{"title":"Sold Archive","description":"\u003cp data-start=\"409\" data-end=\"569\"\u003eSold Archive features paintings and works on paper previously sold by 63Arts. A curated record of works chosen for atmosphere, character and lasting appeal.\u003c\/p\u003e\n\u003cp data-start=\"571\" data-end=\"608\"\u003e \u003c\/p\u003e","products":[{"product_id":"mid-19th-century-oil-portrait-of-gentleman-victorian-oil-on-canvas-framed","title":"Victorian Portrait of Gentleman","description":"\u003cp data-start=\"125\" data-end=\"213\"\u003e\u003cstrong data-start=\"125\" data-end=\"166\"\u003eMid-19th Century Gentleman’s Portrait, \u003c\/strong\u003e\u003cstrong data-start=\"169\" data-end=\"213\"\u003eVictorian Oil on Canvas, c.1850s, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"215\" data-end=\"554\"\u003eAn original mid-19th-century oil on canvas portrait depicting a distinguished gentleman seated in an interior, holding a book and pencil. The setting and attributes suggest a man of learning or professional standing — perhaps a clergyman, academic, or legal figure — and give the painting a thoughtful, quietly authoritative character.\u003c\/p\u003e\n\u003cp data-start=\"556\" data-end=\"962\"\u003eThe portrait is executed with careful modelling and refined brushwork, with particular attention paid to the sitter’s features and expression. The restrained palette, dark costume, and softly graduated background are characteristic of Victorian portraiture of the period, while the inclusion of the desk, book, and writing implement lends the composition a pleasing sense of narrative as well as formality.\u003c\/p\u003e\n\u003cp data-start=\"964\" data-end=\"1337\"\u003eThe sitter’s dress and hairstyle strongly support a date in the mid-Victorian period, most likely between about 1845 and 1860. The prominent mutton-chop sideburns, high shirt front, dark neckwear, and formal black coat all reflect the fashion of the 1840s and 1850s, placing the work firmly within the tradition of private commissioned portrait painting of the era.\u003c\/p\u003e\n\u003cp data-start=\"1339\" data-end=\"1730\"\u003eThough unsigned, the painting has strong decorative presence and the kind of solid, assured handling that makes these period portraits so appealing today. Presented in a traditional gilt frame, it has real wall presence and would suit both classic and more eclectic interiors, particularly those with an interest in Victorian art, portraiture, and scholarly or library interiors.\u003c\/p\u003e\n\u003cp data-start=\"1732\" data-end=\"1839\"\u003eA characterful and impressive antique portrait, offering both historical interest and strong display value.\u003c\/p\u003e\n\u003cp data-start=\"1841\" data-end=\"2414\"\u003e\u003cstrong data-start=\"1841\" data-end=\"1852\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1852\" data-end=\"1855\"\u003eTitle: \u003cem data-start=\"1866\" data-end=\"1905\"\u003eMid-19th Century Gentleman’s Portrait\u003c\/em\u003e\u003cbr data-start=\"1905\" data-end=\"1908\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1933\" data-end=\"1936\"\u003eArtist: Unsigned\u003cbr data-start=\"1956\" data-end=\"1959\"\u003eSubject: Gentleman seated with book and pencil in an interior\u003cbr data-start=\"2024\" data-end=\"2027\"\u003eUnframed size: 75 × 62 cm\u003cbr data-start=\"2056\" data-end=\"2059\"\u003eFramed size: 94 × 82 cm\u003cbr data-start=\"2086\" data-end=\"2089\"\u003eDate: Circa 1845–1860\u003cbr data-start=\"2114\" data-end=\"2117\"\u003eCondition: Very good overall condition. The canvas has undergone professional conservation, including two repaired tears to the reverse. The surface presents well, with age-related wear consistent with a mid-19th-century work.\u003cbr data-start=\"2347\" data-end=\"2350\"\u003eFrame: Presented in a traditional gilt frame. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2416\" data-end=\"2498\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943649621,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/DashingManIG.jpg?v=1774909737"},{"product_id":"danish-post-war-street-scene-original-oil-painting-signed-krausmann-47","title":"Krausmann - Danish Post-War Street (1947)","description":"\u003cp data-start=\"125\" data-end=\"213\"\u003e\u003cstrong data-start=\"125\" data-end=\"166\"\u003eKrausmann – Scandinavian Street Scene, \u003c\/strong\u003e\u003cstrong data-start=\"169\" data-end=\"213\"\u003eSigned Oil on Canvas, Dated 1947, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"215\" data-end=\"536\"\u003eAn original oil on canvas signed Krausmann and dated 1947, depicting a quiet Scandinavian street scene, likely Danish in character. The composition shows colourful houses lining a village street beneath mature trees, with soft natural light and a calm sense of everyday life giving the painting both warmth and charm.\u003c\/p\u003e\n\u003cp data-start=\"538\" data-end=\"991\"\u003eThe work has a particularly appealing mid-century decorative quality. The simplified forms, gently varied colour, and straightforward composition give it an accessible, characterful presence, while the painted surface retains enough texture and movement to keep the scene visually lively. It sits comfortably between topographical observation and a more naive or folk-inflected mode of painting, making it especially attractive as an interior piece.\u003c\/p\u003e\n\u003cp data-start=\"993\" data-end=\"1435\"\u003ePainted in the immediate post-war period, the picture carries the quiet atmosphere often associated with Northern European village scenes of the era. The combination of modest architecture, leafy street setting, and restrained light gives the work a strong sense of place, while its palette and composition make it easy to place in both traditional and more modern interiors, particularly those with a Scandinavian or mid-century sensibility.\u003c\/p\u003e\n\u003cp data-start=\"1437\" data-end=\"1709\"\u003ePresented in its original vintage frame, the painting has strong decorative appeal as well as period character. A pleasing and authentic one-of-a-kind work, ideal for collectors of mid-century European painting, Scandinavian scenes, and vintage decorative art.\u003c\/p\u003e\n\u003cp data-start=\"1711\" data-end=\"2282\"\u003e\u003cstrong data-start=\"1711\" data-end=\"1722\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1722\" data-end=\"1725\"\u003eArtist: Krausmann\u003cbr data-start=\"1746\" data-end=\"1749\"\u003eTitle: \u003cem data-start=\"1760\" data-end=\"1787\"\u003eScandinavian Street Scene\u003c\/em\u003e\u003cbr data-start=\"1787\" data-end=\"1790\"\u003eMedium: Oil on stretched canvas\u003cbr data-start=\"1825\" data-end=\"1828\"\u003eSignature: Signed and dated lower area, \u003cem data-start=\"1872\" data-end=\"1890\"\u003e“Krausmann 1947”\u003c\/em\u003e\u003cbr data-start=\"1890\" data-end=\"1893\"\u003eCanvas size: Approx. 27 × 38 cm\u003cbr data-start=\"1928\" data-end=\"1931\"\u003eFramed size: Approx. 36 × 47 cm\u003cbr data-start=\"1966\" data-end=\"1969\"\u003eDate: 1947\u003cbr data-start=\"1983\" data-end=\"1986\"\u003eCondition: The painting shows age-related craquelure to the oil paint, most noticeable in the top right area, as expected for a work of this age. The surface remains stable and the composition presents attractively overall.\u003cbr data-start=\"2213\" data-end=\"2216\"\u003eFrame: Presented in its original vintage frame. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2284\" data-end=\"2365\"\u003eThis is a genuine one-of-a-kind vintage artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943747925,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Krausmann_Main_7a4badc3-99ea-4f85-81df-eae4b350e706.jpg?v=1774908752"},{"product_id":"antique-c-1820-english-school-watercolour-windsor-castle-from-the-thames-framed","title":"Windsor Castle from the Thames (c.1820)","description":"\u003cp data-start=\"125\" data-end=\"217\"\u003e\u003cstrong data-start=\"125\" data-end=\"196\"\u003eAntique English School Watercolour – Windsor Castle from the Thames\u003c\/strong\u003e\u003cbr data-start=\"196\" data-end=\"199\"\u003e\u003cstrong data-start=\"199\" data-end=\"217\"\u003ec.1820, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"219\" data-end=\"585\"\u003eAn original early 19th-century watercolour on paper, attributed to the English School and dating to around 1820, depicting Windsor Castle from the River Thames. This attractive topographical view captures the famous royal residence rising above the riverbank, with sailing boats, figures, and picturesque waterside buildings animating the foreground.\u003c\/p\u003e\n\u003cp data-start=\"587\" data-end=\"1001\"\u003eThe composition has a particularly pleasing balance of architecture, landscape, and river activity. The broad expanse of water draws the eye naturally towards the castle, while the boats and small figures lend the scene a gentle sense of movement and life. The handling is delicate and atmospheric, with the softened palette and light touch typical of period watercolour views of the late Georgian and Regency era.\u003c\/p\u003e\n\u003cp data-start=\"1003\" data-end=\"1428\"\u003eWindsor Castle has long been one of the most recognisable and historically important landmarks in England, and it was a popular subject for artists producing picturesque and topographical scenes in the early 19th century. This example sits comfortably within that tradition, combining the appeal of a celebrated British site with the charm of an antique watercolour intended as both a record of place and a decorative object.\u003c\/p\u003e\n\u003cp data-start=\"1430\" data-end=\"1745\"\u003eThough unsigned, the work has the character and decorative quality that make these early English views so enduringly appealing. It would suit collectors of antique British watercolours, topographical views, and historic architectural subjects, while also working beautifully as a refined interior piece.\u003c\/p\u003e\n\u003cp data-start=\"1747\" data-end=\"1866\"\u003ePresented in a glazed black frame with gilt slip and cream mount, the painting displays very well and is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1868\" data-end=\"2569\"\u003e\u003cstrong data-start=\"1868\" data-end=\"1879\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1879\" data-end=\"1882\"\u003eArtist: English School, unsigned\u003cbr data-start=\"1918\" data-end=\"1921\"\u003eTitle: \u003cem data-start=\"1932\" data-end=\"1972\"\u003eView of Windsor Castle from the Thames\u003c\/em\u003e\u003cbr data-start=\"1972\" data-end=\"1975\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"2007\" data-end=\"2010\"\u003eDate: c.1820\u003cbr data-start=\"2026\" data-end=\"2029\"\u003eImage size: 40 × 25.5 cm\u003cbr data-start=\"2057\" data-end=\"2060\"\u003eFramed size: 54 × 40 cm\u003cbr data-start=\"2087\" data-end=\"2090\"\u003eCondition: Good antique condition overall, with light age-related wear consistent with period. The watercolour shows some gentle fading and minor overall toning, commensurate with its age. There may be small surface marks and very light handling wear visible on close inspection, but the image remains clear, attractive, and highly decorative. The frame has some age-related wear and minor marks.\u003cbr data-start=\"2490\" data-end=\"2493\" data-is-only-node=\"\"\u003eFrame: Glazed black frame with gilt slip and cream mount. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2571\" data-end=\"2653\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563943944533,"sku":null,"price":185.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/WindsorPlate.jpg?v=1774904223"},{"product_id":"1930s-christine-h-jackson-southease-sussex-signed-watercolour","title":"Christine H. Jackson - Southease Sussex","description":"\u003cp data-start=\"125\" data-end=\"234\"\u003e\u003cstrong data-start=\"125\" data-end=\"201\"\u003eChristine H. Jackson (English, active 1930s) – \u003cem data-start=\"174\" data-end=\"199\"\u003eSouthease, Sussex No. 1, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong data-start=\"204\" data-end=\"234\"\u003eSigned Watercolour, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"236\" data-end=\"655\"\u003eAn original signed watercolour by Christine H. Jackson, depicting Southease in Sussex as a charming interwar village scene with cottages, church, trees, and grazing sheep set within a gently rolling landscape. The composition has a distinctive decorative and illustrative quality, with carefully arranged forms, soft colour harmonies, and fine linear detail combining to give the work considerable period charm.\u003c\/p\u003e\n\u003cp data-start=\"657\" data-end=\"1058\"\u003eJackson’s treatment of the subject is especially appealing. The clustered buildings, church tower, and surrounding trees are handled in a stylised yet recognisable manner, giving the piece the character of both a topographical view and an illustrator’s interpretation of place. The result is a work that feels warm, characterful, and quietly atmospheric, with a strong sense of English rural identity.\u003c\/p\u003e\n\u003cp data-start=\"1060\" data-end=\"1634\"\u003eThe artist is described on the accompanying label as an English artist active in the 1930s, known as an illustrator of children’s books and for producing posters and press advertisements for London Transport. The same label notes that she exhibited at the Royal Academy three times between 1930 and 1938, and that examples of her work are represented in the London Transport Museum. These details add helpful context and make the present work particularly interesting as an example of a period artist working across both illustration and exhibition practice.\u003c\/p\u003e\n\u003cp data-start=\"1636\" data-end=\"1955\"\u003eThe reverse also retains the artist’s original handwritten label, giving the title “Southease” Sussex No. 1 together with her address at 42A Beeches Avenue, Carshalton Beeches, Surrey. Surviving labels of this kind give the work a strong sense of authenticity and help place it within the artist’s working life.\u003c\/p\u003e\n\u003cp data-start=\"1957\" data-end=\"2238\"\u003ePresented behind glass in a simple wooden frame with a wide off-white mount, this is a pleasing and decorative original watercolour that would suit collectors of British interwar art, Sussex views, illustrative landscape subjects, and small original works on paper.\u003c\/p\u003e\n\u003cp data-start=\"2240\" data-end=\"2863\"\u003e\u003cstrong data-start=\"2240\" data-end=\"2251\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"2251\" data-end=\"2254\"\u003eArtist: Christine H. Jackson (English, active 1930s)\u003cbr data-start=\"2310\" data-end=\"2313\"\u003eTitle: \u003cem data-start=\"2324\" data-end=\"2349\"\u003eSouthease, Sussex No. 1\u003c\/em\u003e\u003cbr data-start=\"2349\" data-end=\"2352\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"2384\" data-end=\"2387\"\u003eSignature: Signed lower right\u003cbr data-start=\"2420\" data-end=\"2423\"\u003eVisible picture size: 22.5 × 29 cm\u003cbr data-start=\"2461\" data-end=\"2464\"\u003eFramed size: 46 × 45 cm\u003cbr data-start=\"2491\" data-end=\"2494\"\u003eDate: 1930s\u003cbr data-start=\"2509\" data-end=\"2512\" data-is-only-node=\"\"\u003eCondition: The paper has noticeably discoloured with age, giving the work an overall warm brown tone, together with scattered brown spotting, as shown in the photographs. Otherwise in good, presentable vintage condition overall.\u003cbr data-start=\"2744\" data-end=\"2747\"\u003eFrame: Presented behind glass in a simple wooden frame with a wide off-white mount. Labels verso. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2865\" data-end=\"2947\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944075605,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ChristineJacksonPlate.jpg?v=1774900323"},{"product_id":"georgian-portrait-miniature-of-young-lady-c-1785-1800-framed-antique","title":"Georgian Portrait Miniature of a Young Lady","description":"\u003cp data-start=\"112\" data-end=\"193\"\u003e\u003cstrong data-start=\"112\" data-end=\"159\"\u003eGeorgian Portrait Miniature of a Young Lady, \u003c\/strong\u003e\u003cstrong data-start=\"162\" data-end=\"193\"\u003eAntique c.1785–1800, Framed\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"195\" data-end=\"530\"\u003eAn elegant Georgian portrait miniature dating to around 1785–1800, depicting a young lady shown bust-length against a pale sky-blue ground. She wears a broad green hat with feather detail, softly curled hair, and a light white gown, all rendered with the delicacy and refinement characteristic of late 18th-century portraiture.\u003c\/p\u003e\n\u003cp data-start=\"532\" data-end=\"964\"\u003eThe miniature has a particularly appealing decorative quality. The sitter’s poised expression, graceful costume, and restrained colour palette give the piece a quiet charm, while the unusual green hat adds a touch of individuality and fashion interest. Works of this kind were prized for their intimacy and craftsmanship, and they continue to hold strong appeal today as both collectible objects and distinctive decorative antiques.\u003c\/p\u003e\n\u003cp data-start=\"966\" data-end=\"1341\"\u003eDating from the late Georgian period, the portrait reflects the elegant taste of the era, when miniature likenesses were treasured as personal keepsakes and displayed in domestic interiors. This example is especially attractive in its black-finished rectangular frame with oval aperture, which suits the work well and gives it a strong wall presence despite its modest scale.\u003c\/p\u003e\n\u003cp data-start=\"1343\" data-end=\"1663\"\u003eThere is visible localised surface lifting or bubbling to the right-hand side of the portrait, with a smaller related area near the upper edge. This appears to affect the upper painted or surface layer. The piece nevertheless presents well overall, retaining good colour, clear detail, and considerable decorative charm.\u003c\/p\u003e\n\u003cp data-start=\"1665\" data-end=\"1808\"\u003eA pleasing and characterful antique, well suited to collectors of portrait miniatures, Georgian art, and period decorative objects.\u003c\/p\u003e\n\u003cp data-start=\"1810\" data-end=\"2306\"\u003e\u003cstrong data-start=\"1810\" data-end=\"1821\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1821\" data-end=\"1824\"\u003e\u003cstrong data-start=\"1824\" data-end=\"1836\"\u003eSubject:\u003c\/strong\u003e Young lady in a green hat\u003cbr data-start=\"1862\" data-end=\"1865\"\u003e\u003cstrong data-start=\"1865\" data-end=\"1876\"\u003eMedium:\u003c\/strong\u003e Portrait miniature, likely watercolour on ivory\u003cbr data-start=\"1924\" data-end=\"1927\"\u003e\u003cstrong data-start=\"1927\" data-end=\"1938\"\u003eArtist:\u003c\/strong\u003e Unknown\u003cbr data-start=\"1946\" data-end=\"1949\"\u003e\u003cstrong data-start=\"1949\" data-end=\"1958\"\u003eDate:\u003c\/strong\u003e c.1785–1800\u003cbr data-start=\"1970\" data-end=\"1973\"\u003e\u003cstrong data-start=\"1973\" data-end=\"1989\"\u003eFramed size:\u003c\/strong\u003e 14 × 11.5 cm\u003cbr data-start=\"2002\" data-end=\"2005\"\u003e\u003cstrong data-start=\"2005\" data-end=\"2019\"\u003eCondition:\u003c\/strong\u003e Good antique condition overall, with visible localised surface lifting \/ bubbling to the right-hand side and a smaller area near the upper edge, as described above. Light age-related wear to the frame and backing.\u003cbr data-start=\"2233\" data-end=\"2236\"\u003e\u003cstrong data-start=\"2236\" data-end=\"2246\"\u003eFrame:\u003c\/strong\u003e Black-finished rectangular hanging frame with oval aperture\u003c\/p\u003e\n\u003cp data-start=\"2308\" data-end=\"2379\"\u003eThis is a genuine antique work, not a print or modern reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944304981,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/LadyMiniaturePlateIG.jpg?v=1774895498"},{"product_id":"margaret-mcmillan-afternoon-tea-oil-on-board-scottish-interior-painting-signed","title":"Margaret McMillan - \"Afternoon Tea\"","description":"\u003cp data-start=\"81\" data-end=\"144\"\u003e\u003cstrong data-start=\"81\" data-end=\"142\"\u003eMargaret McMillan (Scottish, 1932–2022) – \u003cem data-start=\"125\" data-end=\"140\"\u003eAfternoon Tea\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"146\" data-end=\"587\"\u003eOriginal oil on board by the Scottish artist Margaret McMillan, titled \u003cem data-start=\"217\" data-end=\"232\"\u003eAfternoon Tea\u003c\/em\u003e and signed lower left. This warm and atmospheric interior scene shows seated figures gathered in a comfortable room with fireplace, bay windows, houseplants and tea things, all rendered with confident, expressive brushwork. Areas of impasto add texture and liveliness to the surface, catching the light and giving the painting a strong physical presence.\u003c\/p\u003e\n\u003cp data-start=\"589\" data-end=\"1023\"\u003eThe composition has a particularly intimate character and appears to have been observed from life. The reverse bears the handwritten title together with the artist’s address label, and the setting is likely to depict McMillan’s own home in Gourock. That probable personal connection gives the work an added sense of immediacy and charm, suggesting a scene rooted in the artist’s everyday surroundings rather than an imagined interior.\u003c\/p\u003e\n\u003cp data-start=\"1025\" data-end=\"1323\"\u003eMcMillan balances structure and atmosphere with assurance, using a mellow palette and painterly handling to unify the fireplace, furnishings and light from the bay window. The result is a characterful late 20th-century Scottish painting with both decorative appeal and a quietly domestic narrative.\u003c\/p\u003e\n\u003cp data-start=\"1325\" data-end=\"1477\"\u003ePresented behind glass in a substantial gilt frame with a cream canvas-effect inner border\/slip, this is an appealing one-of-a-kind work, ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1479\" data-end=\"2093\"\u003e\u003cstrong data-start=\"1479\" data-end=\"1490\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1490\" data-end=\"1493\"\u003eMedium: Oil on board\u003cbr data-start=\"1513\" data-end=\"1516\"\u003eArtist: Margaret McMillan (Scottish, 1932–2022)\u003cbr data-start=\"1563\" data-end=\"1566\"\u003eTitle: \u003cem data-start=\"1573\" data-end=\"1588\"\u003eAfternoon Tea\u003c\/em\u003e\u003cbr data-start=\"1588\" data-end=\"1591\"\u003eSignature: Signed lower left\u003cbr data-start=\"1619\" data-end=\"1622\" data-is-only-node=\"\"\u003eImage Size: 33 × 23.5 cm\u003cbr data-start=\"1646\" data-end=\"1649\"\u003eFramed Size: 51 × 41.5 cm\u003cbr data-start=\"1674\" data-end=\"1677\"\u003eDate: Late 20th century\u003cbr data-start=\"1700\" data-end=\"1703\"\u003eCondition: Overall very good condition. There are one or two tiny marks visible behind the glass under close inspection, but these are not noticeable in normal display. The substantial gilt frame has some minor age-related wear, as expected, but presents well overall.\u003cbr data-start=\"1971\" data-end=\"1974\"\u003eFrame: Presented behind glass in a substantial gilt frame, with a cream canvas-effect inner border\/slip. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944403285,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/McMillan_Plate.jpg?v=1774912359"},{"product_id":"old-brig-o-dee-invercauld-oil-painting-by-scottish-artist-george-melvin-rennie","title":"George Melvin Rennie - Old Brig o' Dee, Invercauld","description":"\u003cp data-start=\"82\" data-end=\"150\"\u003e\u003cstrong data-start=\"82\" data-end=\"148\"\u003eGeorge Melvin Rennie (Scottish, 1874–1953) – \u003cem data-start=\"129\" data-end=\"146\"\u003eOld Brig o’ Dee\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"152\" data-end=\"626\"\u003eOriginal oil on board by the Scottish artist George Melvin Rennie, depicting the Old Brig o’ Dee crossing the River Dee near Invercauld. The composition captures the bridge within a tranquil Highland landscape, with the river, trees and distant hills rendered in a restrained, atmospheric palette. Rennie’s confident handling and loose, expressive brushwork give the work both structure and softness, reflecting the late Impressionist influence often seen in his landscapes.\u003c\/p\u003e\n\u003cp data-start=\"628\" data-end=\"1093\"\u003eThe Old Brig o’ Dee is an especially appealing subject, combining scenic beauty with historical resonance. Built in 1752 as part of Major William Caulfeild’s programme of Highland military roads and bridges following the Jacobite rising of 1745, it remains one of the most notable surviving bridges of its kind. Rennie returned to this motif more than once, and other closely related versions are known, suggesting that it held a lasting importance within his work.\u003c\/p\u003e\n\u003cp data-start=\"1095\" data-end=\"1410\"\u003eThis example has a particularly balanced and pleasing composition, with the arch of the bridge drawing the eye across the water and into the surrounding landscape. Modest in scale but rich in atmosphere, it is a characterful Scottish painting that would sit well in both traditional and more contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1412\" data-end=\"1619\"\u003eSigned and presented in a later frame, ready to hang. Although an exact date is unknown, the style, materials and subject suggest a work of the early to mid-20th century, likely dating to the 1920s or 1930s.\u003c\/p\u003e\n\u003cp data-start=\"1621\" data-end=\"2283\"\u003e\u003cstrong data-start=\"1621\" data-end=\"1632\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1632\" data-end=\"1635\"\u003eMedium: Oil on board\u003cbr data-start=\"1655\" data-end=\"1658\"\u003eArtist: George Melvin Rennie (Scottish, 1874–1953)\u003cbr data-start=\"1708\" data-end=\"1711\"\u003eTitle: \u003cem data-start=\"1718\" data-end=\"1735\"\u003eOld Brig o’ Dee\u003c\/em\u003e\u003cbr data-start=\"1735\" data-end=\"1738\"\u003eSignature: Signed\u003cbr data-start=\"1755\" data-end=\"1758\" data-is-only-node=\"\"\u003eUnframed Size: 29 × 21 cm\u003cbr data-start=\"1783\" data-end=\"1786\"\u003eFramed Size: 35 × 27 cm\u003cbr data-start=\"1809\" data-end=\"1812\"\u003eDate: Early to mid-20th century, likely c.1920s–1930s\u003cbr data-start=\"1865\" data-end=\"1868\"\u003eCondition: Original oil on board in good vintage condition, with light age-related surface wear and a few minor scattered marks commensurate with age. There is a small area of paint loss, and minor edge wear to the board consistent with age and handling. The paint surface is otherwise stable, with no flaking or restoration observed. Presented in a later frame showing light wear.\u003cbr data-start=\"2249\" data-end=\"2252\"\u003eFrame: Framed and ready to hang\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944468821,"sku":null,"price":210.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Melvin_Rennie_Main.jpg?v=1774893454"},{"product_id":"barbara-robertson-stones-signed-1979-scottish-print-sheep-landscape-15-24","title":"Barbara Robertson, \"Stones\"","description":"\u003cp data-start=\"96\" data-end=\"187\"\u003e\u003cstrong data-start=\"96\" data-end=\"187\"\u003eBarbara Robertson (Scottish 1945–2018) – \u003cem data-start=\"139\" data-end=\"147\"\u003eStones\u003c\/em\u003e, Limited Edition Coloured Print, 1979\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"189\" data-end=\"578\"\u003eA striking limited-edition coloured print by the Scottish artist Barbara Robertson, \u003cem data-start=\"273\" data-end=\"281\"\u003eStones\u003c\/em\u003e captures a quietly distinctive rural landscape populated by resting sheep, rolling fields and dense bands of trees beneath an expansive sky. Dated 1979, the work combines strong design with close observation, transforming an ordinary pastoral scene into something highly decorative and memorable.\u003c\/p\u003e\n\u003cp data-start=\"580\" data-end=\"1075\"\u003eRobertson was closely associated with the Angus countryside, and this print sits comfortably within the kind of imagery for which she is best known. The title \u003cem data-start=\"739\" data-end=\"747\"\u003eStones\u003c\/em\u003e appears to refer to the richly textured foreground, where the field is built up through intricate pattern and tonal variation, giving the composition much of its character. The sheep are placed with an assured sense of rhythm across the scene, while the hills and hedgerows beyond create a layered, gently structured landscape.\u003c\/p\u003e\n\u003cp data-start=\"1077\" data-end=\"1463\"\u003eThe restrained palette of soft green-grey and cream gives the print a calm, atmospheric presence, while the crisp linear handling reflects Robertson’s skill as a printmaker. Both decorative and distinctly Scottish in feeling, it is a work that would sit particularly well in an interior with an appreciation for landscape, rural subject matter and late 20th-century British printmaking.\u003c\/p\u003e\n\u003cp data-start=\"1465\" data-end=\"1697\"\u003eSigned and dated lower right, titled lower centre and numbered 15\/24 lower left, the print also retains an artist’s label verso for Barbara Robertson, Douglastown, Forfar. Presented in a metal frame under glass, it is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"1699\" data-end=\"2214\"\u003e\u003cstrong data-start=\"1699\" data-end=\"1710\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1710\" data-end=\"1713\"\u003eMedium: Coloured print on paper\u003cbr data-start=\"1744\" data-end=\"1747\"\u003eArtist: Barbara Robertson\u003cbr data-start=\"1772\" data-end=\"1775\"\u003eTitle: \u003cem data-start=\"1782\" data-end=\"1790\"\u003eStones\u003c\/em\u003e\u003cbr data-start=\"1790\" data-end=\"1793\"\u003eDate: 1979\u003cbr data-start=\"1803\" data-end=\"1806\" data-is-only-node=\"\"\u003eEdition: 15\/24\u003cbr data-start=\"1820\" data-end=\"1823\"\u003eFramed Size: 77 × 55.5 cm\u003cbr data-start=\"1848\" data-end=\"1851\"\u003eCondition: Presented in good overall vintage condition. The print appears well-preserved and displays attractively behind glass, with light age-related toning and minor wear consistent with age. The frame has light surface wear commensurate with age. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"2166\" data-end=\"2169\"\u003eFrame: Metal frame under glass, ready to hang\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944632661,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BarbaraRobertsonPlate.jpg?v=1774912306"},{"product_id":"victorian-edinburgh-watercolour-old-bowhead-lawnmarket-c1890-framed","title":"Old Bowhead, Lawnmarket","description":"\u003cp data-start=\"0\" data-end=\"74\"\u003e\u003cstrong data-start=\"0\" data-end=\"74\"\u003eVictorian Watercolour of Old Bowhead and Lawnmarket, Edinburgh, c.1890\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"76\" data-end=\"465\"\u003eA charming Victorian watercolour depicting Old Bowhead and the Lawnmarket, Edinburgh, one of the most characterful and historically evocative views in the city’s Old Town. The composition looks from the head of the West Bow into the Lawnmarket, with tall tenements, irregular rooflines and small passing figures combining to create a lively and atmospheric impression of old Edinburgh.\u003c\/p\u003e\n\u003cp data-start=\"467\" data-end=\"981\"\u003eThe work appears to be based on the well-known 19th-century illustration of the same subject published in John Parker Lawson’s \u003cem data-start=\"596\" data-end=\"617\"\u003eScotland Delineated\u003c\/em\u003e, a celebrated series of Scottish views issued between 1847 and 1854. Rather than being a print from that publication, this is best understood as a later original watercolour interpretation after that admired topographical design. That connection gives the piece added interest, linking it to one of the best-known published images of this part of Edinburgh.\u003c\/p\u003e\n\u003cp data-start=\"983\" data-end=\"1370\"\u003eThe subject has enduring appeal. The dramatic descent of the West Bow, the dense historic architecture and the sense of everyday street life all contribute to its charm, while the hand-painted treatment gives the scene a warmth and immediacy distinct from the printed source. It sits comfortably within the Victorian taste for picturesque urban views and remains highly decorative today.\u003c\/p\u003e\n\u003cp data-start=\"1372\" data-end=\"1681\"\u003eUnattributed, but full of period character, this is an appealing piece for collectors of Scottish art, Edinburgh views and 19th-century watercolours. Presented in an elegant glazed frame with gilt outer and inner borders, a black middle moulding and a cream mount, it is ready to hang and display.\u003c\/p\u003e\n\u003cp data-start=\"1683\" data-end=\"2089\"\u003e\u003cstrong\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1694\" data-end=\"1697\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1725\" data-end=\"1728\"\u003eArtist: Unattributed\u003cbr data-start=\"1748\" data-end=\"1751\"\u003eTitle: \u003cem data-start=\"1758\" data-end=\"1797\"\u003eOld Bowhead and Lawnmarket, Edinburgh\u003c\/em\u003e\u003cbr data-start=\"1797\" data-end=\"1800\"\u003eImage Size: 12.5 × 22.5 cm\u003cbr data-start=\"1826\" data-end=\"1829\" data-is-only-node=\"\"\u003eFramed Size: 35 × 38 cm\u003cbr data-start=\"1852\" data-end=\"1855\"\u003eDate: c.1890\u003cbr data-start=\"1867\" data-end=\"1870\"\u003eCondition: Overall good condition, with light age-related wear and some toning visible to the mount, as shown\u003cbr data-start=\"1979\" data-end=\"1982\"\u003eFrame: Glazed frame with gilt outer and inner borders, black middle moulding and cream mount. Ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2091\" data-end=\"2173\"\u003eThis is a genuine one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944730965,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/LawnmarketPlate.jpg?v=1774912180"},{"product_id":"walter-linsley-meegan-moonlit-fishing-boats-oil-painting-signed-framed","title":"Walter Linsley Meegan, Moonlit Fishing Boats","description":"\u003cp data-start=\"0\" data-end=\"69\"\u003e\u003cstrong data-start=\"0\" data-end=\"69\"\u003eWalter Linsley Meegan – Nocturne Harbour Scene with Fishing Boats\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"71\" data-end=\"529\"\u003eWalter Linsley Meegan (1859–1944) was a British painter known for marine and coastal subjects, and this atmospheric nocturne is a fine example of that enduring appeal. Fishing boats gather quietly in harbour beneath a darkening sky, their forms emerging through a restrained palette and softly handled evening light. The composition has a particularly intimate character, with the small scale and subdued tonal range giving the scene a calm, reflective mood.\u003c\/p\u003e\n\u003cp data-start=\"531\" data-end=\"865\"\u003eThe picture’s strength lies in its atmosphere. Meegan uses silhouette, reflection, and low light to create a harbour scene that feels both decorative and evocative, making it well suited to interiors where a smaller, more characterful oil painting is wanted. Signed lower right, it is presented in a simple frame and is ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"867\" data-end=\"1258\"\u003eThis work is offered in aged condition and priced accordingly. There is visible paint loss and abrasion, most notably across the hull of the principal boat where the ground layer is showing through. The canvas also shows distortion and crease damage, particularly at lower left, together with further age-related surface wear. Please refer closely to the photographs for the exact condition.\u003c\/p\u003e\n\u003cp data-start=\"1260\" data-end=\"1570\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1260\" data-end=\"1271\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1271\" data-end=\"1274\"\u003eMedium: Oil on canvas\u003cbr data-start=\"1295\" data-end=\"1298\"\u003eArtist: Walter Linsley Meegan (1859–1944)\u003cbr data-start=\"1339\" data-end=\"1342\"\u003eTitle: \u003cem data-start=\"1349\" data-end=\"1392\"\u003eNocturne Harbour Scene with Fishing Boats\u003c\/em\u003e\u003cbr data-start=\"1392\" data-end=\"1395\"\u003eDate: Late 19th to early 20th century\u003cbr data-start=\"1432\" data-end=\"1435\"\u003eSignature: Signed lower right\u003cbr data-start=\"1464\" data-end=\"1467\"\u003eUnframed size: 29 × 24 cm\u003cbr data-start=\"1492\" data-end=\"1495\"\u003eFramed size: 32 × 27 cm\u003cbr data-start=\"1518\" data-end=\"1521\"\u003eFrame: Presented in a simple frame, ready to hang\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944698197,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Meegan_Plate.jpg?v=1774912291"},{"product_id":"charles-harmony-harrison-watercolour-norfolk-coastal-broadland-scene-signed","title":"Charles Harmony Harrison, Norfolk Coastal Broadland Scene","description":"\u003cp data-start=\"100\" data-end=\"182\"\u003e\u003cstrong data-start=\"100\" data-end=\"182\"\u003eCharles Harmony Harrison (British 1842–1902) – Norfolk Broadland Coastal Scene\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"184\" data-end=\"536\"\u003eA delicate and atmospheric late 19th-century watercolour by Charles Harmony Harrison, depicting a low-lying Norfolk waterside scene beneath a wide, open sky. Executed in an elongated panoramic format, the composition has a quiet spaciousness, with soft tonal handling and a distant tower or mill-like structure lending the view a subtle sense of place.\u003c\/p\u003e\n\u003cp data-start=\"538\" data-end=\"956\"\u003eHarrison was born in Great Yarmouth and is closely associated with East Anglian landscape painting, particularly scenes of the Norfolk Broads, marshes, rivers and coastal districts. This work sits comfortably within that tradition. While the precise location has not been confirmed, the flat terrain, expansive water and restrained palette strongly suggest the Broadland environment for which the artist is best known.\u003c\/p\u003e\n\u003cp data-start=\"958\" data-end=\"1328\"\u003eThough modest in scale, the painting has considerable charm. Its narrow format gives it a distinctive presence, while the muted colour and open composition make it easy to place within both traditional and more contemporary interiors. It is an appealing example of Victorian regional landscape painting by an artist with a clear connection to Norfolk and Great Yarmouth.\u003c\/p\u003e\n\u003cp data-start=\"1330\" data-end=\"1421\"\u003eThe work is signed lower left and presented in a later glazed frame with mount and backing.\u003c\/p\u003e\n\u003cp data-start=\"1423\" data-end=\"2058\"\u003e\u003cstrong data-start=\"1423\" data-end=\"1434\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1434\" data-end=\"1437\"\u003eMedium: Watercolour on paper\u003cbr data-start=\"1465\" data-end=\"1468\"\u003eArtist: Charles Harmony Harrison (British, 1842–1902)\u003cbr data-start=\"1521\" data-end=\"1524\"\u003eTitle: Norfolk Broadland Coastal Scene\u003cbr data-start=\"1562\" data-end=\"1565\"\u003eDate: Late 19th century\u003cbr data-start=\"1588\" data-end=\"1591\"\u003eImage Size: 6 × 25 cm\u003cbr data-start=\"1612\" data-end=\"1615\" data-is-only-node=\"\"\u003eFramed Size: 16 × 35 cm\u003cbr data-start=\"1638\" data-end=\"1641\"\u003eCondition: Presented in aged condition. There is visible staining and discolouration, together with small losses, most notably toward the right-hand side. There is also general light surface wear commensurate with age. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"1924\" data-end=\"1927\"\u003eFrame: Presented in a later glazed frame with mount and backing. Some light age-related wear to the frame and mount. Ready to hang.\u003c\/p\u003e\n\u003cp data-start=\"2060\" data-end=\"2129\"\u003eThis is an original, one-of-a-kind work, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944763733,"sku":null,"price":95.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HarrisonMain.jpg?v=1774827491"},{"product_id":"forbes-yule-scottish-mixed-media-still-life-saint-paulia-pears-signed","title":"Forbes Yule, Saint Paulia \u0026 Pears","description":"\u003cp data-start=\"66\" data-end=\"125\"\u003e\u003cstrong data-start=\"66\" data-end=\"125\"\u003eForbes Yule (Scottish b. 1928) – Saint Paulia and Pears\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"127\" data-end=\"483\"\u003eA striking mixed media still life by the Scottish artist Forbes Yule, \u003cem data-start=\"197\" data-end=\"221\"\u003eSaint Paulia and Pears\u003c\/em\u003e combines bold colour with a pleasing sense of balance and structure. A flowering saint paulia in a blue pot is set beside a blue vessel and a group of pears, with rich violets, cool blues and fresh yellow-green tones giving the composition its particular charm.\u003c\/p\u003e\n\u003cp data-start=\"485\" data-end=\"777\"\u003eThe work has a strong decorative quality, with simplified forms and confident handling that bring warmth and immediacy to the subject. While clearly rooted in the still life tradition, it has a distinctly modern character, making it well suited to both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"779\" data-end=\"993\"\u003ePresented mounted, framed and under glass, this is an original late 20th century work on paper with a compact square image set within a generous frame. A colourful and well-composed piece that displays beautifully.\u003c\/p\u003e\n\u003cp data-start=\"995\" data-end=\"1504\"\u003e\u003cstrong data-start=\"995\" data-end=\"1006\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1006\" data-end=\"1009\"\u003eMedium: Mixed media on paper\u003cbr data-start=\"1037\" data-end=\"1040\"\u003eArtist: Forbes Yule\u003cbr data-start=\"1059\" data-end=\"1062\"\u003eTitle: \u003cem data-start=\"1069\" data-end=\"1093\"\u003eSaint Paulia and Pears\u003c\/em\u003e\u003cbr data-start=\"1093\" data-end=\"1096\"\u003eDate: Late 20th century\u003cbr data-start=\"1119\" data-end=\"1122\"\u003eImage Size: 37.5 × 37.5 cm\u003cbr data-start=\"1148\" data-end=\"1151\"\u003eFramed Size: 61 × 61 cm\u003cbr data-start=\"1174\" data-end=\"1177\"\u003eSignature: Signed\u003cbr data-start=\"1194\" data-end=\"1197\"\u003eCondition: Presented in very good overall condition. The sheet appears well preserved, with no obvious toning noted and only light age-related wear commensurate with medium and age. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"1443\" data-end=\"1446\"\u003eFrame: Presented mounted in a glazed frame. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53563944665429,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Forbes_Yule_Plate.jpg?v=1774912252"},{"product_id":"david-l-ghilchik-roi-oil-painting-the-calvary-vence-french-landscape","title":"David L Ghilchik ROI, The Calvary, Vence","description":"\u003cp data-start=\"91\" data-end=\"166\"\u003e\u003cstrong data-start=\"91\" data-end=\"166\"\u003eDavid L. Ghilchik ROI (Romanian\/British 1892–1972), The Calvary, Vence\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"168\" data-end=\"487\"\u003eA charming and atmospheric oil on board by David L. Ghilchik ROI, depicting \u003cem data-start=\"244\" data-end=\"264\"\u003eThe Calvary, Vence\u003c\/em\u003e in the south of France. This sunlit hillside composition combines topographical character with a quiet devotional mood, centring on a tall cross beside stone architecture, trees, and a figure moving through the foreground.\u003c\/p\u003e\n\u003cp data-start=\"489\" data-end=\"797\"\u003eGhilchik handles the scene with confident, economical brushwork and a fresh, luminous palette, giving the painting both structure and spontaneity. The result is a work full of movement and place, balancing architectural interest with the warmth and immediacy of a painted sketch made from direct observation.\u003c\/p\u003e\n\u003cp data-start=\"799\" data-end=\"1120\"\u003eKnown for landscapes, town scenes, and continental subjects, Ghilchik brings a distinctive sense of atmosphere to this small but characterful composition. The named Vence subject adds further appeal, placing the painting within the long tradition of British artists drawn to the light and architecture of southern France.\u003c\/p\u003e\n\u003cp data-start=\"1122\" data-end=\"1379\"\u003eSigned lower left and retaining labels and inscriptions verso, the work is presented in a glazed wood frame and is ready to hang. A pleasing early 20th-century painting by an established artist, well suited to both traditional and more pared-back interiors.\u003c\/p\u003e\n\u003cp data-start=\"1381\" data-end=\"1849\"\u003e\u003cstrong data-start=\"1381\" data-end=\"1392\"\u003eDetails\u003c\/strong\u003e\u003cbr data-start=\"1392\" data-end=\"1395\"\u003eMedium: Oil on board\u003cbr data-start=\"1415\" data-end=\"1418\"\u003eArtist: David L. Ghilchik ROI\u003cbr data-start=\"1447\" data-end=\"1450\"\u003eTitle: \u003cem data-start=\"1457\" data-end=\"1477\"\u003eThe Calvary, Vence\u003c\/em\u003e\u003cbr data-start=\"1477\" data-end=\"1480\"\u003eDate: c.1930\u003cbr data-start=\"1492\" data-end=\"1495\" data-is-only-node=\"\"\u003eImage Size: 40 × 30 cm\u003cbr data-start=\"1517\" data-end=\"1520\"\u003eFramed Size: 42 × 32 cm\u003cbr data-start=\"1543\" data-end=\"1546\"\u003eCondition: Presented in generally good overall condition, with light age-related wear commensurate with medium and age. The paint surface appears stable and the work displays well. Please refer closely to the photographs for the exact condition.\u003cbr data-start=\"1791\" data-end=\"1794\"\u003eFrame: Presented in a glazed wood frame. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53564549431637,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/GhilchikMain.jpg?v=1774820370"},{"product_id":"edward-bawden-the-lord-of-the-tower-looked-out-and-saw-a-damsel-a-dwarf-and-a-knight-armed-at-all-points","title":"Edward Bawden - The Lord of the tower looked out and saw a damsel, a dwarf and a knight armed at all points","description":"\u003cp data-end=\"216\" data-start=\"84\"\u003e\u003cstrong data-end=\"216\" data-start=\"84\"\u003eEdward Bawden CBE RA (1903–1989) – \u003cem data-end=\"214\" data-start=\"121\"\u003eThe Lord of the Tower Looked Out and Saw a Damsel, a Dwarf and a Knight Armed at All Points\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-end=\"648\" data-start=\"218\"\u003eAn original signed linocut by Edward Bawden, one of the most distinctive British printmakers and illustrators of the 20th century. This limited-edition impression, numbered 6\/50, was produced in 1982 as part of Bawden’s illustration series for Thomas Malory’s \u003cem data-end=\"509\" data-start=\"478\"\u003eThe Chronicles of King Arthur\u003c\/em\u003e, published by the Folio Society. The V\u0026amp;A catalogues the work as a linoprint on Japanese Hosho paper. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1166\" data-start=\"650\"\u003eThe composition has all the qualities that make Bawden’s graphic work so enduring: a bold, economical arrangement, crisp linear design, and a wonderful sense of narrative clarity. A dwarf, a damsel and an armed knight approach a castle moat on horseback, while a figure watches from the tower above. The medieval subject lends the print a storybook richness, but the handling feels unmistakably modern, with Bawden’s characteristic balance of wit, order and decorative strength. \u003cspan data-state=\"closed\" class=\"\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1428\" data-start=\"1168\"\u003eBoth visually striking and well documented, this is an especially appealing example from Bawden’s Arthurian series. It works beautifully as a piece for collectors of British printmaking and illustration, but also as an elegant decorative work in its own right.\u003c\/p\u003e\n\u003cp data-end=\"1980\" data-start=\"1430\"\u003e\u003cstrong data-end=\"1441\" data-start=\"1430\"\u003eDetails\u003c\/strong\u003e\u003cbr data-end=\"1444\" data-start=\"1441\"\u003eMedium: Linocut on Japanese Hosho paper\u003cbr data-end=\"1486\" data-start=\"1483\"\u003eArtist: Edward Bawden CBE RA\u003cbr data-end=\"1517\" data-start=\"1514\"\u003eTitle: \u003cem data-end=\"1617\" data-start=\"1524\"\u003eThe Lord of the Tower Looked Out and Saw a Damsel, a Dwarf and a Knight Armed at All Points\u003c\/em\u003e\u003cbr data-end=\"1620\" data-start=\"1617\"\u003eDate: 1982\u003cbr data-is-only-node=\"\" data-end=\"1633\" data-start=\"1630\"\u003eEdition: 6\/50\u003cbr data-end=\"1649\" data-start=\"1646\"\u003eImage Size: 20 × 27 cm\u003cbr data-end=\"1674\" data-start=\"1671\"\u003eFramed Size: 54.5 × 66.5 cm\u003cbr data-end=\"1709\" data-start=\"1706\"\u003eCondition: Presented in good overall condition. The print appears well preserved and displays very well. Please refer closely to the photographs for the exact condition.\u003cbr data-end=\"1881\" data-start=\"1878\"\u003eFrame: Presented in a glazed frame with mount. Ready to hang.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53591002153301,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Bawden_Plate.jpg?v=1775081429"},{"product_id":"iain-campbell-ben-wyvis","title":"Iain Campbell - Ben Wyvis","description":"\u003cp data-start=\"160\" data-end=\"258\"\u003e\u003cstrong data-start=\"160\" data-end=\"258\"\u003eIain L. Campbell (Scottish, mid-20th century) – Oil Painting, Ben Wyvis from Above Evanton\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"160\" data-end=\"258\"\u003eOriginal oil on board by the Scottish artist\u003cspan\u003e \u003c\/span\u003e\u003cspan data-start=\"305\" data-end=\"325\"\u003eIain L. Campbell\u003c\/span\u003e, depicting\u003cspan\u003e \u003c\/span\u003e\u003cspan data-start=\"337\" data-end=\"350\"\u003eBen Wyvis\u003c\/span\u003e, one of Scotland’s most prominent Munros, viewed from above Evanton in Easter Ross. The mountain rises in a broad, domed mass above the surrounding lowlands, its distinctive rolling summit and expansive slopes rendered with confident, expressive brushwork and a restrained, atmospheric palette typical of post-war Scottish landscape painting.\u003c\/p\u003e\n\u003cp data-end=\"1240\" data-start=\"695\"\u003e\u003cspan class=\"hover:entity-accent entity-underline inline cursor-pointer align-baseline\"\u003eBen Wyvis\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eis a well-known and much-loved Munro, standing prominently north of Inverness and commanding wide views across the Cromarty Firth and the Highlands beyond. Unlike the jagged peaks of the west, Ben Wyvis is characterised by its smooth, sweeping form and sense of quiet grandeur, qualities that are effectively captured here through subtle tonal shifts and an emphasis on light, sky, and open space. The painting conveys the calm, elemental presence of the Highland landscape rather than topographical detail.\u003c\/p\u003e\n\u003cp data-end=\"1372\" data-start=\"1242\"\u003eThe work is signed and dated\u003cspan\u003e \u003c\/span\u003e\u003cspan data-end=\"1279\" data-start=\"1271\"\u003e1954\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eto the lower left. On the reverse is a paper label and a Post-it note which appears to read:\u003c\/p\u003e\n\u003cblockquote data-end=\"1501\" data-start=\"1374\"\u003e\n\u003cp data-end=\"1501\" data-start=\"1376\"\u003e\u003cem data-end=\"1501\" data-start=\"1376\"\u003e“BEN WYVIS from\u003cbr\u003eabove Evanton\u003cbr data-end=\"1409\" data-start=\"1406\"\u003eby Ian Campbell\u003cbr data-end=\"1430\" data-start=\"1427\"\u003e‘The Art’. A friend \u003cbr\u003eof Mum and Dad \u003c\/em\u003e\u003cem data-end=\"1501\" data-start=\"1376\"\u003ewho\u003cbr\u003eused to visit LG.”\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp data-end=\"1630\" data-start=\"1503\"\u003e\u003cbr\u003e\u003cbr\u003eThe painting is presented in a complementary wooden frame and is ready to hang. A well-balanced composition of good scale, it would suit both traditional and contemporary interiors, particularly for collectors or admirers of Scottish Highland landscapes.\u003c\/p\u003e\n\u003ch3 data-end=\"1905\" data-start=\"1893\"\u003eDetails:\u003c\/h3\u003e\n\u003cul data-end=\"2311\" data-start=\"1906\"\u003e\n\u003cli data-end=\"1934\" data-start=\"1906\"\u003e\n\u003cp data-end=\"1934\" data-start=\"1908\"\u003e\u003cstrong data-end=\"1919\" data-start=\"1908\"\u003eMedium:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOil on board\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1978\" data-start=\"1935\"\u003e\n\u003cp data-end=\"1978\" data-start=\"1937\"\u003e\u003cstrong data-end=\"1948\" data-start=\"1937\"\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eIain L. Campbell (Scottish)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"1997\" data-start=\"1979\"\u003e\n\u003cp data-end=\"1997\" data-start=\"1981\"\u003e\u003cstrong data-end=\"1990\" data-start=\"1981\"\u003eDate:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1954\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2045\" data-start=\"1998\"\u003e\n\u003cp data-end=\"2045\" data-start=\"2000\"\u003e\u003cstrong data-end=\"2014\" data-start=\"2000\"\u003eSignature:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSigned and dated, lower left\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2085\" data-start=\"2046\"\u003e\n\u003cp data-end=\"2085\" data-start=\"2048\"\u003e\u003cstrong data-end=\"2060\" data-start=\"2048\"\u003eSubject:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eBen Wyvis, Easter Ross\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2119\" data-start=\"2086\"\u003e\n\u003cp data-end=\"2119\" data-start=\"2088\"\u003e\u003cstrong data-end=\"2106\" data-start=\"2088\"\u003eUnframed Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e37 × 54 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2153\" data-start=\"2120\"\u003e\n\u003cp data-end=\"2153\" data-start=\"2122\"\u003e\u003cstrong data-end=\"2138\" data-start=\"2122\"\u003eFramed Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e45 × 62.5 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2271\" data-start=\"2154\"\u003e\n\u003cp data-end=\"2271\" data-start=\"2156\"\u003e\u003cstrong data-end=\"2170\" data-start=\"2156\"\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eVery good vintage condition with minor age-related wear; painting securely seated within its frame\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-end=\"2311\" data-start=\"2272\"\u003e\n\u003cp data-end=\"2311\" data-start=\"2274\"\u003e\u003cstrong data-end=\"2284\" data-start=\"2274\"\u003eFrame:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFramed and ready to hang\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-end=\"2396\" data-start=\"2313\"\u003eThis is a\u003cspan\u003e \u003c\/span\u003e\u003cspan data-end=\"2366\" data-start=\"2323\"\u003egenuine, one-of-a-kind original artwork\u003c\/span\u003e, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606179045717,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/IMG_0533_copy.jpg?v=1775319453"},{"product_id":"myra-ball-st-stephens-church-edinburgh","title":"Myra Ball - St Stephen's Church, Edinburgh","description":"\u003cdiv\u003e\u003cstrong\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eMyra Ball (British, Contemporary) – Acrylic Painting of St Stephen’s Church, Edinburgh\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eOriginal acrylic painting by contemporary Edinburgh-based artist Myra Ball, depicting the view down Frederick Street towards St Stephen’s Church (now St Stephen’s Theatre), one of the city’s most recognisable and quietly impressive urban vistas. The composition draws the eye along the gently curving street, past bollards and streetlights, before settling on the church rising confidently in the foreground.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eThe scene is rendered in a vibrant, expressive palette, with playful purple accents enlivening the buildings and lending warmth and energy to the architectural forms. Richly handled, impressionistic foliage cushions the church and softens the urban setting, while the sky above is painted in loose, wave-like sweeps that add movement and lightness to the upper half of the composition. A striking band of blue cutting through the distant green subtly evokes the Firth of Forth, a reminder of Edinburgh’s unique geography and its close relationship with the surrounding landscape.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eBall’s approach balances clear topographical reference with painterly freedom, resulting in a work that feels both recognisable and joyfully expressive. The painting captures the character and atmosphere of the New Town without becoming rigid or overworked, making it particularly appealing as a contemporary cityscape.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eThe work is signed and dated 2019 and is presented in a high-quality glazed wooden frame, ready to hang. Its modest scale makes it well suited to a wide range of interiors, from modern city apartments to more traditional settings.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eDetails:\u003c\/span\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eMedium: Acrylic\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eArtist: Myra Ball (British, contemporary)\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eTitle: St Stephen’s Church, Frederick Street\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eSignature: Signed bottom right\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eDate: 2019\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003ePlate Size: 19 × 24 cm\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eFramed Size: 31 × 36 cm\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eCondition: Very good condition with no visible damage or restoration\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eFrame: Glazed wooden frame with gallery label verso; ready to hang\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cspan style=\"font-family: Times New Roman;\"\u003eThis is a genuine, one-of-a-kind original artwork, not a print or reproduction.\u003c\/span\u003e\u003c\/div\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606208667989,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BallPlate.jpg?v=1775319939"},{"product_id":"fiona-stevenson-the-ring-pond-chatsworth","title":"Fiona Stevenson - The Ring Pond, Chatsworth","description":"\u003cp data-start=\"191\" data-end=\"278\"\u003e\u003cstrong data-start=\"191\" data-end=\"278\"\u003eFiona M. Stevenson (Scottish) –\u003cspan\u003e \u003c\/span\u003e\u003cem data-start=\"225\" data-end=\"252\"\u003eThe Ring Pond, Chatsworth\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– Original Oil Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"280\" data-end=\"756\"\u003eAn original oil on board by Scottish artist\u003cspan\u003e \u003c\/span\u003e\u003cspan data-start=\"324\" data-end=\"346\"\u003eFiona M. Stevenson\u003c\/span\u003e, depicting\u003cspan\u003e \u003c\/span\u003e\u003cem data-start=\"358\" data-end=\"373\"\u003eThe Ring Pond\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewithin the grounds of Chatsworth House. Stevenson’s work is distinguished by its vibrant palette and expressive brushwork, and this composition exemplifies her dynamic approach to British landscape subjects. The interplay of colour across water, sky, and surrounding foliage creates an energetic yet harmonious scene, bringing a contemporary interpretation to this historic setting.\u003c\/p\u003e\n\u003cp data-start=\"758\" data-end=\"1243\"\u003eThe Ring Pond forms part of the celebrated gardens at Chatsworth, long regarded as one of England’s finest stately home landscapes. Its reflective waters, formal design, and elegant placement within Capability Brown’s wider garden layout have made it a favoured motif among artists and visitors alike. Stevenson’s rendering captures both the tranquillity of the pond and the lively movement of the natural elements around it, blending impressionistic light with expressive mark-making.\u003c\/p\u003e\n\u003cp data-start=\"1245\" data-end=\"1601\"\u003eThe painting is\u003cspan\u003e \u003c\/span\u003e\u003cspan data-start=\"1184\" data-end=\"1206\"\u003esigned lower right\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eand retains its original\u003cspan\u003e \u003c\/span\u003e\u003cspan data-start=\"1232\" data-end=\"1264\"\u003eHanover Fine Arts, Edinburgh\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003egallery label on the verso, confirming provenance. It is\u003cspan\u003e \u003c\/span\u003e\u003cspan data-start=\"1322\" data-end=\"1381\"\u003epresented behind glass in a complementary moulded frame\u003c\/span\u003e, which both protects the surface and enhances the clarity of the colours. The work is ready to hang and well suited to both contemporary and traditional interiors.\u003c\/p\u003e\n\u003cp data-start=\"1603\" data-end=\"1825\"\u003eAlthough undated, Stevenson’s technique and materials are consistent with her active period in the late 20th and early 21st centuries, during which she developed her distinctive style of modern Scottish landscape painting.\u003c\/p\u003e\n\u003cp data-start=\"1827\" data-end=\"2240\"\u003e\u003cstrong data-start=\"1771\" data-end=\"1783\"\u003eDetails:\u003c\/strong\u003e\u003cbr data-start=\"1783\" data-end=\"1786\"\u003e\u003cstrong data-start=\"1786\" data-end=\"1797\"\u003eMedium:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOil on board\u003cbr data-start=\"1810\" data-end=\"1813\"\u003e\u003cstrong data-start=\"1813\" data-end=\"1824\"\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFiona M. Stevenson (Scottish)\u003cbr data-start=\"1854\" data-end=\"1857\"\u003e\u003cstrong data-start=\"1857\" data-end=\"1867\"\u003eTitle:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem data-start=\"1868\" data-end=\"1895\"\u003eThe Ring Pond, Chatsworth\u003c\/em\u003e\u003cbr data-start=\"1895\" data-end=\"1898\"\u003e\u003cstrong data-start=\"1898\" data-end=\"1912\"\u003eSignature:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSigned lower right\u003cbr data-start=\"1931\" data-end=\"1934\"\u003e\u003cstrong data-start=\"1934\" data-end=\"1960\"\u003eUnframed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e24 × 18 cm\u003cbr data-start=\"1971\" data-end=\"1974\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1974\" data-end=\"1998\"\u003eFramed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e41 × 35 cm\u003cbr data-start=\"2009\" data-end=\"2012\"\u003e\u003cstrong data-start=\"2012\" data-end=\"2027\"\u003eProvenance:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eHanover Fine Arts, Edinburgh (label verso)\u003cbr data-start=\"2070\" data-end=\"2073\"\u003e\u003cstrong data-start=\"2073\" data-end=\"2087\"\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eVery good condition; frame and glazing in very good order with minimal wear\u003cbr data-start=\"2163\" data-end=\"2166\"\u003e\u003cstrong data-start=\"2166\" data-end=\"2176\"\u003eFrame:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eFramed\u003cspan\u003e \u003c\/span\u003e\u003cspan data-start=\"2184\" data-end=\"2200\"\u003ebehind glass\u003c\/span\u003e, ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2242\" data-end=\"2321\"\u003eThis is a genuine, one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606211977557,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/StevensonMain.jpg?v=1775320152"},{"product_id":"18th-century-capriccio","title":"18th Century Capriccio","description":"\u003cdiv\u003e\u003cb\u003e18th Century Classical Capriccio Drawing – Pen \u0026amp; Ink Wash – Architectural Ruins – Signed Verso\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003eBeautiful antique pen and ink wash drawing depicting a classical capriccio scene with architectural ruins, trees, shoreline, and small foreground figures. Executed in refined grisaille, the artwork combines precise pen linework with soft tonal washes, creating depth and atmosphere typical of 18th century European classical landscape drawings.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe reverse of the sheet is inscribed “Alexander Wust”, likely indicating that the prominent 19th-century painter once owned the piece, while the original mount bears an earlier inscription for Jean de Bonneguise, Bishop of Arras (d. 1769). These markings suggest interesting provenance and the artwork’s passage through notable hands. The style itself accords strongly with traditional European architectural fantasy drawings rather than later American work.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eA fine example of an antique ink drawing with strong decorative appeal, ideal for collectors of Grand Tour art, classical architecture, capriccio scenes, ink wash drawings, and antique European works on paper.\u003c\/div\u003e\n\u003cdiv\u003eFramed and ready to hang.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eItem Details\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eMedium: Pen and ink with ink wash (grisaille)\u003c\/div\u003e\n\u003cdiv\u003eStyle: Classical \/ Architectural Capriccio\u003c\/div\u003e\n\u003cdiv\u003eSubject: Ruins, Figures, Landscape, Grand Tour Style\u003c\/div\u003e\n\u003cdiv\u003eArtist: Unknown; inscribed verso Alexander Wust (likely ownership mark)\u003c\/div\u003e\n\u003cdiv\u003eAdditional Inscription: Original mount inscribed “Jean de Bonneguise, Bishop of Arras”\u003c\/div\u003e\n\u003cdiv\u003eUnframed Size: 22 × 33 cm\u003c\/div\u003e\n\u003cdiv\u003eFramed Size: 48.5 × 57 cm\u003c\/div\u003e\n\u003cdiv\u003eDate: 18th Century\u003c\/div\u003e\n\u003cdiv\u003eCondition: Very good antique condition. Light, even toning; no tears or foxing. Frame in good vintage condition.\u003c\/div\u003e\n\u003cdiv\u003eFrame: Present; ready to hang.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis is an original antique artwork, not a print or reproduction.\u003c\/div\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606225805653,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/WustLeft-1.jpg?v=1775320372"},{"product_id":"portrait-of-sir-robert-peel","title":"Portrait of Sir Robert Peel","description":"\u003cp data-end=\"677\" data-start=\"114\"\u003e\u003cstrong data-end=\"194\" data-start=\"114\"\u003eEnglish School - Antique Oil Portrait of Sir Robert Peel, Early 19th Century\u003cbr\u003e\u003c\/strong\u003e\u003cbr data-end=\"197\" data-start=\"194\"\u003eOriginal early 19th-century oil on canvas portrait depicting\u003cspan\u003e \u003c\/span\u003e\u003cspan data-end=\"289\" data-start=\"258\"\u003eSir Robert Peel (1788–1850)\u003c\/span\u003e, the distinguished British statesman who served twice as Prime Minister and is widely regarded as the founder of modern policing in Britain. This handsome antique portrait presents Peel as a young man, seated beside a table with papers and inkstand, framed by rich red drapery and a classical column in a manner characteristic of formal Regency and early Victorian political portraiture.\u003c\/p\u003e\n\u003cp data-end=\"1186\" data-start=\"679\"\u003eThe composition has strong decorative and historical appeal. The red curtain, architectural column and writing table all serve to emphasise status, intellect and public office, while the sitter’s assured pose gives the work a striking sense of presence. These traditional devices place the portrait firmly within the visual language of early 19th-century British portrait painting, where statesmen and professional men were often shown in composed, dignified interiors rather than against plain backgrounds.\u003c\/p\u003e\n\u003cp data-end=\"1758\" data-start=\"1188\"\u003eAs a portrait of\u003cspan\u003e \u003c\/span\u003e\u003cspan data-end=\"1224\" data-start=\"1205\"\u003eSir Robert Peel\u003c\/span\u003e, the painting carries particular historical interest. Peel remains one of the most important political figures of 19th-century Britain, remembered for his role in national reform, his period as Home Secretary, his service as Prime Minister, and his lasting association with the creation of the police force from which the terms “Peelian principles” and “bobbies” ultimately derive. Portraits of Peel continue to attract interest from collectors of British political history, antique portraiture and early 19th-century decorative art.\u003c\/p\u003e\n\u003cp data-end=\"2223\" data-start=\"1760\"\u003eArtistically, the head is the strongest and most carefully handled area of the painting, with pleasing attention given to Peel’s expression and facial features. The smaller cabinet-scale format gives the work versatility, making it especially suitable for display in studies, libraries, hallways or traditional interiors. It also has strong appeal as a conversation piece, combining political history with the visual charm of a well-composed antique oil portrait.\u003c\/p\u003e\n\u003cp data-end=\"2736\" data-start=\"2225\"\u003eThe painting has been professionally cleaned and now presents far more clearly than it would have done beneath its previous discoloured surface. There is age-related wear consistent with the work’s period, including slight craquelure, an uneven varnish layer, a visible scrape to the upper section which has been infilled, and a small repaired area near the eye which has been patched and retouched. Even so, it remains an attractive and displayable antique portrait with real character and historical presence.\u003c\/p\u003e\n\u003cp data-end=\"2977\" data-start=\"2738\"\u003ePresented in a gilt frame and ready to hang. A genuine and original\u003cspan\u003e \u003c\/span\u003e\u003cspan data-end=\"2854\" data-start=\"2806\"\u003e19th-century oil painting of Sir Robert Peel\u003c\/span\u003e, ideal for collectors of antique British portraits, political memorabilia, Regency art and historical interior decoration.\u003c\/p\u003e\n\u003cp data-end=\"3788\" data-start=\"2979\"\u003e\u003cstrong data-end=\"2991\" data-start=\"2979\"\u003eDetails:\u003c\/strong\u003e\u003cbr data-end=\"2994\" data-start=\"2991\"\u003e\u003cstrong data-end=\"3005\" data-start=\"2994\"\u003eMedium:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOil on canvas\u003cbr data-end=\"3022\" data-start=\"3019\"\u003e\u003cstrong data-end=\"3033\" data-start=\"3022\"\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eEnglish School\u003cbr data-end=\"3051\" data-start=\"3048\"\u003e\u003cstrong data-end=\"3061\" data-start=\"3051\"\u003eTitle:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePortrait of Sir Robert Peel\u003cbr data-end=\"3092\" data-start=\"3089\"\u003e\u003cstrong data-end=\"3118\" data-start=\"3092\"\u003eUnframed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e25 × 18 cm\u003cbr data-end=\"3132\" data-start=\"3129\"\u003e\u003cstrong data-end=\"3156\" data-start=\"3132\"\u003eFramed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e35 × 29 cm\u003cbr data-end=\"3170\" data-start=\"3167\"\u003e\u003cstrong data-end=\"3179\" data-start=\"3170\"\u003eDate:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eEarly 19th century\u003cmeta charset=\"utf-8\"\u003e\u003cstrong data-start=\"3201\" data-end=\"3215\"\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eProfessionally cleaned and presented in stable vintage condition. The surface shows slight craquelure, together with an uneven varnish layer. There is a visible scrape to the upper section which has been infilled, and a small repaired area near the eye which has been patched and retouched. The work remains presentable overall, with condition commensurate with age. Some minor losses to the top of the frame.\u003cbr data-start=\"3582\" data-end=\"3585\"\u003e\u003cstrong data-start=\"3585\" data-end=\"3595\"\u003eFrame:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePresented in a gilt frame. Ready to hang.\u003cbr data-start=\"3637\" data-end=\"3640\"\u003e\u003cstrong data-start=\"3640\" data-end=\"3650\"\u003eLabel:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOld handwritten label verso reading “Robert Peel Prime Minister of England 1788–18…” The label appears to be cut off before the end date.\u003c\/p\u003e\n\u003cp data-start=\"3790\" data-end=\"3869\"\u003eThis is a genuine, one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606235865429,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/PeelCleanPlate.jpg?v=1775320679"},{"product_id":"valerio-rotini-rural-landscape","title":"Valerio Rotini - Rural Landscape","description":"\u003cdiv\u003e\u003cstrong\u003eValerio Rotini (Italian, b. 1911) - Rural Landscape with Figures by a Stream\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eMedium to large original oil on canvas by the Italian artist Valerio Rotini, depicting a tranquil rural landscape with figures walking beside a stream under an expansive sky. The painting shows confident, expressive brushwork and a soft, naturalistic colour palette typical of mid-20th-century European landscape painting.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThe work is signed to the lower left and is presented in an attractive gilt frame, ready to hang. A pleasing, well-balanced composition of good scale, suitable for both traditional and contemporary interiors.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eSpecific date unknown, but Rotini is likely to have been producing mature landscape oils such as this from the late 1940s through the 1960s. What's more, the style, palette, and subject fit comfortably with European landscape painting of this period.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eMedium: Oil on canvas\u003c\/li\u003e\n\u003cli\u003eArtist: Valerio Rotini (Italian, b. 1911)\u003c\/li\u003e\n\u003cli\u003eSignature: Signed lower left\u003c\/li\u003e\n\u003cli\u003ePicture size: 49.5 × 69.5 cm\u003c\/li\u003e\n\u003cli\u003eFrame size: 60 x 80cm\u003c\/li\u003e\n\u003cli\u003eCondition: Good vintage condition with light, age-appropriate wear and historic retouching\u003c\/li\u003e\n\u003cli\u003eFrame: Decorative gilt frame included\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis is a genuine, one-of-a-kind original artwork, not a print or reproduction.\u003c\/div\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606239043925,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/RotiniMain.jpg?v=1775320876"},{"product_id":"portrait-of-a-cameron-highlander-officer","title":"Portrait of a Cameron Highlander Officer","description":"\u003cp data-start=\"149\" data-end=\"227\"\u003e\u003cstrong data-start=\"149\" data-end=\"227\"\u003eScottish Highland Officer Portrait Oil Painting c.1830 Cameron Highlanders\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"229\" data-end=\"753\"\u003eOriginal oil on board depicting a Highland officer in traditional regimental dress, painted by a Scottish artist during the early–mid nineteenth century. The sitter is shown wearing double gold epaulettes and a tartan sash secured with a circular brooch, identifying him as a commissioned officer of a Highland regiment, most likely the Queen’s Own Cameron Highlanders. His calm, assured expression and composed posture convey the discipline, pride, and identity associated with Highland military service during this period.\u003c\/p\u003e\n\u003cp data-start=\"755\" data-end=\"1253\"\u003eThe tartan sash, rendered with a green ground and bold red checks with fine yellow lines, closely resembles that worn by the Cameron Highlanders, one of Scotland’s most distinguished regiments. The artist’s careful handling of light and tone, particularly in the face and metallic fastening, creates a convincing and lifelike presence. Subtle highlights applied with metallic impasto allow the brooch to catch the light, adding a refined and realistic detail that enhances the portrait’s character.\u003c\/p\u003e\n\u003cp data-start=\"1255\" data-end=\"1621\"\u003eThe painting is executed on an artist’s board supplied by Alexander Hill, colourman to the Scottish Academy of Painting, Sculpture and Architecture, whose business operated at 67 Princes Street, Edinburgh between 1828 and 1866. This label confirms the painting’s Scottish origin and firmly places it within Edinburgh’s thriving nineteenth-century artistic community.\u003c\/p\u003e\n\u003cp data-start=\"1623\" data-end=\"1864\"\u003eWhen acquired, the painting’s surface was obscured by aged varnish and nicotine staining. Careful professional cleaning has since revealed the original richness of colour and detail, restoring the clarity and presence intended by the artist.\u003c\/p\u003e\n\u003cp data-start=\"1866\" data-end=\"2145\"\u003ePresented in a period frame bearing a worn framers label referencing 22 South Street, Perth, further reinforcing its Scottish provenance. A fine and characterful portrait of modest scale, suitable for collectors of Scottish art, military history, or Highland regimental material.\u003c\/p\u003e\n\u003cp data-start=\"2147\" data-end=\"2340\"\u003eAlthough the sitter’s identity is currently unknown, the portrait preserves a strong sense of personal and historical presence, offering a compelling connection to Scotland’s military heritage.\u003c\/p\u003e\n\u003cp data-start=\"2347\" data-end=\"2782\"\u003e\u003cstrong data-start=\"2347\" data-end=\"2359\"\u003eDetails:\u003c\/strong\u003e\u003cbr data-start=\"2359\" data-end=\"2362\"\u003eMedium: Oil on board\u003cbr data-start=\"2382\" data-end=\"2385\"\u003eArtist: Scottish School (19th century)\u003cbr data-start=\"2423\" data-end=\"2426\"\u003eSignature: Unsigned\u003cbr data-start=\"2445\" data-end=\"2448\"\u003eUnframed Picture Size: 24.5 × 19 cm\u003cbr data-start=\"2483\" data-end=\"2486\"\u003eFramed Picture Size: 36.5 × 32 cm\u003cbr data-start=\"2519\" data-end=\"2522\"\u003eDate: c.1830–1850\u003cbr data-start=\"2539\" data-end=\"2542\"\u003eCondition: Good overall condition. The paint surface is clean and stable, with no craquelure, warping, or restoration. Colours remain well preserved. Minor age-related wear to the frame.\u003cbr data-start=\"2728\" data-end=\"2731\"\u003eFrame: Presented in a period frame, ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2789\" data-end=\"2868\"\u003eThis is a genuine, one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606242255189,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/ScottishOfficerCleanPlate.jpg?v=1775321076"},{"product_id":"m-miller-mid-century-portrait-of-a-painter","title":"M. Miller - Mid Century Portrait of a Painter","description":"\u003ch3 data-start=\"180\" data-end=\"275\"\u003e\u003cstrong data-start=\"184\" data-end=\"275\"\u003eLarge Oil on Board Portrait Study by M. Miller – Signed Mid-Century Figurative Painting\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"277\" data-end=\"598\"\u003eAn original oil on board portrait study by\u003cspan\u003e \u003c\/span\u003e\u003cspan data-start=\"320\" data-end=\"333\"\u003eM. Miller\u003c\/span\u003e, a mid-20th-century artist, depicting a sensitively observed female sitter. The composition is rendered with confident, expressive brushwork and a restrained, atmospheric palette, characteristic of post-war figurative painting and studio portraiture of the period.\u003c\/p\u003e\n\u003cp data-start=\"600\" data-end=\"934\"\u003eThe portrait demonstrates strong technical handling and careful tonal balance, with particular attention given to the sitter’s expression and modelling of form. The artist’s painterly approach and considered use of colour create a quiet, intimate presence, making this an appealing and characterful example of mid-century portraiture.\u003c\/p\u003e\n\u003cp data-start=\"936\" data-end=\"1233\"\u003eAlthough biographical information on M. Miller remains limited, the style, materials, and handling are consistent with works produced during the 1960s–1970s, reflecting broader trends in post-war figurative art that balanced traditional draftsmanship with freer, more expressive surface treatment.\u003c\/p\u003e\n\u003cp data-start=\"1235\" data-end=\"1505\"\u003eThe painting is signed in paint to the lower right and is presented in a decorative gilt frame of likely earlier date than the artwork itself. The piece is glazed and ready to hang, making it suitable for immediate display in both traditional and contemporary interiors.\u003c\/p\u003e\n\u003cp data-start=\"1507\" data-end=\"1866\"\u003eThe work is in good overall vintage condition. Under ultraviolet light, a faint splash-like staining pattern, possibly relating to varnish with minor drip marks, is visible in places. This is barely perceptible under normal viewing conditions and does not detract from the overall presentation. The frame shows light, age-related wear consistent with its age.\u003c\/p\u003e\n\u003cp data-start=\"1868\" data-end=\"2014\"\u003eA well-executed and attractive mid-century portrait, ideal for collectors of figurative art, vintage interiors, and traditional portrait painting.\u003c\/p\u003e\n\u003ch3 data-start=\"2021\" data-end=\"2036\"\u003e\u003cstrong data-start=\"2025\" data-end=\"2036\"\u003eDetails\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2038\" data-end=\"2431\"\u003e\u003cstrong data-start=\"2038\" data-end=\"2049\"\u003eMedium:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOil on board\u003cbr data-start=\"2062\" data-end=\"2065\"\u003e\u003cstrong data-start=\"2065\" data-end=\"2076\"\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eM. Miller (20th century)\u003cbr data-start=\"2101\" data-end=\"2104\"\u003e\u003cstrong data-start=\"2104\" data-end=\"2118\"\u003eSignature:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSigned in paint, lower right\u003cbr data-start=\"2147\" data-end=\"2150\"\u003e\u003cstrong data-start=\"2150\" data-end=\"2176\"\u003eUnframed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e55 × 40 cm\u003cbr data-start=\"2187\" data-end=\"2190\"\u003e\u003cstrong data-start=\"2190\" data-end=\"2214\"\u003eFramed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e68.5 × 53 cm\u003cbr data-start=\"2227\" data-end=\"2230\"\u003e\u003cstrong data-start=\"2230\" data-end=\"2239\"\u003eDate:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eCirca 1960s–1970s\u003cbr data-start=\"2257\" data-end=\"2260\"\u003e\u003cstrong data-start=\"2260\" data-end=\"2274\"\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eGood overall condition with minor age-related wear; faint varnish-related markings visible under UV only\u003cbr data-start=\"2379\" data-end=\"2382\"\u003e\u003cstrong data-start=\"2382\" data-end=\"2392\"\u003eFrame:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eGilt frame, glazed and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2438\" data-end=\"2517\"\u003eThis is a genuine, one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606245957973,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/MMillerPlate.jpg?v=1775321289"},{"product_id":"e-f-atleys-1888-landscape","title":"E. F. Atleys - 1888 Landscape","description":"\u003ch3 data-start=\"172\" data-end=\"260\"\u003e\u003cstrong data-start=\"176\" data-end=\"260\"\u003eLate Victorian Landscape – Oil on Canvas, Dated 1888, Attributed to E. F. Atleys\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"262\" data-end=\"617\"\u003eAn original late 19th-century oil on canvas landscape painting, dated 1888 and depicting a tranquil rural scene with trees, water, and distant countryside. The composition is carefully balanced, with gently rolling terrain, softened atmospheric distance, and subtle handling of light and tone, characteristic of Victorian landscape painting of the period.\u003c\/p\u003e\n\u003cp data-start=\"619\" data-end=\"913\"\u003eThe work is executed with naturalistic detail and a harmonious, restrained palette, reflecting the influence of late Victorian Realism and Tonalism. The foreground vegetation and reflective water are sensitively rendered, while the distant hills and sky create a strong sense of depth and calm.\u003c\/p\u003e\n\u003cp data-start=\"915\" data-end=\"1184\"\u003eThe painting is signed and dated to the lower left. The signature is somewhat unclear but appears to read “E. F. Atleys, 1888.” While slightly indistinct, it is consistent in placement and style with period practice and supports attribution to this 19th-century artist.\u003c\/p\u003e\n\u003cp data-start=\"1186\" data-end=\"1574\"\u003eThe work is laid down and presented behind glass and is housed in its original and highly attractive Victorian frame. The frame bears the original label of A. H. Meyer, Picture Frame Maker, 26 Forrest Road, Edinburgh, adding further historical and regional interest. The piece is fitted with a metal hanging loop and is ready to hang, though it may benefit from re-stringing if preferred.\u003c\/p\u003e\n\u003cp data-start=\"1576\" data-end=\"1922\"\u003eThe painting remains in good overall antique condition. There is light surface dirt and foxing to the canvas, along with minor dirt to the glass, consistent with age. A small area of possible historic retouching is visible in the sky. These minor issues do not detract from the overall presentation, and the work remains stable and displays well.\u003c\/p\u003e\n\u003cp data-start=\"1924\" data-end=\"2101\"\u003eA charming and well-executed Victorian landscape, offering strong decorative appeal and historical interest for collectors of 19th-century British art and traditional interiors.\u003c\/p\u003e\n\u003ch3 data-start=\"2108\" data-end=\"2123\"\u003e\u003cstrong data-start=\"2112\" data-end=\"2123\"\u003eDetails\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp data-start=\"2125\" data-end=\"2705\"\u003e\u003cstrong data-start=\"2125\" data-end=\"2136\"\u003eMedium:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOil on canvas, laid down and presented behind glass\u003cbr data-start=\"2188\" data-end=\"2191\"\u003e\u003cstrong data-start=\"2191\" data-end=\"2202\"\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eAttributed to E. F. Atleys (19th century)\u003cbr data-start=\"2244\" data-end=\"2247\"\u003e\u003cstrong data-start=\"2247\" data-end=\"2261\"\u003eSignature:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eSigned and dated “E. F. Atleys, 1888”, lower left\u003cbr data-start=\"2331\" data-end=\"2334\"\u003e\u003cstrong data-start=\"2334\" data-end=\"2360\"\u003eUnframed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e39 × 48 cm\u003cbr data-start=\"2371\" data-end=\"2374\"\u003e\u003cstrong data-start=\"2374\" data-end=\"2398\"\u003eFramed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e57 × 64 cm\u003cbr data-start=\"2409\" data-end=\"2412\"\u003e\u003cstrong data-start=\"2412\" data-end=\"2421\"\u003eDate:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1888 (Late Victorian period)\u003cbr data-start=\"2450\" data-end=\"2453\"\u003e\u003cstrong data-start=\"2453\" data-end=\"2467\"\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eGood overall condition with light surface dirt, foxing, and minor historic retouching; stable and displays well\u003cbr data-start=\"2579\" data-end=\"2582\"\u003e\u003cstrong data-start=\"2582\" data-end=\"2592\"\u003eFrame:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOriginal Victorian glazed frame with A. H. Meyer (Edinburgh) label; fitted with hanging loop and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2712\" data-end=\"2791\"\u003eThis is a genuine, one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606253166933,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/1888LandscapeMain.jpg?v=1775321478"},{"product_id":"greek-orthodox-icon","title":"Greek Orthodox Icon","description":"\u003cp data-start=\"249\" data-end=\"356\"\u003e\u003cstrong data-start=\"249\" data-end=\"356\"\u003eGreek Orthodox Icon – The Baptism of Christ (Theophany) – Hand-Painted Kovcheg Panel – Mid–20th Century\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"358\" data-end=\"742\"\u003eA beautifully hand-painted Orthodox icon depicting the Baptism of Christ, also known as Theophany, created in the Greek tradition during the mid to late 20th century. The central image is painted on a single solid wooden panel carved as a\u003cspan\u003e \u003c\/span\u003e\u003cem data-start=\"594\" data-end=\"603\"\u003ekovcheg\u003c\/em\u003e, with the main scene recessed into the wood and framed by a slightly raised border, a classic feature of Byzantine and Greek icon-making.\u003c\/p\u003e\n\u003cp data-start=\"744\" data-end=\"1040\"\u003eThe composition includes traditional details such as the Greek Christogram “IC XC” and symbolic elements associated with the Baptism narrative. The English title inscribed along the top suggests the piece was created either for an English-speaking Greek Orthodox community or produced for export.\u003c\/p\u003e\n\u003cp data-start=\"1042\" data-end=\"1307\"\u003eThe reverse of the panel features two wooden battens set into carved grooves and reinforced with screws. This combination of historic and practical construction methods is typical of mid–20th-century workshop production, helping stabilise the panel against warping.\u003c\/p\u003e\n\u003cp data-start=\"1309\" data-end=\"1507\"\u003eOverall, the icon remains in good vintage condition with age-appropriate signs of wear, and the paint surface is stable. Please review the photographs carefully as they form part of the description.\u003c\/p\u003e\n\u003ch2 data-start=\"1514\" data-end=\"1528\"\u003e\u003cstrong data-start=\"1517\" data-end=\"1528\"\u003eDetails\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul data-start=\"1529\" data-end=\"1929\"\u003e\n\u003cli data-start=\"1529\" data-end=\"1579\"\u003e\n\u003cp data-start=\"1531\" data-end=\"1579\"\u003e\u003cstrong data-start=\"1531\" data-end=\"1543\"\u003eSubject:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe Baptism of Christ (Theophany)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1580\" data-end=\"1628\"\u003e\n\u003cp data-start=\"1582\" data-end=\"1628\"\u003e\u003cstrong data-start=\"1582\" data-end=\"1593\"\u003eOrigin:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eGreek or Greek-diaspora workshop\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1629\" data-end=\"1679\"\u003e\n\u003cp data-start=\"1631\" data-end=\"1679\"\u003e\u003cstrong data-start=\"1631\" data-end=\"1642\"\u003eMedium:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMixed media on carved wooden panel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1680\" data-end=\"1719\"\u003e\n\u003cp data-start=\"1682\" data-end=\"1719\"\u003e\u003cstrong data-start=\"1682\" data-end=\"1697\"\u003ePanel Type:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eTraditional kovcheg\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1720\" data-end=\"1746\"\u003e\n\u003cp data-start=\"1722\" data-end=\"1746\"\u003e\u003cstrong data-start=\"1722\" data-end=\"1731\"\u003eSize:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e43 × 34.5 cm\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1747\" data-end=\"1782\"\u003e\n\u003cp data-start=\"1749\" data-end=\"1782\"\u003e\u003cstrong data-start=\"1749\" data-end=\"1758\"\u003eDate:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eMid–late 20th Century\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1783\" data-end=\"1867\"\u003e\n\u003cp data-start=\"1785\" data-end=\"1867\"\u003e\u003cstrong data-start=\"1785\" data-end=\"1799\"\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eGood vintage condition. Some minor age-related marks. See photos.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-start=\"1868\" data-end=\"1929\"\u003e\n\u003cp data-start=\"1870\" data-end=\"1929\"\u003e\u003cstrong data-start=\"1870\" data-end=\"1880\"\u003eFrame:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eUnframed wooden panel (integral raised border)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606262309205,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BaptismIG2.jpg?v=1775321638"},{"product_id":"claude-rowbotham-lake-of-menteith-in-golden-haze","title":"Claude Rowbotham - Lake of Menteith (In Golden Haze)","description":"\u003ch3 data-start=\"226\" data-end=\"347\"\u003e\u003cspan data-start=\"230\" data-end=\"347\"\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003eClaude Hamilton Rowbotham (British 1864–1949) – Hand-Coloured Aquatint\u003cspan\u003e \u003c\/span\u003e\u003cem data-start=\"303\" data-end=\"338\"\u003eLake of Menteith (In Golden Haze)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eSigned\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"349\" data-end=\"760\"\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003eA beautifully atmospheric hand-coloured aquatint by British etcher Claude Hamilton Rowbotham (1864–1949), depicting the tranquil expanse of the Lake of Menteith in soft golden light. Rowbotham was celebrated for his coloured aquatints of British and European landscapes, and this example shows his sensitive handling of tone, mood, and distance, with subtle washes of colour enhancing the etched detail beneath.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"762\" data-end=\"1237\"\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003eThe Lake of Menteith, situated in the heart of the Trossachs, has long inspired artists for its serene water, wooded shores, and evocative weather. Rowbotham pioneered an original aquatinting technique that is on show in this particular piece. This impression, an artist’s proof from an edition of 100, captures the lake in a warm, hazy glow, with finely engraved lines softened by careful hand-colouring, typical of the artist’s most sought-after work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1239\" data-end=\"1577\"\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003eRowbotham’s aquatints were issued in small editions and individually coloured, making each example slightly unique. This impression is pencil signed in the lower margin and retains excellent colour quality. The print is presented in a vintage glazed frame with a descriptive label verso, adding to its period character and collectability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"1579\" data-end=\"1762\"\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003eWith its gentle palette, well-balanced composition, and Scottish subject matter, this is a highly decorative and appealing print suited to both traditional and contemporary interiors.\u003c\/span\u003e\u003c\/p\u003e\n\u003chr data-start=\"1764\" data-end=\"1767\"\u003e\n\u003ch3 data-start=\"1769\" data-end=\"1787\"\u003e\u003cspan data-start=\"1773\" data-end=\"1785\"\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003eDetails:\u003c\/span\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-start=\"1788\" data-end=\"2400\"\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003e\u003cspan data-start=\"1788\" data-end=\"1799\"\u003eMedium:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eHand-coloured aquatint etching\u003cbr data-start=\"1830\" data-end=\"1833\"\u003e\u003cspan data-start=\"1833\" data-end=\"1844\"\u003eArtist:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eClaude Hamilton Rowbotham (British, 1864–1949)\u003cbr data-start=\"1891\" data-end=\"1894\"\u003e\u003cspan data-start=\"1894\" data-end=\"1904\"\u003eTitle:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem data-start=\"1905\" data-end=\"1940\"\u003eLake of Menteith (In Golden Haze)\u003c\/em\u003e\u003cbr data-start=\"1940\" data-end=\"1943\"\u003e\u003cspan data-start=\"1943\" data-end=\"1957\"\u003eSignature:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ePencil signed lower right\u003cbr data-start=\"1983\" data-end=\"1986\"\u003e\u003cspan data-start=\"1986\" data-end=\"1998\"\u003eEdition:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eArtist’s Proof, from an edition of 100\u003cbr data-start=\"2037\" data-end=\"2040\"\u003e\u003cspan data-start=\"2040\" data-end=\"2055\"\u003ePlate Size:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e15 × 20 cm\u003cbr data-start=\"2066\" data-end=\"2069\"\u003e\u003cspan data-start=\"2069\" data-end=\"2085\"\u003eFramed Size:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e37.5 \u003c\/span\u003e\u003cspan\u003e× 48 cm\u003c\/span\u003e\u003cspan style=\"font-family: Times New Roman; font-size: large;\"\u003e\u003cbr data-start=\"2117\" data-end=\"2120\"\u003e\u003cspan data-start=\"2120\" data-end=\"2134\"\u003eCondition:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eGood vintage condition; print clean with strong colour; mount lightly toned with a small water mark to lower right corner (not affecting the image); frame shows light age-related wear\u003cbr data-start=\"2318\" data-end=\"2321\"\u003e\u003cspan data-start=\"2321\" data-end=\"2331\"\u003eFrame:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eGlazed in a vintage frame with original label verso; ready to hang\u003c\/span\u003e\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606267060565,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/RowbothamMain.jpg?v=1775321835"},{"product_id":"portrait-of-a-boy","title":"Portrait of a Boy","description":"\u003cp data-start=\"140\" data-end=\"213\"\u003e\u003cstrong data-start=\"140\" data-end=\"213\"\u003e20th Century School – Oil Portrait of a Young Boy – Original Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"215\" data-end=\"668\"\u003eAn original early to mid-20th-century oil on board depicting a young boy in a quiet, contemplative pose. Painted with confident, naturalistic brushwork and a gently muted palette, the work reflects the enduring tradition of British and European school portraiture of the period. The artist—though unknown—demonstrates a sensitive handling of light and form, capturing the sitter’s youthful presence with subtle modelling and understated emotional depth.\u003c\/p\u003e\n\u003cp data-start=\"670\" data-end=\"1095\"\u003eChild portraiture of this era often sought to balance formality with intimacy, presenting the sitter with dignity while preserving an expressive sense of character. This example typifies that approach, with the boy set against a softly worked background that keeps the focus firmly on the face and upper body. The composition is carefully arranged, the brushwork measured yet lively, giving the painting a pleasing immediacy.\u003c\/p\u003e\n\u003cp data-start=\"1097\" data-end=\"1493\"\u003eWhile the artist is unidentified, the work aligns stylistically with traditional 20th-century academic and domestic portrait practice, suggesting a painter trained in conventional figurative techniques. The choice of oil on board, along with the restrained palette and honest presentation, are consistent with mid-century portrait painting undertaken for family commissions or small studio works.\u003c\/p\u003e\n\u003cp data-start=\"1495\" data-end=\"1728\"\u003ePresented in its complementary oak frame, the portrait is ready to hang and would sit comfortably in both classic and contemporary interiors. Its modest scale and warm tonalities make it an appealing decorative and collectible piece.\u003c\/p\u003e\n\u003cp data-start=\"1730\" data-end=\"2054\"\u003e\u003cstrong data-start=\"1730\" data-end=\"1742\"\u003eDetails:\u003c\/strong\u003e\u003cbr data-start=\"1742\" data-end=\"1745\"\u003e\u003cstrong data-start=\"1745\" data-end=\"1756\"\u003eMedium:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOil on board\u003cbr data-start=\"1769\" data-end=\"1772\"\u003e\u003cstrong data-start=\"1772\" data-end=\"1783\"\u003eArtist:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eUnknown (20th Century School)\u003cbr data-start=\"1813\" data-end=\"1816\"\u003e\u003cstrong data-start=\"1816\" data-end=\"1830\"\u003eSignature:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eUnsigned\u003cbr data-start=\"1839\" data-end=\"1842\"\u003e\u003cstrong data-start=\"1842\" data-end=\"1868\"\u003eUnframed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e43 × 33 cm\u003cbr data-start=\"1879\" data-end=\"1882\"\u003e\u003cstrong data-start=\"1882\" data-end=\"1906\"\u003eFramed Picture Size:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e49 × 39 cm\u003cbr data-start=\"1917\" data-end=\"1920\"\u003e\u003cstrong data-start=\"1920\" data-end=\"1934\"\u003eCondition:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eVery good vintage condition with light, age-related wear to the frame\u003cbr data-start=\"2004\" data-end=\"2007\"\u003e\u003cstrong data-start=\"2007\" data-end=\"2017\"\u003eFrame:\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOak frame, solid and ready to hang\u003c\/p\u003e\n\u003cp data-start=\"2056\" data-end=\"2135\"\u003eThis is a genuine, one-of-a-kind original artwork, not a print or reproduction.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606270206293,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/Boy1.jpg?v=1775321997"},{"product_id":"charles-basebe-in-the-nursery","title":"Charles Basebe - In the Nursery","description":"\u003cdiv\u003e\u003cstrong\u003eCharles J. Basebe (British 1818–1880) – Watercolour In the Nursery Signed \u0026amp; Dated 1859\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eOriginal watercolour and pencil drawing by the British 19th-century artist Charles J. Basebe (1818–1880), titled In the Nursery (1859). Rendered with delicate watercolour washes and skilful pencil work, heightened with touches of white, this charming interior genre scene showcases Basebe’s sensitive draughtsmanship and attention to detail typical of Victorian watercolourists. The composition captures an intimate moment within a nursery, evoking both narrative warmth and period character.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eCharles J. Basebe is known to have produced figurative works in watercolour and pencil during the mid-19th century. His oeuvre includes portraits and genre subjects, occasionally seen at auction, reflecting the artistic tastes and domestic interests of the Victorian era.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis work is signed and dated “C.J. Basebe 1859” at the lower right and is presented in a glazed frame, ready to display. With its antique charm, In the Nursery offers collectors a tasteful example of English watercolour artistry from the mid-19th century.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDetails:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003eMedium: Watercolour and pencil, heightened with white\u003c\/div\u003e\n\u003cdiv\u003eArtist: Charles J. Basebe (British, 1818–1880)\u003c\/div\u003e\n\u003cdiv\u003eSignature: Signed and dated lower right (“C.J. Basebe 1859”)\u003c\/div\u003e\n\u003cdiv\u003ePlate Size: 54.5 × 42 cm (approx.)\u003c\/div\u003e\n\u003cdiv\u003eFrame: Glazed frame included, ready to hang\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eThis is a genuine, one-off original artwork, not a print or reproduction.\u003c\/div\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53606273057109,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BasebePlate_64f70885-a5d1-4bfe-bb22-b58c204ad564.jpg?v=1775322108"},{"product_id":"m-paules-horse-and-handler","title":"M. Paules – Horse and Handler","description":"\u003cp data-start=\"33\" data-end=\"345\"\u003e\u003cstrong\u003eM. Paules – Horse and Handler\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA charming small oil painting by M. Paules, depicting a bay horse being held by a handler in a rural landscape. The composition has a pleasing decorative quality, with the horse placed in profile against a softly painted countryside background, while the handler adds a gentle narrative element to the scene.\u003c\/p\u003e\n\u003cp data-start=\"347\" data-end=\"808\"\u003ePaules is a little-documented 20th-century artist whose works have appeared at auction in the UK and Europe, including animal, sporting, rural, harbour and still-life subjects. He has been catalogued at auction as Dutch, 20th century, though detailed biographical information appears to be scarce. This example fits well within that known decorative tradition, particularly in its small scale, animal subject, ornate presentation and convex oval format.\u003c\/p\u003e\n\u003cp data-start=\"810\" data-end=\"1334\"\u003eThe painting is signed M. Paules lower right, and is presented in a highly decorative gilt frame with bold scrolling ornament. The work is in the traditional convex oval style, giving the painted surface a gently domed quality that adds depth and period character. The frame is heavy for its size and is likely made from a wooden base with applied composition, gesso, or similar moulded decorative ornament, finished in gilt. Its weight and elaborate raised detail give the work a strong period-style presence.\u003c\/p\u003e\n\u003cp data-start=\"1336\" data-end=\"1347\"\u003e\u003cstrong data-start=\"1336\" data-end=\"1347\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"1349\" data-end=\"1629\"\u003e\u003cstrong data-start=\"1349\" data-end=\"1360\"\u003eArtist:\u003c\/strong\u003e M. Paules\u003cbr data-start=\"1370\" data-end=\"1373\"\u003e\u003cstrong data-start=\"1373\" data-end=\"1383\"\u003eTitle:\u003c\/strong\u003e Horse and Handler\u003cbr data-start=\"1401\" data-end=\"1404\"\u003e\u003cstrong data-start=\"1404\" data-end=\"1415\"\u003eMedium:\u003c\/strong\u003e Oil on convex oval panel\u003cbr data-start=\"1446\" data-end=\"1449\"\u003e\u003cstrong data-start=\"1449\" data-end=\"1458\"\u003eDate:\u003c\/strong\u003e 20th century\u003cbr data-start=\"1471\" data-end=\"1474\" data-is-only-node=\"\"\u003e\u003cstrong data-start=\"1474\" data-end=\"1490\"\u003eFramed Size:\u003c\/strong\u003e 38 x 33 cm\u003cbr data-start=\"1501\" data-end=\"1504\"\u003e\u003cstrong data-start=\"1504\" data-end=\"1518\"\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr data-start=\"1537\" data-end=\"1540\"\u003e\u003cstrong data-start=\"1540\" data-end=\"1550\"\u003eFrame:\u003c\/strong\u003e Heavy ornate gilt frame, likely wood with applied composition\/gesso ornament\u003cbr\u003e\u003cstrong data-start=\"1631\" data-end=\"1644\"\u003eCondition: \u003c\/strong\u003eThe painting is in good overall condition, with slight yellowing to the varnish. The frame is also in good condition overall, with some surface dirt and minor age-related wear visible on close inspection. The ornate gilt finish remains attractive and highly decorative.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53778518016341,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/HorsePlateIG.jpg?v=1777313782"},{"product_id":"british-school-portrait-of-a-young-gentleman-with-book","title":"British School Portrait of a Young Gentleman with Book","description":"\u003cp data-start=\"28\" data-end=\"86\"\u003e\u003cstrong data-start=\"28\" data-end=\"86\"\u003eBritish School Portrait of a Young Gentleman with Book\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"88\" data-end=\"422\"\u003eA characterful early 19th-century British School portrait of a young gentleman, painted in oil on board and presented in a large ornate gilt frame. The sitter is shown half-length against a dark brown background, wearing a high-collared black coat, white collar, dark cravat and warm brown waistcoat, holding an open book in one hand.\u003c\/p\u003e\n\u003cp data-start=\"424\" data-end=\"808\"\u003eThe clothing and style suggest a date around the late Regency or early William IV period, c.1820–1830. The book gives the portrait a particularly appealing scholarly quality, presenting the sitter as thoughtful, educated and self-possessed. Although apparently unsigned, the work has strong decorative presence, with a sensitively painted face and direct, quietly engaging expression.\u003c\/p\u003e\n\u003cp data-start=\"810\" data-end=\"941\"\u003eThe portrait is housed in a substantial decorative gilt frame with bold moulded ornament, giving the piece excellent wall presence.\u003c\/p\u003e\n\u003cp data-start=\"943\" data-end=\"954\"\u003e\u003cstrong data-start=\"943\" data-end=\"954\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"956\" data-end=\"1233\"\u003e\u003cstrong data-start=\"956\" data-end=\"967\"\u003eArtist:\u003c\/strong\u003e British School\u003cbr data-start=\"982\" data-end=\"985\"\u003e\u003cstrong data-start=\"985\" data-end=\"995\"\u003eTitle:\u003c\/strong\u003e Portrait of a Young Gentleman with Book\u003cbr data-start=\"1035\" data-end=\"1038\"\u003e\u003cstrong data-start=\"1038\" data-end=\"1049\"\u003eMedium:\u003c\/strong\u003e Oil on board\u003cbr data-start=\"1062\" data-end=\"1065\"\u003e\u003cstrong data-start=\"1065\" data-end=\"1074\"\u003eDate:\u003c\/strong\u003e c.1820–1830\u003cbr data-start=\"1086\" data-end=\"1089\"\u003e\u003cstrong data-start=\"1089\" data-end=\"1107\" data-is-only-node=\"\"\u003eUnframed Size:\u003c\/strong\u003e 60 x 75 cm\u003cbr data-start=\"1118\" data-end=\"1121\"\u003e\u003cstrong data-start=\"1121\" data-end=\"1137\"\u003eFramed Size:\u003c\/strong\u003e 94 x 79 cm\u003cbr data-start=\"1148\" data-end=\"1151\"\u003e\u003cstrong data-start=\"1151\" data-end=\"1165\"\u003eSignature:\u003c\/strong\u003e Unsigned\u003cbr data-start=\"1185\" data-end=\"1188\"\u003e\u003cstrong data-start=\"1188\" data-end=\"1198\"\u003eFrame:\u003c\/strong\u003e Ornate gilt frame, ready to hang\u003cbr\u003e\u003cstrong data-start=\"1235\" data-end=\"1248\"\u003eCondition: \u003c\/strong\u003eGood antique condition overall. The painting has been professionally restored and shows areas of overpaint under UV light, consistent with past conservation. The ornate gilt frame has visible age-related wear, rubbing, losses and old repairs, in keeping with its decorative antique character. Overall, a highly attractive and atmospheric early 19th-century portrait, ready for display.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53784503812437,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/BoyPlateIG.jpg?v=1777403064"},{"product_id":"scottish-coastal-cliff-with-children-playing","title":"Scottish Coastal Cliff with Children Playing","description":"\u003cp data-start=\"0\" data-end=\"84\"\u003e\u003cstrong data-start=\"0\" data-end=\"84\"\u003e20th Century Scottish School – Coastal Cliff with Children Playing, Oil on Board\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"86\" data-end=\"408\"\u003eA charming 20th-century Scottish School oil on board depicting two children playing beside rockpools on a rocky coastline. The scene is full of coastal atmosphere, with red-brown cliffs and boulders framing a sheltered pool, while the darker blue water and distant green hills open the composition out towards the horizon.\u003c\/p\u003e\n\u003cp data-start=\"410\" data-end=\"728\"\u003eThe painting is unsigned, but it is confidently and attractively handled, with broad, expressive brushwork used to build up the rocks, shoreline and vegetation. The small figures in the foreground give the work a particularly appealing narrative quality, suggesting children rockpooling or playing at the water’s edge.\u003c\/p\u003e\n\u003cp data-start=\"730\" data-end=\"1141\"\u003eThe coastal setting may possibly relate to the East Lothian\/North Berwick area, with its distinctive red rock formations and views across the Firth of Forth, though the exact location remains unidentified. The reverse retains an old label for Doig, Wilson \u0026amp; Wheatley, fine art dealers, printsellers, picture restorers and framers of George Street, Edinburgh, adding further Scottish interest to the piece.\u003c\/p\u003e\n\u003cp data-start=\"1143\" data-end=\"1169\"\u003ePresented in a gilt frame.\u003c\/p\u003e\n\u003cp data-start=\"1171\" data-end=\"1182\"\u003e\u003cstrong data-start=\"1171\" data-end=\"1182\"\u003eDetails\u003cbr\u003e\u003c\/strong\u003e\u003cstrong data-start=\"1184\" data-end=\"1195\"\u003eMedium:\u003c\/strong\u003e Oil on board\u003cbr data-start=\"1208\" data-end=\"1211\"\u003e\u003cstrong data-start=\"1211\" data-end=\"1222\"\u003eArtist:\u003c\/strong\u003e Scottish School, unsigned\u003cbr data-start=\"1248\" data-end=\"1251\"\u003e\u003cstrong data-start=\"1251\" data-end=\"1261\"\u003eTitle:\u003c\/strong\u003e Coastal Cliff with Children Playing\u003cbr data-start=\"1297\" data-end=\"1300\"\u003e\u003cstrong data-start=\"1300\" data-end=\"1309\" data-is-only-node=\"\"\u003eDate:\u003c\/strong\u003e 20th century, likely early-to-mid 20th century\u003cbr data-start=\"1356\" data-end=\"1359\"\u003e\u003cstrong data-start=\"1359\" data-end=\"1377\"\u003eUnframed Size:\u003c\/strong\u003e 24 x 33 cm\u003cbr data-start=\"1388\" data-end=\"1391\"\u003e\u003cstrong data-start=\"1391\" data-end=\"1407\"\u003eFramed Size:\u003c\/strong\u003e 34 x 44 cm\u003cbr data-start=\"1418\" data-end=\"1421\"\u003e\u003cstrong data-start=\"1421\" data-end=\"1435\"\u003eCondition:\u003c\/strong\u003e The painting presents well overall. There are small black specks on the painted surface, likely flecks of dirt, most noticeable in the sky sections, along with minor age-related surface marks. The gilt frame has some wear, rubbing and small losses consistent with age. The board is not sitting completely flush with the frame at the top, though it remains very secure. The work appears to have been framed using cork spacers, an interesting period framing detail visible from the reverse.\u003cbr data-start=\"1930\" data-end=\"1933\"\u003e\u003cstrong data-start=\"1933\" data-end=\"1943\"\u003eFrame:\u003c\/strong\u003e Gilt frame, with old Doig, Wilson \u0026amp; Wheatley label to reverse.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53838024245589,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/CliffScenePlate.jpg?v=1778091635"},{"product_id":"emanuel-miller-the-roundabout","title":"Emanuel Miller - The Roundabout","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\u003cdiv class=\"relative w-full overflow-visible\"\u003e\n\u003csection class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto [content-visibility:auto] supports-[content-visibility:auto]:[contain-intrinsic-size:auto_100lvh] R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" data-turn-id=\"request-69ee86a0-6ff0-83eb-aa6f-a248c7d3ba1e-13\" data-turn-id-container=\"request-69ee86a0-6ff0-83eb-aa6f-a248c7d3ba1e-13\" data-testid=\"conversation-turn-20\" data-scroll-anchor=\"false\" data-turn=\"assistant\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\u003cdiv data-message-author-role=\"assistant\" data-message-id=\"3a808b2f-c590-44aa-9079-c858f16c7c47\" dir=\"auto\" data-message-model-slug=\"gpt-5-5-thinking\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" data-turn-start-message=\"true\" tabindex=\"0\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\u003cp data-start=\"90\" data-end=\"391\"\u003e\u003cstrong\u003eEmanuel Miller - The Roundabout, Oil Painting\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp data-start=\"90\" data-end=\"487\"\u003eOriginal oil on canvas attributed to Dr Emanuel Miller FRCP (1893–1970), the pioneering British child psychiatrist and father of theatre director, writer and broadcaster Jonathan Miller, titled \u003cem data-start=\"292\" data-end=\"308\"\u003eThe Roundabout\u003c\/em\u003e. Emanuel Miller was a significant figure in early child psychiatry and wartime psychological medicine, but he was also a practising artist who painted, drew, etched and sculpted.\u003c\/p\u003e\n\u003cp data-start=\"489\" data-end=\"766\"\u003eThe painting depicts a child riding a fairground roundabout, handled with a lively, expressive touch and a warm, atmospheric palette. The subject has a particular charm, especially in light of Miller’s professional interest in childhood and the psychological world of children.\u003c\/p\u003e\n\u003cp data-start=\"768\" data-end=\"1091\"\u003eThe attribution is supported by inscriptions on the reverse: one reading “The Roundabout – By Emanuel Miller”, and a second appearing to read “Sandhill Park, Bishops Lydeard, E. Miller.” Sandhill Park was used as a wartime psychiatric hospital, where Miller is understood to have worked during the Second World War.\u003c\/p\u003e\n\u003cp data-start=\"1093\" data-end=\"1251\"\u003eThe reverse also carries an old Winsor \u0026amp; Newton “School of Art Canvas” stamp. The canvas and frame show clear age, and there is an old repair patch verso.\u003c\/p\u003e\n\u003cp data-start=\"1253\" data-end=\"1344\"\u003eA fascinating and unusually personal work, combining artistic, medical and wartime history.\u003c\/p\u003e\n\u003cp data-start=\"1346\" data-end=\"1357\"\u003e\u003cstrong data-start=\"1346\" data-end=\"1357\"\u003eDetails\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul data-start=\"1359\" data-end=\"1765\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\n\u003cli data-section-id=\"1kw06vd\" data-start=\"1359\" data-end=\"1420\"\u003e\n\u003cstrong data-start=\"1361\" data-end=\"1372\"\u003eArtist:\u003c\/strong\u003e Attributed to Emanuel Miller FRCP (1893–1970)\u003c\/li\u003e\n\u003cli data-section-id=\"zbvazo\" data-start=\"1421\" data-end=\"1452\"\u003e\n\u003cstrong data-start=\"1423\" data-end=\"1433\"\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1434\" data-end=\"1450\"\u003eThe Roundabout\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli data-section-id=\"tezmto\" data-start=\"1453\" data-end=\"1482\"\u003e\n\u003cstrong data-start=\"1455\" data-end=\"1466\"\u003eMedium:\u003c\/strong\u003e Oil on canvas\u003c\/li\u003e\n\u003cli data-section-id=\"1nx3d36\" data-start=\"1483\" data-end=\"1516\"\u003e\n\u003cstrong data-start=\"1485\" data-end=\"1501\"\u003eFramed size:\u003c\/strong\u003e 58 × 47.5 cm\u003c\/li\u003e\n\u003cli data-section-id=\"1iau1j3\" data-start=\"1517\" data-end=\"1628\"\u003e\n\u003cstrong data-start=\"1519\" data-end=\"1548\"\u003eSignature \/ inscriptions:\u003c\/strong\u003e Inscribed verso with title, artist’s name, and apparent Sandhill Park address\u003c\/li\u003e\n\u003cli data-section-id=\"1vax750\" data-start=\"1629\" data-end=\"1745\"\u003e\n\u003cstrong data-start=\"1631\" data-end=\"1645\"\u003eCondition:\u003c\/strong\u003e Good antique condition overall, with age-related wear and an old repair patch to the canvas verso\u003c\/li\u003e\n\u003cli data-section-id=\"ggvqt2\" data-start=\"1746\" data-end=\"1765\" data-is-last-node=\"\"\u003e\n\u003cstrong data-start=\"1748\" data-end=\"1758\"\u003eFrame:\u003c\/strong\u003e Framed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":53922044543317,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/EMillerPlate.jpg?v=1778703178"},{"product_id":"a-frall-harvest-home-clipper-ship-at-sea","title":"A. Frall – Harvest Home Clipper Ship at Sea","description":"\u003cp\u003e\u003cstrong\u003eA. Frall – Three-Masted Clipper \u003cem\u003eHarvest Home\u003c\/em\u003e at Sea, Watercolour\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal watercolour by A. Frall, depicting the three-masted clipper ship \u003cem\u003eHarvest Home\u003c\/em\u003e at sea. The vessel is shown broadside in full sail, with flags flying and a dark hull set against a bright blue sea and sky. The composition follows the traditional format of a ship portrait, presenting the vessel clearly and decoratively while still giving a strong sense of movement across the water.\u003c\/p\u003e\n\u003cp\u003eThe named subject gives the work added maritime interest. \u003cem\u003eHarvest Home\u003c\/em\u003e is believed to relate to the 19th-century Liverpool-built clipper\/barque of the same name, associated with the age of fast commercial sailing ships and long-distance trade routes. The image captures the elegance and working power of these vessels, with the full rigging, sails and hull carefully described.\u003c\/p\u003e\n\u003cp\u003eThe work is signed lower right and presented in a glazed gilt composition frame. A decorative and characterful marine watercolour, well suited to collectors of nautical art, ship portraits and maritime history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e A. Frall\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Three-Masted Clipper \u003cem\u003eHarvest Home\u003c\/em\u003e at Sea\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Watercolour on paper\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 61.5 x 80 cm\u003cbr\u003e\u003cstrong\u003eUnframed size:\u003c\/strong\u003e 44 x 62 cm\u003cbr\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Glazed gilt composition frame\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eThe work is in good overall vintage condition, with light age-related wear and some expected toning to the paper. It is presented behind glass and has not been examined out of the frame. The frame has general age-related wear, small losses and surface marks, in keeping with its age. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54067752141141,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/FrallPlate.jpg?v=1780586158"},{"product_id":"joseph-kent-richardson-rsw-peat-moss-forres-invernesshire","title":"Joseph Kent Richardson RSW - Peat Moss, Forres, Invernesshire","description":"\u003cp\u003e\u003cstrong\u003eJoseph Kent Richardson RSW - Peat Moss, Forres, Inverness-shire Oil Painting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEarly 20th-century oil painting by Joseph Kent Richardson RSW (1877–1972), titled Peat Moss, Forres, Inverness-shire, depicting a quiet rural Scottish landscape with open mossland, a small white cottage, trees, low hills and a broad cloud-filled sky.\u003c\/p\u003e\n\u003cp\u003eRichardson was a Scottish artist and member of the Royal Scottish Society of Painters in Watercolour, known for his atmospheric Scottish landscapes and topographical subjects. This work is characteristic of his interest in rural scenery, combining a modest Highland\/Moray landscape subject with confident, painterly handling and a strong sense of changing light.\u003c\/p\u003e\n\u003cp\u003eThe title refers to a peat moss near Forres, connecting the scene to Scotland’s historic peat-bog landscapes, once important sources of rural fuel. The small white cottage and reflective pool give scale and focus to the open landscape, while the dark wooded ridge and expansive sky create a particularly atmospheric composition.\u003c\/p\u003e\n\u003cp\u003eThe painting is signed lower left and retains its original handwritten label verso, giving the title, artist’s name and Richardson’s studio address at The Studio, Goose Green, Gullane, East Lothian. Presented in an ornate moulded frame with an aged gilt and reddish-brown finish.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Joseph Kent Richardson RSW (1877–1972)\u003cbr\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003ePeat Moss, Forres, Inverness-shire\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on canvas board\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Early 20th century, probably circa 1920s–1930s\u003cbr\u003e\u003cstrong\u003ePainting size:\u003c\/strong\u003e 32 x 24 cm\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 38 x 48 cm\u003cbr\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower left\u003cbr\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Ornate moulded frame\u003cbr\u003e\u003cstrong\u003eLabel:\u003c\/strong\u003e Handwritten artist’s label verso\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The painting is in good overall antique condition, with light age-related surface wear visible. The frame has general wear, rubbing, small losses and age-related distressing to the finish, in keeping with its period character. Please see photographs for details.\u003cbr\u003e\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54115089088853,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/RichardsonPlate.jpg?v=1781129767"},{"product_id":"michelle-dash-dreamlike-surreal-garden-scene","title":"Michelle Dash – Dreamlike Surreal Garden Scene","description":"\u003cp\u003e\u003cstrong\u003eMichelle Dash – \u003cem\u003eSurreal Garden Scene with Figures\u003c\/em\u003e, Oil on Board, 1995\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal oil on board by the Bristol artist Michelle Dash, dated 1995, depicting a dreamlike garden or wooded landscape with small figures, including children and a seated female figure. The scene has a striking surreal quality, with tall dark topiary-like trees, distant hills, a crescent moon and tiny figures arranged within a theatrical, almost fairy-tale setting.\u003c\/p\u003e\n\u003cp\u003eThe work is painted on a shaped flat panel, with the border or “frame” painted directly onto the board rather than applied separately. This gives the piece a distinctive object-like quality, somewhere between folk painting, stage-set design and narrative illustration. The dark greens and blues create a strong moonlit atmosphere, while the small figures add charm, mystery and a sense of quiet storytelling.\u003c\/p\u003e\n\u003cp\u003eDash is associated with Bristol and the South West, and her later work is known for its narrative, mythic and dreamlike qualities, often drawing on fairy tales, medieval imagery, folklore and transformation. This earlier 1995 panel already shows many of those interests in a highly decorative and unusual form. A characterful and atmospheric contemporary naive-surreal work, well suited to collectors of outsider, folk-inspired and narrative British art.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Michelle Dash\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eSurreal Garden Scene with Figures\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMedium: \u003c\/strong\u003eOil on board\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e 1995\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 61.5 x 41 cm\u003cbr\u003e\u003cstrong\u003eSignature\/inscription:\u003c\/strong\u003e Signed and dated Michelle Dash '95\u003cbr\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Painted integral border on shaped flat panel with rounded upper corners\u003cbr\u003e\u003cstrong\u003eCondition: \u003c\/strong\u003eThe work is in good overall vintage condition, with age-related wear, particularly to the integral frame area and surface marks. As this is painted on a flat shaped board with an integral painted edge, there is no separate conventional frame. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54125640057173,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/DashMain.jpg?v=1781275683"},{"product_id":"david-cox-r-w-a-r-o-i-ballet-dancers","title":"David Cox R.W.A. R.O.I. – Ballet Dancers","description":"\u003cp\u003e\u003cstrong\u003eDavid Cox R.W.A. R.O.I. – \u003cem\u003eBallet Dancers\u003c\/em\u003e, Oil on Board\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginal oil on board by the British artist David Cox R.W.A. R.O.I., titled \u003cem\u003eBallet Dancers\u003c\/em\u003e, depicting a group of young dancers gathered backstage or in a rehearsal room. The composition has a lovely theatrical intimacy, with figures adjusting costumes, resting, and waiting among curtains and muted studio light. The repeated greens of the tutus give the painting a strong decorative quality, while the loose, expressive handling keeps the scene lively and atmospheric.\u003c\/p\u003e\n\u003cp\u003eThe ballet subject is particularly appealing, connecting the work with Cox’s known interest in figure painting, dressing-room scenes and rehearsal interiors. Rather than showing a formal stage performance, Cox captures the quieter world behind the scenes: the preparation, stillness and movement before the dancers appear before an audience. The central figure seen from behind gives the painting a strong focal point, while the paler figures in the background add depth and a sense of activity beyond the immediate foreground.\u003c\/p\u003e\n\u003cp\u003eDavid Cox R.W.A. R.O.I. was a British painter associated with the St Ives and Penwith art circles, later settling in Suffolk, where he ran his own art school. His work often combined expressive brushwork with intimate figure subjects and interiors. This signed oil is a charming and highly decorative example of his work, well suited to collectors of mid-century British painting, ballet subjects and theatrical interiors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e David Cox R.W.A. R.O.I.\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem\u003eBallet Dancers\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on board\u003cbr\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e Undated, mid-20th century\u003cbr\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 70 x 80 cm\u003cbr\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 50 x 60 cm\u003cbr\u003e\u003cstrong\u003eSignature:\u003c\/strong\u003e Signed lower right\u003cbr\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Moulded frame with painted\/distressed finish\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The work is in good overall vintage condition, with light age-related surface wear and marks. The frame has general wear, rubbing and small losses in keeping with age and style. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54127059632469,"sku":null,"price":595.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/CoxPlate.jpg?v=1781304768"},{"product_id":"nan-c-livingston-winter-trees","title":"Nan C. Livingston - Winter Trees","description":"\u003cp data-start=\"0\" data-end=\"56\"\u003e\u003cstrong\u003eNan C. Livingston – \u003cem data-start=\"20\" data-end=\"34\"\u003eWinter Trees\u003c\/em\u003e, Oil on Board, c.1930\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-start=\"58\" data-end=\"407\"\u003eOriginal oil on board by the Scottish artist Nan C. Livingston, titled \u003cem data-start=\"129\" data-end=\"143\"\u003eWinter Trees\u003c\/em\u003e, depicting a winter landscape with bare trees, low stone walling and distant blue hills beyond. The work has a quiet, atmospheric quality, with a restrained palette of browns, greys, greens and muted blues capturing the feel of the Scottish countryside in winter.\u003c\/p\u003e\n\u003cp data-start=\"409\" data-end=\"831\"\u003eThe painting is especially appealing for its richly textured surface. Livingston uses thick impasto and expressive palette-knife handling to build up the branches, foreground wall and rough landscape forms, giving this small work a strong sense of movement and depth. The exposed winter trees create a striking structure across the composition, while the touches of blue in the distance bring light and space to the scene.\u003c\/p\u003e\n\u003cp data-start=\"833\" data-end=\"1320\"\u003eLivingston was a Scottish painter associated with landscape and still life subjects, and is recorded as having exhibited with institutions including the Royal Scottish Academy, the Royal Glasgow Institute and the Royal Scottish Society of Painters in Watercolour. This work is painted on a Geo. Rowney \u0026amp; Co. Academy Board and retains a later biographical note verso. A charming and characterful Scottish landscape by a collectable woman artist, presented in an attractive giltwood frame.\u003c\/p\u003e\n\u003cp data-start=\"1322\" data-end=\"1554\"\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Nan C. Livingston\u003cbr data-start=\"1347\" data-end=\"1350\"\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e \u003cem data-start=\"1357\" data-end=\"1371\"\u003eWinter Trees\u003c\/em\u003e\u003cbr data-start=\"1371\" data-end=\"1374\"\u003e\u003cstrong\u003eMedium:\u003c\/strong\u003e Oil on board\u003cbr data-start=\"1394\" data-end=\"1397\"\u003e\u003cstrong\u003eDate:\u003c\/strong\u003e c.1930\u003cbr data-start=\"1409\" data-end=\"1412\"\u003e\u003cstrong\u003eImage size:\u003c\/strong\u003e 22 x 16 cm\u003cbr data-start=\"1434\" data-end=\"1437\"\u003e\u003cstrong\u003eFramed size:\u003c\/strong\u003e 41 x 34 cm\u003cbr data-start=\"1460\" data-end=\"1463\"\u003e\u003cstrong\u003eSignature\/inscription:\u003c\/strong\u003e Signed lower right; titled in pencil verso\u003cbr data-start=\"1528\" data-end=\"1531\"\u003e\u003cstrong\u003eFrame:\u003c\/strong\u003e Giltwood frame\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e The painting is in good overall antique condition, with surface texture and age-related toning consistent with period. The giltwood frame has scattered small losses, rubbing and general age-related wear. Please see photographs for details.\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":54132183564629,"sku":null,"price":0.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/LivingstonePlate.jpg?v=1781376781"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/collections\/BasebePlate_64f70885-a5d1-4bfe-bb22-b58c204ad564.jpg?v=1780947593","url":"https:\/\/63arts.co.uk\/collections\/sold-archive.oembed?page=2","provider":"63Arts Edinburgh","version":"1.0","type":"link"}