{"product_id":"dorothy-johnstone-arsa-1892-1980-still-life-vase-of-flowers","title":"Dorothy Johnstone ARSA (1892–1980) – Still Life Vase of Flowers","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eDorothy Johnstone ARSA (Scottish 1892–1980) - Still Life Vase of Flowers, 1964\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA particularly attractive mid-20th-century oil on board by the important Scottish painter Dorothy Johnstone ARSA (1892–1980), depicting a loosely arranged bouquet of flowers in a white ceramic jug. Signed and dated 'Dorothy Johnstone 64' at the lower right and with an extensive unfinished figure study painted to the reverse. Provenance by descent through the artist's family.\u003c\/p\u003e\n\u003cp\u003eThe composition centres on a substantial white pottery jug filled with a profusion of flowers, including pale blue, pink and white blooms set amongst strongly articulated green stems and foliage. Johnstone avoids an overly formal arrangement, allowing the flowers to spread naturally across the upper half of the painting and giving the still life a lively, spontaneous character.\u003c\/p\u003e\n\u003cp\u003eThe flowers are handled with considerable freedom. Pale petals are built from broken passages of white, cream, soft pink, blue and violet, with individual blossoms suggested through quick, expressive marks rather than tightly delineated detail. Darker outlines and flashes of green give structure to the arrangement, while the vigorous surface retains a strong sense of the artist's brushwork.\u003c\/p\u003e\n\u003cp\u003eThe white jug provides a quieter visual anchor beneath the flowers. Its rounded body and looping handle are modelled through softly modulated whites, greys, pinks and ochres, with the vessel reflected subtly in the surface below. Johnstone surrounds it with a rich and complex arrangement of muted russets, browns, ochres and yellow-greens, creating a warm interior setting against which the cooler flowers stand out particularly effectively.\u003c\/p\u003e\n\u003cp\u003eThe background is treated almost as an abstract arrangement of colour and texture. Areas of deep red-brown, olive, mustard yellow and grey are layered and scraped across the board, with the underlying surface frequently allowed to remain visible. This energetic handling gives the work a distinctly modern character while retaining the intimacy and domesticity of the traditional flower painting.\u003c\/p\u003e\n\u003cp\u003eDorothy Johnstone was an important figure in 20th-century Scottish painting. Born in Edinburgh in 1892, she studied at Edinburgh College of Art and became closely associated with the city's artistic community. She exhibited extensively during a long career and was elected an Associate of the Royal Scottish Academy. Her work encompassed portraiture, figure painting, landscape and still life, with her later paintings often displaying an increasingly loose and expressive handling of paint.\u003c\/p\u003e\n\u003cp\u003eThe date of 1964 places this work firmly within Johnstone's mature period. By this stage her approach had moved well beyond the comparatively formal academic manner of her early career, and the broad, broken handling and emphasis upon colour visible here give the painting a particularly appealing post-war character.\u003c\/p\u003e\n\u003cp\u003eOf particular interest is the reverse of the board, which bears a substantial unfinished painted study of a recumbent figure in an interior, with a chair positioned near the figure's feet. The composition extends across almost the entire reverse and is considerably more developed than a simple preparatory sketch, with the figure, furniture and surrounding space all broadly blocked in using muted pink, blue, ochre, grey and brown. The presence of this second composition provides a fascinating insight into Johnstone's working process and suggests that the board may have been reused after an earlier figure study was abandoned.\u003c\/p\u003e\n\u003cp\u003eA small red number '114' also appears at the lower left of the reverse. Given the painting's provenance by descent through the artist's family, this may represent a studio or collection reference, although its precise significance is presently unknown.\u003c\/p\u003e\n\u003cp\u003eThe painting has particularly strong provenance, having descended directly through the artist's family. This direct connection, together with the signed and dated front and the extensive painted study on the reverse, makes it a notably well-documented and characterful example of Johnstone's later work.\u003c\/p\u003e\n\u003cp\u003eNow presented in a simple walnut frame whose warm reddish-brown tone complements the muted russets, ochres and pinks of the painting without distracting from the expressive surface.\u003c\/p\u003e\n\u003cp\u003eA highly appealing mature still life by Dorothy Johnstone, combining a softly coloured floral subject with vigorous, painterly handling and the added interest of a substantial figure study on the reverse.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eArtist:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Dorothy Johnstone ARSA (Scottish 1892–1980)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTitle:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eStill Life Vase of Flowers\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDate:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 1964\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMedium:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Oil on board\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSigned:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Signed and dated 'Dorothy Johnstone 64' lower right\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eUnframed size:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 62cm x 46cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFramed size:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e 66.5cm x 51cm\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFrame:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Walnut frame\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eReverse:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Extensive unfinished study of a recumbent figure in an interior, with chair; numbered '114'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eProvenance:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e By descent through the artist's family\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCondition:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e Good vintage condition overall, with age-related surface wear and marks consistent with its age and working history. There is a small area of horizontal paint loss at the upper left, close to the flower heads, together with a narrow vertical area of loss to the right of the flowers and stems. The reverse retains the unfinished figure study and associated studio wear. Please refer to the photographs for a detailed indication of condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"63Arts Edinburgh","offers":[{"title":"Default Title","offer_id":55218581307733,"sku":null,"price":895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1038\/7170\/9525\/files\/JohnstoneDecor_9c4edeee-919e-46ee-958d-fce1eda3ffd3.jpg?v=1791244952","url":"https:\/\/63arts.co.uk\/products\/dorothy-johnstone-arsa-1892-1980-still-life-vase-of-flowers","provider":"63Arts Edinburgh","version":"1.0","type":"link"}