003cem data-start=\"33\" data-end=\"48\"\u003eCorrag Buidhe\u003c\/em\u003e, Scottish Highland Oil Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"82\" data-end=\"426\"\u003eOriginal oil on board by the Scottish artist William Drummond Bone RSW ARSA, depicting a dramatic Highland loch landscape beneath brooding hills and heavy cloud. The composition is painted with vigorous, expressive brushwork, using deep greens, browns, greys and muted silvery tones to create a strong sense of weather, distance and atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"428\" data-end=\"820\"\u003eThe title, \u003cem data-start=\"439\" data-end=\"454\"\u003eCorrag Buidhe\u003c\/em\u003e, appears to refer to the Corrag Buidhe \/ Corrag Bhuidhe area associated with An Teallach in Wester Ross, one of Scotland’s most dramatic mountain landscapes. Rather than presenting the scene in crisp topographical detail, Bone captures the feeling of the place: dark slopes, shifting light, rough Highland weather and the pale sweep of water held between the hills.\u003c\/p\u003e\n\u003cp data-start=\"822\" data-end=\"1192\"\u003eBone studied at Glasgow School of Art and later joined its staff, eventually becoming a senior lecturer. He was the nephew of Sir Muirhead Bone and painted landscapes, seascapes and figure subjects in both oil and watercolour. This work is a strong example of his expressive Scottish landscape painting, with a particularly atmospheric treatment of the Highland setting.\u003c\/p\u003e\n\u003cp data-start=\"1194\" data-end=\"1436\"\u003eThe painting is signed lower right and is framed, with artist and title labels verso. A powerful mid-20th-century Scottish landscape, well suited to collectors of Highland views, Glasgow School artists and expressive modern Scottish painting.\u003c\/p\u003e\n\u003cp data-start=\"1438\" data-end=\"1700\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e William Drummond Bone R.S.W. A.R.S.A.\u003cbr data-start=\"1476\" data-end=\"1479\"\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1486\" data-end=\"1501\"\u003eCorrag Buidhe\u003c\/em\u003e\u003cbr data-start=\"1501\" data-end=\"1504\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on board\u003cbr data-start=\"1524\" data-end=\"1527\"\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Undated, mid-20th century\u003cbr data-start=\"1558\" data-end=\"1561\"\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 61 x 77 cm\u003cbr data-start=\"1584\" data-end=\"1587\"\u003e\u003cstrong\u003eBoard size:\u003c\/strong\u003e 44 x 60 cm\u003cbr data-start=\"1617\" data-end=\"1620\"\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr data-start=\"1649\" data-end=\"1652\"\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Gilt frame\u003cbr data-start=\"1669\" data-end=\"1672\"\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e Labelled verso\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eThe painting is in good overall vintage condition, with some age-related surface dirt and general wear. The frame has visible rubbing, marks and small losses in places, including some wear to the edges, but remains presentable and suits the work well. The Blu-Tac in the photos has been removed. The labels verso show age, wear and old tape. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54121156903253,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BonePlate.jpg?v=1781195177"},{"product_id":"stephen-howard-harrison-lonely-trees","title":"Stephen Howard Harrison – Lonely Trees","description":"\u003cp data-start=\"0\" data-end=\"62\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"0\" data-end=\"62\"\u003eStephen Howard Harrison – Lonely Trees, 2014, Oil Painting\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"64\" data-end=\"516\"\u003eOriginal oil on canvas by Edinburgh and Fife-based artist Stephen Howard Harrison, titled Lonely Trees and dated 2014. The painting depicts a stark winter landscape, with a dark cluster of bare trees standing alone against snow-covered fields and a wide blue-grey sky. The ploughed lines of the field lead the eye towards the trees, while the dark foreground branches frame the scene and give the composition a strong sense of depth and atmosphere.\u003c\/p\u003e\n\u003cp data-start=\"518\" data-end=\"1016\"\u003eHarrison’s work often draws on the landscapes of Edinburgh and Fife, combining expressive brushwork with a strong feeling for place, colour and seasonal mood. This painting is a particularly striking example of his recurring interest in isolated groups of trees, a motif he has returned to in later works connected with solitude, winter and the Fife landscape. The contrast between the pale snow, the blue horizon and the dense black forms of the trees gives the work a quiet but powerful presence.\u003c\/p\u003e\n\u003cp data-start=\"1018\" data-end=\"1369\"\u003eThe work is initialled and dated SHH 2014 lower left, and is further signed, titled and dated verso. It is presented in a substantial gilt frame, which suits the cool winter palette and gives the painting a strong decorative impact. A highly atmospheric contemporary Scottish winter landscape, well suited to both traditional and modern interiors.\u003c\/p\u003e\n\u003cp data-start=\"1371\" data-end=\"1929\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1371\" data-end=\"1382\"\u003eArtist:\u003c\/strong\u003e Stephen Howard Harrison\u003cbr data-start=\"1406\" data-end=\"1409\"\u003e\u003cstrong data-start=\"1409\" data-end=\"1419\"\u003eTitle:\u003c\/strong\u003e Lonely Trees\u003cbr data-start=\"1432\" data-end=\"1435\"\u003e\u003cstrong data-start=\"1435\" data-end=\"1444\" data-is-only-node=\"\"\u003eDate:\u003c\/strong\u003e 2014\u003cbr data-start=\"1449\" data-end=\"1452\"\u003e\u003cstrong data-start=\"1452\" data-end=\"1463\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr data-start=\"1477\" data-end=\"1480\"\u003e\u003cstrong data-start=\"1480\" data-end=\"1496\"\u003eCanvas size:\u003c\/strong\u003e 61 x 74.5 cm\u003cbr data-start=\"1509\" data-end=\"1512\"\u003e\u003cstrong data-start=\"1512\" data-end=\"1528\"\u003eFramed size:\u003c\/strong\u003e 80.5 x 95.5 cm\u003cbr data-start=\"1543\" data-end=\"1546\"\u003e\u003cstrong data-start=\"1546\" data-end=\"1560\"\u003eSignature:\u003c\/strong\u003e Initialled and dated lower left; signed, titled and dated verso\u003cbr data-start=\"1624\" data-end=\"1627\"\u003e\u003cstrong data-start=\"1627\" data-end=\"1637\"\u003eFrame:\u003c\/strong\u003e Substantial gilt frame\u003cbr data-start=\"1660\" data-end=\"1663\"\u003e\u003cstrong data-start=\"1663\" data-end=\"1677\"\u003eCondition:\u003c\/strong\u003e The painting appears in good overall condition. There is general surface wear, rubbing and age-related marking to the frame, including small knocks and imperfections. The work has not been examined out of its frame. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54275191210325,"sku":null,"price":495.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HarrisonPlate_a9bde12f-3ef5-4c84-a1b2-095d8a9db535.jpg?v=1783029923"},{"product_id":"janella-b-c-izatt-edinburgh-from-calton-hill","title":"Janella B. C. Izatt - View of Edinburgh from Calton Hill","description":"\u003cp data-start=\"0\" data-end=\"74\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"0\" data-end=\"74\"\u003eJanella B. C. Izatt – View of Edinburgh from Calton Hill, Watercolour Painting\u003c\/strong\u003e\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"76\" data-end=\"531\"\u003eOriginal watercolour by Janella B. C. Izatt, depicting a charming view of Edinburgh from Calton Hill. The composition captures the city’s distinctive skyline, with Edinburgh Castle rising in the distance, the Balmoral clock tower to the right, and the layered rooftops and spires of the city below. The familiar landmarks give the work strong local appeal, while the elevated viewpoint creates a pleasing panoramic sense of Edinburgh’s historic character.\u003c\/p\u003e\n\u003cp data-start=\"533\" data-end=\"963\"\u003eThe painting is handled in a loose and expressive watercolour style, with soft washes of blue, green and grey creating an atmospheric impression of the city. The foreground rooftops are picked out with lively touches of colour, while the greenery of Princes Street Gardens and the castle rock provide a fresh contrast against the urban architecture. It is a decorative and appealing Edinburgh view, full of movement and character.\u003c\/p\u003e\n\u003cp data-start=\"965\" data-end=\"1131\"\u003ePresented in a gilt-toned frame with mount, and with a handwritten label verso identifying the subject as “View of Edinburgh from Calton Hill” by Janella B. C. Izatt.\u003c\/p\u003e\n\u003cp data-start=\"1133\" data-end=\"1652\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Janella B. C. Izatt\u003cbr data-start=\"1160\" data-end=\"1163\"\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e View of Edinburgh from Calton Hill\u003cbr data-start=\"1196\" data-end=\"1199\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Watercolour on paper\u003cbr data-start=\"1227\" data-end=\"1230\"\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 41 x 52 cm\u003cbr data-start=\"1253\" data-end=\"1256\"\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 26 x 36 cm\u003cbr data-start=\"1278\" data-end=\"1281\"\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Handwritten artist\/title label verso\u003cbr data-start=\"1328\" data-end=\"1331\"\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Gilt-toned frame with mount\u003cbr data-start=\"1365\" data-end=\"1368\"\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The painting is in good overall vintage condition, with some light discolouration and staining visible in the sky area. There are some small marks to the mount and general age-related wear to the frame, including minor scuffs and knocks. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54309964382549,"sku":null,"price":135.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/IzattPlate.jpg?v=1783375960"},{"product_id":"j-d-henderson-great-western-road-glasgow","title":"J. D. Henderson – Great Western Road, Glasgow","description":"\u003cp\u003e\u003cstrong\u003eJoseph Donald Henderson (1925–2008) - Great Western Road, Glasgow\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAn evocative oil on canvas by the Scottish artist Joseph Donald Henderson, signed J. D. Henderson lower left. The work depicts Great Western Road at Kelvinbridge, Glasgow, looking east towards the city centre during the early years of the electric tram network.\u003c\/p\u003e\n\u003cp\u003eThe composition appears to have been based closely on an Edwardian postcard view dating from around 1904–05. Henderson retains many of its distinctive details, including the tram travelling along the tracks, the ornate street lamps, the groups of pedestrians and the imposing curved tenement building on the right.\u003c\/p\u003e\n\u003cp\u003eThe slender spire dominating the skyline belongs to Lansdowne Church, now incorporated into Websters Theatre, while the more distant spire of St Mary’s Episcopal Cathedral can be seen beyond. Together, these landmarks form one of the most recognisable historic views of Glasgow’s West End.\u003c\/p\u003e\n\u003cp\u003ePainted in a soft and atmospheric palette, Henderson transforms the monochrome photographic source into a warm, nostalgic cityscape. Sunlight falls across the sandstone architecture and roadway, while the numerous loosely handled figures give the scene a lively sense of movement, activity and scale.\u003c\/p\u003e\n\u003cp\u003eJoseph Donald Henderson was born in 1925 and lived in Rutherglen, Glasgow. Later biographical information recorded on the backing board states that he trained at the Sir John Cass School of Art in London and Glasgow School of Art. Alongside his painting, Henderson and his wife Eva operated Simply Stoneware Limited, a business retailing ceramics, wallpaper and related furnishings. He died in 2008.\u003c\/p\u003e\n\u003cp\u003ePresented in an ornate swept gilt frame. The reverse carries extensive later handwritten information identifying the artist, his address, training and the title of the painting.\u003c\/p\u003e\n\u003cp\u003eA particularly appealing historic Glasgow subject, combining architectural, social and transport history with considerable decorative charm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Joseph Donald Henderson\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Great Western Road, Glasgow\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Later 20th century\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e J. D. Henderson, lower left\u003cbr\u003e\u003cstrong\u003eCanvas size:\u003c\/strong\u003e 44cm x 59cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 58cm x 73.5cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage condition overall, with light surface dirt and minor age-related wear. Some rubbing and small marks to the decorative gilt frame. Later handwritten biographical and title inscriptions to the backing board.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54399128600917,"sku":null,"price":395.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HendersonPlate.jpg?v=1784327517"},{"product_id":"michael-mcveigh-royal-highland-show-ingliston","title":"Michael McVeigh - Royal Highland Show, Ingliston","description":"\u003cp\u003e\u003cstrong\u003eMichael McVeigh - Royal Highland Show, Ingliston, 1987\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA wonderfully detailed colour lithograph by the Scottish artist Michael McVeigh (b.1957), depicting the heavy-horse section of the Royal Highland Show at Ingliston. Signed and titled within the image, dated 1987 and numbered 3\/26 from a small limited edition.\u003c\/p\u003e\n\u003cp\u003eThe bustling composition is filled with magnificent working horses, handlers, spectators, children and agricultural vehicles. McVeigh compresses the activity into a densely layered scene, with the monumental horses dominating the foreground while numerous smaller narrative details reward closer inspection. Particularly charming is the small black dog standing among the handlers near the centre of the composition.\u003c\/p\u003e\n\u003cp\u003eBorn in Dundee, McVeigh studied Drawing and Painting at Duncan of Jordanstone College of Art before settling in Edinburgh. He is particularly known for his highly individual depictions of Scottish life, including crowded streets, harbours, public gatherings, musicians and animals. His work combines close observation with deliberately distorted perspective, giving familiar subjects an imaginative and gently humorous character.\u003c\/p\u003e\n\u003cp\u003eThe Royal Highland Show has been held at Ingliston, near Edinburgh, since 1960 and remains one of Scotland’s most important agricultural events. McVeigh’s lithograph captures the distinctive mixture of livestock, machinery and human activity associated with the show, while retaining the warmth and eccentricity characteristic of his work.\u003c\/p\u003e\n\u003cp\u003ePrinted in a restrained palette of earthy browns, ochres, muted greens and soft reds, the composition has an atmospheric, almost remembered quality. The fine crayon-like lines and layered tonal textures are particularly well suited to the lithographic medium.\u003c\/p\u003e\n\u003cp\u003eAn impression of this composition is held in the collection of the City of Edinburgh Museums and Galleries.\u003c\/p\u003e\n\u003cp\u003ePresented under glass in a dark wooden frame with a wide cream mount.\u003c\/p\u003e\n\u003cp\u003eA substantial and highly engaging Scottish print, combining agricultural and social history with McVeigh’s distinctive narrative style.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Michael McVeigh\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Royal Highland Show, Ingliston\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e 1987\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Colour lithograph\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e 3\/26\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e Signed and titled within the image\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 44.5cm x 64cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 71.5cm x 79cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage condition overall. Some scattered age-related spotting and light discolouration are visible to the sheet and mount. Minor marks and wear to the wooden frame. Glazed and not examined out of the frame.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54399501336917,"sku":null,"price":195.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/McVeigh2Plate.jpg?v=1784337684"},{"product_id":"michael-mcveigh-i-am-getting-younger-everyday","title":"Michael McVeigh - I Am Getting Younger Everyday","description":"\u003cp\u003e\u003cstrong\u003eMichael McVeigh - I Am Getting Younger Everyday\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA richly detailed sepia etching by the Scottish artist Michael McVeigh (b.1957), depicting a group of traditional musicians gathered around a table in a Scottish pub. Signed and titled below in pencil and inscribed “PROOF” at the lower right.\u003c\/p\u003e\n\u003cp\u003eThree monumental figures dominate the composition: an accordion player, a mandolin player and a musician playing a tin whistle. A violin rests on the table beside a bottle of McEwan’s 80\/-, drinking glasses and a packet of cigarettes, while two further figures converse beneath a large McEwan’s sign in the background.\u003c\/p\u003e\n\u003cp\u003eThe gently humorous title, \u003cem\u003eI Am Getting Younger Everyday\u003c\/em\u003e, contrasts with the musicians’ solemn and introspective expressions. McVeigh presents the pub session not simply as entertainment, but as a place of companionship, memory and temporary rejuvenation. The unused violin is a particularly charming detail, suggesting a musical gathering already in progress, with players changing instruments or pausing between tunes.\u003c\/p\u003e\n\u003cp\u003eBorn in Dundee, McVeigh studied Drawing and Painting at Duncan of Jordanstone College of Art before settling in Edinburgh. He is particularly known for his highly individual depictions of Scottish life, including crowded streets, harbour communities, public gatherings, musicians and animals. His work combines close observation with deliberately distorted scale and perspective, giving familiar subjects an imaginative and gently dreamlike character.\u003c\/p\u003e\n\u003cp\u003eTraditional musicians and Scottish pub life were important subjects in McVeigh’s early work. The exaggerated scale of the figures, densely worked surfaces and mixture of humour and melancholy are especially characteristic of his distinctive narrative style.\u003c\/p\u003e\n\u003cp\u003ePrinted in warm brown ink, the etching has a softly aged and atmospheric appearance. Fine cross-hatching, areas of plate tone and loosely modelled textures create a scene that feels both closely observed and filtered through memory.\u003c\/p\u003e\n\u003cp\u003ePresented under glass in a dark wooden frame with a wide cream mount.\u003c\/p\u003e\n\u003cp\u003eA wonderfully characterful Scottish print, combining traditional music, pub culture and understated humour with McVeigh’s highly recognisable figurative style.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Michael McVeigh\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e I Am Getting Younger Everyday\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Circa mid-1980s\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Sepia etching\u003cbr\u003e\u003cstrong\u003eEdition:\u003c\/strong\u003e Proof impression, inscribed “PROOF”\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e Signed and titled below in pencil\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 20.5cm x 41cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 37.5cm x 58.5cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Good vintage condition overall. Some light age-related toning and minor marks are visible to the sheet and cream mount. Minor surface wear and small marks to the dark wooden frame. Glazed and not examined out of the frame.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54399565365589,"sku":null,"price":165.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/McVeigh1Plate.jpg?v=1784338380"},{"product_id":"david-macbeth-sutherland-rsa-in-the-botanical-gardens","title":"David Macbeth Sutherland RSA - In the Botanical Gardens","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eAn expressive original oil on panel by the Scottish artist David Macbeth Sutherland RSA (1883–1973), depicting a mature tree in the Royal Botanic Garden Edinburgh. Rather than presenting a conventional panoramic view of the gardens, Sutherland moves directly beneath the canopy and makes the tree itself the monumental focus of the composition.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eA sturdy reddish-brown trunk rises through the centre of the panel, while an intricate network of heavy, twisting branches spreads across almost the entire upper half of the image. The garden beyond is compressed into broad passages of fresh green, ochre, russet, grey and muted yellow. Sutherland’s vigorous handling gives the branches an almost animate quality, creating a rhythmic structure that approaches abstraction while remaining firmly rooted in observation.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eThe tree is most likely a\u003cstrong\u003e \u003c\/strong\u003edeodar or Himalayan cedar (\u003cem\u003eCedrus deodara\u003c\/em\u003e), identifiable by its wide, tiered limbs and characteristically drooping secondary branches. The species was widely introduced into larger Victorian parks and gardens and became an important feature of the Royal Botanic Garden Edinburgh’s historic tree collection. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eIt is possible that the painting depicts the Garden’s celebrated deodar planted in 1859 by the Prince of Wales, later King Edward VII. That specimen stood prominently beside a garden path, eventually becoming the tallest tree at the Edinburgh site. The path-side position, spreading lower limbs and surrounding open lawn seen in Sutherland’s painting make the connection particularly tempting, although the precise individual tree cannot be confirmed. The historic cedar was sadly lost following severe damage during Storm Éowyn in January 2025. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eBorn in Wick, Caithness, Sutherland studied under Charles Hodge Mackie at the Royal Scottish Academy and continued his training at Edinburgh College of Art. After receiving a Carnegie Travelling Scholarship, he travelled through Spain, France and the Low Countries, experiences that helped introduce a freer and more modern approach to his painting. He later taught at Edinburgh College of Art and, alongside Mary Newbery and Dorothy Johnstone, helped revive the progressive Edinburgh Group. Sutherland married Johnstone in 1924 and became Principal of Gray’s School of Art in Aberdeen in 1933. He is particularly known for his Scottish and Breton landscapes, portraits and figure paintings. \u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eThe loosely worked surface is particularly appealing. Areas of the pale ground remain visible between the brushstrokes, while individual forms are stated with speed and confidence rather than laborious detail. This gives the painting the immediacy of a study made directly before the subject and places it among Sutherland’s more modern and adventurous landscape works.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003eThe original Bourne Fine Art label verso identifies the work as \u003cem\u003eIn the Botanical Gardens, Edinburgh\u003c\/em\u003e, records the medium and dimensions, and confirms that it was exhibited as number 19 in the gallery’s Edinburgh Festival Exhibition of 1987. The work additionally carries provenance by descent through the artist’s family, giving it particularly strong documentary history.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003ePresented in a warm wooden frame with a broad cream-painted inner slip. A distinctive and atmospheric Edinburgh painting, combining an important Scottish artist, a historic garden setting and the possible depiction of one of the Royal Botanic Garden’s most celebrated trees.\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca data-encoded-tag-name=\"meta\" data-encoded-tag-value=\"\" data-encoded-attr-charset=\"dXRmLTg=\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e David Macbeth Sutherland RSA\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e In the Botanical Gardens, Edinburgh\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on panel\u003cbr\u003e\u003cstrong\u003eSigned:\u003c\/strong\u003e No signature visible\u003cbr\u003e\u003c\/a\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Probably 1910s–early 1930s\u003cbr\u003e\u003cstrong\u003eUnframed size:\u003c\/strong\u003e 44.5 × 37.5 cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 50 × 43 cm\u003cbr\u003e\u003cstrong\u003eExhibited:\u003c\/strong\u003e Bourne Fine Art, Edinburgh Festival Exhibition, 1987, no. 19\u003cbr\u003e\u003cstrong\u003eProvenance:\u003c\/strong\u003e By descent through the artist’s family; Bourne Fine Art, Edinburgh, 1987\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54492224389461,"sku":null,"price":695.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MacbethSutherlandPlate.jpg?v=1785326108"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/collections\/Dunvegan_Castle_Main_c7deb453-209a-42ee-a7d3-7dceeb9fe898.jpg?v=1775848809","url":"https:\/\/63arts.co.uk\/collections\/scotland.oembed?page=2","provider":"63Arts Edinburgh","version":"1.0","type":"link"}